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Relevant bibliographies by topics / Defining poem

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Academic literature on the topic 'Defining poem'

Author: Grafiati

Published: 4 June 2021

Last updated: 4 February 2022

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Journal articles on the topic "Defining poem"

1

Deuling, Judy. "Catullus 17 and 67, and the Catullan Construct." Antichthon 40 (2006): 1–9. http://dx.doi.org/10.1017/s0066477400001611.

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In Love by the Numbers Helena Dettmer suggests that poem 17, which begins o Colonia, quae cupis ponte ludere longo, belongs to a disparate group of poems within the Catullan corpus, which contains poems with personified inanimate objects. Yet two of that larger group, poem 17 and poem 67 (addressed to a house door or ianua), are more closely drawn together by their settings, which the author hints are northern and specific while leaving them undefined and general. Furthermore, the two represent personified wooden objects, a bridge (poem 17) and a door (poem 67), while the broader group of poem

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2

Gaudio, Andrew. "Defining Some Obscure Vocabulary in New England’s First Poem." Notes and Queries 66, no. 4 (2019): 530–33. http://dx.doi.org/10.1093/notesj/gjz124.

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Puspani, Ida Ayu Made, and Ni Luh Ketut Mas Indrawati. "Translation Procedures in Translating English Poem into Indonesian." International Journal of Applied Linguistics and English Literature 7, no. 6 (2018): 12. http://dx.doi.org/10.7575/aiac.ijalel.v.7n.6p.12.

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This paper aims at analyzing the translation procedures applied in poetic translation. A poem as a part of literary work is written for an aesthetic value by the author to convey his/her message to the readers. In poetic translation it is very important for the translator to know not only the two language systems and cultures within which he/she operates but also should acquire the knowledge of literary work of the source language (SL) in order to be able to transfer the message to the closest equivalent to the target language (TL). Poems usually contain many figurative expressions. The abilit

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Hexter, Ralph. "The Metamorphosis of Sodom: The Ps-Cyprian ‘De Sodoma’ as an Ovidian Episode." Traditio 44 (1988): 1–35. http://dx.doi.org/10.1017/s0362152900006991.

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The mysteries and challenges presented by the Latin poem known as De Sodoma are many and varied. The identity of its author will likely never be known. Date and place of composition can only be expressed in terms of probabilities, and portions of the poem are extremely difficult to read and interpret. I am currently involved in the preparation of a critical edition, with translation and commentary, of both De Sodoma and its shorter, perhaps superior companion-piece De Iona, in the hope that this might pave the way for easier reading. In the present discussion I also address problems of readabi

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Ghasemi Rozveh, Nasser, and Aida Danaye. "Sindbad Myth in the Poem by Khalil Hawi." International Letters of Social and Humanistic Sciences 64 (November 2015): 150–61. http://dx.doi.org/10.18052/www.scipress.com/ilshs.64.150.

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Extensive use of mystery and myth as a means of expression is one of the most eminent artistic phenomena at new poetry experiences. The reflection of myths in poetry, is the most beautiful and artistic application of mythmaking. With reflection of myths, the mythological world became the parade ground for poet`s imagination and creation and also for mythmaker writer, so it can link past and present, and by this way shows social and political deductions and perceptions for readers, and fulfills human art and cultural needs. Also, Arab current poets used of Arabic and even other old nation`s myt

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Datta, Vijay Kumar, and Beerendra Pandey. "Binary Opposition of Eros and Thanatos in Wordsworth’s "The Rainbow"." Journal of Advanced Academic Research 4, no. 1 (2018): 142–46. http://dx.doi.org/10.3126/jaar.v4i1.19528.

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William Wordsworth’s most quintessential, oeuvre-defining ode—“The Rainbow”—is unjustifiably under-commented in literary criticisms on the British Romantic poet. Plugging this critical gap, an attempt has been made to make a full-fledged critical analysis of the dynamics of the Freudian concepts of eros and thanatos in the poem. This analysis has been undertaken to make the argument that the dialectical play, which is finally resolved in favour of life-drive, helps sustain the poet’s life-long joyful communion with Nature, despite the threats of trauma and tentativeness to bog him down.

