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Dissertations / Theses on the topic 'Declamatio'

Author: Grafiati

Published: 4 June 2021

Last updated: 13 February 2022

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1

Langer, Vera Isabella. "Declamatio Romanorum : Dokument juristischer Argumentationstechnik, Fenster in die Gesellschaft ihrer Zeit und Quelle des Rechts? /." Frankfurt am Main : Lang, 2007. http://opac.nebis.ch/cgi-bin/showAbstract.pl?u20=9783631558614.

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2

Poel, Marc G. M. Van Der. "De "Declamatio" bij de humanisten : bijdrage tot de studie van de functies van de rhetorica in de Renaissance /." Nieuwkoop : De Graaf, 1987. http://catalogue.bnf.fr/ark:/12148/cb34934549s.

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3

Follak, Jan. "Lucretia zwischen positiver und negativer Anthropologie : Coluccio Salutatis "Declamatio Lucretie" und die Menschenbilder im "exemplum" der Lucretia von der Antike bis in die Neuzeit /." [S.l. : s.n.], 2002. http://www.bsz-bw.de/cgi-bin/xvms.cgi?SWB10213096.

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4

Meunier, Isabelle Anne Catherine. "Le "De bello ciuili" de Lucain, une parole en mutation : de la rhétorique républicaine à une poétique de la guerre civile." Phd thesis, Université Paris-Est, 2012. http://tel.archives-ouvertes.fr/tel-00839281.

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Les deux premiers chants de Lucain témoignent d'une utilisation novatrice des discours directs dans l'épopée. Présentés sous forme de triades de paroles juxtaposées -le dialogue n'est plus possible dans le monde du De bello ciuili- dont l'objectif et le genre sont similaires, ils incitent le lecteur-auditeur de l'Antiquité, rompu aux joutes oratoires des concours de déclamation, à les comparer. L'examen de deux de ces groupes de discours sert de préliminaire à une enquête plus large sur la parole rhétorique, puis sur la parole poétique.Dans la confrontation des discours de la première triade (

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5

Santos, Gilson Charles dos. "Arte, imitação e exercício nas Epistulae ad Caesarem." Universidade de São Paulo, 2012. http://www.teses.usp.br/teses/disponiveis/8/8143/tde-08012013-154723/.

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Ao elencar as virtudes do príncipe e orientá-lo moralmente a agir em benefício de todos, as Epistulae ad Caesarem são fiéis aos princípios que caracterizam o orador como uir bonus dicendi peritus. Entretanto, a verossimilhança dada à matéria, no que se refere ao perigo de uma guerra civil, contribuiu para a negação de sua artificialidade. A análise feita neste trabalho conduzirá uma discussão acerca das razões didáticas para exortar um imperador a debelar o conflito civil, de um lado, e apresentar uma definição de gênero para esses documentos, de outro. Com isso, pretende demonstrar como elas

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6

Guast, William Edward. "Greek declamation in context." Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:e9c314af-b1e1-45bb-9a14-79791c64ac39.

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This thesis looks at the genre of Greek declamation in the second and third centuries of the Common Era. Communis opinio sees the genre as 'nostalgic', a chance for Greeks dissatisfied with their political powerlessness under Rome to 'escape' to the glorious classical past of a free Greece. I argue, by contrast, that despite its famous classicism of language and theme, Greek declamation remains firmly anchored in the present of the Roman empire, and has much to say to that present. The thesis explores in three sections three contemporary contexts in which to read the genre. Each section is mad

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Santos, Marcos Eduardo Melo dos. "A declamação \'Queixa da Paz\' de Erasmo de Rotterdam: estudo introdutório e tradução (edição bilíngue)." Universidade de São Paulo, 2017. http://www.teses.usp.br/teses/disponiveis/8/8143/tde-07022018-120457/.

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Este trabalho propõe a primeira tradução feita diretamente do latim para o português brasileiro de uma das obras mais importantes do humanista Erasmo de Rotterdam: a Querela Pacis undique gentium eiectae profligataeque, publicada em 1517. Tal obra constitui-se, ao lado de outros escritos, como uma das mais importantes declamações realizadas durante o Renascimento. Nossa transposição para o português considerará os recursos retóricos escritos em latim, além de conter notas explicativas e referências históricas, mitológicas e bibliográficas, sempre que estas se fizerem necessárias para melhor co

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8

Silva, Barbara da Costa e. "Tal pai, tal filho: estudo e tradução das declamações O jovem herói (Decl. 5) e O velho sovina (Decl. 6) de Corício de Gaza." Universidade de São Paulo, 2015. http://www.teses.usp.br/teses/disponiveis/8/8143/tde-09032016-135958/.

