Relevant bibliographies by topics / Declamatio

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Declamatio'

Author: Grafiati
Published: 4 June 2021
Last updated: 13 February 2022

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Journal articles on the topic "Declamatio"

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van der Poel, Marc. "The Latin Declamatio in Renaissance Humanism." Sixteenth Century Journal 20, no. 3 (1989): 471. http://dx.doi.org/10.2307/2540791.

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Do Nascimento, Sidnei Francisco. "ERASMO DE ROTERDAM E A EDUCAÇÃO HUMANISTA CRISTÃ." Revista de Filosofia Aurora 19, no. 24 (2007): 47. http://dx.doi.org/10.7213/rfa.v19i24.2179.

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Erasmo se preocupa com a educação do príncipe e escreve DeRatione Studii, (Sobre um Plano de Estudo) que consiste em umplano de ensino para jovens na idade de quatorze a quinze anos.O conhecimento do latim, do grego e do hebraico é indispensávelpara a aquisição de uma boa educação. Os autores gregos e latinoselaboram a grade curricular que deve constituir o estudo dopríncipe: filosofia, moral, religião e ciências naturais. O HumanistaCristão também escreve Declamatio de Pueris Statim ac LiberaliterInstituendis (Declamação sobre a Educação permanente dasCrianças com Benevolência) para ensinar crianças de dois a trêsanos de idade. Essa obra propõe uma educação liberal, com doçurae graça, misturada de alegria e variedades. O preceptor deve sabercomo respeitar a criança, sua natureza e potencialidades.
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Fernández López, Jorge. "Declamación, mecenazgo y medicina en el Quintiliano respondido de Gabriel Bocángel." Minerva. Revista de Filología Clásica, no. 31 (November 18, 2018): 221–48. http://dx.doi.org/10.24197/mrfc.31.2018.221-248.

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En 1647 el poeta y polígrafo madrileño Gabriel Bocángel (1603-1658) compuso su Quintiliano respondido, donde responde a la Declamatio maior 8 apócrifamente atribuida a Quintiliano. La declamatio antigua, perteneciente al género de la controversia, presenta el discurso ficticio en contra de un padre que, siguiendo consejo médico, consiente en matar y diseccionar a uno de sus dos hijos gemelos para salvar al otro, ya que ambos padecían la misma enfermedad aparentemente incurable. Bocángel, que dedica su composición al duque de Sessa en busca de su patrocinio y elige este tema por su interés hacia la medicina, se enfrenta al texto latino desde la posición contraria y va refutando uno por uno, haciendo gala de destacable habilidad retórica, los argumentos del original. Con el recurso a mecanismos similares a los de su referente (prosopopeya, apóstrofe, evidentia, etopeya) compone un texto que constituye un ejercicio escolar el cual, aun siendo indicativo de la importancia contemporánea de la retórica, tuvo como destinatario un auditorio limitado y una difusión discreta (se conservó en forma exclusivamente manuscrita hasta su edición en 2000).
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Calboli, Gualtiero. "L'eros nelle declamazioni latine (una pozione di contro-amore)." Rhetorica 28, no. 2 (2010): 138–59. http://dx.doi.org/10.1525/rh.2010.28.2.138.

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Eros appears frequently in the four groups of Latin declamations, but two of the 19 major declamations are particularly interesting in this regard. In declamation XIV a meretrix gives her lover a hate potion and is accused of poisoning. In declamation XV we have the defense of the meretrix. These two declamations are interesting also because, together with declamations XVIII and XIX, they are the only ones which have accusation and defense, exploring similar arguments.
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Cortijo Ocaña, Antonio. "Ejemplo de declamatio en el Examen de maridos de Juan Ruiz de Alarcón." Bulletin Hispanique 95, no. 2 (1993): 541–56. http://dx.doi.org/10.3406/hispa.1993.4802.