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Norich, Anita. "Under Whose Sign? Hebraism and Yiddishism as Paradigms of Modern Jewish Literary History." PMLA/Publications of the Modern Language Association of America 125, no. 3 (2010): 774–84. http://dx.doi.org/10.1632/pmla.2010.125.3.774.

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In 1974 the Yiddish Poet Malka Heifetz Tussman, Born in Russia, Living in California, Published a Small Volume of Poems in Israel. This peripatetic author and text are paradigmatic of the cosmopolitan, multilingual nature of modern Jewish literature. The book, by a woman who was at various times a Yiddish teacher, an anarchist, and a writer of Russian poetry and English essays, was entitled ‘Under Your Sign.’ As the title indicates, the politics and poetics of sign systems are central concerns of this volume. I offer a few stanzas from one of its poems— ‘Widowhood’—to suggest the multiplicity

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Choroszy, Jan A. "Paternoster, or Invective by paradigm." Oblicza Komunikacji 12 (June 24, 2021): 417–32. http://dx.doi.org/10.19195/2083-5345.12.29.

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The poem Apostrofa (na czas stanu wojennego) by Father Kazimierz Wójtowicz was published in the collection of poems Odpisy Nadziei in Vienna in 1982. The artist is a Catholic monk (a Resurrectionist) and a poet with considerable achievements, acknowledged in the so-called priestly poetry (Krzysztof Dybciak, Bożena Chrząstowska), but going beyond the features of its style through the connection with linguistic poetry and the New Wave poetics. The author of the article attempts to recognize the phenomenon of the text, which belongs to the realm of martial law literature and in which the poet exp

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Killilea, Alison Elizabeth. "The Grendel-kin: From Beowulf to the 21st century." Boolean: Snapshots of Doctoral Research at University College Cork, no. 2015 (January 1, 2015): 97–101. http://dx.doi.org/10.33178/boolean.2015.20.

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Since the 19th century, the Anglo-Saxon poem Beowulf has received sustained critical attention; first transcribed and translated in the early 1800’s, Beowulf was at a focus point in scholarly study, albeit not on the merit of its literary or poetic achievement. The text was valued more as an interesting linguistic document until what has been described as one of the most important turning points in criticism of the poem, J.R.R Tolkien’s study Beowulf: The Monsters and the Critics, delivered in 1936. In this essay, Tolkien argued for the integrity of the poem in and of itself and for the centra

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Abdykalyk, К., S. Аsanbaevа, and G. Orynkhanova. "THE HISTORY OF PUBLICATION OF ONE POEM BY ABAY." BULLETIN Series of Philological Sciences 74, no. 4 (2020): 226–30. http://dx.doi.org/10.51889/2020-4.1728-7804.47.

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This article deals for the first time about the textual problem of Abai’s poem “Zhaz”, reading and critical analysis of it by M.Auezov. When preparing the printed text of the poem, some of its lines raised doubts. When defining the original, the newspaper versionwas taken as a basis which was published during the author’s lifetime. The poem, which begins with the words “Zhazdy kun shilde bolganda”, consisted of 48 lines, and first appeared in the newspaper “Dala ualayaty”, then it was published in the author’s collections, where there were already 60 lines. For the first time, the article talk

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Dissertations / Theses on the topic "Defining poem"

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Groth, Helen. "Defining the woman poet 1837-1896." Thesis, University of Cambridge, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.363862.

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Hopley, Adam. "Defining the public poet : towards a definition of Dryden's scepticism." Thesis, Loughborough University, 2012. https://dspace.lboro.ac.uk/2134/10093.

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Critics of seventeenth-century literature have long accepted that John Dryden was influenced by early-modern scepticism, but no consensus has been reached about which of the many varieties of sceptical ideas from this period inform his work. The early theory that Dryden displayed a predisposition to newly-revived ancient Greek scepticism was persuasively challenged by the claim that he was sceptical only insofar as his early critical writings show strong parallels with the sceptical method of the New Scientists. Subsequent to this, a small number of scholars have formulated new ways of interpr

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Hoyer, Jennifer M. "Defining ‘Geometric Poetics’ in Nelly Sachs’ Poetry: From “The Space of Words” to “the curved line of affliction”." HATiKVA e.V. – Die Hoffnung Bildungs- und Begegnungsstätte für Jüdische Geschichte und Kultur Sachsen, 2017. https://slub.qucosa.de/id/qucosa%3A34724.

