Relevant bibliographies by topics / Decorative technique

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Decorative technique'

Author: Grafiati
Published: 4 June 2021
Last updated: 9 February 2022

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Journal articles on the topic "Decorative technique"

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Yang, Xu Guang, and Qi Hui Lin. "An Application of Computer Image Processing Technique to Decoration Pattern Design." Advanced Materials Research 998-999 (July 2014): 1009–12. http://dx.doi.org/10.4028/www.scientific.net/amr.998-999.1009.

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The rapid development and image processing technique to the computer is updated day by day, which lead the decorating pattern design to extend into the computer aided design from the original manual drawing.Decorative pattern is more huge miscellaneous from the contents with changeful graphics form, In this kind of advanced tool, with the help of computer of decorative pattern from figure element content changes to the graphics can carry on a processing and save in the form of digital data, can also make use of the computer to carry on the conventional image to it what processing technique falls through processing,thus form decorate pattern special manifestation and characteristics of the new era.
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Serheieva, Maryna, and Vitalii Zhyhola. "Artistic Carved Bone From Zarichne Village." Archaeology, no. 4 (December 14, 2020): 82–89. http://dx.doi.org/10.15407/archaeologyua2020.04.082.

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In the article a decorative antler plaque with the image of griffin found in 2020 in the unfortified part of the hill-fort near Zarichne village (Trostianetskyi district, Sumy Region) is analyzed. The item comes from an object dated from the 12—13th centuries. General decorating composition of the product is carved in the through groove technique. The main elements of the griffin figure (head, wings, paws and tail) were modeled in low relief technique using elements of incised carving. A possible interpretation of the item is a pendant, bracket or other decorative piece. The style of the griffin image is quite traditional for Ancient Rus plastic art of the 11—13th c. However, the through groove decoration of bone products was not common in the bone carving tradition in the southern regions of Rus. The manufacturing technique of the item may indicate its imported origin (most likely from the Crimea or Bulgaria). It is also possible a local manufacturing as an imitation of the imported sample or by an itinerant craftsman. The symbolic meaning of the griffin images can be reduced to several aspects: 1) the connection with the authorities (governance), including in its sacred aspects (elements of the elite’s ornaments); 2) connection with military symbols (images on belt pads, saddle details); 3) security symbols on details of clothes, jewelry, both male and female; 4) the cosmic symbolism of the griffin (in particular, the image near the “world tree”) is closely related to the above. From the context of a decorative plaque from Zarichne (the unfortified part of the hill-fort, outside the social elite’s objects), one can assume its role as a product that, in addition to a purely aesthetic load, could perform protective functions in the ideas of its owner.
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Tsekhanovich, S. V. "The technique of integrated assessment of varieties of korean chrysanthemum (Chrysanthemum coreanum), introduced in Belarus." Proceedings of the National Academy of Sciences of Belarus, Biological Series 64, no. 1 (February 18, 2019): 33–39. http://dx.doi.org/10.29235/1029-8940-2019-64-1-33-39.

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Recently, with the development of decorative gardening and landscape design, the extension of the assortment of floral and ornamental plants including perennial plants becomes relevant. chrysanthemum Korean – one of the most promising crops for flower decoration of the cities of Belarus, characterized by long flowering periods, unpretentiousness at cultivation, accessible ways of reproduction ways of plants, a wide variety of varieties. In the article present a modified method of comprehensive assessment of chrysanthemum Korean (Chrysanthemum coreanum), recommended for use in industrial landscaping. The method is based on 11 decorative and biological qualities: stability of flower coloration, duration and stability of flowering plants, number of inflorescences, height and shape of the plant, number of leaves on the stem, winter hardiness of plants, resistance to diseases and pests, ability of plants to vegetative reproduction, preservation of decorative qualities without plant transplantation which are important for industrial cultivation of plants. Each qualities is evaluated on a 3-point scale. The sum of points determines the perspective of the variety for use in gardening. Varieties of chrysanthemum that received 27 points or more are very promising plants, 19–26 – a promising plants, below 18 points – to the unpromising plants.The method was used on a collection of chrysanthemum Korean of the Central Botanical Garden of the National Academy of Sciences of Belarus. Based on this technique, perspective plant varieties were selected for the green construction of Belarus.
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Kovalskyi, Andriy. "THE ORTHODOX SACRAL ARCHITECTURE OF THE PODILLIIA IN THE XVII – XVIIIth CENTURIES." Scientific bulletin of KRHPA, no. 10 (2018): 200–206. http://dx.doi.org/10.37835/2410-2075-2018-10-21.

