Academic literature on the topic 'Defoe, Daniel, Realism in literature'

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Journal articles on the topic "Defoe, Daniel, Realism in literature"

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Shigematsu, Eri. "Defoe’s psychological realism: The effect of directness in indirect consciousness representation categories." Language and Literature: International Journal of Stylistics 27, no. 2 (2018): 71–85. http://dx.doi.org/10.1177/0963947018782008.

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Daniel Defoe’s fictional autobiographies represent the life of an individual through personal memories. Although he has often been associated with circumstantial realism rather than psychological realism, Defoe in fact represents the psychological as well as social and economic realities of his characters. In Defoe’s first-person autobiographical narratives, the person who narrates (i.e. the narrating self) and the one who experiences (i.e. the experiencing self) share the same pronoun, ‘I’, which exhibits a fluctuating internal tension between the two selves. This article aims to investigate
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Marshall, Ashley. "Daniel Defoe as Satirist." Huntington Library Quarterly 70, no. 4 (2007): 553–76. http://dx.doi.org/10.1525/hlq.2007.70.4.553.

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Troy, Mark. "The Blank Page of Daniel Defoe." Orbis Litterarum 46, no. 1 (1991): 1–12. http://dx.doi.org/10.1111/j.1600-0730.1991.tb01901.x.

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Bignami, Marialuisa, and John Richetti. "The Life of Daniel Defoe." Modern Language Review 102, no. 4 (2007): 1143. http://dx.doi.org/10.2307/20467571.

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Rogers, S. "The Ancestry of Daniel Defoe." Notes and Queries 55, no. 3 (2008): 306–8. http://dx.doi.org/10.1093/notesj/gjn103.

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Loar, Christopher F. "Plague’s Ecologies: Daniel Defoe and the Epidemic Constitution." Eighteenth-Century Fiction 32, no. 1 (2019): 31–53. http://dx.doi.org/10.3138/ecf.32.1.31.

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Sill, Geoffrey. "An Essay on the Original of Literature by Daniel Defoe." Scriblerian and the Kit-Cats 42, no. 1 (2009): 72–73. http://dx.doi.org/10.1353/scb.2009.0043.

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Livingstone, C. "JOHN RICHETTI, The Life of Daniel Defoe." Notes and Queries 54, no. 1 (2007): 110–11. http://dx.doi.org/10.1093/notesj/gjm050.

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Swaminathan, Srividhya. "Captain Singleton by Daniel Defoe, ed. Manushag N. Powell." Eighteenth-Century Fiction 33, no. 2 (2020): 325–27. http://dx.doi.org/10.3138/ecf.33.2.325.

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Backscheider, Paula R. "Robert Harley to Daniel Defoe: A New Letter." Modern Language Review 83, no. 4 (1988): 817. http://dx.doi.org/10.2307/3730896.

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Dissertations / Theses on the topic "Defoe, Daniel, Realism in literature"

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Brott, Jonathan. "An Imperfect World, Imperfectly Retold : Mimetic Uncertainty in Early, Late, and Meta-Modern Fiction." Thesis, Stockholms universitet, Engelska institutionen, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-189965.

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Proposing the concept of mimetic uncertainty, this project aims to provide a critical inquiry into the correspondence of unreliable narration and realism. Building on Springett (2013) and Olsen (2003), a distinction between narratorial unreliability and uncertainty is proposed to denote whether a narrator explicitly signals an awareness of their fallible narration. I thereafter indicate how narratorial uncertainty, on the one hand, can serve to evoke a “reality effect” (Barthes 1989) on a receptive aesthetic level; and on the other hand, can provide a form of historicity (Jameson 1985) and dis
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Moore, Richard W. "Defoe's fictions of memory." Diss., Online access via UMI:, 2008.

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Tagg, Jeremy Alistair David. "The Machiavellian Defoe : a study of the influence of popular political thought literature on the propaganda and the fiction of Daniel Defoe." Thesis, King's College London (University of London), 1995. https://kclpure.kcl.ac.uk/portal/en/theses/the-machiavellian-defoe--a-study-of-the-influence-of-popular-political-thought-literature-on-the-propaganda-and-the-fiction-of-daniel-defoe(6d795d03-4a06-4a9f-9b61-15d4453fed44).html.