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Da Silva Pontes, Jefferson, and Charlene Martins Miotti. "SENEX, MERETRIX Y ADULESCENS: UN TRIÁNGULO AMOROSO DE ESCENAS PLAUTO QUE CORTA LAS DECLAMACIONES DE PSEUDO QUINTILIANO Y CALPURN PLANO." Argos, no. 42 (June 26, 2020): e0008. http://dx.doi.org/10.14409/argos.2018.41.e0008.

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La retórica siempre ha mantenido estrechas relaciones con otros géneros literarios en la antigüedad. Con el teatro, en particular, sus relaciones inter y extratextuales son aún más evidentes. En este artículo, tenemos la intención de investigar este enfoque basado en tres personajes típicos de la nueva comedia romana: senex, adulescens y meretrix puestos en escena bajo las tramas de amor más irreverentes, responsables del entrelazamiento de estos personajes. Partimos de Excerptum 37 de Calpúrnio Flaco y Declamatio Minor 356 de Pseudo-Quintiliano, señalando su correspondencia con la obra Mercator de Plauto, cuyo argumento es muy similar al de las declaraciones.
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Hömke, Nicola. "The Declaimer's One-man Show. Playing with Roles and Rules in the Pseudo-Quintilian Declamationes maiores." Rhetorica 27, no. 3 (2009): 240–55. http://dx.doi.org/10.1525/rh.2009.27.3.240.

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Zusammenfassung Der rhetorische Fundus eines römischen Schaudeklamators ist, verglichen mit dem eines Gerichtsredners oder Schuldeklamators, um ein effektvolles Instrument reicher: In bewusster Abkehr von der 〟lehrbuchgemäßen” Affektenlehre kann er das Publikum gerade dadurch gewinnen, dass er die Figuren, die er (narrativ und ethopoietisch) in seiner Rede vorstellt, rollenuntypisch 〟agieren” lässt. Das zeigt sich beispielhaft in den pseudo-quintilianischen Declamationes maiores 10, 12, 14 und 15. Das kreative Potential dieses Genres wird insbesondere an Declamatio maior 15 deutlich, in der der Deklamator sogar seine eigene Rolle spielerisch in Frage stellt: Die Rede wird so zum Ein-Mann-Theaterstück, in dem auch die Deklamatorenrolle nur eine unter mehreren personae ist.
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Cro, Melinda A. "Folly’s Tyranny: Theatricality in Erasmus’s and Labé’s Portraits of Folly." Moreana 49 (Number 189-, no. 3-4 (2012): 5–20. http://dx.doi.org/10.3366/more.2012.49.3-4.3.

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The figure of folly and her tyranny over the human condition are themes that both Erasmus and Louise Labé explore in the sixteenth century, Erasmus in the Praise of Folly and Labé, inspired by Erasmus, in the Débat de Folie et d’Amour. Both works share not only common themes and images, but an emphasis on theatre, both as form and as an important image. Through a comparative analysis of these two works and looking back to Lucian’s Declamatio pro tyrannicida and Erasmus’s response as important sources, it slowly becomes evident that Erasmus and Labé shared a common goal – to highlight the inherent folly of tyranny and to propose models for civic behavior in response to tyranny.
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Von Martels, Zweder. "Augurello's Chrysopoeia (1515)-a Turning Point in the Literary Tradition of Alchemical Texts1." Early Science and Medicine 5, no. 2 (2000): 178–95. http://dx.doi.org/10.1163/157338200x00173.

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AbstractIn this article, new important instances of the favourable reception of Augurello's Chrysopoeia (1515) are discussed: a) the 21 editions of the poem, but especially the 1518 edition of Froben, and the Chrysopoeiae compendium paraphrasticum of 1614; b) the marginal notes of Aegidius de Vadis, Giulio Camillo Delminio, and an anonymous author in (manuscript) copies of Augurello's work; c) Henricus Cornelius Agrippa, De incertitudine et vanitate scientiarum declamatio inuectiua (1531), chapter XC on alchemy; and finally d) Ioannes Agrippa, Vellus aureum (1560). It is shown that the Chrysopoeia was read on account of both its contents and elegant language and style. This fortunate combination explains the 'classical' status the poem has acquired within alchemical literature.
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Bertacchi, André Rodrigues. "A primeira epístola salustiana a César sobre a República: introdução, tradução e notas." CODEX -- Revista de Estudos Clássicos 9, no. 1 (2021): 113–31. http://dx.doi.org/10.25187/codex.v9i1.30751.