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Fujdiak, Radek. "Analýza a optimalizace datové komunikace pro telemetrické systémy v energetice." Doctoral thesis, Vysoké učení technické v Brně. Fakulta elektrotechniky a komunikačních technologií, 2017. http://www.nusl.cz/ntk/nusl-358408.

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Telemetry system, Optimisation, Sensoric networks, Smart Grid, Internet of Things, Sensors, Information security, Cryptography, Cryptography algorithms, Cryptosystem, Confidentiality, Integrity, Authentication, Data freshness, Non-Repudiation.

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Ciporanov, Denis. "Pojem umění a jeho definice. Mmezi funkcí a procedurou." Doctoral thesis, 2009. http://www.nusl.cz/ntk/nusl-280548.

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The thesis explores the problem of definition of "art" as it has been systematically discussed since the second half of the 20th century - mainly in the Anglo-American analytical aesthetic tradition. Despite the complexity and diversity of this discussion, it is possible to indicate two opposite definitional approaches. The first is the so called proceduralism which is established on the conviction, that the art status is connected with certain performative procedures (social, theoretical or historical in character), and that its attribution to an artifact essentially affects its artistic/aest

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Seidl, David. "Pojem investice v mezinárodních dohodách na ochranu investic." Master's thesis, 2015. http://www.nusl.cz/ntk/nusl-344435.

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The concept of investment in international agreements on the protection of investments Resumé This thesis analyses the notion of investment in the context of international investment law. The thesis is composed of six chapters. The first chapter provides an overview of the international investment law, including its sources, specific features and goals. The second chapter provides an economic definition of the notion of investment. The author distinguishes between foreign direct investment and foreign portfolio investment and analyses their commonalities and differences. The third chapter deal

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Giles, Roy James. "The religious crisis in the poetry of Gerard Manley Hopkins." Diss., 2003. http://hdl.handle.net/10500/2103.

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Gerard Manley Hopkins produced poetry in the Victorian era which was noted for its originality of syntax and form. The essence underlying a large body of his poetry was his Catholic religion. His early religious poetry utilized nature-based metaphors to express his love of Christ and trace the immanence of God within nature. He borrowed heavily from the aesthetics of Pater and the philosophy of Duns Scotus. The dissertation explores these early influences and assesses their contribution to the formation of a unique religious interpretation of life and the formulation of an aesthetic congruent

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Gajdošová, Zuzana. "Pojem investice v mezinárodních dohodách na ochranu investic." Master's thesis, 2011. http://www.nusl.cz/ntk/nusl-313408.

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DEFINITION OF INVESTMENT IN INTERNATIONAL PROMOTION AND PROTECTION AGREEMENTS Abstract Definition of the investment is of particular importance in terms of scope of the rights and obligations arising out of the investment protection treaties. This is the case especially when we are in the presence of dispute between the foreign investor and the host state where definition forms the basis of the tribunal's jurisdiction. The object of this thesis is in spite of the absence of globally accepted legal definition of "foreign investment" to attempt to summarize most of the historical and current con

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Klucký, Lukáš. "Pojem investice v mezinárodních dohodách na ochranu investic." Master's thesis, 2014. http://www.nusl.cz/ntk/nusl-339701.

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The Concept of Investment in International Agreements on Investment Protection The definition of investment is the key task for correct scope of application of rights and obligations, arising from investment contracts and for establishment of tribunals' jurisdiction above disputes, arising from contracts of investment character. The Work goal is analysis of individual bilateral, multilateral and versatile legal acts, containing the term "investment", from the international law viewpoint. It contains brief historical development and clarification of requirements that the investment must fulfill

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Books on the topic "Defining poem"

1

Iverson, Ann. Definite space: Poems. Holy Cow! Press, 2007.

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Alexander, Wade. Defining the edge between truth & madness: Poems from the pause between our heartbeats. Field House Books, 2011.

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Callaghan, Madeleine. Introduction: ‘A poem is the very image of life’. Liverpool University Press, 2018. http://dx.doi.org/10.5949/liverpool/9781786940247.003.0100.

