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Journal articles on the topic 'Defoe, Daniel, Realism in literature'

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Published: 4 June 2021

Last updated: 18 February 2022

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1

Shigematsu, Eri. "Defoe’s psychological realism: The effect of directness in indirect consciousness representation categories." Language and Literature: International Journal of Stylistics 27, no. 2 (2018): 71–85. http://dx.doi.org/10.1177/0963947018782008.

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Daniel Defoe’s fictional autobiographies represent the life of an individual through personal memories. Although he has often been associated with circumstantial realism rather than psychological realism, Defoe in fact represents the psychological as well as social and economic realities of his characters. In Defoe’s first-person autobiographical narratives, the person who narrates (i.e. the narrating self) and the one who experiences (i.e. the experiencing self) share the same pronoun, ‘I’, which exhibits a fluctuating internal tension between the two selves. This article aims to investigate

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2

Marshall, Ashley. "Daniel Defoe as Satirist." Huntington Library Quarterly 70, no. 4 (2007): 553–76. http://dx.doi.org/10.1525/hlq.2007.70.4.553.

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3

Troy, Mark. "The Blank Page of Daniel Defoe." Orbis Litterarum 46, no. 1 (1991): 1–12. http://dx.doi.org/10.1111/j.1600-0730.1991.tb01901.x.

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4

Bignami, Marialuisa, and John Richetti. "The Life of Daniel Defoe." Modern Language Review 102, no. 4 (2007): 1143. http://dx.doi.org/10.2307/20467571.

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5

Rogers, S. "The Ancestry of Daniel Defoe." Notes and Queries 55, no. 3 (2008): 306–8. http://dx.doi.org/10.1093/notesj/gjn103.

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6

Loar, Christopher F. "Plague’s Ecologies: Daniel Defoe and the Epidemic Constitution." Eighteenth-Century Fiction 32, no. 1 (2019): 31–53. http://dx.doi.org/10.3138/ecf.32.1.31.

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7

Sill, Geoffrey. "An Essay on the Original of Literature by Daniel Defoe." Scriblerian and the Kit-Cats 42, no. 1 (2009): 72–73. http://dx.doi.org/10.1353/scb.2009.0043.

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8

Livingstone, C. "JOHN RICHETTI, The Life of Daniel Defoe." Notes and Queries 54, no. 1 (2007): 110–11. http://dx.doi.org/10.1093/notesj/gjm050.

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9

Swaminathan, Srividhya. "Captain Singleton by Daniel Defoe, ed. Manushag N. Powell." Eighteenth-Century Fiction 33, no. 2 (2020): 325–27. http://dx.doi.org/10.3138/ecf.33.2.325.

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10

Backscheider, Paula R. "Robert Harley to Daniel Defoe: A New Letter." Modern Language Review 83, no. 4 (1988): 817. http://dx.doi.org/10.2307/3730896.

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11

Tadié, Alexis. "Les hésitations de la fiction dans Roxana de Daniel Defoe." Études anglaises 55, no. 3 (2002): 273. http://dx.doi.org/10.3917/etan.553.0273.

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12

PARKINSON, JOHN M. "DANIEL DEFOE: ACCOMPTANT TO THE COMMISSIONERS OF THE GLASS DUTY." Notes and Queries 45, no. 4 (1998): 455–56. http://dx.doi.org/10.1093/nq/45.4.455-b.

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13

Livingstone, C. "JOHN MARTIN, Beyond Belief: The Real Life of Daniel Defoe." Notes and Queries 55, no. 3 (2008): 376–78. http://dx.doi.org/10.1093/notesj/gjn088.

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14

Hassoon, Mohammed Naser. "Epidemic as Metaphor: the Allegorical Significance of Epidemic Accounts in Literature." Studia Universitatis Babeș-Bolyai Philologia 66, no. 3 (2021): 201–18. http://dx.doi.org/10.24193/subbphilo.2021.3.13.

