Academic literature on the topic 'Decadence (Literary movement)'

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Journal articles on the topic "Decadence (Literary movement)"

1

Volpicelli, Robert. "Countee Cullen's Harlem Decadence." PMLA/Publications of the Modern Language Association of America 138, no. 5 (2023): 1078–93. http://dx.doi.org/10.1632/s0030812923000974.

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AbstractThis essay responds to Countee Cullen's reputation within Harlem Renaissance studies as an out-of-date poet who had little concern for the “new” by reassessing his career under the sign of an older, nineteenth-century decadence. In so doing, it stages a larger exploration of the intersection between decadence and the Harlem Renaissance. I begin by sketching a genealogy of African American decadence that extends from W. E. B. Du Bois to second-generation Harlem writers like Richard Bruce Nugent and Wallace Thurman. I highlight Cullen's place within this lineage by examining the poetry f
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2

Lesińska, Aleksandra. "„Podłe życie miałem”. "Puszczyk" Stefana Grabińskiego wobec modernistycznego dekadentyzmu." Załącznik Kulturoznawczy, no. 10 (December 31, 2023): 535–55. http://dx.doi.org/10.21697/zk.2023.10.24.

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“I Had a Rough Life:” Stefan Grabiński’s Puszczyk and the Decadent Movement in Modernism The article is an attempt to analyze Puszczyk [Tawny Owl], Stefan Grabiński’s first fantastic horror novella, thus introducing this little-known work into the study of pessimistic attitudes prevailing during Modernism, i.e. at the turn of the 19th and 20th centuries. The research is placed in the context of selected approaches to decadence as one of the leading philosophical movements of the era and one which perfectly reflected the mood and melancholic attitudes of the time when the literary work was crea
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MacLeod, Kirsten. "“Art for America's Sake”: Decadence and the Making of American Literary Culture in the Little Magazines of the 1890s." Prospects 30 (October 2005): 309–38. http://dx.doi.org/10.1017/s0361233300002064.

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Decadence — the literary and artistic movement that insisted on the autonomy of art, reveled in the bizarre, artificial, perverse, and arcane, and pitted the artist against bourgeois society — is most strongly associated with fin de siècle British and French culture. Rarely is it associated with America. And yet, its popularity in America may well have surpassed its popularity in either Britain or France. That decadence was among Europe's most successful cultural exports to America in the 1890s is indicated by the rash of decadent Anglophile and Francophile little magazines that emerged in Ame
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4

Clarke, Tim. "Ralph Waldo Emerson and the Logic of Decadence." J19: The Journal of Nineteenth-Century Americanists 11, no. 2 (2023): 333–60. http://dx.doi.org/10.1353/jnc.2023.a921884.

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Abstract: This essay argues that Ralph Waldo Emerson's thinking and style are governed by a hitherto unrecognized "logic of decadence" that manifests as a fascination with the philosophical and ethical functions of negativity, decay, and destruction. It discerns in Emersonianism a peculiarly American idiolect of decadence—an "alter-decadence"—that emerges from similar sources as that of the fin de siecle Decadent movement but evolves in a divergent direction, notably by valorizing the dialectical tension between the totality of nature and its parts instead of celebrating the breakdown of holis
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5

Escudero, Xavier. "La décadence à la fin du XIXe siècle espagnol: une esthétique de la provocation." Nordlit 15, no. 2 (2012): 107. http://dx.doi.org/10.7557/13.2047.

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Talking about Decadence in fin-de-siècle Hispanic literature involves delving into the great movement of modernism, and notably one of its expressions, literary bohemianism. In what way(s) do these concepts both make use of and take part in an aesthetic of transgression, or a provocative pose? What does Spanish decadentism really mean, and what are its expressions?In order to answer these questions, we shall first look at the concept of decadentism as applied to the sociocultural phenomenon of Spanish literary bohemianism, which gathers writers and artists defined by constant failure, loose mo
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Nunnery, Katie. "Loafing, Driving, and "Messing About in Boats": Kenneth Grahame's Decadence from Pagan Papers to The Wind in the Willows." Children's Literature Association Quarterly 48, no. 2 (2023): 128–48. http://dx.doi.org/10.1353/chq.2023.a918228.

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Abstract: "Loafing, Driving, and 'Messing About in Boats': Kenneth Grahame's Decadence from Pagan Papers to The Wind in the Willows " seeks to highlight the radical queerness and rejection of heteronormative mores within the classic Golden Age children's book The Wind in the Willows by Kenneth Grahame. It does so by tracing its roots within Grahame's involvement in the famously queer Decadent movement in late nineteenth century Britain. This reading challenges the much more common assumption that The Wind in the Willows is a fairly conservative text which reinforces "proper" behavior and tradi
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7

Fokin, S. L. "‘Let us play a game of decadence…’." Voprosy literatury, no. 6 (December 8, 2023): 33–51. http://dx.doi.org/10.31425/0042-8795-2023-6-33-51.

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The article polemizes with V. Milchina’s paper that focused on the discussion of the problem of decadence and/or decay in French and Russian intellectual cultures. The author examines several texts that feature the general cultural concept of decay in its meaning of decadence as used in literature in close relation to the concepts of modernity and nihilism. Based on his reconstruction of C. Baudelaire’s polemic with the French writer Barbey d,Aurevilly, S. Fokin concludes that, thanks to their literary dispute, the French word décadence developed a new literary, political, psychological, socia
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8

Ferguson, Christine. "Decadence as Scientific Fulfillment." PMLA/Publications of the Modern Language Association of America 117, no. 3 (2002): 465–78. http://dx.doi.org/10.1632/003081202x60413.

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This essay challenges two established critical assumptions about late Victorian literary decadence: first, that decadence represented a sterile and ultimately failed attempt to defy social and cultural norms and, second, that the movement was antithetical to the scientific culture of the nineteenth century. Decadence is instead shown to be the logical consequence of a scientific spirit that, by the end of the century, increasingly ignored the demands of utilitarianism and fixated on the pursuit of experimental knowledge for its own sake, regardless of the consequences. Thus, the “failures” of
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9

Amedegnato, Ozouf Sénamin. "L’Afrique à rebours: la décadence dans un corpus de littérature Togolaise." Nordlit 15, no. 2 (2012): 89. http://dx.doi.org/10.7557/13.2046.

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During the past fifteen years, the West African country of Togo has witnessed the emergence of a new generation of writers - a third generation since independence from colonisation - working in the French language. Born around 1960, these writers have been making their way onto the literary scene since approximately 1990. A certain number of distinctive traits, which have attracted the attention of critics, unequivocally delineate this generation from the two that preceded it. Among these is a new literary aesthetic that resonates with the fin de siècle - with the end of the twentieth century,
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10

Stetz, Margaret D. "The Age of Decadence." Victorian Literature and Culture 50, no. 2 (2022): 417–29. http://dx.doi.org/10.1017/s1060150322000018.

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What does “decadence” mean? Does it mean anything at all? Is it sinister or irresistibly appealing? Regardless of the ambiguity that surrounds the word “decadence” (often with a small “d”), no one can deny that decadence (frequently with a capital “D,” especially when it alludes to the late nineteenth-century European cultural movement) has been sweeping the world of academic publishing. Seen from the perspective of 2022, the past few years appear to have been, at least among scholars, a decade of decadence. Joseph Bristow opens his chapter on “Female Decadence” for the 2016 volume The History
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