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Apresenta-se aqui a tradução da Primeira Epístola a César sobre a República, atribuída ao historiador romano Salústio, à qual logo se acrescentará a versão da Segunda epístola também atribuída ao historiador. Na introdução, após discutir brevemente o problema da autenticidade e do gênero dos textos, as Epístolas serão abordadas a partir de sua relação com a declamatio, procedimento que consistia na composição de um falso discurso, em que o autor assumia a figura de outra pessoa, não raro imitando os grandes prosadores do passado. A partir dessa noção, mostrar-se-á como as epístolas tomam elementos das obras historiográficas de Salústio para construir para construir um discurso parenético. A tradução virá acompanhada de um texto em latim e de notas explicativas.
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Dissertations / Theses on the topic "Declamatio"

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Langer, Vera Isabella. "Declamatio Romanorum : Dokument juristischer Argumentationstechnik, Fenster in die Gesellschaft ihrer Zeit und Quelle des Rechts? /." Frankfurt am Main : Lang, 2007. http://opac.nebis.ch/cgi-bin/showAbstract.pl?u20=9783631558614.

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Poel, Marc G. M. Van Der. "De "Declamatio" bij de humanisten : bijdrage tot de studie van de functies van de rhetorica in de Renaissance /." Nieuwkoop : De Graaf, 1987. http://catalogue.bnf.fr/ark:/12148/cb34934549s.

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Follak, Jan. "Lucretia zwischen positiver und negativer Anthropologie : Coluccio Salutatis "Declamatio Lucretie" und die Menschenbilder im "exemplum" der Lucretia von der Antike bis in die Neuzeit /." [S.l. : s.n.], 2002. http://www.bsz-bw.de/cgi-bin/xvms.cgi?SWB10213096.

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Meunier, Isabelle Anne Catherine. "Le "De bello ciuili" de Lucain, une parole en mutation : de la rhétorique républicaine à une poétique de la guerre civile." Phd thesis, Université Paris-Est, 2012. http://tel.archives-ouvertes.fr/tel-00839281.

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Les deux premiers chants de Lucain témoignent d'une utilisation novatrice des discours directs dans l'épopée. Présentés sous forme de triades de paroles juxtaposées -le dialogue n'est plus possible dans le monde du De bello ciuili- dont l'objectif et le genre sont similaires, ils incitent le lecteur-auditeur de l'Antiquité, rompu aux joutes oratoires des concours de déclamation, à les comparer. L'examen de deux de ces groupes de discours sert de préliminaire à une enquête plus large sur la parole rhétorique, puis sur la parole poétique.Dans la confrontation des discours de la première triade (Curion / César /Laelius, au chant I) se lit la condamnation de l'éloquence traditionnelle fondée sur des valeurs éthiques universellement partagées. Elle est supplantée par une rhétorique sophistique qui redéfinit, exclusivement en fonction des intérêts personnels de l'orateur, tout ce qui a trait au droit, au juste ou à la citoyenneté, notions problématiques dans le contexte de perversion morale du bellum ciuile. L'efficacité de cette nouvelle éloquence est signalée par le succès des trois suasoires qui sont à l'origine des grands tournants narratifs de l'œuvre : Curion décide César à entrer définitivement dans l'affrontement civil (Chant I), Cicéron pousse Pompée à donner le signal du début du combat à Pharsale (Chant VII) et Pothin persuade Ptolémée d'assassiner Magnus (Chant VIII).Dans la comparaison des trois paroles prophétiques de la fin du livre I auxquelles répondent les trois discours du début du chant suivant, effusions angoissées de Romains anonymes (les femmes, les hommes et le vieillard), se dessine un art poétique destiné à justifier les choix génériques du poète pour traiter son sujet. Conformant son œuvre à la médiocrité humaine des masses, il doit renoncer au genre tragique (discours des femmes) ainsi qu'à la célébration épique des héros (discours des hommes) et s'efforcer de proposer, à l'instar du vieillard qui se remémore le passé pour anticiper le futur (le plus long discours de l'épopée, rappelant, par sa place et son sujet, l'ilioupersis d'Enée), une épopée historique qui cherche à percer l'opacité du monde de la guerre civile, dans lequel les dieux ne sont plus anthropomorphes. Empruntant leur esthétique du déchiffrement du réel aux Piérides ovidiennes, ces poétesses humaines, rivales des divines Muses (Métamorphoses V), Lucain refonde alors la persona de son uates. Chantre d'un genre nouveau, pour une épopée renouvelée, le 'piéridique' uates du De bello ciuili qui ne peut plus être omniscient -puisque les pensées et les actions des superi lui sont inconnaissables- refuse le patronage des divinités traditionnelles de la poésie, promet à son 'héros' César, non la gloire mais l'exécration éternelle et proclame avec défi, qu'il ne devra lui-même l'éternité qu'à la seule puissance de son talent personnel, divines Muses et grands guerriers héroïques des œuvres du passé ayant été congédiés par la guerre civile.
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Santos, Gilson Charles dos. "Arte, imitação e exercício nas Epistulae ad Caesarem." Universidade de São Paulo, 2012. http://www.teses.usp.br/teses/disponiveis/8/8143/tde-08012013-154723/.