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The article contains a historiographical analysis of the sacral architecture of Podillia in the XVII – XVIIIth centuries. The importance and necessity in further research of sacral and memorial monuments of the region is argued. The artistic peculiarities of the sacral architecture in Orthodox architecture are highlighted. The technique and motifs of sacral architecture decoration are described. The theme of semantics genesis in sacral monuments images is highlighted. The materials of work allow a more complete and holistic study of the artistic decorative art in the synthesis with the architecture of the Podillia region in the XVII – XVIIIth centuries. The need of the Orthodox architecture monuments study is emphasized, which will offer ways to preserve the monuments with unique decorative details with subsequent certification and restoration of buildings.
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Akeng, Grippin, Aini Ab Shukor Nor, Akhirrudin Mahmud Nor, Hazandy Abdul Hamid, Kumar Muniandy Sures, and Ismail Parlan. "The prospect of micropropagating Gonystylus bancanus (Miq.) Kurz, a tropical peat swamp forest timber species through tissue culture technique – Review." Journal of Forest Science 64, No. 1 (January 29, 2018): 1–8. http://dx.doi.org/10.17221/130/2017-jfs.

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Gonystylus bancanus (Miquel) Kurz is one of the most valuable timber species in tropical peat swamp forest. Its timber is widely used for furniture, decorative cabinets and interior decoration. Due to its higher demand, G. bancanus continues to be harvested which leads to its disappearance in the wild. This is worsened by the fact that germination rates in the wild are very poor due to rapid insect and fungal infestation. Even though vegetative propagation via stem cuttings has been successful, proper protocols on tissue culture need to be explored as a viable way of mass production of a large number of planting stock in a relatively shorter time for forest rehabilitation and enrichment planting purposes.
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Berger, Daniel, Katja Hunger, Sabine Bolliger-Schreyer, Daniel Grolimund, Stefan Hartmann, Jan Hovind, Felix Müller, Eberhard H. Lehmann, Peter Vontobel, and Marie Wörle. "New insights into early bronze age damascene technique north of the alps." Antiquaries Journal 93 (June 4, 2013): 25–53. http://dx.doi.org/10.1017/s0003581513000012.

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Damascening, defined in this context as the inlay of one metal into a different metal base, is a rare decorative technique in the Early Bronze Age, known only from seven bronze artefacts found north of the Alps. This paper reports on the first thorough scientific examination of one such find, the axe from Thun-Renzenbühl grave no. 1. This interdisciplinary project involving several institutions in Germany and Switzerland investigated the axe by means of neutron radiographic imaging and X-ray microprobe methods, supported by microscopic examination. The result is an attempt to reconstruct the fabrication and decoration process and to reconsider the enigmatic question of the origins of the damascene technique north of the Alps.
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Neves, César. "Decorated or Undecorated: Analysis of the Early-Middle Neolithic Transition in Western Iberia Through the Ceramic’s Stylist Techniques and Decorative Motifs." Open Archaeology 7, no. 1 (January 1, 2021): 848–67. http://dx.doi.org/10.1515/opar-2020-0171.