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A clear distinction between the poet and the man, the art and the life, is misrepresentative in the case of Shelley. Though the boundary between life and art is often a fraught question for poets and their critics, Shelley’s oeuvre is fascinated by and explorative of the ways in which the man’s life can form, to varying degrees in each work, the raw material for the poet’s art. Shelley’s poetic daring lies in troubling the distinction between poetry as aesthetic work hermetically sealed against private feeling and poetry as a record of the emotional life of the poet. The repeated slippage betw

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Sammons, Benjamin. Character Roles and Narrative Design. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190614843.003.0005.

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This chapter makes use of the concept of “character-space” to treat character roles as an underlying feature of narrative structure. The argument begins with a discussion of how Achilles’ presence and absence in the story of the Iliad reflects the narrative design of the poem as a whole, and the contrast between the Iliad and Odyssey in this regard. The range, distribution, and use of character roles also had an intimate connection to the narrative and thematic design of the cyclic epics. The Little Iliad and the Aethiopis used leading characters to bring a kind of unity to the work as a whole

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Lutjeharms, Rembert. On Defining Poetry. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198827108.003.0006.

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Having studied Kavikarṇapūra’s poetics in great detail in Chapters 3 and 4, Chapter 5 will briefly study Kavikarṇapūra’s definition of poetry in the Alaṃkāra‐kaustubha. Kavikarṇapūra offers two definitions of poetry, and refutes the definitions of Mammaṭa, Viśvanātha, and Vāmana. In so doing herethinks the nature of language itself and the relative merit of the various constituents of poetry that form the focus of the Alaṃkāra‐kaustubha, but also develops a poetics that privileges the place of the poet‐cum‐critic who alone can determine what constitutes poetry and what does not.

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Definite Space: Poems. Holy Cow Press, 2007.

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7

Christensen, Joel P. The Many-Minded Man. Cornell University Press, 2020. http://dx.doi.org/10.7591/cornell/9781501752346.001.0001.

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This book explores the content, character, and structure of the Homeric Odyssey through a modern psychological lens, focusing on how the epic both represents the workings of the human mind and provides for its audiences — both ancient and modern — a therapeutic model for coping with the exigencies of chance and fate. By reading the Odyssey as an exploration of the constitutive elements of human identity, the function of narrative in defining the self, and the interaction between the individual and their social context, the book addresses enduring questions about the poem, such as the importanc

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Tarrant, Richard. Horace's Odes. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780195156751.001.0001.

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Horace’s body of lyric poetry, the Odes, is one of the greatest achievements of Latin literature and a foundational text for the Western poetic tradition. These 103 exquisitely crafted poems speak in a distinctive voice—usually detached, often ironic, always humane—reflecting on the changing Roman world that Horace lived in and also on more universal themes of friendship, love, and mortality. This book introduces readers to the Odes by situating them in the context of Horace’s career as a poet and by defining their relationship to earlier literature, Greek and Roman. Several poems have been fr

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Schalkwyk, David. The Conceptual Investigations of Shakespeare’s Sonnets. Edited by Jonathan Post. Oxford University Press, 2013. http://dx.doi.org/10.1093/oxfordhb/9780199607747.013.0033.

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This chapter begins with the question ‘Who is speaking in Shakespeare’s Sonnets’ in order to trace the ways in which the poems map the relationship between love and desire. It examines the use of personal pronouns to negotiate positions that lie between the historical situation of the sonnets’ composition and dissemination and the reader who appropriates their voice. ‘Love’ is the outcome of engagements among the voices that speak through the poems, to which they respond, that are embedded within them, and which they make available to the reader. The sonnets offer a conceptual account of love

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Gay, David. Bunyan in Prison. Edited by Michael Davies and W. R. Owens. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780199581306.013.9.

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Prison was a difficult yet defining experience for John Bunyan. His writings of the 1660s complement the introspective mode of Grace Abounding (1666) with polemical and pastoral purposes. I Will Pray with the Spirit (?1662) is a forceful attack on the Book of Common Prayer and the regulation of worship by the restored regime. His prison poems present discrete subjects for religious meditation set within an overarching narrative framework of providential history. His writings reshape the boundaries of time and space imposed by the harsh conditions of imprisonment. Christian Behaviour (1663), Th

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Book chapters on the topic "Defining poem"

1

Wilkes, Robert. "“Of Chivalry and Deeds of Might”: Reviving F. G. Stephens’s “Lost” Arthurian Poem." In Defining Pre-Raphaelite Poetics. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-51338-2_5.

