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Journal articles on the topic 'Deconstructivism'

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1

ASTANIN, Myhailo, and Mykola Yakovlev. "LATENTITY OF PROTODECONSTRUCTIVISM IN THE PROJECT CONTENT OF FRANK LLOYD WRIGHT." Vìsnik Nacìonalʹnogo unìversitetu "Lʹvìvsʹka polìtehnìka". Serìâ Arhìtektura 5, no. 1 (2023): 22–33. http://dx.doi.org/10.23939/sa2023.01.022.

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Analyzing the work of the most influential architects of the middle of the 20th century, including the American architect Frank Lloyd Wright, it is possible to declare the presence of ideas at that time, which were later designed and prescribed by trendy deconstructivist architects in the nineties and early 2000s. In the middle of the 20th century, F. Wright continued to develop the principles of organicity in architecture, supplementing them with avant-garde aesthetics. Comparison of the graphic and three-dimensional morphology of buildings, methods and means of expression of the content of t
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Murer, Martin, Verena Fuchsberger, and Manfred Tscheligi. "Deconstructivist Interaction Design: Interrogating Expression and Form." Aarhus Series on Human Centered Computing 1, no. 1 (2015): 4. http://dx.doi.org/10.7146/aahcc.v1i1.21313.

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<div class="page" title="Page 1"><div class="layoutArea"><div class="column"><p><span>In this paper, we propose </span><span>deconstructivist interaction design </span><span>in order to facilitate the differentiation of an expressional vo- cabulary in interaction design. Based on examples that illus- trate how interaction design critically explores (i.e., decon- structs) its own expressional repertoire, we argue that there are commonalities with deconstructivist phases in related de- sign disciplines to learn from. Therefore, we draw on the
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3

Graur, Dan. "Molecular deconstructivism." Nature 363, no. 6429 (1993): 490. http://dx.doi.org/10.1038/363490b0.

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4

Shirina, Nadezhda Sergeevna. "The impact of deconstructivism upon font graphics of the XXI century." Культура и искусство, no. 12 (December 2021): 56–65. http://dx.doi.org/10.7256/2454-0625.2021.12.35628.

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The object of this research is the graphic design in the style of deconstructivism. The subject is the impact of deconstructivism upon font graphics of the XXI century. The goal lies in determination of the impact of deconstructivism upon font graphics of the XXI century. The article examines the concept of deconstructivism and the impact of this phenomenon upon graphic design and typography. The ideas of deconstructivism initially obtained their material form in architecture; thus analysis is conducted on the structures, the authors of which were inspired by the new philosophical ideas and br
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Sharapov, Ivan A. "THE ORNAMENT CONCEPT IN THE MANIFESTOS OF THE ARCHITECT B. TSCHUMI." Articult, no. 1 (2021): 32–42. http://dx.doi.org/10.28995/2227-6165-2021-1-32-42.

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The article elevates the problem of studying ornamental forms in architecture. Ornament in the context of deconstructivism seems to be a paradoxical phenomenon, but, nevertheless, its presence is marked by the conceptual texts of deconstructivist architects. The ornament is studied as a formal aspect, the structure of which is able to involve, link and produce a number of essential characteristics that determine architectural shaping. Ornament is interconnected with form, semantic, communicative, and formal aspects that are integrated and localized in the concepts, form, and space of architect
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Kansal, Haardik. "Deconstructivism: Ideology and Philosophies." International Journal for Research in Applied Science and Engineering Technology 9, no. 1 (2021): 20–23. http://dx.doi.org/10.22214/ijraset.2021.32701.

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7

Proudfoot, Peter R. "Deconstructivism and Architectural Science." Architectural Science Review 34, no. 2 (1991): 55–63. http://dx.doi.org/10.1080/00038628.1991.9696700.

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Clement, Gatwaza Olivier, and Xin CAO. "Deconstructivism: Richness or Chaos to Postmodern Architecture." International Journal of Sciences Volume 6, no. 2017-08 (2017): 28–33. https://doi.org/10.5281/zenodo.3350046.

