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Dissertations / Theses on the topic 'Decameron'

Author: Grafiati
Published: 4 June 2021
Last updated: 25 July 2025

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1

Silva, Felipe Augusto Vieira da. "El Decameron Negro de Leo Brouwer." reponame:Repositório Institucional da UFPR, 2011. http://hdl.handle.net/1884/25972.

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2

Genswein, Eberle Claudia. "La funzione narrativa del cibo nel "Decameron" /." Zürich : [s.n.], 2009. http://opac.nebis.ch/cgi-bin/showAbstract.pl?sys=000278465.

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3

Harrison, H. "Gender, language and authorship in Boccaccio's Decameron." Thesis, University of Cambridge, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.603776.

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Women and their position in society are placed at the forefront of Giovanni Boccaccio’s <i>Decameron,</i> from the dedication of the work to women in love. While some scholars have focused on the narrators of the <i>brigata</i>, and others have studied individual <i>novelle</i>, the aim of this thesis is to present a global view of the issues and concerns debated by the author regarding female use of language. The thesis consists of five chapters; ‘Gender, Language and Authorship’ positions my work in relation to the wider field of Boccaccio studies. It addresses the difficult issue of the nar
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4

Rampin, Francesca <1997&gt. "Un volgarizzamento francese del Decameron: Laurent de Premierfait." Master's Degree Thesis, Università Ca' Foscari Venezia, 2022. http://hdl.handle.net/10579/21560.

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La tesi si prefigge di analizzare le tecniche di traduzione della traduzione francese del Decameron di Laurent de Premierfait (1411-1414) con particolare attenzione alla Giornata X e alle problematiche legate alla ricezione della novella di Griselda.
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5

Rees, Marcus. "Neo-romantic elements in Leo Brouwer's Le Decameron noir /." [St. Lucia, Qld.], 1999. http://www.library.uq.edu.au/pdfserve.php?image=thesisabs/absthe20228.pdf.

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6

Hoseini, Kassad Mohammed Hossein <1980&gt. "Il Decameron e la letteratura d'Oriente: confronti e scambi." Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2015. http://amsdottorato.unibo.it/6955/1/Kassad_Hoseini.pdf.

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Il lavoro si divide in quattro capitoli in cui il candidato cerca di stabilire i rapporti intertestuali tra il Sindbad, un libro di matrice orientale, e la Disciplina Clericalis da una parte e il Decameron dall’altra. 1- Nel primo capitolo il candidato ha trattato l’origine e la diffusione del Il libro di Sindbad e della Disciplina Clericalis. Il libro di Sindbad è di indubbia origine orientale. Si diffonde in oriente e poi in Occidente. Giunge in Italia nel Dodicesimo secolo. L’altra opera è la Disciplina Clericalis, di Pietro Alfonsi, un-opera di origine orientale. 2- Nel secondo capit
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7

Hoseini, Kassad Mohammed Hossein <1980&gt. "Il Decameron e la letteratura d'Oriente: confronti e scambi." Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2015. http://amsdottorato.unibo.it/6955/.

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Il lavoro si divide in quattro capitoli in cui il candidato cerca di stabilire i rapporti intertestuali tra il Sindbad, un libro di matrice orientale, e la Disciplina Clericalis da una parte e il Decameron dall’altra. 1- Nel primo capitolo il candidato ha trattato l’origine e la diffusione del Il libro di Sindbad e della Disciplina Clericalis. Il libro di Sindbad è di indubbia origine orientale. Si diffonde in oriente e poi in Occidente. Giunge in Italia nel Dodicesimo secolo. L’altra opera è la Disciplina Clericalis, di Pietro Alfonsi, un-opera di origine orientale. 2- Nel secondo capit
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8

MAINO, PAOLO MARIA GILBERTO. "LA LINGUA DELLA RASSETTATURA DEL DECAMERON DI LIONARDO SALVIATI." Doctoral thesis, Università Cattolica del Sacro Cuore, 2013. http://hdl.handle.net/10280/1802.

