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Books on the topic 'Declamatio'

Author: Grafiati

Published: 4 June 2021

Last updated: 13 February 2022

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1

Tullius, Cicero Marcus, ed. Die Declamatio in L. Sergium Catilinam: Einleitung, Text, Übersetzung, Kommentar. WVT, Wissenschaftlicher Verlag, 2004.

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2

Lorenzo, Valla. Laurentii Vallae De falso credita et ementita Constantini donatione declamatio. In Aedibus B.G. Teubneri, 1994.

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3

editor, Guérin Charles, ed. Reading Roman declamation: The declamations ascribed to Quintilian. De Gruyter, 2015.

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4

Herold, Johannes Basilius. Philopseudes sive pro Des. Erasmo Roterodamo v.c. contra dialogum famosum anonymi cuiusdam, declamatio. Apud Robertum VVinter, 1986.

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5

Marc G. M. van der Poel. De declamatio bij de humanisten: Bijdrage tot de studie van de funties van de rhetorica inde renaissance. De Graaf, 1987.

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6

Marc G. M. van der Poel. De declamatio bij de humanisten: Bijdrage tot de studie van de functies van de rhetorica in de Renaissance. De Graaf, 1987.

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7

Dinter, Martin T., Charles Guérin, and Marcos Martinho, eds. Reading Roman Declamation. DE GRUYTER, 2015. http://dx.doi.org/10.1515/9783110387773.

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8

Donavin, Georgiana, and Denise Stodola, eds. Public Declamations. Brepols Publishers, 2015. http://dx.doi.org/10.1484/m.disput-eb.5.108415.

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9

J, Penella Robert, ed. Preliminary talks and declamations. Cambridge University Press, 2009.

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10

Libanius, ed. Libanius' declamations 9 and 10. Acta Universitatis Gothoburgensis, 2006.

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11

Libanius. Imaginary speeches: A selection of declamations. Duckworth, 1996.

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12

Declamation, paternity, and Roman identity: Authority and the rhetorical self. Cambridge University Press, 2003.

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13

Albert, Rabil, ed. Declamation on the nobility and preeminence of the female sex. University of Chicago Press, 1996.

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14

Cornelius Agrippa, the humanist theologian and his declamations. E.J. Brill, 1997.

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15

Maillard, Olivier. [Sermones de adventu: Declamati Parisius in ecclesia Sancti Joannis in Gravia]. IDC, 1987.

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16

Flaccus, Calpurnius. The declamations of Calpurnius Flaccus: Text, translation, and commentary. E.J. Brill, 1994.

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17

Maillard, Olivier. [Quadragesimale opus: Declamatum Parisiorum urbe ecclesia Sancti Johannis in Gravia. IDC, 1987.

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18

88-145, Polemo Antonius ca, and Chvála-Smith Anthony J, eds. The severed hand and the upright corpse: The declamations of Marcus Antonius Polemo. Scholars Press, 1996.

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19

Schumann, Robert. Literarische Vorlagen der ein- und mehrstimmigen Lieder, Gesängen und Deklamationen =: Literary text used in solo songs, part songs, and works for vocal declamation. Schott, 2002.

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20

(Editor), Walther Schwahn, ed. De Falso Credita et Ementita Constantini Donatione Declamatio. K.G. SAUR VERLAG, 1998.

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21

Valla, Laurentius. Laurentii Vallae de falso credita et ementita Constantini donatione declamatio. Edited by Walter Schwahn. B. G. Teubner, 1994. http://dx.doi.org/10.1515/9783110952988.

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22

Dinter, Martin T., Charles Guérin, and Marcos Martinho dos Santos, eds. Reading Roman Declamation. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198746010.001.0001.

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Situated at the crossroads of rhetoric and fiction, the genre of declamatio offers its practitioners the freedom to experiment with new forms of discourse. This volume places the literariness of Roman declamation into the spotlight by showcasing its theoretical influences, stylistic devices, and generic conventions as related by Seneca the Elder, the author of the Controversiae and Suasoriae, which jointly make up the largest surviving collection of declamatory speeches from antiquity. In so doing, it draws attention to the complexity of these texts, and maps out, for the first time, the socio

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23

Langer, Vera Isabella. Declamatio Romanorum: Dokument Juristischer Argumentationstechnik, Fenster in Die Gesellschaft Ihrer Zeit und Quelle des Rechts? Lang GmbH, Internationaler Verlag der Wissenschaften, Peter, 2007.

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24

Harris, Ellen T. Musical Declamation. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190271664.003.0005.

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As happens in many other aspects of Dido and Aeneas, Purcell forges his style of musical declamation on the base of seventeenth-century tradition. Many before him espoused theories about English musical declamation, and Purcell had models of the declamatory style in the music of Matthew Locke, John Blow, and others. Purcell’s unique contribution was to combine an acute attention to word meaning, accent, and rhythm with melismatic virtuosity. A comparison to period declamation in other languages reveals Purcell’s particular success in crafting declamation in English.

