Relevant bibliographies by topics / Decoration and ornament, Architectural. Architecture

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  1. Journal articles
  2. Dissertations / Theses
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  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Decoration and ornament, Architectural. Architecture'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "Decoration and ornament, Architectural. Architecture"

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Sharapov, I. A. "Discourse of Ornament in Twentieth-Century Architecture." Art & Culture Studies, no. 2 (June 2021): 60–87. http://dx.doi.org/10.51678/2226-0072-2021-2-60-87.

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The article provides an overview of the ornament in the architecture of the twentieth century, indicating the points that form the direction of the axial trajectories of the development of the ornamental form in the context of architecture. The research is based on the method of analytical description of ornament positions extracted from the the practice and textual corpus of architect’s statements. Utterances synthesize the discursive range of ornament in the field of architecture. The body of the ornament covers the subject aspects of human life and is present in the spatial form of the arch
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Petcu, Elizabeth J. "Amorphous Ornament:." Journal of the Society of Architectural Historians 77, no. 1 (2018): 29–55. http://dx.doi.org/10.1525/jsah.2018.77.1.29.

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Leon Battista Alberti famously likened the relationship between architectural structure and superstructure to the dualism of skeleton and skin. In Amorphous Ornament: Wendel Dietterlin and the Dissection of Architecture, Elizabeth J. Petcu scrutinizes how the Architectura treatise (1593–98) of Strasbourg artist Wendel Dietterlin the Elder (ca. 1550–99) subverted Alberti's theory and the aesthetic of stability it promoted by popularizing a style of amorphous architectural motifs that recall bone, cartilage, muscle, and flesh, melding built framework with decorative surface. Drawing these corpor
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Ahani, Fatemeh, Iraj Etessam, and Seyed Gholamreza Islami. "The Distinction of Ornament and Decoration in Architecture." Journal of Arts and Humanities 6, no. 6 (2017): 25. http://dx.doi.org/10.18533/journal.v6i5.1188.

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<p>Ornament has been present throughout the recorded history, revealing human's aspirations, reflections and imaginations. Correspondingly, the discussion of ornament has almost uninterruptedly been a major topic for architectural discourses; one which has led to the publication of several significant texts in which ornamental practices has been addressed from a variety of perspectives. An investigation into the key architectural texts however, reveals that the absence of a certain definition of ornament and its functions in architecture as well as the interchangeable use of the terms 'd
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Yusof, Abdullah, Aizan Hj Ali @. Mat Zin, and Ahmad Faisal Abdul Hamid. "Islamic Nuance in Decorative-Ornament Architecture Art in Nusantara." International Journal of Nusantara Islam 2, no. 1 (2014): 95–104. http://dx.doi.org/10.15575/ijni.v2i1.51.

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The advent of Islam in Nusantara sparked new phenomena or changing not only in structure of building construction of religious places, residency and houses but also ornaments and decoration expressing value of beauty of that building. The result of this research tries to reveal how far Islamic influence is working without undermining local aspects of architecture and how Islamic architecture was influenced by other characters in ornament and decorative-ornament artwith various design and sense. Islamic nuances are substantially showed in traditional and contemporary mosque architecture, gravey
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Bzhahov, M., and A. Sultanova. "THE USE OF THE NATIONAL ORNAMENT OF THE KABARDINS AND BALKARS AS ARCHITECTURAL DECORATION OF FACADES OF BUILDINGS." Construction Materials and Products 2, no. 4 (2020): 79–83. http://dx.doi.org/10.34031/2618-7183-2019-2-4-79-83.

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the article presents the results of research on the use of the national ornament of the Kabardins and Balkars as an architectural decoration of facades of buildings, contributing to the increase of architectural and artistic expression of facades of buildings. Classification of the national ornament of the Kabardins and Balkars is given, stylized schemes of the national ornament are considered and variants of their placement on facades of buildings as an architectural decor are offered.
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Sokhanpardaz, Kamran. "Stucco Inscriptions and Ornaments of The Great Seljuk Mihrab of Rey." Journal of The Near East University Faculty of Theology 7, no. 1 (2021): 87–118. http://dx.doi.org/10.32955/neu.ilaf.2021.7.1.03.

