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Relevant bibliographies by topics / Decolonial Feminist Cultural Studies

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Journal articles

Academic literature on the topic 'Decolonial Feminist Cultural Studies'

Author: Grafiati

Published: 4 June 2021

Last updated: 2 February 2022

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Journal articles on the topic "Decolonial Feminist Cultural Studies"

1

Carrasco Miró, Gisela. "Encountering the colonial: religion in feminism and the coloniality of secularism." Feminist Theory 21, no. 1 (2019): 91–109. http://dx.doi.org/10.1177/1464700119859763.

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The debate on feminism and ‘religion’ has rarely been suggested as a critique of modernity that has silenced other possible cultural, epistemological and spiritual options. Efforts have been made to ascertain whether ‘religion’ is ‘good’ or ‘bad’ for – or indeed an ally or threat to – women’s liberation. More specifically, in a European context, contemporary discussions of ‘religion’ and the rights of women have been very much centred on Islam. Yet, none of these narratives have resolved the intrinsic colonial character of modernity. This article explores the debate on both Islamic and Western

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2

Figueroa, Yomaira C. "A Case for Relation: Mapping Afro-Latinx Caribbean and Equatoguinean Poetics." Small Axe: A Caribbean Journal of Criticism 24, no. 1 (2020): 22–35. http://dx.doi.org/10.1215/07990537-8190526.

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This essay contends that Caribbean conceptualizations of relation, understood through the theorizing and political organizing of women of color feminists, offer decolonial possibilities that enable radical remappings of the Afro-Atlantic. The essay argues that the political and intellectual contributions of theories of relationality and decolonial feminisms by women of color should be understood as theoretical and methodological tools for approaching some of the most peripheralized Afro-diasporic works. To that end, it examines the histories and the interconnected literary imaginaries that exi

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3

Mullings, Beverley, and Sanjukta Mukherjee. "Reflections on mentoring as decolonial, transnational, feminist praxis." Gender, Place & Culture 25, no. 10 (2018): 1405–22. http://dx.doi.org/10.1080/0966369x.2018.1556614.

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4

Gomolka, CJ. "Queer (af)filiations: Houria Bouteldja and decolonial feminism." French Cultural Studies 31, no. 4 (2020): 304–17. http://dx.doi.org/10.1177/0957155820961652.

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This article analyses Houria Bouteldja’s conceptualisation of decolonial feminism as a product of the queer (af)filiations between past and present socio-cultural, linguistic, and epistemological resources and as productive of dynamic, but also strained, transactions across generations, epistemologies, and material realities traversing a variety of local and global geographies. This analysis is framed in reference to specific social, cultural, political, sexual, and linguistic anxieties that inform the socio-political stances adopted in Houria Bouteldja’s ideological investments in the decolon

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5

Pierce, Joseph M., María Amelia Viteri, Diego Falconí Trávez, Salvador Vidal-Ortiz, and Lourdes Martínez-Echazábal. "Introduction." GLQ: A Journal of Lesbian and Gay Studies 27, no. 3 (2021): 321–27. http://dx.doi.org/10.1215/10642684-8994028.

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Abstract This special issue questions translation and its politics of (in)visibilizing certain bodies and geographies, and sheds light on queer and cuir histories that have confronted the imperial gaze, or that remain untranslatable. Part of a larger scholarly and activist project of the Feminist and Cuir/Queer Américas Working Group, the special issue situates the relationships across linguistic and cultural differences as central to a hemispheric queer/cuir dialogue. We have assembled contributions with activists, scholars, and artists working through queer and cuir studies, gender and sexua

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6

Moreno, Shantelle. "Love as Resistance." Girlhood Studies 12, no. 3 (2019): 116–33. http://dx.doi.org/10.3167/ghs.2019.120310.

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In this article, I weave together connections between notions of decoloniality and love while considering implications for decolonial praxis by racialized people settled on Indigenous lands. Through a community-based research project exploring land and body sovereignty in settler contexts, I engaged with Indigenous and racialized girls, young women, 2-Spirit, and queer-identified young adults to create artwork and land-based expressions of resistance, resurgence, and wellbeing focusing on decolonial love. Building on literature from Indigenous, decolonizing, feminist, and post-colonial studies

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7

Ruíz, Elena Flores. "Linguistic Alterity and the Multiplicitous Self: Critical Phenomenologies in Latina Feminist Thought." Hypatia 31, no. 2 (2016): 421–36. http://dx.doi.org/10.1111/hypa.12239.

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Latina feminists like Gloria Anzaldúa and Mariana Ortega have developed anti‐essentialist accounts of selfhood that are responsive to the problem of alterity and hermeneutic alienation experienced by multiplicitous subjects, understood as those who must navigate between multiple cultural norms and often conflicting interpretive traditions (due to colonial legacies and intersectional oppressions). These accounts can be fortified by examining the sense of inarticulacy that arises from having to name conditions of existence undergirded by social and historical contradictions and ambiguities—espec

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8

Hallett, Vicki S. "Reading (for) Decolonization: Engaging With Life Writing in Labrador’s Them Days Magazine." Cultural Studies ↔ Critical Methodologies 18, no. 5 (2017): 326–38. http://dx.doi.org/10.1177/1532708617750176.

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Them Days magazine is a quarterly publication that has been dedicated to preserving the history and culture of Labrador for the past 42 years. It is created in Happy Valley-Goose Bay, Labrador, in the mainland portion of the province of Newfoundland and Labrador. This article outlines a methodology of faithful feminist witnessing that is used to engage the Indigenous and non-Indigenous stories contained in Them Days and the story of Them Days itself. This methodology utilizes decolonizing, postcolonial, and feminist life-writing theories, and is guided by decolonial attitude, which the author

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9

Cvetkovich, Ann. "“It Feels Right to Me”." Feminist Media Histories 7, no. 2 (2021): 30–64. http://dx.doi.org/10.1525/fmh.2021.7.2.30.

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Focusing in particular on how affect theory has been informed by art practice, this article develops the concept of the “sovereignty of the senses” through queer and feminist installation projects by Rachael Shannon and Zoe Leonard, as well as Alison Bechdel’s account of retreat from the social in her graphic narrative memoir Are You My Mother? (2012). Aiming to articulate notions of sovereignty, democracy, and freedom in affective and sensory terms, it conceives of sovereignty as an embodied practice and something that must be learned and experienced collectively over time rather than a fixed

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10

Trinidad Galván, Ruth. "Collective memory of violence of the female brown body: a decolonial feminist public pedagogy engagement with the feminicides." Pedagogy, Culture & Society 24, no. 3 (2016): 343–57. http://dx.doi.org/10.1080/14681366.2016.1166149.

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