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Journal articles on the topic 'Deadpool'

Author: Grafiati

Published: 4 June 2021

Last updated: 9 February 2022

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1

Rohmawati, Rohmawati. "Subtitling Strategies of Swear Words in Deadpool One & Deadpool Two Film." Indonesian Journal of EFL and Linguistics 6, no. 1 (May 19, 2021): 217. http://dx.doi.org/10.21462/ijefl.v6i1.360.

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Subtitles has always been seen as a savior by a lot of people because it breaks all language barriers and made various films and series to be more understandable and watchable. However, the act of subtitling is not as easy as other people think. There are so many restraints in subtitling. One of those restrains is cultural differences in translating swear words. This research aims to obtain data concerning the subtitling strategies of swear words that are found in the subtitles of Deadpool One and Deadpool Two films. The descriptive qualitative method is employed because this research relies on the data obtained from subtitles, which are non-numerical data, and the data analysis will be served descriptively. The results of this research show that according to Gottlieb's (1992) theory, the subtitlers for Deadpool One and Deadpool Two used six different subtitling strategies in each film. The subtitler in Deadpool One tends to use the paraphrase and deletion strategies, followed by condensation, decimation, and transfer, with expansion being the least employed. The subtitler in Deadpool Two, on the other hand, employs deletion as the most used strategy. The subtitler's next most used strategies are paraphrase, condensation, decimation, and transfer; the least commonly employed strategy is expansion.

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2

Pretty Sitanggang, Maria Ayu, Eddy Setia, and Rohani Ganie. "DYSPHEMISM USED IN DEADPOOL MOVIE PAPER TITLE." Lire Journal (Journal of Linguistics and Literature) 4, no. 2 (October 12, 2020): 125–39. http://dx.doi.org/10.33019/lire.v4i2.73.

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This thesis entitled Dysphemism Used in Deadpool Movie. Dysphemism in Deadpool is problematized in its home country, i.e. the United States, due to its excessive occurrences. For this reason, this study aims at 1) to find out the types of dysphemism which illuminate the uses of dysphemism, and 2) revealing the functions which explain why the characters utilize such dysphemistic words. The theory of Dysphemism proposed by Allan & Burridge (2006) is used to reveal the functions of the use of dysphemism. In addition, the author also uses a semantic approach by delineating the meaning of dysphemism in a lexical and contextual manner along with examples of its use in context. Moreover, the analysis of componential meaning is used to observe the types of dysphemism based on Allan & Burridge's theory and Rawson's theory. The method used in this research is descriptive qualitative. The data of this research are words and phrases which indicated dysphemism. The sources of the data are transcript and video. There are 95 dysphemism data obtained and observed by the writer. The result of this research shows that three types of dysphemism are found in the movie, i.e. profanity, obscenity, and insult. The dysphemism type mostly found is the obscenity with 31 data (33%). In addition, there are seven functions of the use of dysphemism revealed: to humiliate something or someone else, to express anger, to emphasize thing or condition, to state and represent a very bad thing or condition, to express astonishment or amazement, to show intimacy and to express excitement. The most dominant function of dysphemism that is used in this movie is to humiliate something or someone else with 79 data (83%).

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3

Lokody, Isabel. "Deadpool: using pop culture for cancer advocacy." Lancet Oncology 17, no. 3 (March 2016): 285. http://dx.doi.org/10.1016/s1470-2045(16)00094-2.

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4

Tuan Ibharim, Mohamad Zakuan, and Hasuria Che Omar. "Strategi Penyarikataan Humor Deadpool: Kekal, Sisih atau Tambah? (The Strategies Of Subtitling Humour In Deadpool: Retain, Eliminate Or Add?)." GEMA Online® Journal of Language Studies 21, no. 1 (February 27, 2021): 186–203. http://dx.doi.org/10.17576/gema-2021-2101-11.

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5

Hluska, Tomáš, Lucia Hlusková, and R. J. Neil Emery. "The Hulks and the Deadpools of the Cytokinin Universe: A Dual Strategy for Cytokinin Production, Translocation, and Signal Transduction." Biomolecules 11, no. 2 (February 3, 2021): 209. http://dx.doi.org/10.3390/biom11020209.