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Rogers, Joan Elizabeth. "Fear of fiction : the authorial response to realism in selected works by Swift, Defoe, and Richardson." Thesis, Durham University, 1986. http://etheses.dur.ac.uk/6807/.

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If Mrs. Whitehouse produced a pornographic play, it would arouse enormous interest, mainly because of Mrs. Whitehouse’s well known views on pornography. It is an ancient fact of English Literature that two of the best known pioneers of the English realistic novel, Daniel Defoe and Samuel Richardson, were Puritans. And there is an almost equally ancient critical tradition which traces the easy path of Puritan literature, in combination with other cultural forces, towards the production of realistic fiction. The central argument of this thesis is that there was no such easy path. Puritan autobio
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Vickers, I. R. "The influence of the new sciences on Daniel Defoe's habit of mind and literary method." Thesis, Open University, 1988. http://oro.open.ac.uk/54614/.

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Fossum, John E. "Casuistical Connections from Dunton to Defoe." Diss., CLICK HERE for online access, 2004. http://contentdm.lib.byu.edu/ETD/image/etd520.pdf.

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Marbais, Peter Christian. "The fate of this poor woman men, women, and intersubjectivity in Moll Flanders and Roxana /." [Kent, Ohio] : Kent State University, 2005. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=kent1112111031.

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Thesis (Ph.D.)--Kent State University, 2005.<br>Title from PDF t.p. (Aug. 9, 2006). Advisor: Vera J. Camden. Keywords: intersubjectivity; Moll Flanders; Roxana; Fate; Providence. Includes bibliographical references (p. 347- 361).
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Stocks, Tiphanie N. "Daniel Defoe and the reform of the English nation an examination of his moralistic writings /." Morgantown, W. Va. : [West Virginia University Libraries], 2002. http://etd.wvu.edu/templates/showETD.cfm?recnum=2619.

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Boulukos, George Eleftherios. "The grateful slave : representations of slave plantation reform in the British novel, 1720-1805 /." Digital version accessible at:, 1998. http://wwwlib.umi.com/cr/utexas/main.

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Junior, José David Borges. "As máscaras de Robinson Crusoe: a representação do individualismo moderno em Daniel Defoe e Mozael Silveira." Universidade de São Paulo, 2012. http://www.teses.usp.br/teses/disponiveis/8/8156/tde-14112012-121342/.

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Esta dissertação visa a estudar as metamorfoses do individualismo moderno em duas produções culturais distintas, concebidas em civilizações e contextos históricos também diversos, a saber: Reino Unido, à época da Revolução Inglesa e Brasil, em tempos de ditadura militar. Para isso, realizou-se uma análise comparativa entre as obras Robinson Crusoe, de Daniel Defoe e As aventuras de Robinson Crusoé, de Mozael Silveira. Assim, foi possível verificar como a literatura e o cinema, entendidos como campos narrativos, funcionam em processos dialógicos, encenando problemáticas sociais, históricas e id
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Books on the topic "Defoe, Daniel, Realism in literature"

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Crime and Defoe: A new kind of writing. Cambridge University Press, 1993.

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Daniel Defoe and diplomacy. Susquehanna University Press, 1986.

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R, Owens W., ed. The canonisation of Daniel Defoe. Yale University Press, 1988.

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Defoe, Daniel. Religious and didactic writings of Daniel Defoe. Edited by Owens W. R and Furbank Philip Nicholas. Pickering & Chatto,., 2006.

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Le Robinson antillais: De Daniel Defoe à Patrick Chamoiseau. Harmattan, 2015.

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Natali, Ilaria. Demoni, fantasmi, apparizioni: Il soprannaturale negli scritti di Daniel Defoe. Le Cáriti, 2010.