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Ao elencar as virtudes do príncipe e orientá-lo moralmente a agir em benefício de todos, as Epistulae ad Caesarem são fiéis aos princípios que caracterizam o orador como uir bonus dicendi peritus. Entretanto, a verossimilhança dada à matéria, no que se refere ao perigo de uma guerra civil, contribuiu para a negação de sua artificialidade. A análise feita neste trabalho conduzirá uma discussão acerca das razões didáticas para exortar um imperador a debelar o conflito civil, de um lado, e apresentar uma definição de gênero para esses documentos, de outro. Com isso, pretende demonstrar como elas configuram uma imagem da eloquência deliberativa semelhante à verdade, compostas em linguagem ornada a fim de deleitar uma audiência. Dessa forma, mostram tanto uma educação oratória adequada quanto um estudo diligente das virtudes do homem público.<br>By enumerating the virtues of the prince and guiding him morally on how to act for the benefit of the whole community, the Epistulae ad Caesarem are faithful to the principles that characterize the orator as uir bonus dicendi peritus. However, the verisimilitude of treatment given to the subject, regarding the danger of civil wars, contributed to deny their artificiality. On the one hand, the analysis in this work will lead a discussion about the educational motivations for urging an emperor to quell civil strife, and on the other hand it will present a definition of these documents\' gender. It intends to demonstrate how they are figurated as an image of deliberative eloquence similar to the truth, written in an embellished language in order to delight an audience. Therefore, not only do they demonstrate the adequate education of the orator but also a diligent study of virtues of the statesman.
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Guast, William Edward. "Greek declamation in context." Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:e9c314af-b1e1-45bb-9a14-79791c64ac39.