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Cytokinins are plant hormones, derivatives of adenine with a side chain at the N6-position. They are involved in many physiological processes. While the metabolism of trans-zeatin and isopentenyladenine, which are considered to be highly active cytokinins, has been extensively studied, there are others with less obvious functions, such as cis-zeatin, dihydrozeatin, and aromatic cytokinins, which have been comparatively neglected. To help explain this duality, we present a novel hypothesis metaphorically comparing various cytokinin forms, enzymes of CK metabolism, and their signalling and transporter functions to the comics superheroes Hulk and Deadpool. Hulk is a powerful but short-lived creation, whilst Deadpool presents a more subtle and enduring force. With this dual framework in mind, this review compares different cytokinin metabolites, and their biosynthesis, translocation, and sensing to illustrate the different mechanisms behind the two CK strategies. This is put together and applied to a plant developmental scale and, beyond plants, to interactions with organisms of other kingdoms, to highlight where future study can benefit the understanding of plant fitness and productivity.

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6

Silva, Gabriela Spinola. "O mercenário tagarela e a tradução: os palavrões nas legendagens dos dois filmes de Deadpool (2016; 2018)." Revista do Sell 8, no. 2 (December 18, 2019): 314. http://dx.doi.org/10.18554/rs.v8i2.4052.

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O presente trabalho apresenta uma análise dos palavrões encontrados no áudio original dos filmes estadunidenses Deadpool (2016, dir. Tim Miller) e Deadpool 2 (2018, dir. David Leitch) e em suas legendas oficiais em português, presentes nos blu-ray de ambos os filmes. Trata-se de uma pesquisa descritiva, que enfatiza a problemática do uso de palavrões e compara suas traduções (feitas por pessoas diferentes, com orientações distintas em relação a como tratar os palavrões e em momentos diferentes, porém visando o mesmo público), usando as estratégias de legendagem descritas por Gambier (2003) como base para a análise dos palavrões encontrados. Sabe-se que existem várias restrições e tecnicalidades envolvidas no processo de legendagem (KARAMITROGLOU, 1998) e a tradução de palavrões, termos que nem sempre são aceitos pela sociedade, é uma das questões mais delicadas existentes na tradução audiovisual. Assim, além da comparação entre originais e traduções, busca-se ainda contextualizar o papel da censura aos palavrões (tanto a literal, no período da ditadura militar no Brasil, quanto a moral, que ocorre ainda hoje, por motivos de pudor das distribuidoras e do público) (FRANCO, 1991) nos resultados das análises realizadas.

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7

Z Namli, Atakan, and Zeynep Gencyigit. "Superhero Genes in Axolotl Limb Regeneration: Could Deadpool be Real?" Acta Scientific Microbiology 3, no. 11 (September 30, 2020): 98–107. http://dx.doi.org/10.31080/asmi.2020.03.0723.

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8

Triana, Benjamin. "Deadpool: When Our (Anti)Heroes Do Less and We Reward Them More." Journal of Popular Culture 51, no. 4 (August 2018): 1016–35. http://dx.doi.org/10.1111/jpcu.12712.

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9

Kareem, Abdul, Dhanya Radhakrishnan, Yash Sondhi, Mohammed Aiyaz, Merin V. Roy, Kaoru Sugimoto, and Kalika Prasad. "De novo assembly of plant body plan: a step ahead of Deadpool." Regeneration 3, no. 4 (August 2016): 182–97. http://dx.doi.org/10.1002/reg2.68.

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10

Lozano Treviño, David Fernando. "Héroes protagónicos y satisfacción en el entretenimiento de los espectadores." Mercados y Negocios, no. 35 (February 7, 2017): 75–100. http://dx.doi.org/10.32870/myn.v0i35.6115.

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El presente artículo de investigación analiza la forma en la que las Organizaciones de Producción Cinematográficas elaboran sus personajes principales heroicos para satisfacer las necesidades de entretenimiento de los espectadores. Se define el concepto de héroe analizando los tipos y sus descripciones. Se detallan las características de los mismos y cuáles de éstas tienen más agrado entre los espectadores. Otro objetivo de la presente investigación es proponer estrategias de marketing para aumentar la participación de mercado. El concepto de héroe circunstancial se propone con base en las aportaciones recabadas por medio de un focus group y una revisión documental del personaje llamado Deadpool.