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Ferris, Jim. "Poems." In Defining the Boundaries of Disability. Routledge, 2021. http://dx.doi.org/10.4324/9780367855086-1i.

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Schwarz, Daniel R. "Defining the Figure of Capable Imagination: ‘The Idea of Order at Key West’, ‘Asides on the Oboe’ and Related Poems." In Narrative and Representation in the Poetry of Wallace Stevens. Palgrave Macmillan UK, 1993. http://dx.doi.org/10.1057/9780230374409_4.

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"Chapter One. Defining the Ḥumaynī poem." In Like Joseph in Beauty. BRILL, 2009. http://dx.doi.org/10.1163/ej.9789004168404.i-356.8.

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Hoel, Jon. "The Poetics of Stalker (Poetic Cinema)." In Stalker. Liverpool University Press, 2021. http://dx.doi.org/10.3828/liverpool/9781800348332.003.0005.

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This chapter examines the film’s classification as ‘poetic cinema’, defining that term in comparison to other films within that genre--notably Sergei Parajanov’s cinema, and juxtaposing this against the literal use of poetry in the film, and the history of the specific poetry of the film. This mostly focuses on Andrei Tarkovsky’s penchant for utilizing the poetry of his father Arseny Tarkovsky in nearly all of his films, and compares various translations of his poems. The film also prominently utilizes a poem by Fyodor Tyutchev, which is analyzed in this chapter as well, in comparison to a recent reimagining of the same poem in a musical composition by the popular Icelandic art-pop musician Björk.

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Grakalić Plenković, Sanja. "Dvije autobiografije u stihovima." In Periferno u hrvatskoj književnosti i kulturi / Peryferie w chorwackiej literaturze i kulturze. University of Silesia Press, 2021. http://dx.doi.org/10.31261/pn.4028.15.

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Although verses as a form are rarely chosen by autobiographers, the history of Croatian autobiography shows that some writers have had the inclination towards writing autobiographies in verses. The form of a poem can be linked with the beginnings of writing autobiographical texts and with the autobiographical discourse in the works of Croatian writers. Even though it has not been in the focus of interest of autobiographical theory, the autobiographical elements can be found in the period spanning from the 15th- and 16th-century Croatian poetry in the works of the Croatian Latinists up to the present time which represents the golden period of autobiographic writing. Focusing on the autobiographers’ inclination to write in verse (from heterogenous autobiographies, where verses are incorporated into the text itself, to autobiographies poems), this paper shows the marginal place that the form of a poem occupies in the field of researching and defining autobiography as a genre. The fact has been corroborated by providing an outline of verses in autobiographies and autobiographies in verses throughout the history of Croatian literature. Special attention is given to two autobiographies-poems, written by two contemporary writers of Croatian Moderna ‒ Ivana Brlić-Mažuranić (Autoportrait from Rogaška Slatina; 1932) and Vladimir Nazor (Autobiography; 1927). Having in common the form and some themes and motifs (such as looking back at their lives, the author, the narrator and the main character being one and the same person, retrospective perspective), these two autobiographies show how placing emphasis on intimate elements, the form of a poem can be used to write an autobiography. Without putting into question the theme, the place of the narrator/poet in telling about or taking attitude towards the reality or experiences lived, factographic elements which dominate the early 20th century autobiographies, here are largely overshadowed by the more personal and emotional elements.

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Sobecki, Sebastian. "The Signet Self." In Last Words. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198790778.003.0005.

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Chapter 5 identifies the autograph hand of the signet clerk and poet George Ashby across twelve documents, five of which bear his scribal signature. I also demonstrate that the Cambridge manuscript of his Active Policy of a Prince, Cambridge University Library, Mm.IV.42, is a holograph intended for Prince Edward of Westminster. At the same time, this work marks Ashby’s withdrawal from public life, and I date the poem to 1461–2. I also show that Ashby’s A Prisoner’s Reflection was composed between Michaelmas 1463 and 24 March 1464. Ashby’s narrative self dominates the Prisoner’s Reflection, and his defining context is that of the signet clerk, constantly attached to the person of the king or queen. The exile from this situation in 1461 triggers the poetic impulse that leads to his two known works—narratives that signal the uprootedness of his sociocentric self in an attempt to realign himself with his environment.