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Demoni, fantasmi, apparizioni: Il soprannaturale negli scritti di Daniel Defoe. Le Cáriti, 2010.

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Vickers, Ilse. Defoe and the new sciences. Cambridge University Press, 1996.

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McGowan, Cynthia C. Robinson Crusoe: Notes. [John Wiley & Sons], 2002.

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Crusoe: Daniel Defoe, Robert Knox and the creation of a myth. Bodley Head, 2011.

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Book chapters on the topic "Defoe, Daniel, Realism in literature"

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Cunningham, Valentine. "Daniel Defoe." In The Blackwell Companion to the Bible in English Literature. Wiley-Blackwell, 2010. http://dx.doi.org/10.1002/9781444324174.ch24.

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Marsh, Nicholas. "The Place of Defoe’s Novels in English Literature." In Daniel Defoe: The Novels. Macmillan Education UK, 2011. http://dx.doi.org/10.1007/978-0-230-34408-2_8.

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Jones, Emrys D. "Daniel Defoe and South Sea Friendship." In Friendship and Allegiance in Eighteenth-Century Literature. Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137300508_3.

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Carnell, Rachel. "Daniel Defoe and the Whig Ideal of Selfhood." In Partisan Politics, Narrative Realism, and the Rise of the British Novel. Palgrave Macmillan US, 2006. http://dx.doi.org/10.1057/9781403983541_4.

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Haschemi Yekani, Elahe. "Introduction: Provincialising the Rise of the British Novel in the Transatlantic Public Sphere." In Familial Feeling. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-58641-6_1.

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AbstractIn the introduction to Familial Feeling, Haschemi Yekani proposes a transatlantic reframing of Ian Watt’s famous work on the rise of the novel. Offering a critical overview of the intertwined histories of enslavement and modernity, this chapter proposes a focus on transatlantic entanglement already in the eighteenth and early nineteenth century to challenge the more prevalent retrospective paradigm of “writing back” in postcolonial studies. Introducing the concepts of familial feeling and entangled tonalities, Haschemi Yekani describes the affective dimension of literature that shapes notions of national belonging. This is then discussed in the book in relation to the four entangled aesthetic tonalities of familial feeling in early Black Atlantic writing and canonical British novels by Daniel Defoe, Olaudah Equiano, Ignatius Sancho, Laurence Sterne, Jane Austen, Robert Wedderburn, Charles Dickens, and Mary Seacole. To provide context for the following literary readings, scholarship on sentimentalism and the abolition of slavery is introduced and significantly extended, especially in relation to the shifts from moral sentiment and the abolition of the slave trade in the eighteenth century to social reform and the rise of the new imperialism and colonial expansion in the nineteenth century.
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Błaszak, Marek. "Pirate John Gow and Literary Renderings of his Career by Daniel Defoe and Sir Walter Scott." In From Queen Anne to Queen Victoria. Readings in 18th and 19th century British literature and culture. Warsaw University Press, 2018. http://dx.doi.org/10.31338/uw.9788323536123.pp.37-48.

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Holm, Melanie D. "“O Friends, There Are No Friends”: The Aesthetics of Avian Sympathy in Defoe and Sterne." In Mocking Bird Technologies. Fordham University Press, 2018. http://dx.doi.org/10.5422/fordham/9780823278480.003.0002.

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This chapter examines the use of avian figures in eighteenth-century British literature, focusing on their role as interrogators of sympathy. Taking Daniel Defoe’s The Adventures of Robinson Crusoe and Laurence Sterne’s A Sentimental Journey through France and Italy as exemplary though opposing approaches, the chapter explores how the speech of each novel’s respective “mocking bird”—the parrot, Poll, and Yorick’s starling—raises questions about the imaginative and mimetic nature of sympathy, particularly as it is given expression by Adam Smith. Both birds, it is argued, unmask the subjectivity as well as the aesthetic and affective dimensions of sympathy for their listeners. However, the novels place an usually high value on these categories, proposing that that there are two ways to respond productively to the artifices of sympathy: the parrot’s way and the starling’s way.
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