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"Epidemic as Metaphor: The Allegorical Significance of Epidemic Accounts in Literature. Our paper searches for those common elements in selected literary representations of the plagues that have affected humanity. As a theoretical framework for our research, we have considered the contributions of Peta Michell, who equals pandemic with contagion and sees it as a metaphor; Susan Sontag views illness as a punishment or a sign, the subject of a metaphorization. Christa Jansohn sees the pest as a metaphor for an extreme form of collective calamity. For René Girard, the medical plague is a metaphor

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15

Hansen, Adam. "Criminal Conversations: Rogues, Words and the World in the Work of Daniel Defoe." Literature & History 13, no. 2 (2004): 26–48. http://dx.doi.org/10.7227/lh.13.2.2.

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16

Mayer, Robert. "Not Adaptation but "Drifting": Patrick Keiller, Daniel Defoe, and the Relationship between Film and Literature." Eighteenth-Century Fiction 16, no. 4 (2004): 803–27. http://dx.doi.org/10.1353/ecf.2004.0048.

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17

Wilkinson, Greg. "Epidemics: A Journal of the Plague Year, London, 1665 – by Daniel Defoe – psychiatry in literature." British Journal of Psychiatry 219, no. 2 (2021): 459. http://dx.doi.org/10.1192/bjp.2021.34.

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18

Alayrac-Fielding, Vanessa. "« Like a Passenger » : circulation(s) dans Roxana: or, the Fortunate Mistress (1724) de Daniel Defoe." Études anglaises 70, no. 3 (2017): 323. http://dx.doi.org/10.3917/etan.703.0323.

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19

Keymer, T. "P. N. FURBANK and W. R. OWENS. A Political Biography of Daniel Defoe." Review of English Studies 58, no. 237 (2007): 736–38. http://dx.doi.org/10.1093/res/hgm106.

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20

Pepper, Andrew. "Early crime writing and the state: Jonathan Wild, Daniel Defoe and Bernard Mandeville in 1720s London." Textual Practice 25, no. 3 (2011): 473–91. http://dx.doi.org/10.1080/0950236x.2010.495527.

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21

Falkenhayner, Nicole. "Permeable Boundaries: Daniel Defoe’s A Journal of the Plague Year (1722) and Jurij M. Lotman’s Semiosphere." Anglia 137, no. 1 (2019): 70–83. http://dx.doi.org/10.1515/ang-2019-0005.

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Abstract This article argues that the cultural semiotic model of the “semiosphere” by Lotman (Lotman, Grishakova and Clark 2009) can be productively employed to interpret the complex layers of social order and liminal sociality in Daniel Defoe’s A Journal of the Plague Year (1722). Defoe’s text, analysed with a cultural semiotic approach, appears as more than a shocking re-narration of a historical event, as it becomes possible to read this proto-novel as a text that showcases and makes experiential the entanglement of social breakdown and social needs. London during the plague is shown as a s

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22

Coetzee, J. M. "An Essay on the History and Reality of Apparitions, ed. Kit Kincade by Daniel Defoe." Common Knowledge 25, no. 1-3 (2019): 410–11. http://dx.doi.org/10.1215/0961754x-7312165.

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23

McDowell, Paula. "Defoe and the Contagion of the Oral: Modeling Media Shift in A Journal of the Plague Year." PMLA/Publications of the Modern Language Association of America 121, no. 1 (2006): 87–106. http://dx.doi.org/10.1632/003081206x96122.

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This essay contributes to a history of evolutionary models of media shift through a reading of Daniel Defoe. Published in 1722 but depicting events of 1664–65, A Journal of the Plague Year represents temporal distance in terms of shifts in modes of communication. Modes that in reality are coexistent and interdependent are here represented as parts of a linear, progressive development. Defoe helped shape an emergent hierarchy of media forms with print at its apex. A key structuring binary of this text opposes a backward past associated with orality to a new, print-oriented modernity linked to t

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24

Vardanian, Maryna. "Translating children’s literature of Ukrainian Diaspora as an implementation of the educational ideal of Ukrainian abroad." SHS Web of Conferences 75 (2020): 01002. http://dx.doi.org/10.1051/shsconf/20207501002.