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This thesis looks at the genre of Greek declamation in the second and third centuries of the Common Era. Communis opinio sees the genre as 'nostalgic', a chance for Greeks dissatisfied with their political powerlessness under Rome to 'escape' to the glorious classical past of a free Greece. I argue, by contrast, that despite its famous classicism of language and theme, Greek declamation remains firmly anchored in the present of the Roman empire, and has much to say to that present. The thesis explores in three sections three contemporary contexts in which to read the genre. Each section is made up of two chapters, the first of which examines the context in question and reconstructs the sort of reading process it requires, while the second illustrates and explores that reading process through extended examples. In the first section (chapters one and two), Greek declamation is read in the context of the extraordinary developments in rhetorical theory that were taking place in this period: I argue that the reading of declamation through rhetorical theory was more widespread than has hitherto been appreciated, and that the relationship between theory and practice in declamation should ultimately be seen as dialogic. In the second and third sections (chapters three to six), the genre is read in its contemporary context more broadly. In the second section (chapters three to four), I explore how we might read declamation as 'mythology', that is, as a sort of safe space for exploring major contemporary concerns. In the third section, I make the case for 'metalepsis' in declamation, which I define as a breaking of the boundaries between a declamation and its immediate performance context, used above all by declaimers to talk about themselves and their careers, and also frequently to make reference to their audience.
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Santos, Marcos Eduardo Melo dos. "A declamação \'Queixa da Paz\' de Erasmo de Rotterdam: estudo introdutório e tradução (edição bilíngue)." Universidade de São Paulo, 2017. http://www.teses.usp.br/teses/disponiveis/8/8143/tde-07022018-120457/.

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Este trabalho propõe a primeira tradução feita diretamente do latim para o português brasileiro de uma das obras mais importantes do humanista Erasmo de Rotterdam: a Querela Pacis undique gentium eiectae profligataeque, publicada em 1517. Tal obra constitui-se, ao lado de outros escritos, como uma das mais importantes declamações realizadas durante o Renascimento. Nossa transposição para o português considerará os recursos retóricos escritos em latim, além de conter notas explicativas e referências históricas, mitológicas e bibliográficas, sempre que estas se fizerem necessárias para melhor compreensão do texto, além de referências a autores da Antiguidade assim como a outras obras do próprio autor. No estudo introdutório dessa obra de gênero declamatio renascentista, procurar-se-á analisar o texto erasmiano segundo a conceituação da retórica tradicional antiga, sobretudo dos autores do período imperial, quando a prática das declamações escritas em grego e latim se sobrepôs à oratória, sem espaço em razão do declínio senatorial. Com base nas fontes antigas e nos estudos recentes, pretendemos identificar as semelhanças e diferenças entre a retórica dos autores romanos e a erasmiana nela concretizada. Também serão investigadas as estratégias da argumentação persuasiva, sejam epidíticas, sejam deliberativam, em favor da paz e em sua polêmica diatribe contra a guerra.<br>This paper proposes the first translation directly from Latin into Brazilian Portuguese of one of the most important works by the humanist Desiderius Erasmus: Querela Pacis undique gentium eiectae profligataeque, published in 1517. This work constitutes one of the most important declamations written during the Renaissance. Our transposition to Portuguese will consider rhetorical resources, as well as containing explanatory notes about historical, mythological and bibliographical references, whenever these are necessary for a better understanding of the text, such as references to direct or indirect allusions to writings of Antiquity or other works by the author himself. In the introductory study of this work of the Renaissance declamatio genre, we will analyze the Erasmian text according to the ancient traditional Greco-Roman concept of Rethoric, especially in the authors of the imperial period, when the practice of declamations written in Greek and Latin overlapped the oratory without the ancient status because of the senatorial decline. Based on ancient sources and recent studies, we intend to identify the similarities and differences between the rhetoric of classic Latin authors and the erasmian rhetoric embodied in the Complaint of Peace. We will also investigate the strategies of persuasive argumentation, whether epididical or deliberative, in favor of peace and in its controversial diatribe against war.
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Silva, Barbara da Costa e. "Tal pai, tal filho: estudo e tradução das declamações O jovem herói (Decl. 5) e O velho sovina (Decl. 6) de Corício de Gaza." Universidade de São Paulo, 2015. http://www.teses.usp.br/teses/disponiveis/8/8143/tde-09032016-135958/.