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Abstract In this article, we study the role played by pottery production in the transition from Early Neolithic to Middle Neolithic in Western Iberia (∼4500–3300 cal BC) based on a critical analysis of the available empirical data. We establish a chronological and cultural sequence for this period, regarding which the historical problematic is still poorly defined due to a lasting absence of scientific discussion about the long Neolithisation process. During the evolved Early Neolithic (∼5200–4500 cal BC), archeological record shows regional specificities and cultural identities in human groups occupying a vast territory. Pottery collections evidence the strong social importance of decorative grammars, marked by a wide variety of techniques and decorative patterns. In quantitative terms, decorated vessels largely prevail over undecorated vessels. However, in the following chrono-cultural phase, the Initial Middle Neolithic (∼4500–3700 cal BC), it starts an increasing prevalence of undecorated vessels over decorated. Decorative systems prefer the incision technique to impression (dominant in the Early Neolithic). Recurrent use of an incised motif called incised line below the rim. In this period, this type of decoration prevails in the set of decorated pottery and is found in different geographic contexts. This adds consistency to the interpretation according to which the same artifact collections are found in all settlements of the initial Middle Neolithic. Finally, by the time of the first-known Megalithic burials – Full Moment of the Middle Neolithic (3700–3300 cal BC) – the decorative grammars almost disappear from pottery sets, which became more “common” and missed some of their symbolic and social meaning. Undecorated vessels prevail even more strongly than in the previous period.
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Morkunaite, Bausys, and Zavadskas. "Contractor Selection for Sgraffito Decoration of Cultural Heritage Buildings Using the WASPAS-SVNS Method." Sustainability 11, no. 22 (November 15, 2019): 6444. http://dx.doi.org/10.3390/su11226444.

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Sgraffito is an ancient decorative technique applied in walls, produced by using layers of cement plaster tinted in contrasting colours to a moistened surface. This decoration originated in Italy and has been expanded in different European cities or villages. Nowadays, this decoration technique has almost disappeared because of decomposition, inexperience, or lack of knowledge. The preservation and restoration of the sgraffito technique is the most challenging and vital task of cultural heritage buildings’ preservation. Consequently, the conservation of sgraffito depends not only on the historical and architectural knowledge, studies, and conservation projects of the cultural heritage buildings, but also demands the experience, proper qualification, and knowledge of the contractor. This paper presents six principal criteria. Three possible variants for contractor selection for sgraffito decoration of cultural heritage buildings are proposed, and six principal criteria for their evaluation are suggested. The research employs the Analytic Hierarchy Process (AHP), SWARA (Step-Wise Weights Assessment Ratio Analysis), and WASPAS-SVNS (Weight Aggregated Sum Product Assessment-Single- Valued Neutrosophic Set) methods.
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Dismukes, D. E. "The chemolaser technique for the removal of decorative tattoos." Plastic and Reconstructive Surgery 80, no. 2 (August 1987): 329. http://dx.doi.org/10.1097/00006534-198708000-00072.

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Yamaguchi, Mitsugu, Shun Kambayashi, Satoshi Sakamoto, Yasuo Kondo, and Kenji Yamaguchi. "Decorative Film Formation by Inkjet Printing with Gold Nanoparticles for Synthetic Resin Crafts." Key Engineering Materials 825 (October 2019): 51–55. http://dx.doi.org/10.4028/www.scientific.net/kem.825.51.