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La rassettatura del Decameron compiuta da Salviati nel 1582 è stata oggetto di dure critiche fin dal Settecento (tra i primi critici ad inizio Ottocento è da ricordare Ugo Foscolo): il grammatico fiorentino è sostanzialmente considerato un ‘pubblico assassino di Boccaccio’ che ha trasformato il capolavoro narrativo della letteratura delle origini in un moralistico elenco di vizi da punire e di virtù da ammirare. Senza ovviamente negare la pesantezza dell’intervento censorio di Salviati (soprattutto per gli occhi di noi moderni), tuttavia l’analisi linguistica e filologica che si presenta in qu
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9

MAINO, PAOLO MARIA GILBERTO. "LA LINGUA DELLA RASSETTATURA DEL DECAMERON DI LIONARDO SALVIATI." Doctoral thesis, Università Cattolica del Sacro Cuore, 2013. http://hdl.handle.net/10280/1802.

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La rassettatura del Decameron compiuta da Salviati nel 1582 è stata oggetto di dure critiche fin dal Settecento (tra i primi critici ad inizio Ottocento è da ricordare Ugo Foscolo): il grammatico fiorentino è sostanzialmente considerato un ‘pubblico assassino di Boccaccio’ che ha trasformato il capolavoro narrativo della letteratura delle origini in un moralistico elenco di vizi da punire e di virtù da ammirare. Senza ovviamente negare la pesantezza dell’intervento censorio di Salviati (soprattutto per gli occhi di noi moderni), tuttavia l’analisi linguistica e filologica che si presenta in qu
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10

Renesto, Barbara <1971&gt. "Decameron: traduzione catalana del 1429: edizione critica e commento." Doctoral thesis, Università Ca' Foscari Venezia, 2004. http://hdl.handle.net/10579/89.

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II mio lavoro consiste nell'edizione critica della traduzione catalana anonima del Decameron del 1429 (la seconda versione in ambito europeo del capolavoro boccacciano) e in uno studio introduttivo dell'unico manoscritto che la conserva (manoscritto 1716 della Biblioteca de Catalunya di Barcellona). Nella parte introduttiva, dopo un excursus sulla fortuna di Boccaccio in Catalogna, ho descritto il manoscritto, ho messo in evidenza le caratteristiche grafiche dei due copisti e gli errori di copia. Seguono alcune annotazioni sulla storia del codice, di particolare rilevanza dal momento che
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11

Baxter, Catherine Elizabeth. "Language and sex in Boccaccio's Decameron : 'Galeotto fu la metafora'." Thesis, University of Cambridge, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.609251.

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12

Jakobs, Béatrice [Verfasser]. "Rhetorik des Lachens und Diätetik in Boccaccios »Decameron«. / Béatrice Jakobs." Berlin : Duncker & Humblot, 2016. http://d-nb.info/1238353703/34.

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13

Andrade, Ana Carolina Negrão Berlini de [UNESP]. "Trans-formações (a) temporais em Il Decameron: de Pasolini a Boccacio." Universidade Estadual Paulista (UNESP), 2010. http://hdl.handle.net/11449/99091.

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Basile, Thiago Villela 1986. "Alusão ao epicurismo na moldura narrativa de o Decameron, de Boccaccio." [s.n.], 2015. http://repositorio.unicamp.br/jspui/handle/REPOSIP/269925.

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Orientador: Carlos Eduardo Ornelas Berriel<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem<br>Made available in DSpace on 2018-08-27T03:35:45Z (GMT). No. of bitstreams: 1 Basile_ThiagoVillela_M.pdf: 1409965 bytes, checksum: dec97225a696681958381ddc0b2b6fd8 (MD5) Previous issue date: 2015<br>Resumo: Pretendemos, neste trabalho, verificar, no plano ético, a alusão presente em o Decameron, de Giovanni Boccaccio, ao epicurismo. Para isso, apresentamos a filosofia epicurista, especialmente o conceito de prazer e de clinâmen, para estabelecermos as
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15

Bonetto, Mirian Salvestrin [UNESP]. "O amor sensual e o celibato clerical no Decameron, de Boccaccio." Universidade Estadual Paulista (UNESP), 2017. http://hdl.handle.net/11449/149729.

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Andrade, Ana Carolina Negrão Berlini de. "Trans-formações (a) temporais em Il Decameron : de Pasolini a Boccacio /." São José do Rio Preto : [s.n.], 2010. http://hdl.handle.net/11449/99091.

