Journal articles: 'Deconstructivism'

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Murer, Martin, Verena Fuchsberger, and Manfred Tscheligi. "Deconstructivist Interaction Design: Interrogating Expression and Form." Aarhus Series on Human Centered Computing 1, no. 1 (October 5, 2015): 4. http://dx.doi.org/10.7146/aahcc.v1i1.21313.

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<div class="page" title="Page 1"><div class="layoutArea"><div class="column"><p><span>In this paper, we propose </span><span>deconstructivist interaction design </span><span>in order to facilitate the differentiation of an expressional vo- cabulary in interaction design. Based on examples that illus- trate how interaction design critically explores (i.e., decon- structs) its own expressional repertoire, we argue that there are commonalities with deconstructivist phases in related de- sign disciplines to learn from. Therefore, we draw on the role and characteristics of deconstructivism in the history of archi- tecture, graphic design, and fashion. Afterwards, we reflect on how interaction design is already a means of deconstruc- tion (e.g., in critical design). Finally, we discuss the potential of deconstructivism for form-giving practices, resulting in a proposal to extend interaction design’s expressional vocabu- lary of giving form to computational material by substantiat- ing a deconstructivist perspective. </span></p></div></div></div>

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Graur, Dan. "Molecular deconstructivism." Nature 363, no. 6429 (June 1993): 490. http://dx.doi.org/10.1038/363490b0.

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Shirina, Nadezhda Sergeevna. "The impact of deconstructivism upon font graphics of the XXI century." Культура и искусство, no. 12 (December 2021): 56–65. http://dx.doi.org/10.7256/2454-0625.2021.12.35628.

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The object of this research is the graphic design in the style of deconstructivism. The subject is the impact of deconstructivism upon font graphics of the XXI century. The goal lies in determination of the impact of deconstructivism upon font graphics of the XXI century. The article examines the concept of deconstructivism and the impact of this phenomenon upon graphic design and typography. The ideas of deconstructivism initially obtained their material form in architecture; thus analysis is conducted on the structures, the authors of which were inspired by the new philosophical ideas and brought them to life them in their projects. After familiarization with the architectural monuments, the article lists the key characteristics of the architecture of deconstructivism, which in turn, affected various types of design. Having analyzed the project situation in the area of visual communications, the author reveals the distinctive features of the objects of graphic design that were inspired by deconstructivism. The scientific novelty consists in comprehensive analysis of the impact of deconstructivism upon font graphics. The main stylistic peculiarities of modern font graphics created under the influence of deconstructivism are described. The acquired materials and results are translated into the sphere of graphic design and can be used in preparation of graphic design specialists, professional and creative activity of graphic designers and typographers, which defines the practical importance of this research.

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Kansal, Haardik. "Deconstructivism: Ideology and Philosophies." International Journal for Research in Applied Science and Engineering Technology 9, no. 1 (January 31, 2021): 20–23. http://dx.doi.org/10.22214/ijraset.2021.32701.

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Proudfoot, Peter R. "Deconstructivism and Architectural Science." Architectural Science Review 34, no. 2 (June 1991): 55–63. http://dx.doi.org/10.1080/00038628.1991.9696700.

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Liu, Yimo, and Junyuan Ye. "Frank Gehry, Zaha Hadid and the value of Deconstructivism." Highlights in Science, Engineering and Technology 10 (August 16, 2022): 204–8. http://dx.doi.org/10.54097/hset.v10i.1255.

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The paper aims to compare and discuss the value of deconstructivism in today's society by choosing two famous architects, Zaha Hadid and Frank Gehry. From Zaha's Guangzhou Opera House, some relationships with the buildings around can be found, and their association largely illustrates the importance of flexible and unusual buildings. Moreover, Gehry has a strong inspiration for everything that happens horizontally, which is a perfect illustration of Zaha and deconstructivism. By analyzing his architecture philosophy and aesthetics, the indispensable part of deconstructivism can be understood with a clear view of how modern architects apply it to their designs.

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Sharapov, Ivan A. "THE ORNAMENT CONCEPT IN THE MANIFESTOS OF THE ARCHITECT B. TSCHUMI." Articult, no. 1 (2021): 32–42. http://dx.doi.org/10.28995/2227-6165-2021-1-32-42.

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The article elevates the problem of studying ornamental forms in architecture. Ornament in the context of deconstructivism seems to be a paradoxical phenomenon, but, nevertheless, its presence is marked by the conceptual texts of deconstructivist architects. The ornament is studied as a formal aspect, the structure of which is able to involve, link and produce a number of essential characteristics that determine architectural shaping. Ornament is interconnected with form, semantic, communicative, and formal aspects that are integrated and localized in the concepts, form, and space of architecture. The research is based on the concepts, manifestations and theoretical research of the deconstructivist architect Bernard Tschumi. The research is aimed at expanding the subject field of ornamental form in the direction of conceptual and structural aspects. The phenomenon of the ornamental form is revealed as a multiplicity of abstract structural equivalents, where the connections between the subject and abstract aspects of the structure of the ornamental form are paradoxically actualized.

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Astanin, Mykhailo. "CHAOSMOTIC NATURE OF DECONSTRUCTIVISM ARCHITECTURE." Ukrainian Academy of Arts. Research and Scientific Methodological Works, no. 32 (2022): 14–20. http://dx.doi.org/10.32782/2411-3034-2022-32-24.