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The crafts such as lacquerware have made unique strides through decorating techniques using gold such as “Makie”, the technique to draw picture by scattering powdered gold, and “Chinkin”, the technique to rub gold into the design engraved by carving knives. In conventional techniques, practical knowledge and ability are essential to produce craft products. Therefore, screen printing which consists of simple processes has been developed. However, screen printing requires a masking plate made of silk or nylon to create patterns for transcribing ink into objects. This paper presents the formation of a decorative film by inkjet printing with gold nanoparticles for crafts such as lacquerware. The proposed method consists of on-demand process, which makes design changeable without masking. The aims are threefold: 1) to establish a sintering process of gold nanoparticles for acrylonitrile butadiene styrene (ABS) and phenol resin substrates used for synthetic resin products; 2) to characterize the sintered gold film; 3) to examine applicability to industry. The major results obtained are as follows: the appearance and the reflectance spectra of the gold nanoparticle film vary with heat conditions; the proper heat conditions which prevent thermal damage to substrates are the temperature of 373 K or below for the ABS resin substrate, and 423 K or below for the phenol resin substrate, respectively; the gold nanoparticle film possessed a good surface integrity without any voids when the sintering temperature is higher than 323 K for 1 h. Moreover, the film had such a high adhesion to substrates that no separation occurred after cross-cut test; the proposed method applied a lacquerware product made of ABS resin, yielding the decorative film
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Dissertations / Theses on the topic "Decorative technique"

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Saidin, Jeffry Azha. "An investigation of anodised aluminium decorative application as a technique for Malay contemporary craft practice." Thesis, Northumbria University, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.410391.

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Ozalp, Yesim. "The Interaction Of Consumer Constructed Meanings Of Brand Identity And &amp." Master's thesis, METU, 2005. http://etd.lib.metu.edu.tr/upload/12606057/index.pdf.

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product is analyzed via dimensions of function, form (aesthetic) and symbol. The aim of the thesis is to find patterns of interaction of functional, emotive and symbolic associations for brand identity and the functional, formal (aesthetic) and symbolic communication of the &
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product. A qualitative research paradigm is followed in the thesis, given the emphasis on consumer-constructed meanings. Projective tasks based on dummy models and word associations are used as research tools. The product group included in the study is mobile phones because of high awareness levels and wide interest of the consumers. The context of the interaction is constrained by the nature of product group (fashion and high-tech item) as well as the properties of brands used in the study (Nokia, Motorola and Samsung).
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Šmardová, Kateřina. "Hliněné povrchy v současné architektuře." Doctoral thesis, Vysoké učení technické v Brně. Fakulta architektury, 2012. http://www.nusl.cz/ntk/nusl-233241.

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The theme of this thesis are surfaces made of unburned earth and used in architecture. The thesis focuses mainly on detailed mapping and analysis of the present state. However, it does not omit the historical roots of earthen surfaces in the area of today`s Czech Republic. In these roots it looks for connections with contemporary practice. The thesis deduces conclusions from thorough evaluation of the present situation – it shows perspectives and possible drift of the future development of earthen surfaces. Both in the field of architecture and in areas broadening this field.
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Ruggeri, Anna <1976&gt. "Study of the building and decorative materials and techniques used in Hungarian Roman sites." Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2009. http://amsdottorato.unibo.it/2269/.

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The aims of this research were: - To identify the characteristics, properties and provenance of the building and decorative material found in three Hungarian Roman sites: Nagyharsány, Nemesvámos-Balácapuszta and Aquincum - To provide a database of information on the different sites - To have an overview of main conservation strategies applied in Hungary. Geological studies, macroscopical and microscopical observations, XRD investigations, physical and chemical analyses allowed us to define the characteristics and properties of the different kinds of collected materials. Building stones sampled from Nagyharsány site showed two different kinds of massive limestone belonging to the areas surrounding the villa. Also Building stones sampled from Nemesvámos-Balácapuszta Roman villa proved to be compatible with limestone belonging to local sources. Mural painting fragments show that all samples are units composed of multilayered structures. Mosaic tesserae can be classified as following: -Pale yellow , blackish and pink tesserae are comparable with local limestone; -White tessera, composed of marble, was probably imported from distant regions of the Empire, as the usual practice of Romans. Mortars present different characteristics according to the age, the site and the functions: -Building mortars are generally lime based, white or pale yellow in colour, present a high percentage of aggregates represented by fine sand; -Supporting mortars from both mosaics and mural paintings are reddish or pinkish in colour, due to the presence of high percentage of brick dust and tiles fragments, and present a higher content of MgO. Although the condition of the sites, there is an insignificant content of soluble salts. Database The whole study has allowed us to provide work sheets for each samples, including all characteristics and properties. Furthermore, all sites included in the frame of the research have been described and illustrated on the base of their floor plans, material and construction methodologies. It can be concluded that: 1. In Nagyharsány Archaeological site, it is possible to define a sequence of different construction phases on the base of the study of building material and mortars. The results are comparable with the chronology of the site provided by the archaeologists 2. The material used for construction was of local origin while the more precious ones, used for decorative elements, were probably imported from long distance 3. Construction techniques in Hungary mainly refer to the usual Roman knowledge and practice (Vitruvius); few differences have been found 4. The database will represent an archive for Archaeologists, Historians and Conservators dealing with Roman period in Hungary.
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Ribeiro, Maria Alexandra Duque. "A tapeçaria tridimensional e os materiais têxteis-design de uma aplicação multimédia." Master's thesis, Instituições portuguesas -- -Universidade do Minho -- -Escola de Engenharia -- -Departamento de Engenharia Têxtil, 2000. http://dited.bn.pt:80/29329.