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This essay examines the implementation of the educational ideal of Ukrainian Abroad in the Ukrainian Diasporic translation of children’s literature by such authors as Dhan Gopal Mukerji, Louis Henri Boussenard, Oscar Wilde, Daniel Defoe, Rudyard Kipling, etc. I claim that this ideal was formed in the 20th century in different cultural centers, united by Ukrainian World Congress. The Second Ukrainian World Congress approved main principles of the educational ideal in 1973, summarizing previous achievements. It is based on such human values as love, respect, and tolerance. All of these values go

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Suciu, Andreia Irina, and Mihaela Culea. "From Defoe to Coetzee’s Foe/Foe through Authorship." Baltic Journal of English Language, Literature and Culture 11 (2021): 121–37. http://dx.doi.org/10.22364/bjellc.11.2021.08.

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The article investigates the concept of authorship in the works of two authors separated by three centuries, namely, Daniel Defoe and J. M. Coetzee, both concerned, in different ways, with aspects regarding the origin and originators of literary works or with the act of artistic creation in general. After a brief literature review, the article focuses on Coetzee’s contemporary revisitation of the question of authorship and leaps back and forth in time from Defoe’s Robinson Crusoe (1719) to Coetzee’s Foe (1986). The purpose is that of highlighting the multiple perspectives (and differences) reg

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26

Waterman, Bryan. "Plague Time (Again)." American Literature 92, no. 4 (2020): 759–66. http://dx.doi.org/10.1215/00029831-8780971.

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Abstract This essay probes literary representations of pandemic temporalities to argue that plague reshapes our sense and experience of time in specific ways: It opens contact with the epidemic past to restructure historical understanding and attendant forms of identity; it promotes utopian or cosmopolitan fantasies of shared vulnerability and future inoculation; it marks survivors with a kind of zombie consciousness in an unending, limitless present. Drawing on American works from Charles Brockden Brown’s Arthur Mervyn (1799–1800) to Katherine Anne Porter’s Pale Horse, Pale Rider (1939) to To

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27

Harper, Heather. "“MATCHLESS SUFFERINGS”: INTIMATE VIOLENCE IN THE EARLY MODERN APPARITION NARRATIVES OF DANIEL DEFOE AND ELIZABETH BOYD." Women's Writing 16, no. 3 (2009): 425–44. http://dx.doi.org/10.1080/09699080903162005.

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28

Lynn, Kenneth S. ": Writing Realism: Howells, James, and Norris in the Mass Market. . Daniel H. Borus." Nineteenth-Century Literature 45, no. 3 (1990): 386–87. http://dx.doi.org/10.1525/ncl.1990.45.3.99p03316.

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MacKay, Carol Hanbery. "Realism, Photography, and Nineteenth-Century Fiction, by Daniel A. Novak." Victorian Studies 51, no. 1 (2008): 145–47. http://dx.doi.org/10.2979/vic.2008.51.1.145.

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30

Bubak, Grzegorz. "Film Zostawcie Robinsona! czyli węgiersko-kubańska interpretacja przygód bohatera powieści Defoe oraz inne filmowe adaptacje losów Robinsona Crusoe." Porównania 25 (December 15, 2019): 127–41. http://dx.doi.org/10.14746/por.2019.2.8.

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Historia Robinsona Crusoe została w filmie opowiedziana wielokrotnie, czasem z dochowaniem wierności oryginałowi literackiemu, częściej z licznymi odstępstwami i mniej lub bardziej pomysłowymi wariantami. Twórcy różnej rangi i autoramentu wpisywali przygody bohatera w liczne schematy gatunkowe, poczynając – w sposób najbardziej naturalny – od filmu przygodowego, a kończąc na komedii i science fiction. Inspiracji dostarczał raczej Daniel Defoe niż prototyp jego bohatera – Alexander Selkirk. Co ciekawe, daleko idące transkrypcje przygód Robinsona pojawiły się już w latach trzydziestych ubiegłego

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31

Gates, Sarah. ""A Difference of Native Language": Gender, Genre, and Realism in Daniel Deronda." ELH 68, no. 3 (2001): 699–724. http://dx.doi.org/10.1353/elh.2001.0022.

