Relevant bibliographies by topics / Delacroix, Eugène

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  2. Dissertations / Theses
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Academic literature on the topic 'Delacroix, Eugène'

Author: Grafiati
Published: 4 June 2021
Last updated: 6 February 2022

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Journal articles on the topic "Delacroix, Eugène"

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Merello, Ida. "Eugène Delacroix, Journal." Studi Francesi, no. 161 (LIV | II) (September 1, 2010): 395. http://dx.doi.org/10.4000/studifrancesi.6985.

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TAMBA, Sa ïd. "De l'orientalisme. Eugène Delacroix." L'Homme et la société 175, no. 1 (2010): 115. http://dx.doi.org/10.3917/lhs.175.0115.

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Kociubińska, Edyta. "Eugène Delacroix et ses violons d’Ingres." ACTA UNIVERSITATIS LODZIENSIS. FOLIA LITTERARIA ROMANICA, no. 13 (February 7, 2018): 45–54. http://dx.doi.org/10.18778/1505-9065.13.05.

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Bouffier, Jacques Olivier. "The Tours Sketchbook of Eugène Delacroix." Metropolitan Museum Journal 29 (January 1994): 135–50. http://dx.doi.org/10.2307/1512965.

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Galle, Helmut. "Resenha: Goethe, Fausto I, Trad. de J. Klabin Segall com notas de M. V. Mazzari." Pandaemonium Germanicum, no. 8 (December 19, 2004): 229. http://dx.doi.org/10.11606/1982-8837.pg.2004.68428.

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RESENHA:GOETHE, Johann Wolfgang von: Fausto. Uma tragédia. Primeira parte. Tradução do original alemão de Jenny KLABIN SEGALL. Apresentação, comentários e notas de Marcus Vinícius MAZZARI. Ilustrações de Eugène Delacroix. Edição bilíngüe. São Paulo: editora 34, 2004.
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Guaraldo, Laís. "A viagem de Delacroix ao Marrocos e seu método de trabalho." Tiraz 2 (December 8, 2005): 42. http://dx.doi.org/10.11606/issn.2594-5955.tiraz.2005.88643.

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Em 1832, Eugène Delacroix empreendeu uma viagem ao Marrocos, acompanhando uma comitiva diplomática francesa. Nesse artigo, vamos observar que, embora a viagem de Delacroix ao Marrocos seja comumente tratada como um exemplo da paixão dos artistas franceses pelo “exotismo” do Oriente, a experiência de sua viagem foi, na verdade, carregada de conflitos. A análise comparada entre os registros feitos pelo pintor em seus cadernos e as cartas escritas nos mesmos dias revela o desconforto dessa experiência de alteridade cultural, marcada pela hostilidade com que a delegação diplomática francesa foi re
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Savettieri, Chiara. "Delacroix contre Girodet: réflexions autour d’un poème méconnu." Storia della critica d'arte: annuario della S.I.S.C.A. 1 (2020): 207–21. http://dx.doi.org/10.48294/s2020.012.

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This article focuses on a somewhat neglected satirical poetic work by Eugène Delacroix, devoted to the painting Pygmalion and Galatea by Anne-Louis Girodet (first exhibited at the 1819 Salon). The text dates back to 1824, the year of both Géricault’s and Girodet’s deaths. After analysing the text and its context, the author explores a new interpretative hypothesis: the work could well be seen as a reaction Delacroix developed against anti-romantic neoclassical positions that, on the occasion of Girodet’s funeral, were fiercely expressed by Gros and Gérard.
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Traeger, Jörg. "L'épiphanie de la Liberté. La Révolution vue par Eugène Delacroix." Revue de l'Art 98, no. 1 (1992): 9–28. http://dx.doi.org/10.3406/rvart.1992.348016.

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GAL, NISSIM. "‘The Fall of God into Meaning’: Painting Time in Jacob Wrestling with the Angel." Theatre Research International 34, no. 2 (2009): 187–93. http://dx.doi.org/10.1017/s0307883309004544.

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The future as an event cannot be analysed solely through its simple relation to the known or recognized world, but through its unexpected dimensions: its being beyond history and the way it performs commandments and ethical obligations. Two visual interpretations of the biblical story of Jacob Wrestling with the Angel, by Eugène Delacroix and Paul Gauguin, are at the centre of my discussion. The main theoretical tool for discussing the issues of time and the future is the philosophical writing of Emmanuel Levinas.
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Stead, Evanghelia. "Il est interdit de regarder : Marguerite au sabbat par Eugène Delacroix." Diogène 257, no. 1 (2017): 111. http://dx.doi.org/10.3917/dio.257.0111.

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Dissertations / Theses on the topic "Delacroix, Eugène"

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Cauchi-Fatiga, Virginie. "Eugène Delacroix et la critique, 1822 - 1885." Thesis, Sorbonne université, 2018. http://www.theses.fr/2018SORUL095.