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Orientador: Maria Celeste Tommasello Ramos<br>Banca: Álvaro Luiz Hattnher<br>Banca: Maria de Lourdes Baldam<br>Resumo: O presente trabalho faz uma análise do diálogo intersemiótico estabelecido entre a obra literária Il Decameron (1348-1353), de Giovanni Boccaccio (1313-1375), e o filme homônimo, de Pier Paolo Pasolini (1922-1975), tendo como principal objetivo elucidar a transcriação artística operada por Pasolini, sobretudo no que diz respeito às construções metalingüísticas presentes no texto literário, que são cinematograficamente retomadas pelo cineasta. No texto sincrético, a metalinguag
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17

Bonetto, Mirian Salvestrin. "O amor sensual e o celibato clerical no Decameron, de Boccaccio /." São José do Rio Preto, 2017. http://hdl.handle.net/11449/149729.

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Orientador: Maria Celeste Tommasello Ramos<br>Banca: Cláudia Maria Ceneviva Nigro<br>Banca: Leandro Passos<br>Resumo: Um dos temas de destaque na obra-prima de Giovanni Boccaccio, o Decameron, escrita por volta de 1353, é o amor sensual, vivenciado por seus personagens de forma realista e naturalista. Dentre esses personagens, encontramos membros do clero católico, celibatários, e é para eles que voltamos o nosso olhar. Pretendemos traçar as características da abordagem de Boccaccio ao tema do amor sensual no celibato clerical em dez novelle da obra e, com isso, levantar quais concepções de am
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18

Essary, Brandon K. Cervigni Dino S. "Religious parody and the economy of significance in Decameron day five." Chapel Hill, N.C. : University of North Carolina at Chapel Hill, 2009. http://dc.lib.unc.edu/u?/etd,2395.

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Thesis (M.A.)--University of North Carolina at Chapel Hill, 2009.<br>Title from electronic title page (viewed Jun. 26, 2009). "... in partial fulfillment of the requirements for the degree of Master of Arts in the Department of Romance Languages Italian." Discipline: Romance Languages; Department/School: Romance Languages.
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19

PASCALE, MIRIAM. "Parole e figure della passione. Fonti, temi e lessico dell'affettività nel Decameron." Doctoral thesis, Università degli studi della Basilicata, 2022. http://hdl.handle.net/11563/158046.

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My research focuses on the literary representation of passions in the Decameron, with particular reference to compassion and envy. Boccaccio’s depiction of these emotional states has been investigated not only in its rhetorical-formal aspects, but also in terms of the philosophical and literary sources to which the author may have drawn. This pair of passions was selected on the basis of two criteria. In the first place, I have tried to give priority to those emotive impulses that are narrative relevant, that is, they play a leading role in the diegetic construction of the plot. Among these, t
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20

Muto, Lisa M. "The parabola of pleasure : a study of the cornice of the Decameron." Thesis, McGill University, 1991. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=74631.

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In this dissertation I examine the narrative parts of the so-called cornice of the Decameron. The core of my interpretation is to be found in Chapter I where I show that the frame story--the novella portante, as it has been called--with its "parabolic" rather than "rectilinear" progression is intended to illustrate the brigade's pursuit of pleasure, without any ulterior motive such as, for instance, the restructuring of the decaying Florentine society. A careful study of the members of the brigade (Chapter II) and of their songs (Chapter III) obviously forms an integral part of any analysis of
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21

Thompson, Nigel Stuart. "Love's debate : a comparative study of the Decameron and the Canterbury Tales." Thesis, University of Oxford, 1991. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.315944.

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22

Almeida, Natali Gaudio de. "O pequeno Decameron de Luigi Capuana: proposta de tradução comentada e anotada." Universidade de São Paulo, 2016. http://www.teses.usp.br/teses/disponiveis/8/8148/tde-29062016-135754/.

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A presente dissertação tem como objetivo apresentar uma tradução comentada e anotada, para a língua portuguesa, de Il Decameroncino [O pequeno Decameron], do escritor italiano Luigi Capuana (1839-1915), obra publicada em 1901 na Itália. Juntamente a esta tradução comentada, apresentamos um estudo sobre o papel desempenhado por Capuana tanto na literatura, quanto na cultura italiana, tendo se destacado como uma das personalidades que mais contribuíram para a modernização e a atualização da literatura de seu país, através da participação ativa nos debates que se fizeram após o advento da Unifica
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23

Bolsinger, Claudia. "Das Decameron in Deutschland : Wege der Literaturrezeption im 15. und 16. Jahrhundert /." Frankfurt am Main ; Bern ; Paris : P. Lang, 1998. http://catalogue.bnf.fr/ark:/12148/cb388142415.