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Essa dissertação tem como objetivos a tradução ao português brasileiro e o estudo de duas declamações, quais sejam O jovem herói (Decl. 5) e O velho sovina (Decl. 6), creditados a Corício de Gaza, um professor de retórica cuja produção se situou na primeira metade do séc. VI d.C. Primeiramente, apresentam-se as traduções. Em seguida, o estudo, que é dividido em dois blocos: o primeiro capítulo busca contextualizar o corpus tendo em vista a conjuntura histórico-literária na qual ambas as declamações se inserem. O segundo capítulo corresponde à analise descritiva e interpretativa das principais

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9

Costrino, Artur. "A lição dos declamadores: sêneca, o rétor, e as suasórias." Universidade de São Paulo, 2011. http://www.teses.usp.br/teses/disponiveis/8/8143/tde-08092011-112806/.

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Este trabalho tem como objetivos a tradução anotada e um estudo a respeito da obra Suasórias de Sêneca, o rétor. A tradução tenta seguir de modo rente o texto original, enquanto as notas procuram informar ao leitor algum acontecimento histórico ou personagens citados por Sêneca ou pelos declamadores. Já o estudo divide-se em três capítulos, o primeiro, procura detalhar algumas questões básicas sobre a declamatio, tendo ainda como subcapítulo um estudo mais aprofundado sobre as fontes desse fenômeno romano; o segundo capítulo versa sobre a forma constituinte da obra, ou seja, as sententiae, diu

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10

Henderlight, Justin. "Declamation in seventeenth-century English opera, or the nature of "recitative musick"." Thesis, University of British Columbia, 2012. http://hdl.handle.net/2429/42032.

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During the English Reformation, composers attempted to create a uniquely English take on opera, one rooted in dramatic elements and conventions tied to the English court masque of the earlier part of the century. One component essential to opera, recitative, was understood then and now to be an Italian invention, and though the Britons knew it to be an indispensible element of operatic style, they had only a passing acquaintance with its specific characteristics. Using stylistic features present in declamatory lutesongs from within masques and without, English composers attempted to develop th

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11

MOLLET, ALAIN. "Le conservatoire de musique et declamation de paris depuis ses origines jusqu'a 1830." Paris, EPHE, 1997. http://www.theses.fr/1997EPHE4025.

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L'etude historique administrative et reglementaire du conservatoire de musique et de declamation de paris permet d'apprecier son impact original et fondamental dans la societe de la fin du xviiie siecle et du debut du siecle suivant: malgre de nombreuses vicissitudes. Cette institution d'etat a aspire a devenir le grand etablissement de type superieur capable de resoudre la question du vide de l'enseignement musical et dramatique en france. Son action s'etendit egalement a la diffusion musicale et a la conservation historique. Le rayonnement sans precedent de cette norme institutionnelle de gr

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12

Schneider, Catherine. "Essai de datation de la troisieme des grandes declamations pseudo-quintiliennes." Université Marc Bloch (Strasbourg) (1971-2008), 1999. http://www.theses.fr/1999STR20046.

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La troisieme des grandes declamations pseudo-quintiliennes a probablement ete composee a l'epoque du regne de constantin i par un rheteur qui appartenait au cercle de cet empereur et fut peut-etre un fonctionnaire attache a l'une de ses chancelleries imperiales.

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13

Gräbner, Cornelia Marianne Else. "Off the page and off the stage: the performance of poetry and its public function." [S.l. : Amsterdam : s.n.] ; Universiteit van Amsterdam [Host], 2007. http://dare.uva.nl/document/49097.

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14

Anemodouris, Ilias. "Declamatory ludism and Senecan characterisation." Thesis, University of Manchester, 2014. https://www.research.manchester.ac.uk/portal/en/theses/declamatory-ludism-and-senecan-characterisation(e7ae3290-3916-4e59-9b7c-f35ccec2f9af).html.