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In this paper, we examine the involvement of deconstructivism in the evolvement of postmodern architecture and ascertain its public acceptance dimensions as it progressively conquers postmodern architecture. To achieve this, we used internet search engines such as Google, Yahoo, Wikipedia and Web of Science, we also used knowledge repositories such as Google Scholar and the world's largest travel site TripAdvisor to gather information and data about origin, evolution, characteristics and relationship between postmodernism and deconstructivism. We've based our judgment on concepts from famous a
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9

Liu, Yimo, and Junyuan Ye. "Frank Gehry, Zaha Hadid and the value of Deconstructivism." Highlights in Science, Engineering and Technology 10 (August 16, 2022): 204–8. http://dx.doi.org/10.54097/hset.v10i.1255.

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The paper aims to compare and discuss the value of deconstructivism in today's society by choosing two famous architects, Zaha Hadid and Frank Gehry. From Zaha's Guangzhou Opera House, some relationships with the buildings around can be found, and their association largely illustrates the importance of flexible and unusual buildings. Moreover, Gehry has a strong inspiration for everything that happens horizontally, which is a perfect illustration of Zaha and deconstructivism. By analyzing his architecture philosophy and aesthetics, the indispensable part of deconstructivism can be understood w
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Sulbarán Sandoval, Joely Ariagny. "El fractal como paradigma arquitectónico: deconstrucción vs lenguaje de patrones vivientes." Procesos Urbanos 3 (December 1, 2016): 79–88. http://dx.doi.org/10.21892/2422085x.268.

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Resumen: El presente estudio tiene como objetivo principal el estudio de la teoría fractal como nuevo paradigma en la Arquitectura, con el interés de fijar una posición reflexiva de la habitabilidad corporal-espacial de los seres humanos, cuyo comportamiento es de tipo fractal debido a la diversidad y a la incertidumbre que representa cada individuo. La metodología del estudio es de tipo documental no experimental, basada en la revisión de literatura concerniente al estudio de sus principales teorías, como son la teoría fractal, el deconstructivismo y el lenguaje de patrones vivientes, así com
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Astanin, Mykhailo. "CHAOSMOTIC NATURE OF DECONSTRUCTIVISM ARCHITECTURE." Ukrainian Academy of Arts. Research and Scientific Methodological Works, no. 32 (2022): 14–20. http://dx.doi.org/10.32782/2411-3034-2022-32-24.

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Jha, Shruti. "Expression of Deconstructivism in Museum Architecture." International Journal for Research in Applied Science and Engineering Technology 9, no. 3 (2021): 178–84. http://dx.doi.org/10.22214/ijraset.2021.33195.

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Alhefnawi, Mohammed A. M. "Sustainability in Deconstructivism: A Flexibility Approach." Arabian Journal for Science and Engineering 43, no. 10 (2017): 5091–99. http://dx.doi.org/10.1007/s13369-017-2940-1.

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14

Barsoum*, John. "Deconstructivism in Philosophy, Architecture, and Reusability Contribution." International Journal of Emerging Science and Engineering 6, no. 12 (2021): 1–5. http://dx.doi.org/10.35940/ijese.l24900.0261221.

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Interest in philosophy and the humanities increased after the Second World War, especially in the West, as the critical movement began to reconsider the Western intellectual and philosophical heritage, and emerged approaches known as” postmodernism“, as critical foundations of Western cultural thought, and a product of that cultural and cognitive movement known as” postmodernism"; the concept of postmodernism, which is central This term is associated with a very diverse group that is rarely associated with each other with common things. The idea of postmodernism appears in a critique of the li
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Clement Gatwaza, Olivier, and Xin CAO. "Deconstructivism: Richness or Chaos to Postmodern Architecture." International Journal of Sciences 3, no. 08 (2017): 28–33. http://dx.doi.org/10.18483/ijsci.1364.

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Giribet, Gonzalo. "'Molluscs as evolving constructions' and phylogenetic deconstructivism." Iberus 16(2) (December 31, 1998): 123–28. https://doi.org/10.5281/zenodo.4652070.

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The Frankfurt Evolution Theory, applied to mollusc evolution, is criticized in terms or testability of scientific hypotheses. This method dismisses all the well-corroborated relationships among mollusc groups without any scientidic evidence, and pays no attention to character data analyses
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John, Barsoum. "Deconstructivism in Philosophy, Architecture, and Reusability Contribution." International Journal of Emerging Science and Engineering (IJESE) 6, no. 12 (2021): 1–5. https://doi.org/10.35940/ijese.L24900.0261221.