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32

Dowdell, Coby. "“A Living Law to Himself and Others”: Daniel Defoe, Algernon Sidney, and the Politics of Self-Interest inRobinson CrusoeandFarther Adventures." Eighteenth-Century Fiction 22, no. 3 (2010): 415–42. http://dx.doi.org/10.3138/ecf.22.3.415.

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33

Mulcaire, Terry. "Public Credit; or, The Feminization of Virtue in the Marketplace." PMLA/Publications of the Modern Language Association of America 114, no. 5 (1999): 1029–42. http://dx.doi.org/10.2307/463462.

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The feminine figure of “Public Credit,” which appears prominently and frequently in early-eighteenth-century Whig texts, is a rich and complex symbolization of early liberal political and economic ideology. In readings of Joseph Addison, Daniel Defoe, and the Whig libertarians John Trenchard and Thomas Gordon (the collective authors of Cato's Letters, a polemic that had a major influence on American revolutionary ideology), I show that their representations of Credit speak not to the empirical truth of economic value but openly to its imaginary desirability. Credit thus represents a manifest p

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34

Andrianova, Irina. "Stenography and Literature: What did Western European and Russian Writers Master the Art of Shorthand Writing For?" Studia Slavica Academiae Scientiarum Hungaricae 64, no. 1 (2019): 1–11. http://dx.doi.org/10.1556/060.2019.64101.

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What brings together Daniel Defoe, Charles Dickens, Vsevolod Krestovsky, Nikolai Chernyshevsky, Fyodor Dostoevsky, Аlexander Kuprin, George Bernard Shaw, and Аstrid Lindgren, i.e. writers from different countries and belonging to different epochs? In their creative work, they all used stenography, or rapid writing, permitting a person to listen to true speech and record it simultaneously. This paper discloses the role of stenography in literary activities of European and Russian writers in the 19th and early 20th centuries. Some researchers believe that the first ties between shorthand and lit

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35

Knowles, Deborah, Damian William Ruth, and Clare Hindley. "Crisis as a plague on organisation: Defoe and A Journal of the Plague Year." Journal of Organizational Change Management 32, no. 6 (2019): 640–49. http://dx.doi.org/10.1108/jocm-03-2019-0074.

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Purpose The purpose of this paper is to enrich the understanding of current models of organisational response to crises and offer additional perspectives on some of these models. It is also intended to confirm the value of fiction as a truth-seeking and hermeneutic device for enriching the imagination. Design/methodology/approach The study uses Daniel Defoe’s 1722 novel A Journal of the Plague Year to draw parallels between his portrayal of the London Great Plague of 1665 and the management of modern-day crises. Defoe uses London’s ordeal of the Great Plague to advise those subjected to future

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36

Lipski, Jakub. "Travellers, Connoisseurs, and Britons: Art Commentaries and National Discourse in the Travel Writings of Daniel Defoe and Tobias Smollett." Studia Anglica Posnaniensia 52, no. 3 (2017): 365–75. http://dx.doi.org/10.1515/stap-2017-0014.

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Abstract This article seeks to explore the interrelationship of two facets characterising eighteenth-century travel writing – art commentaries and national discourse. It is demonstrated that one of the reasons behind the travellers’ repetitious attempts to fashion themselves as connoisseurs was a need to re-affirm their national identity. To this end it offers an analysis of two travel texts coming from two different political moments – Daniel Defoe’s A Tour thro’ the Whole Island of Great Britain (1724–1726), constituting an attempt to read the British as a “great” and prosperous nation after

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37

Helena, Lucia. "A literatura como passagem: reflexões em torno das ficções em desassossego." Alea : Estudos Neolatinos 11, no. 1 (2009): 111–29. http://dx.doi.org/10.1590/s1517-106x2009000100010.