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This thesis attempts to identify and analyse the influence of the tradition of declamation on characterisation in the dramatic compositions of the Stoic philosopher Seneca. Two argumentative lines structure this thesis: the first relates to a concept of ludism, which is argued to help re-visit declamatory rhetoric, and re-appreciate its functions in Roman society. The second one is twofold: first, that the concept of ludism - in the ways in which it is argued to be applicable to declamatory rhetoric - can describe effectively the influence of declamation on Senecan characterisation; and second

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15

Lau, Wing. "The Expressive Motivation of Meter Changes in Brahms's Lieder." Thesis, University of Oregon, 2015. http://hdl.handle.net/1794/19314.

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Metric dissonance in Brahms’s music is not an unfamiliar topic. Hemiola, offbeat accents, and syncopations are Brahms’s common metric strategies. These metric manipulations often facilitate a displacement between the audible and the notated downbeats, leading many scholars to question the importance of Brahms’s notated meters and notated barlines. However, Brahms does not hesitate to change the notated meter when he wants a new one to prevail, especially in his solo songs. Out of 194 songs for solo voice with piano accompaniment written and published during Brahms’s life time, 41 of them invol

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16

Keeline, Thomas John. "A Rhetorical Figure: Cicero in the Early Empire." Thesis, Harvard University, 2014. http://dissertations.umi.com/gsas.harvard:11467.

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My dissertation investigates the reception of Cicero in the early Roman Empire, focusing on the first 250 years after his death. I show that this reception is primarily constructed by the ancient rhetorical schoolroom, where young Romans first encountered Cicero, reading his speeches and writing Ciceronian declamations. Here they were exposed to a particular version of the man, with emphases often selected for political purposes. When they grew up, that schoolroom image of Cicero continued to permeate their thought and writing. My study unpacks this complex process and lays bare the early Empi

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17

Boulet, Michaël. "Les avatars de la déclamation à la Renaissance." Thesis, Toulouse 2, 2013. http://www.theses.fr/2013TOU20018.

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Ce travail vise à proposer une définition opératoire de la déclamation du XVIème siècle, à étudier son évolution durant la période et à examiner ses manifestations dans certains textes littéraires. La première partie est constituée d'une sorte de recherche archéologique : qu'est-ce exactement que les Romains appelaient une "declamatio" ? Comment cet exercice a-t-il évolué durant la deuxième sophistique ? Qu'est-ce que les humanistes de la Renaissance appellent ainsi, apprécient et essayent d'imiter ? La seconde partie propose plusieurs analyses de déclamations humanistes, en vue d'en formuler

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18

Chae, Eunhee. "Jules Massenet's Musical Prosody Focusing on His Eight Song Cycles And A Collection, Expressions Lyriques: A Lecture Recital, Together with Recitals of Selected Works of W. A. Mozart, F. Schubert, C. Debussy, R. Strauss, D. Argento, V. Bellini, J. Marx, W. Walton, C. Gounod, A. Scarlatti, G. Fauré, J. Rodrigo, H. Wolf, and Others." Thesis, University of North Texas, 2000. https://digital.library.unt.edu/ark:/67531/metadc2727/.

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Jules Massenet's mélodies feature a distinct vocal treatment regarding musical prosody through his eight song cycles, including Poëme d'Avril, Poëme Pastoral, Poëme du Souvenir, Poëme d'Amour, Poëme d'Hiver, Poëme d'un Soir, and Quelques Chansons Mauves, and a collection, Expressions Lyriques. These mélodies show the influence of the trend of salon music and the high-level poetry from the poetic movements of romanticism, Parnassianism, and symbolism. This study deals with Massenet's mélodies relating to the prosody idea, which is conspicuous in his vocal treatment. His melodic styles feature

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19

Marie, Laurence. "L'acteur peintre de la nature. Esthétique du tableau et premières théories du jeu théâtral au XVIIIème siècle (France, Angleterre, Allemagne)." Thesis, Paris 4, 2008. http://www.theses.fr/2008PA040147.

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Cette thèse entend montrer comment la naissance de la théorie du jeu théâtral au XVIIIe siècle contribue à la mise en cause du modèle mimétique classique au profit d'un nouveau modèle expressif. Considérant trois aires culturelles (la France, l'Angleterre et l'Allemagne), elle adopte une démarche chronologique, qui vise à souligner les changements dans la façon d’entendre le parallèle entre l'acteur, le peintre et l’orateur. Il apparaît ainsi que la théorie du jeu tire sa légitimité d'une réhabilitation du spectacle visuel, qui donne lieu à une esthétique du tableau scénique mettant en lumière

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20

Pustrelo, Matheus de Barros. "Estado de causa: estudo e tradução do manual de Sulpitius Victor." Universidade de São Paulo, 2016. http://www.teses.usp.br/teses/disponiveis/8/8143/tde-08082016-100425/.