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Essa dissertação tem como objetivos a tradução ao português brasileiro e o estudo de duas declamações, quais sejam O jovem herói (Decl. 5) e O velho sovina (Decl. 6), creditados a Corício de Gaza, um professor de retórica cuja produção se situou na primeira metade do séc. VI d.C. Primeiramente, apresentam-se as traduções. Em seguida, o estudo, que é dividido em dois blocos: o primeiro capítulo busca contextualizar o corpus tendo em vista a conjuntura histórico-literária na qual ambas as declamações se inserem. O segundo capítulo corresponde à analise descritiva e interpretativa das principais características estilísticas, linguística e argumentativa de ambos os textos.<br>The main goals of this research are the translation into Brazilian Portuguese and an introductory study of two declamations, The Young Hero (Decl. 5) and The Miser Old Man (Decl. 6), credited to Choricius, a teacher of rhetoric who worked and lived in the 6th century Gaza. Firstly, I present the translation, then the study, which is divided into two sections: in the first chapter I contextualize both declamations historically and in the literary sense. In the second chapter I present a descriptive and interpretative analysis of the main stylistic, linguistic and argumentative characteristics of both texts.
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Costrino, Artur. "A lição dos declamadores: sêneca, o rétor, e as suasórias." Universidade de São Paulo, 2011. http://www.teses.usp.br/teses/disponiveis/8/8143/tde-08092011-112806/.

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Este trabalho tem como objetivos a tradução anotada e um estudo a respeito da obra Suasórias de Sêneca, o rétor. A tradução tenta seguir de modo rente o texto original, enquanto as notas procuram informar ao leitor algum acontecimento histórico ou personagens citados por Sêneca ou pelos declamadores. Já o estudo divide-se em três capítulos, o primeiro, procura detalhar algumas questões básicas sobre a declamatio, tendo ainda como subcapítulo um estudo mais aprofundado sobre as fontes desse fenômeno romano; o segundo capítulo versa sobre a forma constituinte da obra, ou seja, as sententiae, diuisiones e colores; o terceiro e último capítulo analisa de perto a relação entre suasória e prosopopeia, suas semelhas e diferenças.<br>This dissertation has as its aims an annotated translation and a study about the work Suasoriae of Seneca, the elder. The translation attempts to follow closely on the original text, while the notes informes the reader some historical event or characters cited by Seneca or even by the reciters. The study is divided into three chapters, the first attempts to clarify some basic questions about the declamatio, and also has, as its subchapter, a further study on the sources of this Roman phenomenon, the second chapter deals with the constituent form of the work, i.e.the sententiae, diuisiones and colores, the third and final chapter examines closely the relantionship between suasoria and prosopopeia, their resemblances and their differences.
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Henderlight, Justin. "Declamation in seventeenth-century English opera, or the nature of "recitative musick"." Thesis, University of British Columbia, 2012. http://hdl.handle.net/2429/42032.

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During the English Reformation, composers attempted to create a uniquely English take on opera, one rooted in dramatic elements and conventions tied to the English court masque of the earlier part of the century. One component essential to opera, recitative, was understood then and now to be an Italian invention, and though the Britons knew it to be an indispensible element of operatic style, they had only a passing acquaintance with its specific characteristics. Using stylistic features present in declamatory lutesongs from within masques and without, English composers attempted to develop their own brand of musical monody to fulfill the dramatic function of recitative in their operas. Traditionally, the stunted growth of this tradition has been explained by cultural and political factors alone; however, this study shows how the difficulties encountered while developing an English recitative tradition prevented composers from having the tools necessary for their operas to flourish. This fact is shown by examining the obstacles that had to be overcome when attempting to reconcile a rich, existing tradition of dramatic poetry with the demands of creating a moving and varied musical setting of the text. Further, an attempt is made to define the genre of English recitative and the breadth of style therein by examining the specific features of declamation in the major operatic works of Restoration England. The analysis further shows how the inconsistent degree of efficacy in these composers’ efforts prevented them from creating a conventionalized style of declamation applicable to all dramatic situations.
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Books on the topic "Declamatio"

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Tullius, Cicero Marcus, ed. Die Declamatio in L. Sergium Catilinam: Einleitung, Text, Übersetzung, Kommentar. WVT, Wissenschaftlicher Verlag, 2004.

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Lorenzo, Valla. Laurentii Vallae De falso credita et ementita Constantini donatione declamatio. In Aedibus B.G. Teubneri, 1994.