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Sulbarán Sandoval, Joely Ariagny. "El fractal como paradigma arquitectónico: deconstrucción vs lenguaje de patrones vivientes." Procesos Urbanos 3 (December 1, 2016): 79–88. http://dx.doi.org/10.21892/2422085x.268.

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Resumen: El presente estudio tiene como objetivo principal el estudio de la teoría fractal como nuevo paradigma en la Arquitectura, con el interés de fijar una posición reflexiva de la habitabilidad corporal-espacial de los seres humanos, cuyo comportamiento es de tipo fractal debido a la diversidad y a la incertidumbre que representa cada individuo. La metodología del estudio es de tipo documental no experimental, basada en la revisión de literatura concerniente al estudio de sus principales teorías, como son la teoría fractal, el deconstructivismo y el lenguaje de patrones vivientes, así como sus características, principales exponentes y teorías respectivas. La presente investigación considera que es importante la necesidad de que la arquitectura vuelva a su principio antropocéntrico, en el que el satisfacer las necesidades humanas sea su principal objetivo, para generar arquitectura más humana, al comprender y producir complejidad que responda a la diversidad cultural-corporal y permitir así un desarrollo emocional-corporal en los espacios. ___Palabras clave: Fractal, deconstructivismo, lenguaje de patrones vivos, habitabilidad. ___Abstract: The present study has as main objective the study of the fractal theory as a new paradigm in Architecture, with the interest of fixing a reflexive position of the physical-space habitability of human beings, whose behavior is fractal type due to the diversity and the uncertainty that each individual represents. The methodology of the study is non-experimental documentary, based on the literature review concerning the study of its main theories, such as fractal theory, deconstructivism and the language of living patterns, as well as its characteristics, main exponents and respective theories. The present research considers that it is important that architecture return to its anthropocentric principle, in which satisfying human needs is its main objective, to generate more human architecture, to understand and produce complexity that responds to cultural- Body and allow an emotional-corporal development in the spaces. ___Keywords: Fractal, deconstructivism, language of living patterns, habitability. ___Recibido: 27 de marzo de 2016. Aceptado: 16 de mayo de 2016.

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Jha, Shruti. "Expression of Deconstructivism in Museum Architecture." International Journal for Research in Applied Science and Engineering Technology 9, no. 3 (March 31, 2021): 178–84. http://dx.doi.org/10.22214/ijraset.2021.33195.

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Alhefnawi, Mohammed A. M. "Sustainability in Deconstructivism: A Flexibility Approach." Arabian Journal for Science and Engineering 43, no. 10 (November 14, 2017): 5091–99. http://dx.doi.org/10.1007/s13369-017-2940-1.

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Barsoum*, John. "Deconstructivism in Philosophy, Architecture, and Reusability Contribution." International Journal of Emerging Science and Engineering 6, no. 12 (February 28, 2021): 1–5. http://dx.doi.org/10.35940/ijese.l24900.0261221.

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Interest in philosophy and the humanities increased after the Second World War, especially in the West, as the critical movement began to reconsider the Western intellectual and philosophical heritage, and emerged approaches known as” postmodernism“, as critical foundations of Western cultural thought, and a product of that cultural and cognitive movement known as” postmodernism"; the concept of postmodernism, which is central This term is associated with a very diverse group that is rarely associated with each other with common things. The idea of postmodernism appears in a critique of the literary and philosophical trends on which modernism was based, and some theorists and philosophers believe that postmodernism is closely related to the social and political transformations that took place in industrial societies such as the postindustrial or knowledge society. Deconstruction is important critical movement as well as controversial, and no theory in literary criticism has provoked waves of admiration and created a state of aversion and resentment as well, as deconstruction has done in contemporary literary thought. Deconstruction emerged in the 1960s as a reaction to structuralism, the dominance of language, the centralization of the mind, and the dominance of linguistics over all fields of knowledge, and from the 1970s deconstruction became a literary critical methodology, and a mechanism for evaluating rhetoric and interpretation. Deconstructionism is mainly a critique of the structural proposition, which has been working to reveal the basic structures responsible for the most noticeable features of social and cultural interaction, since deconstructionism consistently negates the meaning in the text system and analyzes the margins, gaps, expectations, contradictions and conclusions within the texts, as formulations that contribute to the disclosure of the background of language and structure.

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Clement Gatwaza, Olivier, and Xin CAO. "Deconstructivism: Richness or Chaos to Postmodern Architecture." International Journal of Sciences 3, no. 08 (2017): 28–33. http://dx.doi.org/10.18483/ijsci.1364.

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hoy, terry. "the moral ontology of charles taylor: contra deconstructivism." Philosophy & Social Criticism 16, no. 3 (July 1990): 207–25. http://dx.doi.org/10.1177/019145379001600304.

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Haywood, Chris, and Máirtín Mac an Ghaill. "Materialism and Deconstructivism: education and the epistemology of identity." Cambridge Journal of Education 27, no. 2 (June 1997): 261–72. http://dx.doi.org/10.1080/0305764970270209.

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Costanzo, Michele. "Twenty Years After (Deconstructivism): An Interview with Bernard Tschumi." Architectural Design 79, no. 1 (January 2009): 24–29. http://dx.doi.org/10.1002/ad.804.

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Edwards, John. "Deconstructivism, postmodernism and their offspring: disorders of our time." Sociolinguistica 36, no. 1-2 (November 1, 2022): 55–68. http://dx.doi.org/10.1515/soci-2022-0004.

