Relevant bibliographies by topics / DeCarava, Roy

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  3. Book chapters

Academic literature on the topic 'DeCarava, Roy'

Author: Grafiati
Published: 4 June 2021
Last updated: 28 July 2025

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Journal articles on the topic "DeCarava, Roy"

1

Edwards, Susan H. "Roy Decarava." History of Photography 21, no. 2 (1997): 173–74. http://dx.doi.org/10.1080/03087298.1997.10443739.

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2

Witt, Andrew. "Roy DeCarava: Eyes to hear." Philosophy of Photography 11, no. 1 (2020): 29–48. http://dx.doi.org/10.1386/pop_00026_1.

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This article examines the belated reception and occlusion of the photographic work of Roy DeCarava by evaluating two recent publications: The Sound I Saw: Improvisations on a Jazz Theme (2019) and Light Break (2019). In the article, I attend to the ways in which DeCarava’s closely cropped photographs delve into the sensual, private textures of everyday life but also track as well the collective anguish and social discontent that still burns on today.
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Jacques, G. "ROY DECARAVA: LOOKING." Nka Journal of Contemporary African Art 1996, no. 5 (1996): 21–23. http://dx.doi.org/10.1215/10757163-5-1-21.

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4

Alexander, Meena. "In Memory of Roy DeCarava (1919-2009)." Callaloo 36, no. 1 (2013): 27–28. http://dx.doi.org/10.1353/cal.2013.0077.

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Cagulada, Elaine. "Persistence, Art and Survival." Canadian Journal of Disability Studies 9, no. 4 (2020): 50–70. http://dx.doi.org/10.15353/cjds.v9i4.668.

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 A world of possibility spills from the relation between disability studies and Black Studies. In particular, there are lessons to be gleaned from the Black Arts Movement and Black aesthetic about conjuring the desirable from the undesirable. Artists of the Black Arts Movement beautifully modeled how to disrupt essentialized notions of race, where they found “new inspiration in their African ancestral heritage and imbued their work with their experience as blacks in America” (Hassan, 2011, p. 4). Of these artists, African-American photographer Roy DeCarava was engaged in a
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6

James, Stephanie. "Extraordinary Shades of Gray: The Photographs of Roy DeCarava." Bulletin of the Detroit Institute of Arts 80, no. 1-2 (2006): 58–67. http://dx.doi.org/10.1086/dia23183123.

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7

Rowell, Charles H. ""I Have Never Looked Back Since": An Interview With Roy DeCarava." Callaloo 13, no. 4 (1990): 859. http://dx.doi.org/10.2307/2931388.

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8

Miller, Ivor. ""If It Hasn't Been One of Color": An Interview With Roy DeCarava." Callaloo 13, no. 4 (1990): 847. http://dx.doi.org/10.2307/2931378.

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9

Muyumba, Walton. "Artists in Residence." liquid blackness 5, no. 2 (2021): 21–37. http://dx.doi.org/10.1215/26923874-9272752.

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Abstract Mixing criticism and memoir, “Artists in Residence” offers a rumination on improvisation and collaboration in visual art-making and contemporary jazz performance. The author meditates on the 2017 Unite the Right rally and Ryan Kelly's award-winning photographs of the event and considers how artists offer models for resisting anti-Black racism and white supremacy through collaborative practices. The author analyzes the documentary films Looks of a Lot and RFK in the Land of Apartheid and reviews exhibitions by Roy DeCarava and Jason Moran, highlighting the points of intersection betwee
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Cobb, Jasmine Nichole. "Making Space." Camera Obscura: Feminism, Culture, and Media Studies 35, no. 3 (2020): 132–41. http://dx.doi.org/10.1215/02705346-8631595.

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In this interview, artist and scholar Deborah Willis describes the work of excavating and organizing the history of Black photography. Willis’s groundbreaking scholarship helped to formally establish an archive of Black visual practice before libraries and cultural institutions began to purposely catalogue such materials. Across projects, she has engaged questions of beauty, citizenship, Black culture, and family history from the nineteenth century to the present by closely examining the camera practices of legendary photographers and the cultural contexts surrounding iconic images. In this in
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Books on the topic "DeCarava, Roy"

1

Peter, Galassi, DeCarava Sherry Turner, and Museum of Modern Art (New York, N.Y.), eds. Roy DeCarava, a retrospective. Museum of Modern Art, 1996.

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2

DeCarava, Roy. Årstider: Fotografier av Roy DeCarava : 24 september-27 november 1988, Fotografiska museet i Moderna museet, Skeppsholmen, Stockholm. Moderna museet, 1988.

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3

1927-, Alström Ove, Wigh Leif, and Fotografiska museet, eds. Jazz på fotografiska: Ove Alström, Roy DeCarava, Paul Gerhart Deker, Jill Freedman, William Gottlieb ... : Fotografiska museet i Moderna museet, 12 april-3 augusti, 1986. Fotografiska museet, 1986.

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4

Roy Decarava: Light Break. Zwirner Books, David, 2020.

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5

Roy Decarava: A Retrospective. Museum of Modern Art, 1996.

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6

Lindsey, Rachel McBride. Documentary Photography and the Visual Politics of Race and Religion. Edited by Paul Harvey and Kathryn Gin Lum. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780190221171.013.5.

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The photographs of twentieth-century photographer Roy DeCarava are a rich case study for mapping the visual theater of race and religion in twentieth-century America. Despite visual similarities in his photographs to contemporary documentary photographers, DeCarava contended that claims to document race in fact worked to invest power in the “madness” of “skin color.” Such a statement echoes the teachings of prophets of black urban religion who incorporated critiques of racial classification into their theological visions. Such visual regimes of race and religion were not limited to persons of
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7

DeCarava, Roy. Arstider: Fotografier av Roy DeCarava : 24 september-27 november 1988, Fotografiska museet i Moderna museet, Skeppsholmen, Stockholm (Moderna museets katalog). Moderna museet, 1988.

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Book chapters on the topic "DeCarava, Roy"

1

"Chapter One PICTURING BLACKNESS IN THE PHOTOGRAPHY OF ROY DECARAVA." In The Racial Unfamiliar. Columbia University Press, 2022. http://dx.doi.org/10.7312/broo20502-003.

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2

Ings, Richard. "“And You Slip into the Breaks and Look Around”: Jazz and Everyday Life in the Photographs of Roy DeCarava." In The Hearing Eye. Oxford University Press, 2009. http://dx.doi.org/10.1093/acprof:oso/9780195340501.003.0014.

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"8. Visions of Harlem in Langston Hughes and Ray DeCarava’s The Sweet Flypaper of Life (1955)." In The American Photo-Text, 1930-1960. Edinburgh University Press, 2019. http://dx.doi.org/10.1515/9781474404112-011.

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