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11

Schlütz, Daniela M., Daniel Possler, and Lucas Golombek. "“Is He Talking to Me?”." Projections 14, no. 2 (June 1, 2020): 1–25. http://dx.doi.org/10.3167/proj.2020.140202.

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In this study, we empirically investigate the enjoyment-related consequences of the TV trope of breaking the fourth wall (B4W), which is when a fictional character addresses viewers directly. Based on the model of narrative comprehension and engagement, we assume that B4W contributes to viewers’ cognitive and affective enjoyment by intensifying the parasocial interaction experience (EPSI). Alternatively, B4W could reduce enjoyment by disrupting viewers’ transportation into the narrative. We report two experiments with a total of N = 658 participants and three different stimuli based on the TV series House of Cards (HoC) and Malcolm in the Middle (MitM) as well as the movie Deadpool (DP). Analyses revealed that B4W increased the EPSI, which in turn fostered enjoyment.

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12

Nugroho, Muhammad Aprianto Budie. "ANALISIS KOMPARATIF PENERJEMAHAN KATA SLANG DALAM DIALOG DI FILM DEADPOOL 2 BERDASARKAN GENDER PENERJEMAH." Fon : Jurnal Pendidikan Bahasa dan Sastra Indonesia 16, no. 1 (July 2, 2020): 1. http://dx.doi.org/10.25134/fjpbsi.v16i1.2156.

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ABSTRAK: Didalam penelitian ini peneliti fokus dalam menganalisis perbedaan dalam hasil penerjemahan kata slang terdapat pada dialog fim Deadpool 2 yang dilakukan oleh para partisipan yang dibedakan berdasarkan gender para penerjemah. Selain hal tersebut peneliti juga berusaha mencari tahu kesetaraan makna yang terdapat dalam hasil penerjemahan yang dilakukan oleh para partisipan. Penelitian ini menggunakan metode penelitian kualitatif dengan desain penelitian studi kasus. Partisipan yang terlibat dama penelitian ini adalah mahasiswa pria dan wanita dari tingkat 3 pada semester 5. Data penelitian adalah berupa dokumen penerjemahan yang dilakukan oleh para partisipan. Hasil dari penelitian tersebut adalah hasil penerjemahan kata slang yang dilakukan oleh partisipan pria total terdapat 37 persamaan dari 4 partisipan dalam menerjemahkan� kata slang, dan yang diterjemahkan berbeda oleh 4 partisipan terdapat total 28 perbedaan, sedangkan pada hasil penerjemahan 4 partisipan wanita terdapat 40 persamaan dalam menerjemahkan 18 kata slang, dan terdapat 27 perbedaan dalam menerjemahkan kata-kata tersebut. Sedangkan untuk kesetaraan baik dalam kata, gramatikal, tekstual dan pragmatik, baik partisipan pria maupun partisipan wanita dalam menerjemahkan hampir semua mencapai partisipan telah mencapai kesetaran/kesepadanan baik� pada tingkat kata, gramatikal, tekstual, dan pragmatik. Dalam kesetaraan kata totalnya adalah 52 kesetaraan dari total 8 partisipan. Sedangkan untuk kesetaraan gramatikal total kesetaraannya terdapat 44 kesetaraan/kesepadanan dari total 8 partisipan pria dan wanita. Untuk kesetaraan tekstual terdapat 51 kesetaraan dari 8 partisipan pria dan wanita. Sedangkan untuk kesetaraan pragmatik terdapat 50 kesetaraan dari total 8 partisipan pria dan wanita.KATA KUNCI: Komparatif; Kata Slang; Gender;� Kesetaraan makna.>�ANALYSIS OF SLANG WORD TRANSLATION RESULTS IN THE DEADPOOL 2 FILM DIALOGUE BASED ON TRANSLATION GENDER�ABSTRACT: In this research, the reseacher focuses on anlayzing the differences on translation result in translating slang words in the movie entitled Deadpool 2 conducted by partisipants based on their gender. In this reserach the researcher also find out the translation equivalence in the translation result conducted by all the particpants. Qualitative method with case study design is used in this reserach. There are ten partcipants are involved in this reserach, they are four male students and four female students in third degree, in the fifth semester. The data of the reserach is in the form translation results conducted by all eight participants. The result of the research are from 18 slang words in the dialog in the movie there are 11 similarities from 4 male participants, and there are 21 differences in translating slang words by 4 male� participants. The translation result from female partcipants there are 40 similarities in translating 18 slang words and 27 differences in translating slang words by 4 female participants. Meanwhile on the translation equivalent almost all the particpants� achieve translation equivalence, there are 52 equivalences in word from 8 participants,� 44 equivalences for grammatical equivalence, 51 texstual equivalences and 50 pragmatik equivalances from 8 males and females participants.KEYWORDS: Comparative; Slang Words; Gender; Translation Equivalence.