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24

CAMASSA, LELIO. "Dio, l'oscurità e il talento. Le novelle di 'cose catoliche' del Decameron." Doctoral thesis, Università degli studi della Basilicata, 2021. http://hdl.handle.net/11563/149767.

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La tesi analizza le novelle di 'cose catoliche' del Decameron (I 1, I 2, I 3, II 1, II 2, III 1), in cui Boccaccio dipana una riflessione coerente e sistematica di carattere teologico nella veste di sei storie comiche. Il costante dialogo con la Bibbia, i Padri della Chiesa e le auctoritates boccacciane, volgari e latine, si intreccia con le principali questioni al centro del dibattito teologico dell'epoca, come l'intervento di Dio ad extra. Il lavoro, oltre a indagare questi aspetti, fornisce anche un contributo filologico relativo a due novelle: la II 1, per la quale si porta alla luce una p
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25

Forey, Austin Charles. "Reading through Boccaccio : a study of narrative practice and interpretation in the Decameron." Thesis, University of Cambridge, 1988. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.253965.

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26

Daniels, Rhiannon Jane. "Reading and meaning : the reception of Boccaccio's Teseida, Decameron and De mulieribus claris to 1520." Thesis, University of Leeds, 2003. http://etheses.whiterose.ac.uk/198/.

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Much of the twentieth-century research carried out on the reception of Boccaccio in medieval and Renaissance Italy has focused on the Decameron to the exclusion of all other works. This thesis puts existing research into context by considering two additional works by Boccaccio alongside the Decameron, and by using an innovative methodology to analyse the evidence for reception in Italy before 1520. The Teseida and De mulieribus differ sufficiently from the Decameron in terms of their influences, style, and date of composition to offer a broader view of Boccaccio's fortuna. The thesis is divide
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27

Crago, Bartholomew. "Some rhythmic theories compared and applied in an analysis of El decameron negro by Leo Brouwer." Thesis, McGill University, 1991. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=22456.

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In the first section of this thesis rhythmic theories of Leonard Meyer and Grosvenor Cooper, Wallace Berry, William Benjamin, Joel Lester, Fred Lerdahl and Ray Jackendoff, and Jonathan Kramer are discussed. Each theortician's treatment of meter and grouping is compared. The appropriateness of each theory as an analytic tool for the analysis of El Decameron Negro by Leo Brouwer is evaluated.<br>The analysis itself concerns a section of music in which written meter changes at almost every barline. Within the measures binary and ternary rhythmic groups occur in the context of a continuous pulse.
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28

Blandeau, Agnès. "The Canterbury Tales et Il Decameron visualisés par Pasolini : quand le récit prend corps en image." Paris 4, 2002. http://www.theses.fr/2002PA040110.

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Tournant décisif dans le paysage littéraire médiéval occidental, peu après Il Decameron, The Canterbury Tales consacrent la richesse d'une langue vernaculaire à travers l'expérimentation stylistique et rhétorique, tout en soulignant la narrativité mais aussi l'écriture du texte en train de se faire. Pier Paolo Pasolini puise dans le corps des oeuvres de Boccace et Chaucer l'esprit d'un moyen âge (fantasmé), dont il célèbre la vie. Il y voit également le théâtre privilégié d'une pratique de l'art jubilatoire du récit. L'adaptation ou plutôt vision pasolinienne des Tales, mis en regard avec Il D
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29

Pita, Vanessa Fernandes Queiroga. "O Decamerão de Jorge Furtado: adaptação e comédia na TV." Universidade Federal da Paraí­ba, 2012. http://tede.biblioteca.ufpb.br:8080/handle/tede/6196.

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Made available in DSpace on 2015-05-14T12:39:35Z (GMT). No. of bitstreams: 1 arquivototal.pdf: 2285264 bytes, checksum: 26b8cc3cb18d33db507e0c2125a84832 (MD5) Previous issue date: 2012-03-16<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES<br>Esta dissertação abrange as áreas de Ficção televisiva, Literatura e Produção de sentido, e tem o intuito de realizar um processo de análise e interpretação discursiva da adaptação audiovisual do livro Decamerão, de Giovanni Boccaccio, veiculada em 2009, pela Rede Globo. A microssérie Decamerão: a comédia do sexo é um projeto do
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Palacios, Guevara Luis Fernando. "Análisis del comportamiento del consumidor basado en el modelo de los cinco factores en los huéspedes del Hotel Decameron de Punta Sal." Bachelor's thesis, Universidad Católica Santo Toribio de Mogrovejo, 2019. http://hdl.handle.net/20.500.12423/2209.