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Este artigo trata do uso ficcional do naufrágio como metáfora em textos do século XVIII, tais como o Robinson Crusoe, de Daniel Defoe, e o Émile, de Jean-Jacques Rousseau, tanto quanto em romances contemporâneos, como O náufrago (Der Untergeher), de Thomas Bernhard, como um meio para abordar as transformações do pensamento iluminista em direção ao que Zygmunt Bauman chamou de "modernidade líquida". Considera os vínculos entre o ceticismo e o pensamento trágico, conectando estas ideias às criativas e decisivas acepções do conceito de passagem, esboçado por Walter Benjamin em seus estudos sobre

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38

Deepak, T. R. "The Inner Quandary of Woman in Daniel Defoe’s Moll Flanders." Shanlax International Journal of English 9, no. 3 (2021): 46–49. http://dx.doi.org/10.34293/english.v9i3.3793.

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Daniel Defoe is an enchanted incinerator of English literature sprung during the initial years of eighteenth century. His applauded Moll Flanders (1722) is professed as picaresque in literary vegetation. He has emotionally painted the commotion of a solitary, imprudent and prevalent female distinct against an inimical and droopy humanity. As a matter of datum, the female chief strolls into the alleyway of assorted catastrophes. She has borne the humanity either in an orthodox or warped mundane. All these archetypes of women have shed light in the fiction even before the initiation of feminist

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39

Ha, Sha. "Plague and Literature in Western Europe, from Giovanni Boccaccio to Albert Camus." International Journal of Comparative Literature and Translation Studies 9, no. 3 (2021): 1. http://dx.doi.org/10.7575/aiac.ijclts.v.9n.3p.1.

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In medieval times the plague hit Europe between 1330 and 1350. The Italian novelist Giovanni Boccaccio, one of the exponents of the cultural movement of Humanism, in the introduction (proem) of his “Decameron” described the devastating effects of the ‘black plague’ on the inhabitants of the city of Florence. The pestilence returned to Western Europe in several waves, between the 16th and 17th centuries. William Shakespeare in “Romeo and Juliet” and other tragedies, and Ben Jonson in “The Alchemist” made several references to the plague, but they did not offer any realistic description of that

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40

Richetti, John. "John Martin,Beyond Belief: The Real Life of Daniel Defoe. Pembroke Dock, Pembrokeshire: Accent Press, 2006. viii+316pp. £19.99. ISBN 978-1-905170-56-2.Leo Abse,The Bi-Sexuality of Daniel Defoe: A Psychoanalytic Survey of the Man and His Works. London: Karnac Books, 2006. xi+308pp. US$39.95. ISBN 978-1-85575-456-0." Eighteenth-Century Fiction 20, no. 2 (2007): 272–77. http://dx.doi.org/10.3138/ecf.20.2.272.

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41

Kacprzak, Marta. "La ermoza istorya de Robinzon o la mizerya: Sephardi Versions of Robinson Crusoe." Colloquia Humanistica, no. 9 (December 31, 2020): 223–32. http://dx.doi.org/10.11649/ch.2020.014.

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La ermoza istorya de Robinzon o la mizerya: Sephardi Versions of Robinson CrusoeIn the second half of the 19th century the Haskalah, an intellectual movement whose objective was to educate and westernize Eastern European Jews, also reached the Sephardic communities in the Ottoman Empire. As a result, there emerged Sephardic modern secular literature, represented mainly by narrative fiction, theatre plays and press. It should be added that modern Sephardic literature is primarily based on translations or adaptations of Western novels. Among these texts we find Sephardic editions of classics of

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42

Rogers, Pat. "The Topographic Sources of Defoe’s Tour." Review of English Studies 70, no. 296 (2019): 702–15. http://dx.doi.org/10.1093/res/hgz027.

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Abstract The most important study of the topographic background to Daniel Defoe’s Tour thro’ Great Britain (1724–1726) is still one written by the historical geographer J. H. Andrews in 1960. This article seeks to amplify what Andrews says about two aspects of the subject: the use that the author made of maps in compiling his work, and his recourse to the text of topographic volumes, including atlases and guides. On the first issue, the evidence corroborates what Andrews suggested about the use of maps in the Tour, but it shows that Defoe enlisted their aid more widely than previously suspecte

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43

Toledano Buendia, Carmen. "Robinson Crusoe Naufraga en Tierras Españolas." Babel. Revue internationale de la traduction / International Journal of Translation 47, no. 1 (2001): 35–48. http://dx.doi.org/10.1075/babel.47.1.05tol.