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Berner, Wik Tove. "Let’s talk about Perfection : An investigating of how decorative techniques and non-decorative text can create a dialogue in garments, with the body as a billboard." Thesis, Högskolan i Borås, Akademin för textil, teknik och ekonomi, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-12393.

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This collection is an investigation of how decorative techniques and non-decorative text can create a dialogue in garments, with the body as a billboard. The work is based on two different aspects. The first one deals with the question of how people look at embellishments, and the second is the message aspect. The investigation wants to find out how we can communicate with the human body as a billboard and the topic of the communication is an idea about perfection. The writer’s dyslexia experiences are used as a recurs and gives the topic a new dimension. The work explores new ways to deal with embellishments, techniques and messages. It shows that the statement T-shirt is not the only perfect garment to decorate and that garments can communicate a message in more ways than with a flat print.
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Gilmour, Brian J. J. "Developments in iron smithing and decorative welding techniques found in Anglo-Saxon swords and related edged weapons." Thesis, University College London (University of London), 1990. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.299762.

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Tiffany, John. "Customer behavioral responses to three lighting techniques in a retail audio/video store's simulated home environment." Thesis, This resource online, 1993. http://scholar.lib.vt.edu/theses/available/etd-03042009-040801/.

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Nadolny, Jilleen M. "The techniques and use of gilded relief decoration by northern European painters, c. 1200-1500." Thesis, Courtauld Institute of Art (University of London), 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.392039.

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Diri, Filiz. "Construction Techniques Of Traditional Birgi Houses." Master's thesis, METU, 2010. http://etd.lib.metu.edu.tr/upload/12612632/index.pdf.

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Books on the topic "Decorative technique"

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Goodwin, E. M. Decorative mosaics. New York, NY: Henry Holt, 1994.

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Decorative woodcarving. Lewes, East Sussex: Guild of Master Craftsman Publications, 1994.

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Bawden, Juliet. Decorative painting. Stamford, CT: Longmeadow Press, 1989.

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Decorative painting. London: Caxton Editions, 2000.

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Handlettering for decorative artists. Cincinnati, Ohio: North Light Books, 1998.

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The decorative artist. London: Headline, 1988.

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Decorative painting. Oxford: Heinemann Library, 2001.

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Casciani, Paul San. The technique of decorative stained glass. London: Batsford, 1996.

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The technique of decorative stained glass. New York: Dover Publications, 1989.

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The technique of decorative stained glass. London: B.T. Batsford, 1985.

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Book chapters on the topic "Decorative technique"

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Puspitasari, C., A. S. Pakpahan, J. Dolah, and S. Yuningsih. "Decorative elements in muslim fashion product: A case study using macrame technique." In Dynamics of Industrial Revolution 4.0: Digital Technology Transformation and Cultural Evolution, 237–40. London: Routledge, 2021. http://dx.doi.org/10.1201/9781003193241-44.