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Abstract Our interest should always be aroused when scholars reject the testable approaches that have underwritten scientific development since the seventeenth century. Academic excursions in the arts and humanities need not adhere to scientific benchmarks, of course, and discussions relevant to science that are presented there need not always be subject to rigorous examination. When investigations move into social-science territory, however, more focused attention is called for. Since the scholars discussed in this paper clearly think of themselves as social scientists, it is quite legitimate to subject their investigations to scientific scrutiny and logical analysis. This article briefly describes contemporary investigations and research paradigms characterized by unnecessary neologisms, flatulent jargon, fuzzy thinking, and unconvincing arguments about the discovery of new territory in well-ploughed ground.

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Youn, Youseok. "Towards Deconstructivism without Negative Theology: Four Perspectives on Deconstruction." Phenomenology and Contemporary Philosoph 95 (December 31, 2022): 161–210. http://dx.doi.org/10.35851/pcp.2022.12.95.161.

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Kleeberg, Bernhard, and Andreas Langenohl. "Culturalisation, Deculturalisation." Zeitschrift für Kulturphilosophie 2011, no. 2 (2011): 281–302. http://dx.doi.org/10.28937/1000106587.

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"Bernhard Kleeberg/Andreas Langenohl: »Culturalisation, deculturalisation« This article discusses variations in the analytic category of »culture« which has recently become prominent, with respect to ideal-typical idiomologies of deculturalisation as well as culturalisation. They are examined against the background of the systematic differentiations that are formulated in the renewed epistemic perspective of constructivism, deconstructivism and essentialism."

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Park, Sanghyun. "JODI's works of a Viewpoint of the J. Derrida's Deconstructivism." Journal of Digital Design 11, no. 4 (October 2011): 301–10. http://dx.doi.org/10.17280/jdd.2011.11.4.030.

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Hu, Yin An, Yong Ping Wang, and Yun Xue. "Influence on Design Education by the Architectural Trend of Deconstructivism." Applied Mechanics and Materials 638-640 (September 2014): 2222–25. http://dx.doi.org/10.4028/www.scientific.net/amm.638-640.2222.

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The ideology of deconstructivisim is a relatively new design style, and has a profound philosophical connotation. Deconstruction works usually pay attention to reflecting the diversity of buildings, and their design techniques are more exaggerated and weird to make people unable to understand their law. By the study of the deconstructive architects' design career, we can conclude as follow: the kind of trend has a great influence on architecture, also deeply affects modern design education; education philosophy of many famous architectural colleges in America and Europe with their students’ design works reflect design concept of the ideology. Southern California Institute of Architecture in Los Angeles is the homeland that deconstructive educators live up to their ideal. The design ideology of deconstruction has important status in the United States and far-reaching influence on American architectural education.

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Kotlyarevskaya, Nataliya Vladimirovna. "Deconstructivism in Fashion Design as a Cultural Code of Postmodernism." Manuscript, no. 1 (January 2020): 202–6. http://dx.doi.org/10.30853/manuscript.2020.1.42.

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Guo, Yi Zhang. "Analysis on Building Sculpture Art from the Perspective of Deconstructivism." Applied Mechanics and Materials 357-360 (August 2013): 71–74. http://dx.doi.org/10.4028/www.scientific.net/amm.357-360.71.

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In order to make sculpture art into the architecture, based on the development of sculpture and architecture, the inner relations of sculpture and architecture was analyzed and compared. Combining with the practical construction scheme design, sculpture art was entered in the process of the interior space and elevation design, so that the architecture absorbed aesthetic elements of sculpture representation, and building forms breakthrough constraints of various kinds of building ontology factors. The results show that the sculpture language is used in architecture, building is more expressive and inclusive, so as to realize the perfect combination of art and practical function. The deconstructive architecture provides plenty of theory and practical basis for the sculpture of building.

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UÇAN, Hilmi. "Modernizm/Postmodernizm And Deconstructivism Reading And Suggestion Of Explain Of J.Derrida." Journal of Turkish Studies Volume 4 Issue 8, no. 4 (2009): 2283–306. http://dx.doi.org/10.7827/turkishstudies.1045.

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McLeod, Mary. "Architecture and Politics in the Reagan Era: From Postmodernism to Deconstructivism." Assemblage, no. 8 (February 1989): 22. http://dx.doi.org/10.2307/3171013.

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Charalambides, Jason E. "Rediscovering the essence in a classical order through analysis and deconstruction." Archnet-IJAR: International Journal of Architectural Research 13, no. 1 (March 18, 2019): 218–36. http://dx.doi.org/10.1108/arch-12-2018-0031.

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Purpose The purpose of this paper is to expose a classical Vitruvian archetype and subject it to the logic of deconstruction. The process engages two opposing camps and mindsets, and, through analysis, reaches a point that allows the reader to make assessments on how the archetype fulfills the perceived objectives of its time and how it can be assessed through a more contemporary methodology. Design/methodology/approach This study employs two methodologies in the analysis of an architectural model that became a reference point in the evolution of Western Architecture. A traditional approach similar to Ruskin’s Victorian-style analysis and criticism builds the study’s foundations. That is followed by the method of deconstructivism, challenging the traditional thought, resurfacing of the duality of every attribute assigned to the initial datum. Initially, the study brings to the proscenium the nature of this classical order as a sui generis archetype, defining the engendered properties that describe it. That is followed by an inverse process as applied by the twentieth-century deconstructivist movement. Findings The paper finds the dichotomy of perception of a classical archetype based upon the methods applied. Practical implications Recognition of a dichotomy of perception of a classical architectural archetype becomes overture toward a number of well-defined archetypes based on what could be considered Cartesian non-complex architectural archetypes. Originality/value This paper offers a Gestalt-based reflection on the nature of the Doric order.