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25

Winterbottom, Michael. Papers on Quintilian and Ancient Declamation. Edited by Antonio Stramaglia, Francesca Romana Nocchi, and Giuseppe Russo. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198836056.001.0001.

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Declamation—the practice of training young men to speak in public by setting them to compose and deliver speeches on fictional legal cases—was central to the Greek and Roman educational systems over many centuries and has been the subject of a recent explosion of scholarly interest. This book brings together a broad selection of scholarly work published since 1964. The papers and reviews focus on two related topics: the rhetorician Quintilian and ancient declamation in general. Quintilian, who taught rhetoric at Rome in the second half of the first century AD, was the author of the Institutio

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26

La declamation theatrale. eBooksLib, 2009.

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27

Dinter, Martin T., Charles Guérin, and Marcos Martinho, eds. Reading Roman Declamation. De Gruyter, 2016. http://dx.doi.org/10.1515/9783110352511.

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28

The lesser declamations. Harvard University Press, 2006.

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29

Dinter, Martin T., Charles Guérin, and Marcos Martinho, eds. Reading Roman Declamation - Calpurnius Flaccus. De Gruyter, 2017. http://dx.doi.org/10.1515/9783110401554.

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30

Santley, Charles. Art of Singing and Vocal Declamation. Independently Published, 2019.

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31

Papers on Quintilian and Ancient Declamation. Oxford University Press, 2019.

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32

Newlands, J. C. Voice Production and the Phonetics of Declamation. White Press, 2018.

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33

Santley, Charles. The Art of Singing and Vocal Declamation. Library Reprints, 2001.

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34

Five Minute Declamations Second Part. Ayer Co Pub, 1990.

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35

Ethics Identity And Community In Later Roman Declamation. Oxford University Press Inc, 2013.

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36

Amato, Eugenio, Francesco Citti, and Bart Huelsenbeck, eds. Law and Ethics in Greek and Roman Declamation. De Gruyter, 2015. http://dx.doi.org/10.1515/9783110401882.

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37

Law and Ethics in Greek and Roman Declamation. De Gruyter, Inc., 2015.

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38

V, Ana Lucia Jaramillo. El Arte de la Declamacion Moderna. Ediciones Universal, 2000.

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39

Penella, Robert J., ed. Libanius: Ten Mythological and Historical Declamations. Cambridge University Press, 2020. http://dx.doi.org/10.1017/9781108611459.

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40

Quintilian and D. R. Shackleton Bailey. The Lesser Declamations II (Loeb Classical Library). Loeb Classical Library, 2006.

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41

Russell, D. A., and Libanius. Libanius: Imaginary Speeches: A Selection of Declamations. Duckworth Publishing, 1996.

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42

Gunderson, Erik. Declamation, Paternity, and Roman Identity: Authority and the Rhetorical Self. Cambridge University Press, 2007.

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43

Quintilian and Sussman Lewis A, eds. The major declamations ascribed to Quintilian: A translation. Verlag P. Lang, 1987.

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44

Fobes, Walter K. Five Minute Declamations First Part (Granger index reprint series). Ayer Co Pub, 1985.

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45

Libanius : Ten Mythological and Historical Declamations: Introduction, Translation, and Notes. University of Cambridge ESOL Examinations, 2020.

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46

Quintilian and D. R. Shackleton Bailey. Quintilian: The Lesser Declamations I (Loeb Classical Library No. 500). Loeb Classical Library, 2006.

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47

McGuffey, William Holmes. Mcguffey's New Eclectic Speaker: Containing about Three Hundred Exercises for Reading and Declamation, Book 8. HardPress, 2020.

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48

Eden, Kathy. Forensic Rhetoric and Humanist Education. Edited by Lorna Hutson. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199660889.013.5.

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This chapter explores how the rhetoric of the Roman forum shaped humanist education in sixteenth-century England as demonstrated in the textbooks of Erasmus, Leonard Cox, Richard Rainolde, John Brinsley, and others. Through the influence of a small number of Roman rhetorical manuals widely read by these schoolmasters and their students, including the Ad Herennium, Cicero’s De inventione, and Quintilian’s Institutio oratoria, legal principles and procedures, such as status, circumstances, artificial and inartificial proofs, and topical argumentation, impact not only the full range of writing ex

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49

Harris, Ellen T. Ground Bass Techniques. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190271664.003.0006.

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The movements in Dido and Aeneas built over a ground (repeating) bass illustrate Purcell’s achievement in balancing repetitive patterning with asymmetrical phrase structure, thus transforming a common compositional artifice into artistic expression. In “Ah, Belinda,” he writes a declamation and an air over the same repeating bass pattern. In “Oft she visits,” the collapse of normalcy into destructive chaos depicted in the text is illustrated by the alteration he makes to the relationship between the repeating bass and the vocal line. Dido’s Lament is the most extensively constructed of these a

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50

Sussman, Lewis A. The Major Declamations Ascribed to Quintilian: A Translation (Studien Zur Klassischen Philologie, Band 27). Peter Lang Pub Inc, 1987.

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