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The art and architecture of the Great Seljuk period, known as the Renaissance of Persian Art in Persian studies, left an undeniable effect on the following periods. The art of the Great Seljuk period, influenced by the art of the previous periods, became a source of inspiration for the artworks of later periods. The aim of this article is to introduce the stucco ornaments and inscriptions of the mihrab of Ray, to reveal the important values of the mihrab and thus to provide the opportunity to evaluate the influence area and its power of influence. As a result of our research, it is found that
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Riisberg, Vibeke, and Anders Munch. "Decoration and Durability: Ornaments and their ‘appropriateness’ from fashion and design to architecture." Artifact 3, no. 3 (2015): 5. http://dx.doi.org/10.14434/artifact.v3i3.3918.

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<p>Throughout the scales of design there has been an exploding interest in the ornament that seems to be fuelled by different kinds of digital technology and media from CAD to digital printing in both 2D and 3D. In architecture and industrial design it is discussed as a Return of ornament, because the aesthetics of Modernism banned ornamentation as ‘inappropriate’ to materiality, construction and function. In this article we wish to renegotiate this highly normative notion of appropriateness with special regard to sustainable design, where the ‘right’ kind of ornaments can mediate attent
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Agustin, Dyan, Nur Rahmatul Lailiyah, Mu'ammar Fadhil, and M. Ferdiyan Arya. "Kajian Ornamen pada Rumah Tradisional Madura." NALARs 19, no. 2 (2020): 97. http://dx.doi.org/10.24853/nalars.19.2.97-104.

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ABSTRAK. Ornamen merupakan suatu hiasan yang dibentuk dengan mengembangkan dari bentuk-bentuk yang ada di alam. Ornamen pada bangunan tradisional berbentuk ragam hias dimana teknik maupun pengungkapannya dibuat menurut aturan-aturan, norma serta pola yang telah digariskan dan menjadi kesepakatan bersama dan diwariskan secara turun temurun. Pada rumah tinggal Madura, terdapat ornamen dalam elemen arsitekturalnya dimana keberadaan ornamen tersebut tidak lepas dari adanya akulturasi kebudayaan antar suku yang menetap di Madura. Penelitian ini membahas akulturasi kebudayaan mana saja yang mempenga
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Pane, Imam Faisal, and Ribka A. Sianipar. "THE INFLUENCE OF NIEUWE BOUWEN ARCHITECTURE ON DUTCH COLONIAL BUILDING IN MEDAN CITY." DIMENSI (Journal of Architecture and Built Environment) 45, no. 1 (2018): 37. http://dx.doi.org/10.9744/dimensi.45.1.37-44.

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Nieuwe Bouwen Architecture came and involved in Indonesia is carried by the young Dutch architects, also influenced Dutch colonial building in Indonesia to include Medan city. This study aims to determine what kind of Nieuwe Bouwen that control Dutch colonial buildings in Medan and find the form of the authority. This study used the qualitative method. There are 6 (six) aspects studied in this research that is the dynamic form; expressive ornaments; the building has a tower; nonstructural elements; glass, steel, and concrete materials; elements of air, light, and space. Analysis results show t
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Davies, Colin. "Lessons at the roadside." Architectural Research Quarterly 8, no. 1 (2004): 27–37. http://dx.doi.org/10.1017/s1359135504000053.

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Architects should learn to communicate more through their architecture. The commercial vernacular architecture of the American ‘strip’ – motels, gas stations, fast food outlets – communicates loud and clear. In comparison, high architecture, particularly the high architecture of Modernism, is sullen and silent. This, roughly, is the thesis of Learning from Las Vegas by Robert Venturi, Denise Scott Brown and Stephen Izenour (1972 and 1977), one of the key texts of the Post-Modernist movement in architectural theory of the early 1970s. Venturi et al thought architects could learn a lot about sym
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Dissertations / Theses on the topic "Decoration and ornament, Architectural. Architecture"

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Reid, Bronwyn. "Cast architectural ornament : plaster and compo." Virtual Press, 2001. http://liblink.bsu.edu/uhtbin/catkey/1214384.

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Plaster and compo are both materials used for cast architectural ornamentation. Preserving, repairing, and in-kind replacing cast architectural ornamentation is necessary to maintain the integrity of a space. Plaster and compo are visually and texturally very similar materials. Compo was invented to be a less costly substitute for plaster. Whereas the two materials are easily mistaken for one another, they are chemically quite different. The ingredients and methods used to create the two separate materials exemplify this difference. Understanding the differences is key to successfully preservi
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FARRELL, GAVIN R. "ORNAMENT: SEMANTICS AND TECTONICS IN CONTEMPORARY URBAN ARCHITECTURE." University of Cincinnati / OhioLINK, 2005. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1115929765.