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Kang, Ryeo-Won, and Jeong-Hyun Lee. "Creation of pedi jewelry made of silver that reflects the characteristics of deconstructivism." Korean Society of Beauty and Art 23, no. 4 (December 20, 2022): 357–69. http://dx.doi.org/10.18693/jksba.2022.23.4.357.

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In modern aesthetic art, nail art is a part of coordination to maximize the hands and toes' aesthetic values and to express personality. It addressed problematic nails through manicures and pedicures without using any UV gel, parts, or tips, and their high artistic and aesthetic values were confirmed. In other words, the expansion of nail art to new sectors is possible. Also, it is required to keep developing new and unique nail designs in pursuit of new patters. It is anticipated that the study results would lead to systematic studies in the nail industry and help new and differentiated nail markets stay competitive. This study targeted the new values of deconstructive characteristics expressed through the silver craft, which enables handicraft effects, liberal use of materials, and diverse designs. Furthermore, this study searched for improvement, using nail & pedi-jewelry designed for manicures and pedicures. Also, it suggested the possibility of diverse and unique expressions for nail & pedi-jewelry design and verified its commercial potential.

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K., Kramarchuk, and Chelombitko O. "SIMILARITY OF GRAMMARS OF ARCHITECTURAL SPACE IN CANONICAL ICONS AND THE ARCHITECTURE OF DECONSTRUCTIVISM." Architectural Studies 5, no. 1 (February 2019): 18–26. http://dx.doi.org/10.23939/as2019.01.018.

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Jin, Zhenyan, and Eun Kyung Park. "A Study on the Design Characteristics of Neo-Deconstructivism Fashion - Comparison of Vetements and Marques’Almeida -." Korean Society of Fashion Design 22, no. 1 (March 30, 2022): 39–58. http://dx.doi.org/10.18652/2022.22.1.3.

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Park, Yong Kyu, and Mi Hyun Kim. "A Study on the Development of Denim Design with 3D Printing and DTP from Neo-Deconstructivism." Journal of Cultural Product & Design 60 (March 31, 2020): 157–66. http://dx.doi.org/10.18555/kicpd.2020.60.15.

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Vezhbovska, Liliana. "Resistance Design vs War Design." Demiurge: Ideas, Technologies, Perspectives of Design 5, no. 2 (October 31, 2022): 152–53. http://dx.doi.org/10.31866/2617-7951.5.2.2022.266897.

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Today design is becoming a tool of war. Projecting a small section of life or information space, a designer himself is not actually fully realizing that he makes a global impact. He spreads the form, in which human consciousness consumes both industrial and informational product. The armed war launched by the Russian Federation against Ukraine has not yet begun and was prepared in a way that does not directly bring death and destruction. It was prepared by creating a "parallel reality" primarily in people’ consciousness through achievements in the field of design with a combination of high technologies including web design, virtual and augmented reality, collage and photomontage. Even those elementary visual formulas that were given by the Bauhaus or the avant-garde, minimalism and deconstructivism were used with the opposite effect and primarily for the manipulation of human consciousness.

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Galkina, Marina V. "Unrealized Architectural Projects of the 1920s: The Value of Constructivism Ideas." Observatory of Culture 16, no. 1 (March 26, 2019): 50–61. http://dx.doi.org/10.25281/2072-3156-2019-16-1-50-61.

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The article is devoted to one of the most interesting topics: the ideological heritage of constructivism and evaluation of its value. The novelty of the research is determined by the choice of its subject: unrealized projects of Soviet architects of the 1920s (I.I. Leonidov, K.S. Melnikov, V.A. Vesnin, A.A. Vesnin, L.A. Vesnin and N.A. Ladovsky) as a source of promising ideas for the architecture and design of the late 20th—early 21st century. The paper aims to assess the creative and artistic value of the unrealized projects of Soviet constructivists for the modern architectural design. The main result is the attempt to present a historical and conceptual overview of the origin and features of constructivism and rationalism as trends in urban planning. The 1920s, when the principles and trends in constructivist architecture were formed, became the time of development of a new production and architectural model. The combination of rationalist approach with utopian functionality of most of these projects was the reason for rejection of a truly constructivist trend in Soviet architecture in favor of the “Stalin Empire Style”, and later — deconstructivism. The problematics of constructivist solutions of the 1920s in the field of urban planning and environmental management largely determined the methodology of architectural space organization of the USSR cities in the 1930s, when the standard of “industry oriented” socialist society became a priority. The author considers theoretical studies and scientific publications about the works of Soviet constructivist architects, gives examples of explicit translation of the principles of constructivism in the 21st century architecture, and makes an assumption about the relationship between the ideological heritage of Soviet constructivists and the artistic and creative process of modern architects and designers (founders of high-tech style R. Piano, N. Foster; deconstructivists F. Gehry, Z. Hadid, D. Libeskind).The article concludes that the constructivist images and stylistics of the analyzed period, though not translated by modern designers and architects “directly”, become the basis for implementation of new conceptual solutions.

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Frankiv, Roman. "TRANSFORMATION OF IDEAS ABOUT ARCHITECTURAL FORM IN THE CONTEXT OF METAVERSE ENVIRONMENT DEVELOPMENT." Vìsnik Nacìonalʹnogo unìversitetu "Lʹvìvsʹka polìtehnìka". Serìâ Arhìtektura 4, no. 2 (December 22, 2022): 192–97. http://dx.doi.org/10.23939/sa2022.02.192.