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Interest in philosophy and the humanities increased after the Second World War, especially in the West, as the critical movement began to reconsider the Western intellectual and philosophical heritage, and emerged approaches known as” postmodernism“, as critical foundations of Western cultural thought, and a product of that cultural and cognitive movement known as” postmodernism"; the concept of postmodernism, which is central This term is associated with a very diverse group that is rarely associated with each other with common things. The idea of postmodernism appears
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HASEM, Amina. "ECOLOGICAL CONCEPT OF DECONSTRUCTIVISM IN FASHION DESIGN." Humanities science current issues 1, no. 82 (2024): 133–39. https://doi.org/10.24919/2308-4863/82-1-19.

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19

hoy, terry. "the moral ontology of charles taylor: contra deconstructivism." Philosophy & Social Criticism 16, no. 3 (1990): 207–25. http://dx.doi.org/10.1177/019145379001600304.

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Muzalevskaya, Yulia E. "Deconstructivism as a Way of Artistic and Aesthetic Expression in Vestigial Fashion." Общество: философия, история, культура, no. 8 (August 23, 2023): 71–75. http://dx.doi.org/10.24158/fik.2023.8.9.

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The article focuses on deconstructivism as one of the conceptual sources of postmodernist aesthetics of the last decade of the XX century, its signs and characteristics. Designers turn to deconstruction, authored by J. Derrida, in an attempt to rethink the previous experience accumulated over centuries in the field of costume. When applied to design, it is a creative method that performs the roles of both shaping and style formation. The complexity, provocativeness, and contradictory nature of postmodernist aesthetics, characteristic of the system of artistic form formation, are embodied in mo
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Haywood, Chris, and Máirtín Mac an Ghaill. "Materialism and Deconstructivism: education and the epistemology of identity." Cambridge Journal of Education 27, no. 2 (1997): 261–72. http://dx.doi.org/10.1080/0305764970270209.

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22

Youn, Youseok. "Towards Deconstructivism without Negative Theology: Four Perspectives on Deconstruction." Phenomenology and Contemporary Philosoph 95 (December 31, 2022): 161–210. http://dx.doi.org/10.35851/pcp.2022.12.95.161.

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23

Edwards, John. "Deconstructivism, postmodernism and their offspring: disorders of our time." Sociolinguistica 36, no. 1-2 (2022): 55–68. http://dx.doi.org/10.1515/soci-2022-0004.

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Abstract Our interest should always be aroused when scholars reject the testable approaches that have underwritten scientific development since the seventeenth century. Academic excursions in the arts and humanities need not adhere to scientific benchmarks, of course, and discussions relevant to science that are presented there need not always be subject to rigorous examination. When investigations move into social-science territory, however, more focused attention is called for. Since the scholars discussed in this paper clearly think of themselves as social scientists, it is quite legitimate
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24

Costanzo, Michele. "Twenty Years After (Deconstructivism): An Interview with Bernard Tschumi." Architectural Design 79, no. 1 (2009): 24–29. http://dx.doi.org/10.1002/ad.804.

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25

Şlapac, Mariana. "Chisinau architecture of the post-soviet period." Akademos, no. 4(67) (March 2023): 142–49. http://dx.doi.org/10.52673/18570461.22.4-67.19.

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The buildings constructed in Chisinau after year 1991 propose a diversified architecture. The stylistic range is quite various: neoclassicism, modernism, postmodernism, high-tech, deconstructivism, neominimalism, brutalism, etc. The influence of neoclassical architecture is felt upon the multistory building of S.A. “ASCOM Group”, and modernism is illustrated by the building of the “Kentford” Business Center, the building of the “Infotag” Information Agency, etc. Among the most illustrative examples of postmodernist architecture is the „Coliseum Palace” residential complex, the “Moldincombank”
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Kleeberg, Bernhard, and Andreas Langenohl. "Culturalisation, Deculturalisation." Zeitschrift für Kulturphilosophie 2011, no. 2 (2011): 281–302. http://dx.doi.org/10.28937/1000106587.

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"Bernhard Kleeberg/Andreas Langenohl: »Culturalisation, deculturalisation« This article discusses variations in the analytic category of »culture« which has recently become prominent, with respect to ideal-typical idiomologies of deculturalisation as well as culturalisation. They are examined against the background of the systematic differentiations that are formulated in the renewed epistemic perspective of constructivism, deconstructivism and essentialism."
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Li, Xiang. "The Change and Development of Female Images of Different Social Periods Reflected." Journal of Research in Social Science and Humanities 3, no. 9 (2024): 33–37. http://dx.doi.org/10.56397/jrssh.2024.09.04.