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Dürfeld, Michael. "Das Ornamentale und die architektonische Form : systemtheoretische Irritationen /." Bielefeld : Transcript, 2008. http://www.loc.gov/catdir/toc/fy0804/2008423180.html.

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Pleasant, Elizabeth A. "Ornamentation, representation, and experimental drawing." Thesis, Georgia Institute of Technology, 1991. http://hdl.handle.net/1853/21606.

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Wong, Chun-ming. "Cantonese opera on the temple ridge conservation of Shek Wan ceramic figurines on the ridge of the Hung Shing Temple at Apleichau /." Click to view the E-thesis via HKUTO, 2008. http://sunzi.lib.hku.hk/hkuto/record/B4218874X.

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Pecharka, David Michael. "That which best serves : materials in response to needs as an approach to architecture : the influence of bricks and brickwork." Thesis, Georgia Institute of Technology, 1986. http://hdl.handle.net/1853/23374.

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Hahn, Stephanie. "Fulda "Zur Zierde der Stadt" : Bauten und Bauaufgaben der Residenzstadt im 18. Jahrhundert /." Petersberg : Imhof, 2006. http://deposit.ddb.de/cgi-bin/dokserv?id=2642827&prov=M&dok_var=1&dok_ext=htm.

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Odom, Jason Scott. "An investigation of the ornamental joint." Thesis, Georgia Institute of Technology, 1998. http://hdl.handle.net/1853/23120.

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Alves, Francine D. A. C. C. O. "A arquitectura e o mosaico romano de pavimento-relações-interacções." Master's thesis, Instituições portuguesas -- UNL-Universidade Nova de Lisboa -- FCSH-Faculdade de Ciências Sociais e Humanas, 2002. http://dited.bn.pt:80/30055.

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Vieira, Eduarda Maria Martins Moreira da Silva. "Técnicas tradicionais de fingidos e de estuques no norte de Portugal-contributo para o seu estudo e conservação." Master's thesis, Instituições portuguesas -- -Universidade de Évora, 2002. http://dited.bn.pt:80/30074.

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Books on the topic "Decoration and ornament, Architectural. Architecture"

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White, Antony. Architecture & ornament: A visual guide. Design Press, 1990.

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Ornament in Indian architecture. University of Delaware Press, 1991.

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Heideloff, Carl Alexander von. Medieval ornament. Dover Publications, 1995.

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Tiles in architecture. L. King, 1993.

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Architectural detail. Longmeadow Press, 1992.

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Hurlbut, Spring. Sacrificial ornament =: Ornement sacrificiel. Southern Alberta Art Gallery, 1992.

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Luca, Invernizzi, and Liu Gretchen, eds. Living in Thailand: Traditional and modern homes and decoration. Thames and Hudson, 1989.

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Vance, Mary A. Architectural decoration and ornament: Monographs, 1970-1987. Vance Bibliographies, 1988.

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Approaches to Byzantine architecture and its decoration: Studies in honor of Slobodan Ćurčić. Ashgate, 2011.

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Alvarez, Benjamín García. Dibujos y notas de Gozón y Carreño. Colegio Oficial de Aparejadores y Arquitectos Técnicos de Asturias, 1987.

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Book chapters on the topic "Decoration and ornament, Architectural. Architecture"

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Massey, Jonathan. "Ornament and Decoration." In The Handbook of Interior Architecture and Design. BLOOMSBURY VISUAL ARTS, 2013. http://dx.doi.org/10.5040/9781474294096.ch-035.

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Lucey, Conor. "Decorating houses: style, taste and the business of decoration." In Building reputations. Manchester University Press, 2018. http://dx.doi.org/10.7228/manchester/9781526119940.003.0004.

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Reflecting on the separation of house building and house decorating in the historiography of the eighteenth-century town house, this chapter explores the role of the building artisan in determining the form and appearance of the urban domestic interior. Of particular importance here is the business of decoration: the impact of decorators, such as decorative plasterers and timber joiners, as speculative builders and property developers; and the standardization of interior decoration in the form of pre-fabricated ornament. Key topics include the dissemination of architectural tastes through the agency of immigrant artisan populations; the role of books and magazines in shaping vocabularies of decorative taste; and the creative adaptation from printed sources. Focusing on the artisan’s negotiation and interpretation of the neo-classical (or ‘Adam’) style, this chapter also considers how degrees of separation from the source of that ornamental language fostered distinct dialects in towns and cities across Britain, Ireland and North America. Collectively, the topics of chapter make a case for the artisan as a key agent of fashionable taste in elite real estate markets.
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"5. Decoration in the Desert: Unsettling the Order of Architecture in the Certosa di San Martino." In Ornament and Monstrosity in Early Modern Art. Amsterdam University Press, 2019. http://dx.doi.org/10.1515/9789048535873-007.