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The article examines some problems of ideas transformation on architectural form in the conditions of metaverse space. Some factors that, in this regard, affect the change of design priorities is considered. The connection of the emerging new architectural language with the worldview of deconstructivism and postmodernism is traced. The purpose of the article is to trace the transformation of ideas about architectural form in the context of the development of the metaverse space. On the basis of the analysis of projects created by well-known architectural firms for the metaverse environment, two content types of data related to form-creation were selected; they can be conventionally called perceptual and evolutional. Perceptual changes are understood as changes in morphological characteristics that are associated with the disappearance of climatic and gravitational conditions limitations that determined the key parameters of architecture in the real environment. Evolutional type refers to the connection of metaversal morphology with the historical ontology of architectural form in general. Within the framework of the perceptual type of data, the following form regularities are highlighted: a) significant inertia of traditional gravitational statics; b) experiments with the absence of fencing and insurance structures; c) experiments with the illumination of space, which can simultaneously exist in different light modes; d)lack of binding of material imitation to its physical properties; e) tendency to unique attractiveness. Within the limits of the evolutional type, premonitions regarding metaversal form in such tendencies as postmodernism and deconstructivism are considered. In the context of the first, such features as the relativization of time and the understanding of space as a set of events oriented to the communicative effect are highlighted. In the context of the second – attention to astatic and agravating masses, individualization of choice and perception of architecture is emphasized not only as a language where the designer is the “speaker” and the user is the interpreter, but as an equal communication of all participants. The hypothesis is expressed that in the future the main feature of the space of metaverses will be the ability to cause a communicative response, that is, to be the subject of discussion and reflection of its inhabitants. Probably, gradually, this feature will constitute the category of value of metaverse architecture – both artistic and economic.

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Tošić, Jovana. "Deconstruction in Architecture – Continuous Translation through an Open Project." AM Journal of Art and Media Studies, no. 12 (April 15, 2017): 99. http://dx.doi.org/10.25038/am.v0i12.170.

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Jacques Derrida developed deconstruction as a way of thinking which constantly examines the nature and possibilities of meaning. The paper analyses spatial-economic, cultural and social context in which deconstructive discourse was translated into architectural discourse. Translation between these two discourses happens vice versa. Deconstructivism emphasizes the formal properties of architecture, like postmodernism, which is the subject of exploration by architects such as Coop Himmelblau, Frank Gehry, Eric Owen Moss, etc. According to some interpretations, the only solution for deconstruction in architectural work is incompleteness, an open project which represents never-ending deconstruction. There are different solutions for open projects, and the article highlights projects by architects mentioned above, which seems to manage to achieve continuous deconstruction in practice. Article received: December 23, 2016; Article accepted: January 18, 2017; Published online: April 20, 2017Original scholarly paperHow to cite this paper: Tošić, Jovana. "Deconstruction in Architecture – Continuous Translation through an Open Project." AM Journal of Art and Media Studies 20 (2017): 99-107.

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Kang, Ryeo-Won, and Jeong-Hyun Lee. "A Study on Nail Ring Design with the Motif of Deconstructionism." Korean Society of Beauty and Art 23, no. 2 (June 20, 2022): 201–13. http://dx.doi.org/10.18693/jksba.2022.23.2.201.

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In modern aesthetic art, nail art is a part of coordination to maximize the hands and toes’ aesthetic values and to express personality. In this rapidly changing modern society, the nail industry is fast growing to meet consumer needs, and do-it-yourself (DIY) nail art is evolving into an industry in itself. This study attempted to approach nail art as ‘a new medium of communication’ reflecting the human inside by avoiding confrontation between the mind and body through jewelry after deconstructing the stereotype that nails are a part of a human body, merely protecting fingertips and tiptoes’ through deconstructivism. It addressed problematic nails through manicures and pedicures without using any UV gel, parts, or tips, and their high artistic and aesthetic values were confirmed. In other words, the expansion of nail art to new sectors is possible. Also, it is required to keep developing new and unique nail designs in pursuit of new patters. It is anticipated that the study results would lead to systematic studies in the nail industry and help new and differentiated nail markets stay competitive.

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BELOZEROVA, Natalia N. "AFTERWORD OF THE TRANSLATOR: “SENSE DECONSTRUCTION”." Tyumen State University Herald. Humanities Research. Humanitates 6, no. 3 (2020): 250–73. http://dx.doi.org/10.21684/2411-197x-2020-6-3-250-273.

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The author shares her practice of translating the memoirs of Pierre Marillaud “My Experience of the War. Childhood in Occupied La-Rochelle”. The main properties of the text of memoirs are singled out: (1) the category of the author is realized according to the triadic Bakhtian model “biographical author, primary author, secondary author”, (2) the technique of “showing in telling” prevails when presenting (3) the synthesis of the main modalities of perception thus achieving the ultimate reliability of the story, which is obtained (4) through the abundance of reali of all types. Such properties of the text as polyphony and point of view are regarded as structural semantic constants. Defining the nature of the translation process from the methodological angle, the author turns to the theory of «deconstructivism», which was developed by Jacques Derrida. The possibility to attract his perception of any text as a «complex historical and cultural process», as well as his postulate about the deferred meaning of a linguistic sign in the text is supported by the analyses of several fragments in the original and translation.