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Before the emergence of deconstructivism, the idea of gender binary opposition occupied the mainstream of social thought. Female was regarded as second gender, attached to male who occupied social resources, and female’s subject consciousness was also weak. The proposal of deconstructivism broke this gender binary opposition, which belongs to the product of patriarchal society, female’s self-consciousness also gradually awakened. With the development of society through different eras, the changes of women’s status and thoughts in the real world are also accurately reflected in the literary wor
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Park, Sung Chun, Yun Sook Oh, and Sun hee Moon. "A study on the characteristics of Zaha Hadid's architecture from a multi-perspective perspective." Korea Institute of Design Research Society 9, no. 2 (2024): 223–42. http://dx.doi.org/10.46248/kidrs.2024.2.233.

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Zaha Hadid began to make a name for herself with deconstructionist architecture in the post-structuralist era of the 1980s, and led the way in organic, non-linear architecture as digital architecture became common after the 2000s. The numerous buildings she left behind before her death left a significant mark on the development of modern architecture. The multi-semantic perspective is a model used as an analysis framework for deconstructivist architecture in space philosophy. It is a perspective that can recognize modern architecture inherent in the pluralistic diversity of modern society by d
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Park, Sanghyun. "JODI's works of a Viewpoint of the J. Derrida's Deconstructivism." Journal of Digital Design 11, no. 4 (2011): 301–10. http://dx.doi.org/10.17280/jdd.2011.11.4.030.

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Hu, Yin An, Yong Ping Wang, and Yun Xue. "Influence on Design Education by the Architectural Trend of Deconstructivism." Applied Mechanics and Materials 638-640 (September 2014): 2222–25. http://dx.doi.org/10.4028/www.scientific.net/amm.638-640.2222.

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The ideology of deconstructivisim is a relatively new design style, and has a profound philosophical connotation. Deconstruction works usually pay attention to reflecting the diversity of buildings, and their design techniques are more exaggerated and weird to make people unable to understand their law. By the study of the deconstructive architects' design career, we can conclude as follow: the kind of trend has a great influence on architecture, also deeply affects modern design education; education philosophy of many famous architectural colleges in America and Europe with their students’ de
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Kotlyarevskaya, Nataliya Vladimirovna. "Deconstructivism in Fashion Design as a Cultural Code of Postmodernism." Manuscript, no. 1 (January 2020): 202–6. http://dx.doi.org/10.30853/manuscript.2020.1.42.

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Guo, Yi Zhang. "Analysis on Building Sculpture Art from the Perspective of Deconstructivism." Applied Mechanics and Materials 357-360 (August 2013): 71–74. http://dx.doi.org/10.4028/www.scientific.net/amm.357-360.71.

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In order to make sculpture art into the architecture, based on the development of sculpture and architecture, the inner relations of sculpture and architecture was analyzed and compared. Combining with the practical construction scheme design, sculpture art was entered in the process of the interior space and elevation design, so that the architecture absorbed aesthetic elements of sculpture representation, and building forms breakthrough constraints of various kinds of building ontology factors. The results show that the sculpture language is used in architecture, building is more expressive
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Hwang, Haeun, and Younhee Lee. "Development of upcycle fashion design using Picasso’s works and deconstructivism." Research Journal of the Costume Culture 31, no. 6 (2023): 720–37. http://dx.doi.org/10.29049/rjcc.2023.31.6.720.

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Shevchuk, Khrystyna. "Deconstruction in Collections of Ukrainian Designers: Specific Characteristics and Ways of Interpretation." Vìsnik Harkìvsʹkoi deržavnoi akademìi dizajnu ì mistectv 2022, no. 1 (2022): 39–47. http://dx.doi.org/10.33625/visnik2022.01.039.

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This paper is a research of deconstructivism features in Ukrainian design within 2010 — 2021, the main artistic-compositional and expressive means of deconstruction in Ukrainian fashion are traced, the peculiarities of their interpretation and characteristic combinations of features are analyzed. The main manifestations of deconstructivism in modern Ukrainian design are systematized and generalized on the basis of visual research, using the analytical method and the method of comparative historical analysis. To highlight the specific features of fashion deconstruction in Ukraine in the general
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Shevchuk, Khrystyna. "Fashion and Jacques Derrida's philosophy of Deconstruction: theoretical and conceptual foundations." Bulletin of Lviv National Academy of Arts, no. 46 (June 25, 2021): 100–106. http://dx.doi.org/10.37131/2524-0943-2021-46-10.