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The incorporation of English novels into the Spanish literary system during the 18th century is characterized, in general terms, by their late appearance, especially if a comparison is drawn with other European countries, and by French mediation. One of the most illustrative examples is the assimilation process followed by Robinson Crusoe. This work, written by Daniel Defoe in 1719, appears for the first time in Spain in 1826 — more than 100 years after it was originally written — in an abridged version for children. This paper aims to explore some of the many factors that may play a part in t

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Jacobsen, Marna. "Development of Faroese children’s literature. Challenges in a minority society / Føroyskar barnabókmentir. Avbjóðingar hjá eini smátjóð." Fróðskaparrit - Faroese Scientific Journal 59 (January 11, 2017): 96. http://dx.doi.org/10.18602/fsj.v59i0.46.

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<p><strong>Úrtak</strong></p><p>Í greinini, sum er grundað á ein fyrilestur, ið varð hildin á ráðstevnu hjá Ibby (The International Board on Books for Young People) í Santiago de Compostela í 2010, verður sagt frá, hvussu føroyskar barnabókmentir hava ment seg, serliga við denti á bókaútgávu fyri einum lutfalsliga lítlum málbólki.</p><p> Í Føroyum hava kvæði, sagnir, ævintýr og annar skaldskapur livað sítt fríska lív á manna munni, líka síðan fólk hava sett búgv á oyggjunum, meðan skrivaðu bókmentirnar eru av nýggjari uppruna. Fyrsta upprunaføroyska ba

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45

"Daniel Defoe. John J. Richetti." Modern Philology 87, no. 2 (1989): 187–88. http://dx.doi.org/10.1086/391769.

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46

"Daniel Defoe, His Life. Paula R. Backscheider." Modern Philology 89, no. 1 (1991): 124–27. http://dx.doi.org/10.1086/391937.

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47

"The Canonisation of Daniel Defoe. P. N. Furbank, W. R. Owens." Modern Philology 88, no. 3 (1991): 317–20. http://dx.doi.org/10.1086/391874.

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48

Ferrada, Andrés. "La textura picaresca y meta-picaresca en Moll Flanders de Daniel Defoe." Revista signos 36, no. 54 (2003). http://dx.doi.org/10.4067/s0718-09342003005400004.

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49

Lavoie, Chantel. "The Boy in the Text: Mary Barber, Her Son, and Children's Poetry in Poems on Several Occasions." ABO: Interactive Journal for Women in the Arts, 1640-1830 11, no. 1 (2021). http://dx.doi.org/10.5038/2157-7129.11.1.1260.

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The Boy in the Text: Mary Barber, Her Son, and Children’s Poetry in Poems on Several Occasions This paper reconsiders the work of Dublin poet Mary Barber, whose collection of poems appeared in 1733/34. There she acknowledges the assistance of Jonathan Swift, and frames her poetry as a pedagogical aid to her children’s education—particularly that of her eldest son, Constantine. Barber’s relationship with Swift has received much critical attention, as has her focus on her own motherhood—sometimes in critiques that suggest both of these hampered the quality and scope of her work. This paper asks

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50

Jain, Charul. "LOUISA MAY ALCOTT’S LITTLE WOMEN: HUMANISING DISEASE AND DECAY." Towards Excellence, June 30, 2020, 33–40. http://dx.doi.org/10.37867/te120304.

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Whenever a disease is widespread like an epidemic or pandemic its apocalyptic nature fails to escape the creative imagination of literary writers. Beginning from Chaucer’s The Canterbury Tales, A Journal of the Plague Year by Daniel Defoe and Mary Shelley’s The Last Man are some of the precursors of the literary fiction in English which captures apocalyptic events and their impact on the society. A pandemic affects not only elders but also children, not only rich but also poor, not only upper class but also the workers. A lot of literature focuses on the affliction of the first and their respo

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