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Maring, Heather. "Hybrid Poetics in Old English Verse." In Signs That Sing. University Press of Florida, 2017. http://dx.doi.org/10.5744/florida/9780813054469.003.0002.

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Chapter 1 proposes that oral-traditional and literate features of a text do not correlate with a Germanic past and a Christian present. Instead, poets treat these modes of communication, simultaneously, as part of their poetic inheritance. In order to better describe how hybrid signs communicate, this chapter surveys defining characteristics of oral traditions (i.e., metonymy as described in the theory of Immanent Art), rituals (i.e., ritual signification), and literate traditions (i.e., medieval hermeneutics). The chapter explores oral-connected, oral-literate, and ritual signs in Exeter Riddle 30a/b to demonstrate how hybrid poetics can further our understanding of an Old English poem.

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Eller, Jonathan R. "Green Shadows, White Whale." In Bradbury Beyond Apollo. University of Illinois Press, 2020. http://dx.doi.org/10.5622/illinois/9780252043413.003.0030.

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In 1991 Bradbury was able to combine his various stories of Ireland with bridges that told the tale of his Irish adventures writing the Moby Dick screenplay for John Huston in 1953-1954 to form the autobiographical novel Green Shadows, White Whale. Chapter 29 describes how Bradbury was able to merge these complex projects by revisiting the rough winter he spent under Huston’s demanding direction. In the process, Bradbury was able to capture the defining spirit of the Ireland he knew with good humor and only a touch of satire. Bradbury loved the beauty of the countryside and the people, but he would never return. The chapter analyzes this ambivalence through Bradbury’s reflective poem “To Ireland,” and concludes with the comments that Bradbury offered at the 1991 memorial service for his friend Gene Roddenberry.

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Matthews, Samantha. "Reconstructing the ‘Cossey Hall’ Album." In Album Verses and Romantic Literary Culture. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198857945.003.0003.

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The Jerningham family began their influential British country house album at Cossey Hall, Norfolk, in 1785: a defining moment in public awareness of the elite practice. Lady Frances Jerningham’s letters chart the book’s transition from a novel amusement to a meaningful agent in the family’s social network, and in constructing their public image. Contributors ranged from the family’s children and neighbours, to authors including Arthur Murphy and Amelia Opie. Edward Jerningham’s ‘Lines written in the Album, at Cossey Hall’ (1786), appropriated by the periodicals, became the most widely known album poem of the late-eighteenth century, and made the Cossey volume the most famous English album of the age. Drawing on family letters and contemporary periodicals, the chapter demonstrates how a unique manuscript book kept behind closed doors became not only a record of domestic and local affairs, but of public and political events, over two generations.

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Conference papers on the topic "Defining poem"

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Costa, Eduardo Chinelate, Alex Borges Vieira, and Ana Paula Conto Da Silva. "Centralidade de Tempo em Grafos Variantes no Tempo." In XXIX Concurso de Teses e Dissertações da SBC. Sociedade Brasileira de Computação - SBC, 2020. http://dx.doi.org/10.5753/ctd.2016.9130.

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O conceito de centralidade geralmente se refere a métricas que avaliam a importância relativa dos vértices. Entretanto, Grafos Variantes no Tempo (GVTs) possibilitam a avaliação da importância dos instantes de tempo (ou estados) de um grafo ao longo de sua existência. Determinar instantes de tempo importantes pode ser útil para definir melhores momentos para difusão, gerar modelos e prever o comportamento de GVTs. Neste trabalho, é definido o conceito de Centralidade de Tempo em GVTs. A centralidade de tempo avalia a importância relativa dos instantes de tempo. São apresentadas e avaliadas dua

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Coutinho, Emanuel F., Danielo G. Gomes, Maurício M. Neto, Leonardo O. Moreira, and José Neuman De Souza. "Análise do Impacto da Elasticidade em Nuvens Computacionais Híbridas." In XVII Workshop em Desempenho de Sistemas Computacionais e de Comunicação. Sociedade Brasileira de Computação - SBC, 2018. http://dx.doi.org/10.5753/wperformance.2018.3335.

