Academic literature on the topic 'Dean, James, 1931-1955 – Fiction'

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Journal articles on the topic "Dean, James, 1931-1955 – Fiction"

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Shiloh, Ilana. "Adaptation, Intertextuality, and the Endless Deferral of Meaning." M/C Journal 10, no. 2 (2007). http://dx.doi.org/10.5204/mcj.2636.

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 Film adaptation is an ambiguous term, both semantically and conceptually. Among its multiple connotations, the word “adaptation” may signify an artistic composition that has been recast in a new form, an alteration in the structure or function of an organism to make it better fitted for survival, or a modification in individual or social activity in adjustment to social surroundings. What all these definitions have in common is a tacitly implied hierarchy and valorisation: they presume the existence of an origin to which the recast work of art is indebted, or of biological
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Bode, Lisa. "Digital Doppelgängers." M/C Journal 8, no. 3 (2005). http://dx.doi.org/10.5204/mcj.2369.

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 The doppelgänger (literally ‘double-goer’) of 18th and 19th century European literature and lore is a sinister likeness that dogs and shadows a protagonist heralding their death or descent into madness – a ‘spectral presentiment of disaster’ (Schwartz 84). Recently the term ‘digital doppelgänger’ has been adopted by the English-speaking entertainment and technology press to refer to a digital image of an actor or performer; whether that image is a computer-generated wire-frame model, an amalgamation of old film footage and artistry, or a three dimensional laser scan of the
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Ambrosetti, Angelina. "The Portrayal of the Teacher as Mentor in Popular Film: Inspirational, Supportive and Life-Changing?" M/C Journal 19, no. 2 (2016). http://dx.doi.org/10.5204/mcj.1104.

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The mediocre teacher tells. The good teacher explains. The superior teacher demonstrates. The great teacher inspires. — William Arthur WardIntroductionThe first documented use of the term Mentor can be traced back to the 8th century BC poem by Homer entitled Odyssey (Hay, Gerber and Minichiello). Although this original representation of Mentor is contested in the literature (Colley), historically the term mentor has evolved to imply a wise and trusted other who advises, teaches, protects and supports someone younger who is inexperienced and not so knowledgeable with the ways of the world. The
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Schlotterbeck, Jesse. "Non-Urban Noirs: Rural Space in Moonrise, On Dangerous Ground, Thieves’ Highway, and They Live by Night." M/C Journal 11, no. 5 (2008). http://dx.doi.org/10.5204/mcj.69.

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Despite the now-traditional tendency of noir scholarship to call attention to the retrospective and constructed nature of this genre— James Naremore argues that film noir is best regarded as a “mythology”— one feature that has rarely come under question is its association with the city (2). Despite the existence of numerous rural noirs, the depiction of urban space is associated with this genre more consistently than any other element. Even in critical accounts that attempt to deconstruct the solidity of the noir genre, the city is left as an implicit inclusion, and the country, an implict exc
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Hutcheon, Linda. "In Defence of Literary Adaptation as Cultural Production." M/C Journal 10, no. 2 (2007). http://dx.doi.org/10.5204/mcj.2620.

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 Biology teaches us that organisms adapt—or don’t; sociology claims that people adapt—or don’t. We know that ideas can adapt; sometimes even institutions can adapt. Or not. Various papers in this issue attest in exciting ways to precisely such adaptations and maladaptations. (See, for example, the articles in this issue by Lelia Green, Leesa Bonniface, and Tami McMahon, by Lexey A. Bartlett, and by Debra Ferreday.) Adaptation is a part of nature and culture, but it’s the latter alone that interests me here. (However, see the article by Hutcheon and Bortolotti for a discussi
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Dissertations / Theses on the topic "Dean, James, 1931-1955 – Fiction"

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Pilipovic, Petra Snjezana. "O mundo de James Dean e sua tradução à luz da semiótica cognitiva." Master's thesis, 2013. http://hdl.handle.net/10451/12261.

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Tese de mestrado, Tradução, Universidade de Lisboa, Faculdade de Letras, 2013<br>A presente dissertação visa comprovar a aplicação metodológica da teoria dos domínios semânticos (Brandt 2004) a contextos de tradução dos textos de James Dean para Português Europeu, na senda de trabalhos anteriores, com especial destaque para Arantes (2011) e Rocha (2011). Postula-se que, em face do cariz fenomenológico universal, inerente aos domínios semânticos e esquemas imagéticos, que lhes estão subjacentes, a abordagem semiótico-cognitiva (Brandt 2004) constitui um instrumento de aferição aplicável à tradu
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Vagos, Mariana Araújo. "The Kazan Method : Marlon Brando and James Dean." Master's thesis, 2020. http://hdl.handle.net/10451/44471.

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O objeto principal desta dissertação é o trabalho do realizador Elia Kazan e a sua contribuição para o “Method Acting”. Como tal, o foco será no trabalho desenvolvido pelo realizador com o ator Marlon Brando no filme On the Waterfront (Há Lodo no Cais, 1954), e com o ator James Dean em East of Eden (A Leste do Paraíso, 1955). De modo a explorar o conceito de “Method Acting” como uma abordagem à formação de atores, foi primeiro necessário conhecer o seu predecessor o “System”. A teoria original por detrás do “System” foi desenvolvida e levada a cabo pelo ator e realizador Constantin Stanislavsk
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Books on the topic "Dean, James, 1931-1955 – Fiction"

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Hall, William. James Dean. Sutton, 1999.

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Hyams, Joe. James Dean: Little boy lost. Warner Books, 1992.

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Holley, Val. James Dean: The biography. St. Martin's Press, 1995.

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Leith, Adams, and Burns Keith, eds. James Dean: Behind the scene. Carol Pub. Group, 1990.

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Joseph, Humphries, ed. Jimmy Dean on Jimmy Dean. Plexus, 1989.

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Holley, Val. James Dean: Tribute to a rebel. Omnibus, 1991.

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Spoto, Donald. Rebel: The life and legend of James Dean. HarperPaperbacks, 1997.

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Spoto, Donald. Rebel: The life and legend of James Dean. HarperCollins Publishers, 1996.

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Spoto, Donald. Rebel: The life and legend of James Dean. HarperPaperbacks, 1997.

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Stock, Dennis. James Dean: Fifty years ago. Harry N. Abrams, 2005.

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