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13

Hladki, Janice. "Hazardous Futures and Damned Embodiments: Disability and White Masculinization in Science Fiction Film." Journal of Literary & Cultural Disability Studies: Volume 14, Issue 4 14, no. 4 (October 1, 2020): 453–67. http://dx.doi.org/10.3828/jlcds.2020.30.

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Drawing on critical disability interrogations of the “human,” this article explores how frameworks of normalization shape conceptions of human qualification and disqualification in two science fiction films. It examines how representations of the contaminated, injured, unstable, and mutated body produce discourses of, and social anxieties about, abnormalization and monstrosity. The films The Thing (1982) and Deadpool (2016), both characterized by science fiction cult popularity, are linked through multiple concerns for human futurity, including the dangers of monstrous disability and the need to redeem damaged and infected bodies. Bringing disability together with gender and race, the article argues that white able-bodied masculinization in the films, including aspects of militarism and colonialism, focuses on human qualification and on securing a future made non-hazardous by a masculinity recuperated from vulnerability and disability.

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14

Pangestu, Maulani. "THE REASONS OF THE MAIN CHARACTER IN USING SLANG WORDS IN DEADPOOL 2 MOVIE DIRECTED BY DAVID LEITCH." Wanastra: Jurnal Bahasa dan Sastra 11, no. 1 (March 27, 2019): 53–60. http://dx.doi.org/10.31294/w.v11i1.4963.

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15

Fitzgerald, Barry W. "The physiology of impenetrable skin: Colossus of the X-Men." Advances in Physiology Education 42, no. 4 (December 1, 2018): 529–40. http://dx.doi.org/10.1152/advan.00107.2018.

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The X-Men are an ensemble of superheroes whose powers are associated with the X-Gene, a mutant genetic factor. The powers exhibited by each character differ and are dependent on how the X-Gene has modified their individual genomes. For instance, Wolverine possesses regenerative healing, Storm can control local weather systems, and Colossus can create an impenetrable “organic steel” layer around his body. Thanks to the establishment of the superhero genre in modern cinema, audiences are familiar with Colossus from films such as X-Men: Days of Future Past and Deadpool. While attaining this power might be attractive to many people, there are innumerate scientific obstacles to be overcome to replicate this “organic steel” layer. Due to its unique combination of high strength and flexibility, a graphene-based layer might be a more realistic material for Colossus’ impenetrable skin and would also address a number of physiological issues associated with an “organic steel” layer. The actualization of this layer would depend on complex processes associated with protein folding, protein self-assembly, and changing the structure of his skin. In the classroom, Colossus can foster a multidisciplinary learning environment where concepts in physiology can overlap with topics in physics, engineering, and materials science. Just like other superheroes, Colossus can also be used to promote scientific content in outreach for the general public.

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16

Dalbeto, Lucas Do Carmo, and Ana Paula Oliveira. "Deadpool: mercenário com prazer." Fronteiras - estudos midiáticos 19, no. 3 (December 30, 2017). http://dx.doi.org/10.4013/fem.2017.193.08.

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17

Wulandari, Tasya, and Hendro Firmawan. "SWEARING ANALYSIS OF CHARACTERS IN DEADPOOL MOVIE." Journal of Language and Literature 7, no. 2 (2019). http://dx.doi.org/10.35760/jll.2019.v7i2.2050.