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Nowadays, fashion design is increasingly drawn to different types of avant-garde art, and is increasingly becoming an element of conceptual installations. A change of attention from the consideration of the utilitarian-functional significance of clothes to the cultural and artistic thinking leads to the fact that the clothes can be can be described in terms of art criticism and be considered as an object of interdisciplinary connections of design and art. The rebellious and provocative decisions of deconstructivism in the design of clothing are favorably received by modern society and become m
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Charalambides, Jason E. "Rediscovering the essence in a classical order through analysis and deconstruction." Archnet-IJAR: International Journal of Architectural Research 13, no. 1 (2019): 218–36. http://dx.doi.org/10.1108/arch-12-2018-0031.

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Purpose The purpose of this paper is to expose a classical Vitruvian archetype and subject it to the logic of deconstruction. The process engages two opposing camps and mindsets, and, through analysis, reaches a point that allows the reader to make assessments on how the archetype fulfills the perceived objectives of its time and how it can be assessed through a more contemporary methodology. Design/methodology/approach This study employs two methodologies in the analysis of an architectural model that became a reference point in the evolution of Western Architecture. A traditional approach si
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UÇAN, Hilmi. "Modernizm/Postmodernizm And Deconstructivism Reading And Suggestion Of Explain Of J.Derrida." Journal of Turkish Studies Volume 4 Issue 8, no. 4 (2009): 2283–306. http://dx.doi.org/10.7827/turkishstudies.1045.

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McLeod, Mary. "Architecture and Politics in the Reagan Era: From Postmodernism to Deconstructivism." Assemblage, no. 8 (February 1989): 22. http://dx.doi.org/10.2307/3171013.

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Peak, Bridget, Ayman Elsemary, and Badar Almamari. "Deconstructivism as a Pedagogical Intervention: Teaching Heritage through Contemporary Art in Oman." Voice of the Publisher 09, no. 02 (2023): 28–49. http://dx.doi.org/10.4236/vp.2023.92004.

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Jelić, Margareta. "Alice’s Adventures in Wonderland and the Perception of Reality from the Visual Field of the Other: Analysis of the Relation between Ordinary Language Philosophy and Poststructural Critique of Vision." AM Journal of Art and Media Studies, no. 9 (April 15, 2016): 33–44. http://dx.doi.org/10.25038/am.v0i9.114.

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The first objective of this work is to establish a parallel between the ordinary language philosophy of Ludwig Wittgenstein as well as the philosophy of Stanley Cavell and poststructuralism and its theories through their apprehension of vision and seeing as conceptual categories. The second objective is the analysis of perception of reality from the visual field of the other (children, women, other civilizations and peripheral parts of society) as a place of position of the subject in the frame of Jacques Lacan’s psychoanalytic poststructural theory, Jacques Derrida’s deconstructivism and psyc
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Kang, Ryeo-Won, and Jeong-Hyun Lee. "Creation of pedi jewelry made of silver that reflects the characteristics of deconstructivism." Korean Society of Beauty and Art 23, no. 4 (2022): 357–69. http://dx.doi.org/10.18693/jksba.2022.23.4.357.

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In modern aesthetic art, nail art is a part of coordination to maximize the hands and toes' aesthetic values and to express personality. It addressed problematic nails through manicures and pedicures without using any UV gel, parts, or tips, and their high artistic and aesthetic values were confirmed. In other words, the expansion of nail art to new sectors is possible. Also, it is required to keep developing new and unique nail designs in pursuit of new patters. It is anticipated that the study results would lead to systematic studies in the nail industry and help new and differentiated nail
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K., Kramarchuk, and Chelombitko O. "SIMILARITY OF GRAMMARS OF ARCHITECTURAL SPACE IN CANONICAL ICONS AND THE ARCHITECTURE OF DECONSTRUCTIVISM." Architectural Studies 5, no. 1 (2019): 18–26. http://dx.doi.org/10.23939/as2019.01.018.

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Astanin, Michael. "ORGANIZATION OF THE INTERNAL SPACE OF MUSEUM BUILDINGS BUILT IN THE STYLE OF DECONSTRUCTIVISM." Theory and practice of design, no. 28 (2023): 5–11. http://dx.doi.org/10.32782/2415-8151.2023.28.1.