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Nuvens computacionais híbridas podem ser uma atrativa opção na utilização de recursos computacionais com elasticidade. Porém é necessária uma gestão adequada da elasticidade, pois recursos computacionais podem ser provisionados de maneira ineficiente, resultando em desperdício ou ociosidade. Este artigo propõe uma análise dos efeitos da elasticidade em uma nuvem computacional híbrida. Como principal resultado, identificou-se que a elasticidade mantém o nível de qualidade definido para o atendimento das aplicações executadas em uma nuvem híbrida diante de cargas de trabalho variadas.

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Vieira, Alen Costa, and Gustavo Pessin. "Estratégia Evolutiva para Parametrização de Modelos de Previsão: Um Estudo de Caso com Níveis Máximos Mensais do Rio Xingu em Altamira/PA." In VII Workshop de Computação Aplicada à Gestão do Meio Ambiente e Recursos Naturais. Sociedade Brasileira de Computação - SBC, 2020. http://dx.doi.org/10.5753/wcama.2016.9549.

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O uso adequado de métodos de previsão pode auxiliar na prevenção, no gerenciamento e no planejamento de situações críticas. Métodos de previsão de variáveis de interesse podem ser endereçados como problemas de previsão de séries temporais. A previsão de séries temporais apresenta algumas questões em aberto, correntemente estudadas, entre estas questões estão (1) como definir o tamanho ótimo da janela de entrada do método de previsão e (2) como definir os conjuntos de variáveis (outras séries temporais) que impactam no modelo. Neste artigo, apresentamos como um algoritmo evolutivo pode ser empr

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Viana, Davi, Tayana Conte, and Cleidson De Souza. "Facilitando a Aprendizagem Organizacional em Melhoria de Processo de Software." In XV Simpósio Brasileiro de Qualidade de Software. Sociedade Brasileira de Computação - SBC, 2016. http://dx.doi.org/10.5753/sbqs.2016.15148.

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Melhorias em Processos de Software (MPS) envolvem diversos conhecimentos que podem ser novos para os colaboradores, e consequentemente, podem necessitar de Aprendizagem Organizacional (AO). Contudo, não é trivial aplicar a AO em Organizações de Software. Assim, este trabalho apresenta o Framework KL-SPI (Knowledge and Learning to facilitate Software Process Improvement). Este framework foi definido a partir de investigações em organizações de software e um mapeamento da literatura. Como principais resultados desta pesquisa, tem-se o desenvolvimento de um modelo conceitual para guiar a identifi

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Ribeiro, Luiz Carlos M., Kamilla H. Crozara, Hilmer R. Neri, Andre Luiz P. M. Lanna, Cristiane S. Ramos, and Rejane M. C. Figueiredo. "Catalogo de Padrões de Definição de Processos de Software." In Simpósio Brasileiro de Qualidade de Software. Sociedade Brasileira de Computação - SBC, 2012. http://dx.doi.org/10.5753/sbqs.2012.15321.

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Neste trabalho e apresentada a especificação de um catálogo de padrões de definição de processos de software (software process definition patterns), que consiste em um conjunto de soluções genéricas e reutilizáveis que podem ser aplicadas em classes de problemas conhecidos e recorrentes. O catálogo foi definido no contexto de uma arquitetura de componentes de processos de software reutilizáveis, baseada no meta-modelo Software & Systems Process Engineering Meta-Model Specification (SPEM). Adicionalmente, exemplos de uso do catálogo são apresentados.

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Ferreira, Kecia A. M., Mariza A. S. Bigonha, Roberto S. Bigonha, Heitor C. Almeida, and Roberta Coeli das Neves. "Métrica de Coesão de Responsabilidade - A Utilidade de Métrica de Coesão na Identificação de Classes com Problemas Estruturais." In Simpósio Brasileiro de Qualidade de Software. Sociedade Brasileira de Computação - SBC, 2011. http://dx.doi.org/10.5753/sbqs.2011.15384.