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En la actualidad, una de las formas de poder competir de manera diferenciada en cualquier mercado es tener un servicio de excelencia, más aún cuando el contacto con los clientes es constante, se necesita plantear estrategias que ayuden a minimizar los errores. En el caso de los hoteles hay una exigencia similar, son cada vez más los huéspedes que buscan mejores experiencias y mejores servicios. Por ello, esta investigación se desarrolló en el Decameron, hotel turístico ubicado en la zona norte del Perú, en Punta Sal exactamente. Para eso se tomaron 150 encuestas a huéspedes de distintas edades
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31

Azuela, Christina. "Les ruses de la parole dans la nouvelle a la fin du moyen age : les cent nouvelles nouvelles. les contes de canterbury et le decameron." Paris 4, 1991. http://www.theses.fr/1991PA040198.

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Les nouvelles etaient prises des recits traditionnels du moyen age. Leur interet ne reside donc pas dans des intrigues que tout le monde connaissait deja, mais dans la maniere de les developper, dans leur tissu verbal. Du reste, la presentation meme d'un "cercle conteur" qui donne lieu aux recits des recueils met en lumiere l'importance de l'activite langagiere dans le genre. Les constants jeux avec les mots affirment l'utilisation du langage dans des buts eloignes de la representation fidele de larealite. La parole sert a construire des versions remaniees des evenements qui arrivent a remplac
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32

Malagnini, Francesca. "Mondo narrato e mondo commentato: studi sul Decameron e la prosa toscana tra la seconda metà del XIII secolo e la prima metà del XIV." Doctoral thesis, Università Ca' Foscari Venezia, 2001. http://hdl.handle.net/10579/194.

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33

Schonbuch, Mathias. "Le "récit de paroles" dans le Décaméron de Boccace." Paris 3, 2003. http://www.theses.fr/2003PA030063.

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La part du discours direct dans le Décaméron est chiffrée nouvelle par nouvelle, et des statistiques permettent de comparer différentes données. L'analyse littéraire proprement dite se penche en particulier sur les cas où la parole des personnages triomphe. L'examen des structures rhétoriques des différents types d'argumentations permet d'en dégager un certain nombre de traits communs. La recherche de persuasion passe aussi par la séduction: à travers les différentes étapes du discours amoureux, l'observation des stylèmes parfois stéréotypés montre comment la pulsion est exprimée dans le langa
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34

Viet, Nora. "Du Décaméron de Boccace au Cameron d'Antoine Vérard : les mutations de la nouvelle au début de la Renaissance française." Paris 4, 2008. http://www.theses.fr/2008PA040186.

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Au début de la Renaissance (1485-1545), le Décaméron de Boccace circulait en France sous une forme insolite. Sous le titre de Livre de Cameron, Antoine Vérard fit imprimer, en 1485, une version française du Décaméron qui défigurait totalement l'original, en l'amputant d'une bonne partie de son récit-cadre et en ajoutant des morales finales aux nouvelles. Fustigée dès le XVIe siècle pour les déformations qu'elle faisait subir à l'œuvre de Boccace, supplantée en 1545 par une traduction nouvelle, cette version du Boccace connut pourtant un succès d'édition remarquable, et contribua à la fortune d
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35

Rickel, Rachel D. "The Black Death and Giovanni Bocaccio's The Decameron's Portrayal of Merchant Mentality." Cleveland State University / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=csu1467369515.

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36

Gupta, Pritika. "Lo scontro delle tre realtà nel Decameron, la peste, la brigata e le novelle la corruzione morale rappresentata dalla peste e trovata nelle novelle contro l'ambiente morale della brigata /." Diss., Connect to the thesis, 2009. http://hdl.handle.net/10066/3705.

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37

Nayrand, Bérangère. "Sources et ressources de la mise en images du Décaméron dans un ensemble de manuscrits enluminés italiens et français (XIVe et XVe siècles)." Thesis, Lyon 3, 2014. http://www.theses.fr/2014LYO30071.