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Patch, Holly, and Tomke König. "Trans* Vocality: lived experience, singing bodies, and joyful politics." Freiburger Zeitschrift für GeschlechterStudien 24, no. 1-2018 (December 3, 2018): 31–53. http://dx.doi.org/10.3224/fzg.v24i1.03.

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In this article, we argue that with critical feminist materialisms, it is possible to develop what we have already learned so far from poststructural gender deconstructivism while also asking what can yet be learned from bodies, experience, and materiality. We continue to reject essentialist understandings of gender but maintain that there is a need to emphasize the material dimension of lived experiences. ‘Voice’ is ‘material relationality’ that has not yet received enough attention despite its centrality to political pursuits. In tracing the voice and its relation to materialisms, phenomenology, and poststructuralism, we frame ‘vocality’ as an embodied and lived phenomenon, developing a theoretical lens for the purpose of investigating the enactment of agency of trans* vocality. This phenomenological, materialist approach turns to the lived experiences of transgender and non-binary singers to both ground theory on gender and understand what is political about trans*vocality in singing. Using material from an ongoing research project, we seek to show how the constitution of singing subjects is political and, additionally, how through singing – a kind of ‘sensuous knowledge’ – trans* vocal expression can be a joyful resource for politicism and social change.

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Волчков, Алексий. "The Theological Project of W. Brueggemann and the Perspectives of the Biblical Theology in the XXI Century." Библия и христианская древность, no. 2(10) (July 10, 2021): 176–90. http://dx.doi.org/10.31802/bca.2021.10.2.006.

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Статья посвящена творчеству выдающегося библеиста и богослова Уолтера Брюггемана. У. Брюггеман известен не только как авторитетный исследователь и комментатор многих ветхозаветных текстов, но и как представитель традиции «библейского богословия» - всё менее популярного в западных научных кругах направления гуманитарной мысли. На богословское начинание американского теолога существенное влияние оказали новейшие течения в современной западной философии и литературоведении (постструктурализм, деконструктивизм, риторический критицизм, семиотика). В статье исследуется, в какой мере У. Брюггеману удалось совместить приверженность постмодернистской герменевтике и верность традиции библейского богословия. The article analyses the work of the outstanding bible writer and theologian W. Brueggemann. Bruggeman is known not only as an authoritative researcher and commentator of many Old Testament texts but also as a representative of the tradition of «biblical theology», a trend of humanitarian thought that is becoming less popular in Western scientific circles. The theological endeavour of the American theologian was significantly influenced by the latest trends in modern Western philosophy and literature studies (poststructuralism, deconstructivism, rhetorical criticism, semiotics). The article explores the extent to which Bruggeman has managed to combine his commitment to postmodern hermeneutics with his loyalty to the tradition of biblical theology.

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Estrada, Ernesto, and Puri Pereira-Ramos. "Spatial “Artistic” Networks: From Deconstructing Integer-Functions to Visual Arts." Complexity 2018 (2018): 1–8. http://dx.doi.org/10.1155/2018/9893867.

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Deconstructivism is an aesthetically appealing architectonic style. Here, we identify some general characteristics of this style, such as decomposition of the whole into parts, superposition of layers, and conservation of the memory of the whole. Using these attributes, we propose a method to deconstruct functions based on integers. Using this integer-function deconstruction we generate spatial networks which display a few artistic attributes such as (i) biomorphic shapes, (ii) symmetry, and (iii) beauty. In building these networks, the deconstructed integer-functions are used as the coordinates of the nodes in a unit square, which are then joined according to a given connection radius like in random geometric graphs (RGGs). Some graph-theoretic invariants of these networks are calculated and compared with the classical RGGs. We then show how these networks inspire an artist to create artistic compositions using mixed techniques on canvas and on paper. Finally, we call for avoiding that the applicability of (network) sciences should not go in detriment of curiosity-driven, and aesthetic-driven, researches. We claim that the aesthetic of network research, and not only its applicability, would be an attractor for new minds to this field.

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Jiang, Wantong. "Research on Acceptance Analysis and Future Development of Tabi shoes." SHS Web of Conferences 148 (2022): 03033. http://dx.doi.org/10.1051/shsconf/202214803033.

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Tabi shoe is a fashionable classic product, which is enjoyed by many fashionable people. However, Tabi has met with a lot of opposition controversy because of its strange shape and special material. The future develop anticipation and method of Tabi are worth researching. This paper introduces many information about Tabi and Marsion Margiela, including the background, MM’s dadaism and deconstructivism, Tabi’s culture and gender identity, etc. This study uses questionnaire to collect data and responses from individuals, which mostly from teenagers and young people. From these data, it summarizes that the public’s perception of Tabi is polarizing. Most of students under 25 years old want to attempt Tabi shoes, and there is a good trend for Tabi’s future. There are still many people who even do not want to try Tabi. Furthermore, it is good that most people do not have gender discrimination in Tabi’s wearing, but male are far less receptive to Tabi than female, which can lead to future gender disidentification, paradoxically. This paper will benefit more people to understand Tabi, and put forward some suggestions for the future development of Tabi.

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Gharib, Remah Y. "The Rebirth of the Madrasa Through Deconstructive Architecture: The Case of the College of Islamic Studies in Qatar." International Journal of Islamic Architecture 12, no. 1 (January 1, 2023): 163–88. http://dx.doi.org/10.1386/ijia_00098_1.