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editor, Guérin Charles, ed. Reading Roman declamation: The declamations ascribed to Quintilian. De Gruyter, 2015.

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Herold, Johannes Basilius. Philopseudes sive pro Des. Erasmo Roterodamo v.c. contra dialogum famosum anonymi cuiusdam, declamatio. Apud Robertum VVinter, 1986.

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Marc G. M. van der Poel. De declamatio bij de humanisten: Bijdrage tot de studie van de funties van de rhetorica inde renaissance. De Graaf, 1987.

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Marc G. M. van der Poel. De declamatio bij de humanisten: Bijdrage tot de studie van de functies van de rhetorica in de Renaissance. De Graaf, 1987.

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Dinter, Martin T., Charles Guérin, and Marcos Martinho, eds. Reading Roman Declamation. DE GRUYTER, 2015. http://dx.doi.org/10.1515/9783110387773.

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Donavin, Georgiana, and Denise Stodola, eds. Public Declamations. Brepols Publishers, 2015. http://dx.doi.org/10.1484/m.disput-eb.5.108415.

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9

J, Penella Robert, ed. Preliminary talks and declamations. Cambridge University Press, 2009.

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10

Libanius, ed. Libanius' declamations 9 and 10. Acta Universitatis Gothoburgensis, 2006.

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Book chapters on the topic "Declamatio"

1

Frigo, Gianfranco, and Thomas Haye. "Valla, Lorenzo: De falso credita et ementita Constantini donatione declamatio." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_20885-1.

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Donavin, Georgiana, and Denise Stodola. "Introduction." In Public Declamations. Brepols Publishers, 2015. http://dx.doi.org/10.1484/m.disput-eb.5.107445.

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Copeland, Rita. "Affectio in the Tradition of the De inventione: Philosophy and Pragmatism." In Public Declamations. Brepols Publishers, 2015. http://dx.doi.org/10.1484/m.disput-eb.5.107446.

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Ward, John O. "Master William of Champeaux and Some Other Early Commentators on the Pseudo-Ciceronian Rhetorica ad Herennium." In Public Declamations. Brepols Publishers, 2015. http://dx.doi.org/10.1484/m.disput-eb.5.107447.

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Fredborg, Karin Margareta. "The De inventione Commentary by Manegold (of Lautenbach?) and its Place in Twelfth-Century Rhetoric." In Public Declamations. Brepols Publishers, 2015. http://dx.doi.org/10.1484/m.disput-eb.5.107448.

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Pendergast, John. "‘Ironical censors of all’: Thomas Nashe and the Sixteenth-Century Commentary Tradition." In Public Declamations. Brepols Publishers, 2015. http://dx.doi.org/10.1484/m.disput-eb.5.107449.

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Poster, Carol. "Letter Writing and Sophistic Careers in Philostratus’s Lives of the Sophists." In Public Declamations. Brepols Publishers, 2015. http://dx.doi.org/10.1484/m.disput-eb.5.107450.

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8

Donavin, Georgiana. "‘Rex Celi Deus’: John Gower’s Heavenly Missive." In Public Declamations. Brepols Publishers, 2015. http://dx.doi.org/10.1484/m.disput-eb.5.107451.

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Richardson, Malcolm. "Ends and Beginnings in London Merchant Epistolary Rhetoric, c. 1460–1520." In Public Declamations. Brepols Publishers, 2015. http://dx.doi.org/10.1484/m.disput-eb.5.107452.

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Fichte, Joerg O. "Manifestations of Otherness in Sir Perceval of Gales: Witches, Saracens, and Giants." In Public Declamations. Brepols Publishers, 2015. http://dx.doi.org/10.1484/m.disput-eb.5.107453.

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Conference papers on the topic "Declamatio"

1

Špolad, Simona. "Different Approaches to Promoting Declamation Learning in Primary School and Student Responses." In Developing Effective Learning. University of Primorska Press, 2020. http://dx.doi.org/10.26493/978-961-293-002-8.47.

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