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Le corpus, qui regroupe seize manuscrits italiens et français (avec la traduction de Laurent de Premierfait), permet d’élaborer une étude sur les rapports entre une œuvre littéraire, foisonnante et complexe comme le Décaméron, et les nombreuses illustrations que ces ouvrages contiennent. Pour être efficace et effective, l’image a besoin de se fonder sur le texte de Boccace. Cependant, les illustrateurs doivent aussi contenter leurs commanditaires et se conformer à leurs volontés, quitte à s’éloigner de l’œuvre originelle.La présente recherche se centre ainsi sur le passage du texte à l’image —
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Pionchon, Pauline. "Les humanistes italiens face à la nouvelle : traduction, réécriture, création." Thesis, Grenoble, 2012. http://www.theses.fr/2012GRENL050/document.

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L'attrait exercé par le Décaméron sur quelques grandes figures de l'humanisme (telles qu'Antonio Loschi, Leonardo Bruni, Enea Silvio Piccolomini, Leon Battista Alberti, ou Bartolomeo Facio) et quelques représentants de second plan (par exemple Filippo Beroaldo, Benedetto Colucci, ou encore Francesco Tedaldi) a donné naissance au XVè siècle à un véritable corpus de récits originaux et de traductions latines de nouvelles isolées de Boccace, qui témoigne d'une fertilisation réciproque des cultures vernaculaire et humaniste. Dans le contexte du XVè siècle, marqué en ce qui concerne
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Muslim, Zahim Mohammed. "Lessing und der Islam." Doctoral thesis, Humboldt-Universität zu Berlin, Philosophische Fakultät II, 2010. http://dx.doi.org/10.18452/16147.

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„Lessing und der Islam“ beschäftigt sich unparteiisch mit Lessings Auseinandersetzung mit dem Islam. Die Arbeit setzt sich das Ziel, den Leser und den Literaturkennern sowie der deutschen Bibliothek der Germanistik etwas von Lessings Auseinandersetzung mit dem Islam in die Hand zu geben, die bis heute als großes Modell für die interkulturelle und interreligiöse Menschheitstoleranzdebatte im Gedächtnis der deutschen Literatur vorhanden ist. Im ersten Teil widmet sich die vorliegende Arbeit den historisch-traditionellen literarischen Hintergründen und Vorkenntnissen Lessings zur islamischen Kul
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Schumacher, Katrin [Verfasser], Elisabeth [Akademischer Betreuer] Lienert, and Thomas [Akademischer Betreuer] Althaus. "Von lebenden Toten und anderen Grenzgängern. Ordnungsdiskurs und Liminalität in höfischen, exemplarischen, schwankhaften und grotesken Mären, in der Binnenerzählung III,8 des 'Decameron' und im Fastnachtspiel 'Der Bauer im Fegefeuer' / Katrin Schumacher. Gutachter: Elisabeth Lienert ; Thomas Althaus. Betreuer: Elisabeth Lienert." Bremen : Staats- und Universitätsbibliothek Bremen, 2014. http://d-nb.info/1072157802/34.

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Schwall-Hoummady, Christine. "Bilderzählung im 15. Jahrundert : Boccaccios Decamerone im Frankreich /." Frankfurt am Main ; Berlin ; Bern ; New York ; Paris ; Wien : P. Lang, 1999. http://catalogue.bnf.fr/ark:/12148/cb38849934n.

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Ståhle, Sjönell Barbro. "Johan Albrecht Schmidts Landt-Nöjet – vår första svenska Decamerone." Uppsala : Svenska Litteratursällskapet, 1997. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-201011.

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Comini, Marcelo. "O Decamerão sob o olhar de Pasolini." Florianópolis, SC, 2005. http://repositorio.ufsc.br/handle/123456789/101658.

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Dissertação (mestrado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão. Programa de Pós-Graduação em Literatura.<br>Made available in DSpace on 2013-07-15T22:53:55Z (GMT). No. of bitstreams: 0<br>Este trabalho tem seu foco na análise da adaptação da literatura para o cinema. Especificamente, essa relação entre literatura e cinema é abordada através do estudo da adaptação cinematográfica do livro Decamerão, de Giovanni Boccaccio, realizada por Pier Paolo Pasolini, em seu filme homônimo. Baseado nas teorias da literatura e nas teorias do cinema configura-se Boccaccio
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44

Kitano, Ken. "Crystallographic studies of decameric protein complexes with pentagonal symmetry." 京都大学 (Kyoto University), 2001. http://hdl.handle.net/2433/150848.