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Architectural movements such as modernism, postmodernism, and deconstructivism emerged during the twentieth century. These movements drastically affected the discipline of architecture, with such divergences from traditional forms demonstrating how building design could be influenced by architectural history to guide its development. The College of Islamic Studies (CIS), also known as the Minartein, in Doha, Qatar, is an example of how architectural theory can affect building design and create structures that cater to different and novel ideas and philosophies. The unconventional, postmodern, parametric building creates a vital link that unites history, theory, and religion in a modernized form of the traditional Islamic madrasa. This article recounts how the architect, Ali Mangera, has realized the vision of originality, plurality, and contemporaneity through post-deconstructive architecture at the CIS. It also examines how architectural concepts such as abstraction, the juxtaposition of contradicting shapes and forms, surface manipulation and construction, massing techniques, non-rectilinearity, and fragmentation can all contribute to a better understanding of the symbolic significance of the building. The article demonstrates how the use of deconstructive methods for disassembling the architecture of famous madrasas may have influenced the architecture and design complexity of the building.

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Choi, Ji-won, and Seung-kwan No. "A study on the expression method of text-based media based on Deconstructivism-Focused on John Cage’s lecture [Lecture on Nothing]-." Journal of Communication Design 65 (October 31, 2018): 23–33. http://dx.doi.org/10.25111/jcd.2018.65.02.

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Киричков, Игорь Владимирович. "THE FOLD MORPHOGENESIS DEVELOPMENT TENDENCIES IN POSTMODERN ARCHITECTURE." Академический вестник УралНИИпроект РААСН, no. 4(51) (December 30, 2021): 55–58. http://dx.doi.org/10.25628/uniip.2021.51.4.009.

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Теория складки, предложенная французским философом-постструктуралистом Жилем Делезом в 1985 году, во многом изменила представление об окружающей нас реальности, что, в свою очередь, очень сильно отразилось на архитектуре. Коллажная эстетика, продиктованная основателем деконструктивизма Жаком Дерридой, впитала в себя характерные черты складчатого формообразования - гладкость, гибкость, податливость, пластичность, континуальность, дав архитекторам больше возможностей самовыражения. На основании предшествующего опыта делается вывод, что тенденция развития складчатого формообразования направлена на создание структур, способных адаптироваться под воздействия внешней среды, повышение эстетической выразительности, внедрение технологий самоорганизации, наделение новым смысловым содержанием, улучшение технических характеристик, установление тесного диалога между человеком и окружающей средой. The theory of the fold, proposed by the French poststructuralist philosopher Gilles Deleuze in 1985, largely changed the idea of the reality around us, which in turn greatly affected architecture. Collage aesthetics, dictated by the founder of deconstructivism Jacques Derrida, absorbed the characteristic features of folded shaping - smoothness, flexibility, pliancy, plasticity, continuity, giving architects more opportunities for self-expression. Based on previous experience, it is concluded that the trend in the development of folded morphogenesis is aimed at creating structures capable of adapting to the effects of the external environment, increasing aesthetic expressiveness, introducing self-organization technologies, endowing with new semantic content, improving technical characteristics, establishing a close dialogue between human and the environment.

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Ovodova, Svetlana P. "Global in the discourse of metamodernism: The problem of origins." Izvestiya of Saratov University. Philosophy. Psychology. Pedagogy 22, no. 1 (March 22, 2022): 29–33. http://dx.doi.org/10.18500/1819-7671-2022-22-1-29-33.

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The article examines the representation of the global phenomenon in the discourses of modernity and metamodernity. In the domestic reception, metamodernism is often represented as post-postmodernism. A significant discrepancy in assessments of a fairly integral phenomenon of modern philosophy of culture, which is metamodernism, can be explained. The methodological guidelines of metamodernism are still in development. Theorists of metamodernism continue their search, the establishment of interaction between postirony, authenticity, new sincerity, depth, historicity, affect, selfhood, and superhybridity. In this regard, the analysis of the methodology of metamodernism is possible not only by studying its individual attitudes, but by referring to the foundations of the metamodern discourse. Highlighting the key models of the global in the discourses of modernity and postmodernity allowed us to assess their representation in the metamodern program. The philosophy of modernity is characterized by the idea of the global as the idea of the history taken outside of it (G. Hegel), as the idea that is formed in the process of history (K. Marx). Postmodernism reduces these models to the level of simulacra. The distinction of the local is characteristic of postmodern deconstructivism. Metamodernism in its research practice combines the discourse of the global and the local, offering options for the return of history to human life.

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Amir, Abdul Muiz. "How Muslims-Christians-Jews Relations in the Qur’an? (Critical Interpretation of Q. al-Baqarah/2:120 Using Maʻnā-cum-Magzā Approach)." Al Hikmah International Journal of Islamic Studies and Human Sciences 5, no. 1 (February 28, 2022): 100–123. http://dx.doi.org/10.46722/hkmh.5.1.22e.

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This article seeks to interpret Q. al-Baqarah/2:120 that is consistently referred by textual-literalism groups of Muslims as preserved in classical commentaries books. Their understanding raises hatred towards the Jews and the Christians, which eventually leads to intolerance acts. The question to be answered by this article is how the maʻnā-cum-magzā approach could become an alternative method in understanding the verse, so it promotes an inclusive attitude towards the Jews and the Christians? This qualita-tive study works under the deconstructivism paradigm. The result of the study shows that the classical understanding of Q. 2:120 leads to theologically normative discourse, from which the legitimation of eternal and universal hatred against the Jews and the Christians finds its base. The maʻnā-cum-magzā approach, on the other hand, suggests that the verse should be situated in its specific socio-political context. Therefore, the Jews and the Christians mentioned by the verse refer specifically to the Jews of Medina and the Christians of Najran for their abuse of religion as the source of legitimacy for their political hegemony. The academic contribution of this study is, therefore, to pro-duce an alternative interpretation that distances the verse from the justification for hatred based on religious credentials.