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Sun, Haiyan, and Mihyun Kim. "A Study on the Aesthetic Characteristics of Demna Gvasalia Fashion Design from Neo-Deconstructivism." Journal of Communication Design 78 (January 31, 2022): 212–25. https://doi.org/10.25111/jcd.2022.78.15.

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Oleinic, Svetlana. "STAGES OF FORMATION OF ARCHITECTURE OF CHISINAU ADMINISTRATIVE BUILDINGS." Journal of Engineering Science XXVIII (1) (March 15, 2021): 91–99. https://doi.org/10.52326/jes.utm.2021.28(1).09.

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This article reveals the stages of formation of the architecture of administrative buildings in the city of Chisinau on the background of historical and economic transformations, that took place in Moldova from the late 19th to the early 21st century. The article reflects the results of analysis, which made it possible to identify nine periods of evolution of the architecture of administrative buildings from the provincial administration buildings to office and business centers. Based on specific examples, the article demonstrates the transformation of compositional techniques not only of this
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Jin, Zhenyan, and Eun Kyung Park. "A Study on the Design Characteristics of Neo-Deconstructivism Fashion - Comparison of Vetements and Marques’Almeida -." Korean Society of Fashion Design 22, no. 1 (2022): 39–58. http://dx.doi.org/10.18652/2022.22.1.3.

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Sonny, Martri, I. Nyoman Nurjaya, Lucky Endrawati, and Fachrizal Afandi. "Multiethnic Society in the Concept of Transformational Justice: Case Study of Salatiga City." Audito Comparative Law Journal (ACLJ) 4, no. 1 (2023): 10–21. http://dx.doi.org/10.22219/aclj.v4i1.23819.

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This study aims to see the harmony of diversity in Salatiga City using the concept of transformational justice. Transformational justice is a proposed type of justice model from F. Budi Hardiman, based on Derrida's theory of deconstructivism and Juergen Habermas's discourse theory. This is socio-legal research, studying law empirically by elaborating law with data in the form of observations, interviews, and documentation. The results of the study present what things make Salatiga City a Tolerant City. With the various results presented, the researcher then discussed them with Hardiman's persp
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Nadejda, ALBU. "The language of Cezar Baltag's poetry." Supliment al revistei științifice "Authentication and Conservation of Cultural Heritage. Research and Technique" (Iași, România) Vol. IV (September 30, 2022): 313–16. https://doi.org/10.5281/zenodo.7129498.

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In this article we analyze Cezar Baltag’s poetry from the perspective of literary language. We state with certainty that the poet’s language is an ambiguous one, which proposes different possibilities of interpretation, focusing especially on certain literary symbols, such as: the mirror, the threshold, the door, etc. Cezar Baltag, in his poems, creates a link between heaven and earth: mythology, folklore, sensuality, occultism, religion, poetry. The poet builds through deconstructivism, using poetry to interpret and elucidate existence. His poems become a verbal organization corre
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Moskvitin, Valerii Alexandrovich. "Language, meaning and reality: From Jacques Derrida’s deconstruction to John Searle’s theory of speech acts." Manuscript 18, no. 1 (2025): 49–57. https://doi.org/10.30853/mns20250008.

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The article is devoted to a comparative analysis of the philosophical views of Jacques Derrida and John Searle, whose ideas had a significant impact on philosophy, linguistics and social sciences. The aim of the study is to identify key conceptual differences between Derrida’s deconstructivism and Searle’s theory of speech acts. This paper analyzes the methodological approaches of philosophers, paying special attention to the controversy about intentionality, iterability and the role of context in language. The scientific novelty lies in the comprehensive consideration of the influence of Derr
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Shapiro, Bella L. "COSTUME AS A KINETIC CATEGORY." Articult, no. 2 (June 2025): 5–13. https://doi.org/10.28995/2227-6165-2025-2-5-13.

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Abstract:
The research focuses on the evolution of the kinetic approach to costume design. Movement as one of the most important means of artistic expression of costume is considered through the prism of interaction of kinetics with optical art, deconstructivism and technological art. Each episode of interaction assigned to one of the cultural-historical periods (1955–1970s, 1980–1990s, and 2000–2020s) when it was most active. The issue considered in the background of developments in the theory of kinetic garment construction and kinetic body theory. The result of the research is the conclusion: costume
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