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Hamid-Lakzaeian, Fatemeh, and Debra F. Laefer. "An Integrated Octree-RANSAC Technique for Automated LiDAR Building Data Segmentation for Decorative Buildings." In Advances in Visual Computing, 454–63. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-50832-0_44.

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Chorniewy, Andrew. "Contemporary Decorative Effects and Application Techniques." In Materials & Equipment/Whitewares: Ceramic Engineering and Science Proceedings, Volume 7, Issue 11/12, 1362–63. Hoboken, NJ, USA: John Wiley & Sons, Inc., 2008. http://dx.doi.org/10.1002/9780470320365.ch26.

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Geelen, John. "The Automation of Hand-Decorating Techniques." In A Collection of Papers Presented at the 1978, 1979, and 1980 Meetings of the Materials & Equipment/Whitewares: Ceramic Engineering and Science Proceedings, Volume 1, Issue 9/10, 767–70. Hoboken, NJ, USA: John Wiley & Sons, Inc., 2008. http://dx.doi.org/10.1002/9780470291047.ch7.

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Tway, Patricia. "Trompe Ľoeil and Modern Decorating Techniques." In Materials & Equipment/Whitewares: Ceramic Engineering and Science Proceedings, Volume 7, Issue 11/12, 1374–79. Hoboken, NJ, USA: John Wiley & Sons, Inc., 2008. http://dx.doi.org/10.1002/9780470320365.ch29.

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Kana’an, Ruba. "Architectural Decoration in Islam: History and Techniques." In Encyclopaedia of the History of Science, Technology, and Medicine in Non-Western Cultures, 357–73. Dordrecht: Springer Netherlands, 2016. http://dx.doi.org/10.1007/978-94-007-7747-7_8634.

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Higashida, Yutaka, Yoshihiro Sugawara, Kazuo Michishita, Yuuichi Ikuhara, Yukio Kubo, Katsuhiro Sasaki, Hiroyasu Saka, and Naoki Uno. "Bitter Decoration Technique of YBaCuO Superconducting Thin Film." In Advances in Superconductivity VIII, 455–57. Tokyo: Springer Japan, 1996. http://dx.doi.org/10.1007/978-4-431-66871-8_98.

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Higashida, Yutaka, Kazuo Michishita, Yuichi Ikuhara, Yukio Kubo, Koichi Nakamura, Kazuhiko Hayashi, and Yoshimitsu Ikeno. "Observation of Pinning Centers in Oxide Superconductor by Bitter Decoration Technique." In Advances in Superconductivity VI, 483–86. Tokyo: Springer Japan, 1994. http://dx.doi.org/10.1007/978-4-431-68266-0_104.

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Sun, Nuan. "Construction of a New Home Decoration Design Network Sharing Platform." In Data Processing Techniques and Applications for Cyber-Physical Systems (DPTA 2019), 1259–67. Singapore: Springer Singapore, 2020. http://dx.doi.org/10.1007/978-981-15-1468-5_148.

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Zhang, Hongying, and Yao Lu. "Application and Development Prospect of Virtual Reality Technology in Interior Soft Decoration Design Industry." In 2021 International Conference on Applications and Techniques in Cyber Intelligence, 684–90. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-79200-8_101.

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Conference papers on the topic "Decorative technique"

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Imada, Takumi, Keiji Ogawa, Takuya Tachibana, Tetsuya Sera, and Toru Okabe. "Light Environment Design Support System Using Light-Guiding Plate With Decorative Cut Surface: Effects of Stripe Pattern Decorative Cutting on Plates Made From Transparent Resin." In JSME 2020 Conference on Leading Edge Manufacturing/Materials and Processing. American Society of Mechanical Engineers, 2020. http://dx.doi.org/10.1115/lemp2020-8525.

