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Books on the topic 'Deformation Texture'

Author: Grafiati

Published: 4 June 2021

Last updated: 6 September 2023

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1

Deformation mechanisms, texture, and anisotropy in zirconium and Zircaloy. American Society for Testing and Materials, 1988.

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2

Tenckhoff, Erich. Deformation mechanisms, texture, and anisotropy in zirconium and zircaloy. ASTM, 1988.

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3

Wierzbanowski, Krzysztof. Some results of theoretical study of plastic deformation and texture formation in polycrystals. Akademia Górniczo-Hutnicza im. S. Staszica w Krakowie, 1987.

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4

1947-, Thompson Alan Bruce, Rubie David C, and Bayly M. Brian 1929-, eds. Metamorphic reactions: Kinetics, textures, and deformation. Springer-Verlag, 1985.

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5

Thorsteinsson, Thorsteinn. Textures and fabrics in the GRIP ice core, in relation to climate history and ice deformation. Alfred-Wegener-Institut für Polar- und Meeresforschung, 1996.

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6

1934-, Raymond Louis, ASTM Subcommittee F7.4 on Hydrogen Embrittlement., and National Symposium on Test Methods for Hydrogen Embrittlement: Prevention and Control (2nd : 1985 : Los Angeles), eds. Hydrogen embrittlement: Prevention and control. ASTM, 1988.

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7

Cabanes, Nelly. Etude de zones de cisaillement mantellique: Les péridotites de Montferrier (France) et de San Quintin (Mexique) : analyse texturale, pétrologique et géochimique. Centre géologique et géophysique, Université des sciences et techniques du Languedoc, 1988.

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8

Blackwell, Paul Leslie. Mechanical property, microstructural and textural development during the high temperature, slow strain rate deformation of Al-Li-Cu-Mg-Zr alloy, AA8090. University of Birmingham, 1995.

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9

Deformation Mechanisms, Texture, and Anisotropy in Zirconium and Zircaloy. ASTM International, 1988. http://dx.doi.org/10.1520/stp966-eb.

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10

Alan Bruce Thompson Cees van Dam. Metamorphic Reactions: Kinetics, Textures, and Deformation. Springer, 2011.

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11

Brodie, K. H., B. Bayly, D. C. Rubie, and A. B. Thompson. Metamorphic Reactions: Kinetics, Textures, and Deformation. Springer, 2012.

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12

Thompson, Alan Bruce. Metamorphic Reactions: Kinetics, Textures and Deformation (Advances in Physical Geochemistry, Vol 4). Springer, 1985.

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13

Advances in hot deformation textures and microstructures: Proceedings of a symposium sponsored by TMS and ASM International held during Materials Week in Pittsburgh, PA, October 18-20, 1993. Minerals, Metals & Materials Society, 1994.

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14

Bowman, Keith J., J. J. Jonas, and Thomas R. Bieler. Advances in Hot Deformation Textures and Microstructures: Proceedings of a Symposium Sponsored by Tms and Asm International Held During Materials We. Minerals, Metals, & Materials Society, 1994.

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15

Ramsay, Stephen. Potential Readings. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252036415.003.0003.

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This chapter takes up the literary critical analogues to the poetics of constraint. It examines how the notion of “deformance” provides the critical framework for a discussion of conventional criticism as an activity dependent upon the notions of constraint, procedure, and alternative formation. It is in this light that computationally enacted textual transformations reveal themselves most clearly as self-consciously extreme forms of those hermeneutical procedures found in all interpretative acts. In addition, close analysis of several apparently diverse critical works—from readings of the I C

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16

Isaac, Allan Punzalan. Filipino Time. Fordham University Press, 2021. http://dx.doi.org/10.5422/fordham/9780823298525.001.0001.

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Filipino Time examines how a variety of immaterial labor performed by Filipinos in the Philippines and around the world, while producing bodily and affective disciplines and dislocations, also generate and explore vital affects, multiple networks, and other worlds. Whether in representations of death in a musical or keeping work time at bay in a call center, these forms of living emerge from and even work alongside capitalist exploitation of affective labor. Affective labor involves human intersubjective interaction and creative capacities. Thus, through creative labor, subjects make communal

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