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This research focuses to identify the types and the reasons of swearing for characters of Deadpool movie. It uses a qualitative method to analyzing the data that are found. It finds 81 data of types of swearing, and 83 data of reasons of swearing out of 83 data. The data of this research are in the form of sentences, words spoken by the characters. This research finds that the types of swearing uttered by the characters of Deadpool movie can be classified into five types, there are, Dyphemistic Swearing (DS), Abusive Swearing (AS), Idiomatic Swearing (IS), Emphatic Swearing (ES), and Cathartic Swearing (CS). In addition, it also found the the reason of swearing that is consist of three motives. There are, Psychological motives (PM), Social Motives (SM), and Linguistic Motives (LM). From this research, it can be concluded that emphatic swearing is the most used swearing expression and psychological motives is the most dominant reasons spoken by the characters.

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18

Sousa, Tatiana Leite de, and Gustavo Souza Santos. "Quando a propaganda se torna parte da cena: product placement em Deadpool." Revista UNINTER de Comunicação 7, no. 12 (June 29, 2019). http://dx.doi.org/10.21882/ruc.v7i12.770.

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19

Mis, Monika, Siobhan O’Brien, Zachary Steinhart, Sichun Lin, Traver Hart, Jason Moffat, and Stephane Angers. "IPO11 mediates βcatenin nuclear import in a subset of colorectal cancers." Journal of Cell Biology 219, no. 2 (December 27, 2019). http://dx.doi.org/10.1083/jcb.201903017.

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Activation of Wnt signaling entails βcatenin protein stabilization and translocation to the nucleus to regulate context-specific transcriptional programs. The majority of colorectal cancers (CRCs) initiate following APC mutations, resulting in Wnt ligand—independent stabilization and nuclear accumulation of βcatenin. The mechanisms underlying βcatenin nucleocytoplasmic shuttling remain incompletely defined. Using a novel, positive selection, functional genomic strategy, DEADPOOL, we performed a genome-wide CRISPR screen and identified IPO11 as a required factor for βcatenin-mediated transcription in APC mutant CRC cells. IPO11 (Importin-11) is a nuclear import protein that shuttles cargo from the cytoplasm to the nucleus. IPO11−/− cells exhibit reduced nuclear βcatenin protein levels and decreased βcatenin target gene activation, suggesting IPO11 facilitates βcatenin nuclear import. IPO11 knockout decreased colony formation of CRC cell lines and decreased proliferation of patient-derived CRC organoids. Our findings uncover a novel nuclear import mechanism for βcatenin in cells with high Wnt activity.

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20

Beit Saeed, Hamed. "A Comparative Study of Taboo Rendition in 3 Dubbed Versions of ‘Deadpool’ Movie: A Case Study of Swearwords." Applied Linguistics Research Journal, 2020. http://dx.doi.org/10.14744/alrj.2020.19480.

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21

Ariani, Kurnia Tri. "Comparative Study: Analyzing Translation Technique of Taboo Expressions in Deadpool 2 by Google Play Movie & TV Translator and Subscene.com Translator." Jurnal Bahasa, Sastra, dan Studi Amerika 27, no. 1 (June 30, 2021). http://dx.doi.org/10.20961/jbssa.v27i1.44446.

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<p class="normal"><em>This is descriptive-qualitative research which focuses on the analysis of the translation of taboo expressions on the movie entitled Deadpool 2 and aims to find out (i) the types of taboo expressions in the movie and (ii) the techniques used by two different translators from different platforms to translate taboo expressions.</em></p><p class="normal"><em></em><em> A total of 167 data of taboo expressions were found in the movie which were classified into eight categories including sexual references (41%), offensive slang (25%), profanity or blasphemy (11%), scatological references and disgusting object (10%), insulting references to perceived psychological, physical, or social deviations (7%), animal names (2%), ancestral allusions (2%), and ethnic-racial-gender slurs (1%). </em><em>The analysis of translation technique by the two translators shows that in total there are eleven translation techniques, namely maintaining with the same lexical items, maintaining with different lexical items, mitigating with same lexical items, mitigating with different lexical items, generalization, deletion, translating to proper interjection, euphemism, reformulation, substitution and literal translation.</em><em> </em><em>The findings provide useful data within descriptive translation studies; nevertheless, they cannot be generalized since the study is limited by relatively small data</em></p>

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