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Abstract To increase the transmission efficiency of incoming and outgoing light on the side of a transparent resin light guide, such as an acrylic plate, we created a machined surface that does not become cloudy and transmits visible light well by cutting it with a single crystal diamond tool. When light is guided to this mirror-finished acrylic plate using an LED light source, its uneven brightness or illuminance distribution may be noticeable, depending on the application. To suppress the uneven distribution, attempts have made the luminance distribution uniform by a decorative cut on the acrylic plates for a fine pattern shape. Our research is developing a light environment design support system using an acrylic light-guiding plate with a decorative cut surface. This system consists of a rapid decoration pattern design technique with optical simulation, a decorative cutting technique to satisfy the demanded optical characteristics, and a technique to maintain machining quality. We implemented decorative cutting tests for various stripe patterns by adjusting the cutting conditions for the acrylic plates. Estimation of the decorative shapes was based on the shape of the tool cutting edge and its trajectory. We controlled the decoration shape and dimensions. The tendency of luminance distributions estimated by optical simulation were corresponded with the actual distributions.
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Morkūnaitė, Žydrūnė. "Selection criteria for evaluating contractors of sgraffito technique in cultural heritage buildings." In The 13th international scientific conference “Modern Building Materials, Structures and Techniques”. Vilnius Gediminas Technical University, 2019. http://dx.doi.org/10.3846/mbmst.2019.105.

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Sgraffito is a historical decorative technique applied in walls. This decoration could be seen in different European cities or villages. Nowadays, this decoration technique is almost disappeared because of decomposition, inexperience or lack of knowledge. Moreover, the preservation and restoration of sgrafitto technique is the most challenging and important task of cultural heritage buildings’ preservation. Therefore, the preservation of sgraffito depends not only the historic and architectural knowledge, studies or conservation projects of the cultural heritage buildings, but also demands the experience, proper qualification and knowledge of contractor. This paper presents criteria set for selecting sgraffito techniques’ contractor of heritage buildings. The study determines methods, set of criteria for sgraffito technique’s contractor selection, overview of sets the assessment criteria of selecting contractor. The research applies the Analytic Hierarchy Process method (AHP), seeking to determine the critical criteria and to get the weighting for each criterion.
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Agresti, Giorgia, Giuseppe Bonifazi, Giuseppe Capobianco, Luca Lanteri, Claudia Pelosi, Silvia Serranti, and Antonella Veneri. "Tattoo Wall: study of the stability of an innovative decorative technique through hyperspectral imaging and possible application in the mural painting’s restoration." In Optics for Arts, Architecture, and Archaeology VII, edited by Piotr Targowski, Roger Groves, and Haida Liang. SPIE, 2019. http://dx.doi.org/10.1117/12.2525726.

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Fujii, Shoko, Hideki Aoyama, Yukio Mori, Youichi Azagami, and Syouji Harada. "Method for Producing Three-Dimensional Designs in Film Insert Molding." In ASME 2017 International Mechanical Engineering Congress and Exposition. American Society of Mechanical Engineers, 2017. http://dx.doi.org/10.1115/imece2017-70636.

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Plastic is an important material in product design because it easily transforms, is very light, and has multifarious structural characteristics. Nevertheless, it gives the customer the impression of a cheap product. Therefore, decorative techniques are often applied to plastic products. Decorative techniques can improve the appearance of a plastic product while making use of its beneficial characteristics. At present, film insert molding method is predominantly used in decorating plastic products. In general, a designer creates a three-dimensional design but the film insert molding method uses a two-dimensional pattern. Thus, it is difficult to reproduce a three-dimensional design with a two-dimensional film; no study has been conducted on the reproduction of three-dimensional design using film insert molding method to-date. The objective of this study is to develop a design generation method to reproduce a three-dimensional design with a two-dimensional film pattern. The effectiveness of the proposed method is experimentally validated.
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Stoll, Henning, Thomas Hofer, and H. G. Fritz. "Modeling and Simulation of the Injection Compression Molding Process." In ASME/JSME 2004 Pressure Vessels and Piping Conference. ASMEDC, 2004. http://dx.doi.org/10.1115/pvp2004-3100.