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"Architectural decoration." In Architecture and Art of the Deccan Sultanates. Cambridge University Press, 1999. http://dx.doi.org/10.1017/chol9780521563215.006.

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"The architectural decoration." In Cambodian Architecture, Eighth to Thirteenth Centuries. BRILL, 2001. http://dx.doi.org/10.1163/9789004392038_005.

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"Architectural Ornament and Egyptian Cultural Identity." In Egyptian Cultural Identity in the Architecture of Roman Egypt (30 BC-AD 325). Archaeopress Publishing Ltd, 2015. http://dx.doi.org/10.2307/j.ctvr43j36.11.

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"General principles in the arrangement of form and colour, in architecture and the decorative arts, which are advocated throughout this work." In The Grammar of Ornament. Princeton University Press, 2016. http://dx.doi.org/10.1515/9781400882717-003.

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"General principles in the arrangement of form and colour, in architecture and the decorative arts, which are advocated throughout this work." In The Grammar of Ornament. Princeton University Press, 2016. http://dx.doi.org/10.2307/j.ctvc77mhw.5.

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Potts, Charlotte R. "The decoration of early shrines and temples." In Religious Architecture in Latium and Etruria, c. 900-500 BC. Oxford University Press, 2015. http://dx.doi.org/10.1093/oso/9780198722076.003.0011.

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An integral part of the transition from ‘huts’ to ‘houses’ in the seventh and early sixth century BC was the adoption of a new roofing system using wooden beams and terracotta tiles instead of traditional thatch. The two elements of the new system formed an integrated unit, with special tiles designed and positioned to protect the perishable wooden beams from rain, wind, and fire; many also carried painted and moulded decorations that have encouraged study of their iconography as well as function. The disappearance of wooden trusses and supporting mud-brick walls from the archaeological record means that thousands of these durable tiles and architectural terracottas now comprise the primary evidence for the size, form, and decoration of many early Etruscan and Latial superstructures. Excavations in the last seventy years have yielded new information about the distribution of the decorative elements of these roofs in Etruria and Latium, and in particular about the different types of buildings on which they appeared. It is clear that architectural terracottas were initially placed on a wide variety of buildings, unlike their Greek counterparts, but gradually became the preserve of religious architecture. This chapter will examine the nature and location of these roofs, their imagery, and explanations for their increasingly limited use. As such it will offer a detailed analysis of the process by which terracottas became a means of differentiating religious buildings from vernacular architecture during the sixth century BC. Tile production appears to have begun in central Italy by the middle of the seventh century BC and can be associated with significant changes in society and economy. With an approximate weight of 60 kilograms per square metre for tiles and up to 85 kilograms per square metre for the supporting roof beams, the downward and outward pressure of tiled roofs had to be countered with strong, preferably stonebased, walls following rectangular or square plans, the careful selection of timbers to span greater distances, and specialized craftsmen to make, fit, and repair the roofs. All of these factors imply more sedentary communities than hut architecture, growing technical infrastructure, and an ability and readiness to invest in the greater capital expense of a tiled roof.
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"2. Victory Proclaimed: The Architectural Patronage of Sancho el Mayor (1004–1035)." In Romanesque Architecture and its Sculptural Decoration in Christian Spain, 1000-1120. University of Toronto Press, 2009. http://dx.doi.org/10.3138/9781442689046-005.

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Conference papers on the topic "Decoration and ornament, Architectural. Architecture"

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López González, Concepción. "La decoración lítica de las Torres de Serranos de Valencia." In FORTMED2020 - Defensive Architecture of the Mediterranean. Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11346.

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The lithic decoration of the Serranos Towers of ValenciaThe apparent austerity of this powerful door of the Christian wall of the city of Valencia built in 1392 by Pere Balaguer, encloses a magnificent and rich decoration of carved stone. The intervention aimed at cleaning the stone promoted by the City Council, allowed an in-depth study of the ornamentation that had not been previously carried out. A graphic study of all the pieces of carved stone that decorate the Towers was made. The different types of decoration carved in stone were established according to three parameters: according to t
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