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Walker, John Roman. "Structural studies of two macromolecular complexes, the synaptic complex of Cre recombinase and the decameric structure of rattlesnake venom lectin." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape2/PQDD_0015/NQ53805.pdf.

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Sotgiu, Antonio. "Le Décaméron de Boccace au prisme des « théories du roman »." Thesis, Sorbonne Paris Cité, 2018. http://www.theses.fr/2018USPCA140.

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Ce travail se compose de deux parties. La première décrit et évalue, dans les premiers deux chapitres, l’interprétation du Décaméron de Boccace dans les travaux de Schlegel, Hegel, Lukács, Bakhtine et Auerbach. Ensuite, à partir de cette opération de comparaison, un troisième chapitre analyse des nouvelles perspectives interprétatives et historiques sur le roman, et pose les bases herméneutiques pour une nouvelle lecture du Décaméron.La deuxième partie aborde, dans un premier chapitre, la réécriture boccacienne de l’épisode de Paolo et Francesca de la Commedia de Dante (Enfer V). Dans le cadre
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Catalano, Sara. "La Comedia delle Ninfe fiorentine. Revisione dell'edizione e commento." Thesis, Sorbonne Paris Cité, 2019. http://www.theses.fr/2019USPCA008.

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La thèse se propose, dans une première partie, d’analyser et d'actualiser la tradition manuscrite de la Comedia delle Ninfe Fiorentine, œuvre de jeunesse de Giovanni Boccaccio, composée immédiatement après le retour à Florence de la cour angevine de Naples.L'édition actuelle de Comedia delle Ninfe, est due à Antonio Enzo Quaglio et remonte à 1963. Elle fournit, comme il était d'usage à l'époque, une description brève et peu précise des témoins interrogés. Les manuscrits sont donc classés selon un critère socioculturel (copie a prezzo et copie per passione), datant des codex au quart de siècle.
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Fordred, Benedetta. "Les erreurs de Boccace ˸ les bévues de copiste, les fautes de l’auteur, la variété de la langue du Trecento." Thesis, Sorbonne Paris Cité, 2019. http://www.theses.fr/2019USPCA028.

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Ce travail vise à tracer l’évolution de la question des « erreurs » de Boccace, du XVIe siècle jusqu’à nos jours, selon différentes approches : historique, ecdotique, linguistique et stylistique. Le travail se compose d’un premier chapitre divisé en trois sous-parties. Les deux premières sont consacrées à la perception du modèle de Boccace pendant les querelles linguistiques du XVIe siècle. La troisième vise à réfléchir sur la façon dont les lettrés de l’époque ont associé la définition d’ « erreurs » à la syntaxe du Décaméron.Nous nous attarderons sur les commentaires de Ruscelli, Borghini, S
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Swann, Kristen Renner. "Historicizing Maternity in Boccaccio's Ninfale fiesolano and Decameron." Thesis, 2012. https://doi.org/10.7916/D89028HM.

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This dissertation explores the representation of maternity in two of Boccaccio's works, the early idyllic poem, the Ninfale fiesolano, and the author's later magnum opus, the Decameron, through readings in the social history of women and the family and medieval medical literature of obstetrics and gynecology. I create a dense historical context from which to examine the depiction of generative processes, maternity, and mother-child interactions in these works, allowing us to better understand the relationship between Boccaccio's treatment of these subjects and the author's larger stance on wom
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FERRACIN, Antonio. "Codice Vaticano Rossiano 947: il "Decameron" di Domenico Caronelli." Doctoral thesis, 2014. http://hdl.handle.net/11562/696559.

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Studio del cod. Vaticano Rossiano 947, copia del Decameron vergata a Conegliano nel 1395 da Domenico Caronelli, che ricostruisce: la storia della famiglia del copista e la sua biografia; la fattura materiale e il contenuto del codice; i rapporti filologici con i due più importanti testimoni della tradizione manoscritta del Decameron (cod. Parigino Italiano 482 e cod. Hamilton 90), mediante una duplice collazione concernente un quarto dell’opera. Successivamente si illustrano i rapporti fino ad ora sconosciuti con i codici Italiano X, 14 (6950) della Biblioteca Marciana e 952 della Biblioteca d
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