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The Injection Compression Molding (ICM) technique allows the cost-effective production of complex, thin-walled polymer parts. ICM offers the possibility to direct laminate a decorative layer on the application (in-molding/back molding). Crucial to the quality of the application is the mold design and the process control. Errors in process control might be correctable later on, errors in the mold design mostly aren’t. To avoid this, computer aided calculations that describe the mold filling process are necessary. Fillflow®, a software developed at the Institut fu¨r Kunststofftechnologie (IKT), is capable of simulating several different compression/injection molding processes. This article describes the mathematical and numerical model used for Fillflow®, shows the structure of the software design and results from a verification with an industrial-sized automotive part.
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Dominguez, R., F. Monerie, A. Vardelle, and P. Fauchais. "Applying Thermoplastic Powder by Flame Spraying on Various Types of Substrates." In ITSC 1996, edited by C. C. Berndt. ASM International, 1996. http://dx.doi.org/10.31399/asm.cp.itsc1996p0245.

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Abstract Polymeric coatings are now widely used for their corrosion resistance, low friction coefficient against many materials, decorative properties but also, when doped with ceramic particles, their protection against slipping and their good erosion resistance. Compared to traditional means of deposition, flame spraying in controlled atmosphere extends the scope of their applications either for shapes that can be coated or for site deposition. The materials chosen for spraying were Rislan, Gotalene and Tefzel. In this paper are presented the flame spraying technique which was used and the parameters controlling particles melting as well as, the substrates on which coatings were achieved (metals, woods, concretes, ceramics...) and their preparation. A few applications are then described with for example coatings reinforced by ceramic particles against slipping in wet or greasy area.
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Wolf, Rory. "Controlling Adhesion with Digital UV Decorating Techniques." In SAE 2013 World Congress & Exhibition. 400 Commonwealth Drive, Warrendale, PA, United States: SAE International, 2013. http://dx.doi.org/10.4271/2013-01-1395.

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Tian, Juan, Shanwu Su, and Hongmei Yin. "Realization of automatic decoration technique on topographic maps." In International Conference on Earth Observation Data Processing and Analysis, edited by Deren Li, Jianya Gong, and Huayi Wu. SPIE, 2008. http://dx.doi.org/10.1117/12.815756.

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Hsiao, Shih-Wen, Chih-Huang Yen, and Chu-Hsuan Lee. "Apply out-side mold decoration technique to Cosmetic Package Design." In 2017 International Conference on Organizational Innovation (ICOI 2017). Paris, France: Atlantis Press, 2017. http://dx.doi.org/10.2991/icoi-17.2017.3.

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Meyer, Andreas, and Eckhard Langer. "Sample Chemical Staining and Latest Generation SEM Imaging—Characterizing Process Robustness in Semiconductor Manufacturing." In ISTFA 2016. ASM International, 2016. http://dx.doi.org/10.31399/asm.cp.istfa2016p0147.

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Abstract Physical characterization of individual process steps and their interaction with other processes is a key element during development as well as manufacturing of semiconductor technology. This paper presents a number of examples that illustrate the usefulness of the combination of sample wet-chemical staining techniques with the latest generation SEM imaging capabilities. The examples show how sample preparation and imaging conditions have to be tailored to the specific needs. The combination of application-tailored chemical decoration with high-resolution material contrast SEM imaging has proven to be a powerful technique for the characterization of manufacturing process steps. Only with the novel imaging modes available in the latest generation SEM instruments, it became possible to perform investigations with fast turnaround times and on large sample areas.
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Reports on the topic "Decorative technique"

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Kent, Deborah. Advanced decorative ceramics techniques for high school students. Portland State University Library, January 2000. http://dx.doi.org/10.15760/etd.3064.

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