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Fujita, Haruhiko. "A history and geography of contemporary architecture." SAJ - Serbian Architectural Journal 11, no. 2 (2019): 307–20. http://dx.doi.org/10.5937/saj1902307f.

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History is the study of the past described in written documents. Prehistory is the history of human culture prior to written documents and post-history is the period in which the end of human development is reached. Contemporary history, a subset of modern history, describes the historical period from approximately 1945 to the present. Although the term 'contemporary history' has been in use since at least the early nineteenth century, its usage changed in the twentieth century. The continuous subduction process causes frequent earthquakes in Japan. The Japanese islands are also affected by typhoons and global warming. Although a country affected by numerous natural disasters, it recovers relatively quickly and is considered safe. The history of contemporary architecture is not related to natural disasters in the West. In Japan, however, it is related to earthquakes. The history of contemporary architecture in Japan should be written taking into account the phenomenon of earthquakes or at least the way in which contemporary architects have addressed this issue. After the peak of postmodernism and deconstructivism, some Japanese architects started holding traditional culture and nature in high regard, while discontinuing postmodern classicism. It is meaningful to pay attention to the history and geography of the contemporary architecture in Japan from this perspective.

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Shevchuk, Khrystyna. "Creativity of Martin Margiela and designers of the Antwerp Six in the context of deconstructivism of the late XXth — early XXIst centuries." Culturology Ideas, no. 20 (2'2021) (2021): 67–77. http://dx.doi.org/10.37627/2311-9489-20-2021-2.67-77.

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The paper analyzes main methods and peculiarities of garment construction characteristics of deconstruction imagery and style of Belgium designers at the end of the XXth — at the beginning of the XXIst centuries. After researching the designers’ collections, deconstruction means and approaches have been systematized and generalized, the features of form and construction, the use of colors and materials have been studied, including the practical use of garment collections and their presentation. The paper provides the similar and different deconstruction features of the creativity of Martin Margiela, Ann Demeulemeester, Dries Van Noten and other designers of the ‘Belgium six’, it traces their ideas and fields of design creativity. It highlights the importance of the rethinking of the traditional fashion ideas of Belgian designers within the postmodern culture as well as significance of their creativity for the design of modern clothing collections. The paper materials are supposed to be used in scientific research on the history of design, for making lectures, manuals and other methodical materials.

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Limpias Ortiz, Victor Hugo. "Deconstructivismo tropical." Aportes 1, no. 6 (May 30, 1998): 65–71. http://dx.doi.org/10.56992/a.v1i6.274.

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La "tropicalización" del discurso foucaultniano se manifiesta no tanto en el sentido medioambiental, sino en la aplicación deconstructiva de aspectos genuinamente latinoamericanos y cruceños: "nuestra" historia, "nuestros" símbolos culturales, y "nuestra" realidad urbana: tropical, colorida, alegre, contradictoria y fundamentalmente, "viva".

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Byčkov, Jiří. "Eros a Thanatos — všudypřítomné a komplementární leitmotivy próz Jakuby Katalpy." Slavica Wratislaviensia 168 (April 18, 2019): 391–99. http://dx.doi.org/10.19195/0137-1150.168.33.

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Eros and Thanatos: Permanent and complementary leitmotifs of novels by Jakuba KatalpaThe article follows, at first in general terms, the depiction of the motive of death and dying in literature and culture, including the transformation of the attitude of man towards death in the context of time. It emphasizes the interdisciplinary nature of the subject and mentions relevant professional literature. The study then examines the psychoanalytic concepts of Eros and Thanatos, the instincts of life and death that emerge from the prose of Jakuba Katalpa and make her work original. It also notes the concept of “female writing” and deconstructivism and reveals the specific artistic features of her novels. Among other things, it reflects on the post-war expulsion of the Sudeten Germans and its perception by the younger generation. Эрос и танатос — постоянные и взаимодополняющие лейтмотивы прозы Якубы КаталпыВ статье представлена специфика изображения темы смерти и умирания в литературе и культуре, в том числе показаны изменения отношения человека к смерти в современном мире. Подчеркивается междисциплинарный характер исследуемой темы и приводятся посвященные ей научные работы. Анализируются психоаналитические понятия „Эрос” и „Tанатос”, т. е. инстинкты жизни и смерти. Мотивы Эроса и Танатоса прослеживаются в прозе писательницы Якубы Каталпы, обращение к исследуемым мотивам придает оригинальное звучание ее произведениям. В статье также рассматриваются концепции деконструктивизма и женского творчества, анализируются специфические художественные особенности романов, написанных авторами-женщинами. Автор также обращается к проблеме депортации судетских немцев и восприятию этой проблемы молодым поколением.

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Zhang, Jian hong, and Youn Sun Roh. ""A Study on the Development of Women's Wear Design Using Shanghai Style Qipao from 1920s to 1930s -Focusing on the Characteristics of Deconstructivism Fashion Design-"." Treatise on The Plastic Media 25, no. 2 (May 31, 2022): 68–78. http://dx.doi.org/10.35280/kotpm.2022.25.2.7.

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Journal articles on the topic 'Deconstructivism'

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