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Books on the topic 'Deconstruction (Literary analysis)'

Author: Grafiati

Published: 4 June 2021

Last updated: 19 February 2022

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1

Ghadhdhāmī, ʻAbd Allāh Muḥammad. al- Khaṭīʾah wa-al-takfīr: Min al-binyawīyah ilá al-tashrīḥīyah (Deconstruction), qirāʾah naqdīyah li-namūdhaj insānī muʻāṣir, muqaddimah naẓarīyah wa-dirāsah taṭbīqīyah. Jiddah, al-Mamlakah al-ʻArabīyah al-Saʻūdīyah: al-Nādī al-Adabī al-Thaqāfī, 1985.

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2

From the new criticism to deconstruction: The reception of structuralism and post-structuralism. Urbana: University of Illinois Press, 1988.

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3

Berman, Art. From the new criticism to deconstruction: Thereception of structuralism and post-structuralism. Urbana: University of Illinois Press, 1988.

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4

La voix et l'événement: Pour une analytique du discours métalittéraire. Montréal, Qc: Editions Balzac, 1993.

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5

Redondo, Fernando Gómez. Manual de crítica literaria contemporánea. Madrid: Castalia, 2008.

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6

Zavarzadeh, Masʼud. Theory, (post)modernity, opposition: An "other" introduction to literary and cultural theory. Washington, DC: Maisonneuve Press, 1991.

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7

Cieliński, Arkadiusz. Strategie interpretacji tekstu poetyckiego: Eksplikacja, analiza strukturistyczna, semioza, dekonstrukcja. Wałbrzych: Wydawn. Państwowej Wyższej Szkoły Zawodowej, 2000.

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8

Mnich, Roman, Justyna Urban, Roman Bobryk, and Jerzy Faryno. "Obraz mira, v slove i︠a︡vlennyĭ--": Sbornik v chestʹ 70-letii︠a︡ professora Ezhi Faryno. Siedlce: Instytut Filologii Polskiej i Lingwistyki Stosowanej Uniwersytetu Przyrodniczo-Humanistycznego w Siedlcach, 2011.

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9

Nycz, Ryszard. Tekstowy świat: Postrukturalizm a wiedza o literaturze. 2nd ed. Kraków: Towarzystwo Autorów i Wydawców Prac Naukowych UNIVERSITAS, 2000.

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10

Tekstowy świat: Postrukturalizm a wiedza o literaturze. Warszawa: Wydawn. IBL, 1993.

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11

Siting translation: History, post-structuralism, and the colonial context. Berkeley: University of California Press, 1992.

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12

Literary criticism and the Gospels: The theoretical challenge. New Haven: Yale University Press, 1989.

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13

The fate of the self: German writers and French theory. New York: Columbia University Press, 1986.

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14

Corngold, Stanley. The fate of the self: German writers and French theory. Durham: Duke University Press, 1994.

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15

Qaṭṭūs, Bassām. Istirātījīyāt al-qirāʼah: Al-taʼṣīl wa-al-ijrāʼ al-naqdī. Irbid: Dār al-Kindī lil-Nashr wa-al-Tawzīʻ, 1998.

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16

Qaṭṭūs, Bassām. Istirātījīyāt al-qirāʾah: Al-taʾṣīl wa-al-ijrāʾ al-naqdī. Irbid: Dār al-Kindī lil-Nashr wa-al-Tawzīʻ, 1998.

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17

Bogue, Ronald. Deleuze and Guattari. London: Routledge, 1989.

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18

Deleuze and Guattari. London: Routledge, 1989.

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19

Culler, Jonathan. On Deconstruction: Theory and Criticism After Structuralism. 2nd ed. Cornell University Press, 2007.

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20

Culler, Jonathan. On Deconstruction: Theory and Criticism after Structuralism. Taylor & Francis Group, 2008.

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21

Culler, Jonathan. On Deconstruction: Theory and Criticism after Structuralism. Cornell University Press, 2008.

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22

The Invention Of Deconstruction. Palgrave Macmillan, 2013.

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23

From The New Criticism To Deconstruction The Reception Of Structualism And Poststructualism. University of Illinois Press, 1988.

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24

Way, Dasenbrock Reed, ed. Redrawing the lines: Analytic philosophy, deconstruction, and literary theory. Minneapolis, Minn: University of Minnesota Press, 1989.

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25

Niranjana, Tejaswini. Siting Translation. South Asia Books, 1992.

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26

1955-, Caruth Cathy, and Esch Deborah 1954-, eds. Critical encounters: Reference and responsibility in deconstructive writing. New Brunswick, N.J: Rutgers University Press, 1995.

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27

V, Zima P., and Schwarz Alexander Dr phil, eds. Der unzitierbare Text: Ein Gespräch. Bern: P. Lang, 1997.

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28

Moore, Stephen D. Literary Criticism and the Gospels: The Theoretical Challenge. Yale University Press, 1992.

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29

Moore, Stephen D. Literary Criticism and the Gospels: The Theoretical Challenge. Yale University Press, 1992.

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30

Corngold, Stanley. Fate of the Self. Columbia University Press, 1986.

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31

Garrard, Greg, ed. The Oxford Handbook of Ecocriticism. Oxford University Press, 2013. http://dx.doi.org/10.1093/oxfordhb/9780199742929.001.0001.

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This volume explores the history, application, and the future of ecocriticism. It traces the origins of and describes the practice of ecocriticism during the renaissance, medieval, and romantic period and evaluates the influence of the ecoformalism of country and old-time music. It analyzes the relevance of various theories and principles to ecocritical analysis including posthumanism, phenomenology, queer theory, deconstruction, pataphyics, biosemiotic criticism, and environmental justice. This volume also investigates the application of ecocriticism in the analysis of the politics of representation, evaluation literary form and genre and in eco-film studies and reviews the relevant works of various authors including Rudyard Kipling and W. E. B. Du Bois.

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32

Kamuf, Peggy. Literature and the Remains of the Death Penalty. Fordham University Press, 2018. http://dx.doi.org/10.5422/fordham/9780823282302.001.0001.

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This book pursues Derrida’s assertion, in The Death Penalty, Volume I, that “the modern history of the institution named literature in Europe over the last three or four centuries is contemporary with and indissociable from a contestation of the death penalty.” The main question this book poses is: How does literature contest the death penalty today, particularly in the United States where it remains the last of its kind, a Christian-inspired death penalty in what professes to be a democracy? What resources do fiction, narrative, and poetic language supply in the age of the remains of the death penalty? These are among the questions that guide the analyses of four literary works, each a depiction or an account of an execution, in the search for deconstructive leverage on the concepts that prop up capital punishment. Different pertinent features are isolated in these texts: the “mysteries” of literary or poetic witness; the publicness of punishment in an era of secrecy around the death penalty; the undecidable difference between death by capital punishment and by suicide—a difference that Kant enforces and that Derrida contests; and even the collapse of the distinction between the sovereign powers to put to death and to pardon, a possibility that is shown up by a poetic work when, performatively, it “plays the law.” In relation to the death penalties they represent, these literary survivals may be seen as the ashes or remains of the phantasm that the death penalty has always been, the phantasm of calculating and thus ending finitude.

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