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Muitas métricas de coesão de classe têm sido propostas na literatura. Entretanto, ainda não ha um consenso sobre a melhor abordagem para medir coesão. Uma questão importante nesse tópico e que o grau de coesão interna de uma classe e dificilmente capturado por meio automático, pois esse tipo de avaliação e estreitamente dependente do conhecimento do domínio de problema da aplicação. Os resultados relatados neste artigo identificam evidências de que, embora métricas de coesão possam não ser indicadores precisos, elas são úteis para a avaliação da qualidade estrutural de uma classe. São avaliada

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Almeida, Fabio, Marília M. Bontempo, José Rodrigo dos Santos, and Antonio Marcos Alberti. "Uma Proposta de Contramedida ao Ataque Jamming em Redes IEEE 802.15.4 utilizando Rádio Cognitivo." In II Workshop de Segurança Cibernética em Dispositivos Conectados. Sociedade Brasileira de Computação - SBC, 2019. http://dx.doi.org/10.5753/wscdc.2019.7702.

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As redes de sensores sem fio utilizam de meios de comunicação compartilhados para a transmissão de dados. Com isto, se torna fácil para um atacante interferir nas transmissõs destas redes através de ataques de negação de serviço conhecidos como Jamming. Estes ataques podem ser feitos através de dispositivos chamados de Jammers, que emitem sinais aleatórios de dados, visando derrubar as comunicações das redes de sensores. Neste artigo, estudamos as características do ataque de interferência Jamming sobre a rede IEEE 802.15.4 e propomos uma contramedida a esse ataque utilizando um sistema de rád

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Filho, Fernando Wagner Brito Hortêncio, Tiago Silva Vinuto, and Bruno Carvalho Leal. "Análise de Classificadores para Predição de Evasão dos Campi de uma Instituição de Ensino Federal." In Simpósio Brasileiro de Informática na Educação. Sociedade Brasileira de Computação, 2020. http://dx.doi.org/10.5753/cbie.sbie.2020.1132.

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A evasão escolar é um grave problema em instituições educacionais de todo o mundo. Inúmeros fatores podem desencadear evasões discentes e várias ações vêm sendo tomadas para de mitigar as taxas de evasão. Porém, a maioria dessas ações são reativas. Este trabalho apresenta uma análise da problemática da evasão nos campi mais afetados do Instituto Federal do Ceará. Nesta análise, a evasão discente é definida como um problema de classificação, cujo objetivo é gerar modelos para predizer a evasão discente utilizando classificadores de aprendizagem de máquina. Essa abordagem possibilita que a equip

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Guerber, Carlos Rafael, Eduardo Luis Gomes, Mauro Fonseca, and Anelise Munaretto. "Oportunidades de Transmissão: Nova Métrica para Otimização de Recursos em Redes Veiculares." In XXXVII Simpósio Brasileiro de Redes de Computadores e Sistemas Distribuídos. Sociedade Brasileira de Computação - SBC, 2019. http://dx.doi.org/10.5753/sbrc.2019.7364.

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Nas redes veiculares ad hoc sem fio a comunicação entre os veículos ocorre de forma oportunista devido a alta mobilidade dos nós. Desenvolver protocolos de roteamento é desafiador dada a complexidade em definir métricas para escolha do próximo salto. Introduzimos o conceito de oportunidades de transmissão ao analisar três bases de dados de movimentação real de táxis. Discutimos como os protocolos de roteamento impactam no uso adequado do estoque de oportunidades de transmissão. Mostramos que as oportunidades de transmissão podem ser utilizadas como métrica tanto para avaliação do desempenho de

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Oliveira, Patrícia, and Melise Paula. "Análise da Rede de Colaboração e Abrangência do Simpósio Brasileiro de Sistemas de Informação." In XIII Simpósio Brasileiro de Sistemas de Informação. Sociedade Brasileira de Computação, 2017. http://dx.doi.org/10.5753/sbsi.2017.6027.

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Os eventos científicos proporcionam a integração entre diferentes comunidades formando redes de colaboração que podem ser caracterizadas por diferentes propriedades e padrões. A análise dessas informações pode contribuir de forma significativa para o aperfeiçoamento dessas redes e a disseminação do conhecimento criado nesses cenários. Aspectos relacionados à distribuição do conteúdo das publicações, à extensão do alcance da rede e ao aumento da colaboração podem ser aprimorados a partir dessas discussões. O objetivo deste trabalho foi analisar como é definida a colaboração entre as diversas co

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