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Em nossa dissertação, estudamos o manual retórico de Sulpício Vítor, Institutiones Oratoriae. Nossa pesquisa é dividida em quatro partes. Na primeira, comentamos a bibliografia especializada que nos antecede, abordando questões importantes, como datação, ocorrência de alguns elementos retóricos e semelhança com outros manuais. Na segunda, comparamos os exemplos fornecidos por nosso autor com exercícios declamatórios, sobretudo os de Sêneca pai, mas também os de Calpúrnio Flaco e de Pseudo-Quintiliano. Na terceira, analisamos e explicamos a teoria dos estados de causa de Sulpício Vítor, compara

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21

Augier-Grimaud, Johana. "Théâtre et théâtralité dans le Satyricon : la quête d'un nouveau genre." Thesis, Paris 4, 2014. http://www.theses.fr/2014PA040132.

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La présente étude revient sur le concept de théâtralité souvent employé à propos du Satyricon pour tenter d’enpréciser les manifestations et les modalités. Car derrière l’apparente simplicité du terme et la banalisation de sonemploi à propos de cette oeuvre, se cache une pluralité de procédés. La théâtralité du Satyricon revêt trois formes.Elle se définit spontanément comme la réutilisation de codes propres aux genres dramatiques comiques auxquelsPétrone emprunte situations, thématiques et procédés linguistiques. Cette théâtralité première est complexifiéepar son ancrage dans un univers narrat

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22

Rubulotta, Gabriella. "La réception de Xénophon dans l'œuvre d'Ælius Aristide : rhétorique et imitation à l'époque impériale." Thesis, Strasbourg, 2019. http://www.theses.fr/2019STRAC006.

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Nombre d’œuvres d’époque impériale montrent que Xénophon était considéré comme un modèle littéraire éminent. La présente thèse offre une analyse de la réception de Xénophon dans les discours de l’orateur Ælius Aristide, lesquels n’ont pas encore été traités sous cet angle. Les œuvres aristidiennes examinées sont : les Discours platoniciens (or. 2-4), le discours Sur la digression (or. 28), la déclamation En faveur de la paix avec les Athéniens (or. 8), l’ensemble des cinq Discours leuctriens (or. 11-15), les témoignages sur la déclamation perdue Callixène, le Panathénaïque (or. 1) et l’éloge À

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23

Sallum, Jorge Luiz Fahur. "Sobre sofística e filosofia no platônico Siriano Filoxeno, \"o isocrático\"." Universidade de São Paulo, 2013. http://www.teses.usp.br/teses/disponiveis/8/8143/tde-11062013-131224/.

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Apresentamos neste trabalho a tradução da primeira parte do Commentarium in Hermogenis librum PerÈ st.sewn, de Siriano Filoxeno, o isocrático. Na introdução procuramos circunscrever o gênero do comentário retórico às estases de Hermógenes, como praticado por filósofos platônicos durante os séculos III a VI d.C. Comisso pretendemos discorrer sobre como a sofística e a retórica se dão no currículo próprio das chamadas escolas filosóficas, que se evidencia pelo gênero encomiástico das vidas. Nessa operação, procuramos evidenciar como os filósofos platônicos interessam-se pela retórica declamatóri

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24

Schweitzer, Claudia. "Parole et Chant. Histoire des théories du son du français à l’âge classique (XVIIe – XVIIIe siècles)." Thesis, Sorbonne Paris Cité, 2018. http://www.theses.fr/2018USPCA104/document.

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Avec évidence, les sons émis par la voix parlée ou par la voix chantée montrent de nombreuses parentés, toutefois, leurs descriptions et leur analyse ne se présentent pas forcément sous la même lumière dans les textes grammaticaux et musicaux, dont la visée peut être (pour chaque type) plus ou moins théorique ou pratique.Nous avons choisi pour notre étude sur les sons en parole et en chant français, les XVIIe et XVIIIe siècles : une époque où musique et langue présentent des liens structuraux fondamentaux. Cette caractéristique permet de confronter logiquement les deux disciplines et de relier

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25

Follak, Jan [Verfasser]. "Lucretia zwischen positiver und negativer Anthropologie : Coluccio Salutatis Declamatio Lucretie und die Menschenbilder im exemplum der Lucretia von der Antike bis in die Neuzeit / vorgelegt von Jan Follak." 2002. http://d-nb.info/965656314/34.

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26

Crespi, John Arthur. "A vocal minority : new poetry and poetry declamation in China, 1915-1975 /." 2001. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&res_dat=xri:pqdiss&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft_dat=xri:pqdiss:9997156.

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27

Wiese, Hugh Clevenger. "Playing around the real : games, play, and the declamation dynamic in ancient and modern rhetorical pedagogy." Thesis, 2014. http://hdl.handle.net/2152/26175.

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This dissertation reassesses declamation, a pedagogical exercise that was prominent in the rhetoric schools of ancient Greece and Rome but that is now, by many accounts, a mere historical artifact. On the contrary, this dissertation presents declamation as the source of an essential and ongoing dynamic that not only survives but actually underlies much of what continues to take place in contemporary rhetoric classrooms. As such, this dissertation is not only about ancient declamation itself, but about a "declamation dynamic" -- what Wittgenstein might have called a "family resemblance" -- th

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28

Barney, Neil. "Beyond the speaker: the audience in Seneca the Elder." Thesis, 2018. https://dspace.library.uvic.ca//handle/1828/9877.

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Seneca the Elder’s Controversiae and Suasoriae (c. 39 CE) provide a window onto declamation (fictional forensic or deliberative oratory) during the reign of the Roman emperor Augustus (27 BCE–CE 14). Although widely practiced as a form of elite education and entertainment, declamation was maligned by contemporaries as detrimental to rhetorical development. Modern scholars, such as Bloomer, Gunderson and Imber, have demonstrated how declamation acted as a medium for learning and asserting elite cultural identity. Previous scholarship, however, has focused on only the speaker in declamation. In

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29

Chodaková, Polina. "Prozódická analýza urban music ve francouzštině a v češtině." Doctoral thesis, 2016. http://www.nusl.cz/ntk/nusl-352029.

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in English TITLE : Prosodic Analysis of Urban Music in French and Czech AUTHOR : Mgr. Polina Chodaková DEPARTMENT : Institute of Romance Studies FF UK SUPERVISORS : doc. PhDr. Tomáš Duběda, Ph.D., prof. Philippe Martin, Dr ès Sci, Dr Ling. KEY WORDS : Prosody, metrics, stress, intonation, declamation, rap, reggae This thesis deals with the rhythm, stress and intonation in rap and reggae music. It describes the form features of declamations which combine chant, half- singing and singing, in the theoretical framework of contrastive prosody and verse theory. The thesis consists of seven chapters

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30

Ryndová, Jana. "Drama "Jošicune mezi květy sakur". Minamoto no Jošicune jako stratég, dvořan a literární mýtus." Doctoral thesis, 2012. http://www.nusl.cz/ntk/nusl-309490.

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In her doctoral thesis the author would like to present the play Yoshitsune and the Thousand Cherry trees (Yoshitsune senbonzakura) as a unique piece of Japanese drama which has a great complexity and an outstanding place within the corpus of Japanese literature. Even if the play can be compared to Chushingura mono in its importance, Yoshitsune senbonzakura has not been widely translated to western languages. There are two exceptions, however: the English translation (Jones, Jr. 1993) and the German translation (Klopfenstein 1982). While comparing the two translations and using the most full o

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31

Ryndová, Jana. "Drama "Jošicune mezi květy sakur". Minamoto no Jošicune jako stratég, dvořan a literární mýtus." Doctoral thesis, 2013. http://www.nusl.cz/ntk/nusl-329282.

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In her doctoral thesis the author would like to present the play Yoshitsune and the Thousand Cherry trees (Yoshitsune senbonzakura) as a unique piece of Japanese drama which has a great complexity and an outstanding place within the corpus of Japanese literature. Even if the play can be compared to Chushingura mono in its importance, Yoshitsune senbonzakura has not been widely translated to western languages. There are two exceptions, however: the English translation (Jones, Jr. 1993) and the German translation (Klopfenstein 1982). While comparing the two translations and using the most full o

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