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L’artiste débute sa carrière au moment où le développement considérable de la critique en France s’explique par plusieurs facteurs : la centralisation parisienne de la vie artistique et littéraire, le prestige inhérent aux Salons de la capitale, et surtout la publication au début du siècle des Salons de Diderot, qui jusque-là n’ayant pas dépassé le cercle privé de l’auteur se retrouvèrent érigés en modèle d’un nouveau genre littéraire. Car il n’y a pas, et ce durant les quarante années de carrière de Delacroix, de critique professionnelle. C’est pourquoi celle-ci regroupe sous ce seul terme un
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Rocha, Lívia Zacarias. "A Morte de Ofélia, de Eugène Delacroix : teatro, pintura e gestualidade." reponame:Repositório Institucional da UnB, 2015. http://dx.doi.org/10.26512/2015.12.D.19368.

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Dissertação (mestrado)—Universidade de Brasília, Instituto de Artes, Programa de Pós-Graduação em Arte, 2015.<br>Submitted by Albânia Cézar de Melo (albania@bce.unb.br) on 2016-01-19T15:06:07Z No. of bitstreams: 1 2015_LiviaZacariasRocha.pdf: 10414134 bytes, checksum: 474e7e3b6aec9401821bc58f6aed576c (MD5)<br>Approved for entry into archive by Raquel Viana(raquelviana@bce.unb.br) on 2016-01-26T20:29:50Z (GMT) No. of bitstreams: 1 2015_LiviaZacariasRocha.pdf: 10414134 bytes, checksum: 474e7e3b6aec9401821bc58f6aed576c (MD5)<br>Made available in DSpace on 2016-01-26T20:29:50Z (GMT). No. of bit
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Paes, Luciana Lourenço 1984. "As representações de A morte de Ofélia na obra de Eugène Delacroix." [s.n.], 2014. http://repositorio.unicamp.br/jspui/handle/REPOSIP/279594.

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Orientador: Cláudia Valladão de Mattos<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciências Humanas<br>Made available in DSpace on 2018-08-26T09:08:07Z (GMT). No. of bitstreams: 1 Paes_LucianaLourenco_M.pdf: 6480106 bytes, checksum: 311dc7804c3dc4fd9387ec6cc4c1d3bd (MD5) Previous issue date: 2014<br>Resumo: A presente pesquisa tem como objetivo analisar as representações da morte de Ofélia na obra do pintor francês Eugène Delacroix (1798-1863), pensando sua relação com a tradição visual ligada à representação de Vênus e do suicídio feminino, com ou
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DeVito, Elizabeth J. "Orientalism and the Photographs of Eugène Delacroix: An Exploration of Vision, Identity, and Difference in Nineteenth Century France." Ohio University / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1306869542.

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Monah, Roxana. "Écrire le voyage au XIXe siècle : les peintres et la tentation de la littérature." Thesis, Sorbonne université, 2020. http://accesdistant.sorbonne-universite.fr/login?url=http://theses.paris-sorbonne.fr/2020SORUL070.pdf.

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Cette thèse se propose d’analyser le phénomène des écrits viatiques des peintres français du XIXe siècle. Nous allons interroger les raisons qui poussent les peintres à écrire le voyage et la place qu’occupent ces écrits dans l’économie de leur pratique scripturale. Nous donnerons quelques repères sur la manière dont ces écrits s’inscrivent dans le phénomène plus large de la littérature de voyage de l’époque, étant donné les rapports nouveaux qui s’établissent entre les actants culturels dans ce siècle épris de voyages et marqué par une vision nouvelle des relations entre le champ artistique e
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Braconnier, Muriel. "Le dessin en France à travers les écrits et propos de peintres : du Journal de Delacroix à 1970." Paris 1, 2008. http://www.theses.fr/2008PA010527.

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La forte présence du dessin parmi les pratiques artistiques contemporaines, comme la diversité de ses manifestations incitent a interroger son évolution récente. Au 19eme siècle en effet, Ie dessin académique incarnait une norme formelle qui entrera en contradiction avec les principes de la modernité picturale. Ce point de tension est étudie ici sur plus d'un siècle, sous I'angle spécifique du discours des peintres en France. Depuis le Journal de Delacroix jusqu'a I'année 1970, des propos et écrits d'artistes ont été regroupés selon deux périodes (avant et après 1945) et explorés. La dimension
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Kaiser, Daniela [Verfasser]. "Eugène Delacroix’ Gemäldeversionen Le Christ sur le lac de Génésareth : Werkanalyse, Methodenreflexion und die Anfänge der Serie in der Malerei / Daniela Kaiser." Berlin : epubli, 2019. http://d-nb.info/1202652980/34.

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Kaiser, Daniela I. [Verfasser]. "Eugène Delacroix’ Gemäldeversionen Le Christ sur le lac de Génésareth : Werkanalyse, Methodenreflexion und die Anfänge der Serie in der Malerei / Daniela Kaiser." Berlin : epubli, 2019. http://d-nb.info/1202652980/34.

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Ribeiro, Lúcia Amaral de Oliveira. "Imagens e paleta de cores nos textos de Flaubert da viagem ao Oriente." Universidade de São Paulo, 2014. http://www.teses.usp.br/teses/disponiveis/8/8146/tde-21012015-175516/.

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Esta tese abrange manuscritos inéditos dos cadernos da viagem ao Oriente, de Flaubert, e textos publicados postumamente, a partir do que ele copiou dos seus cadernos logo depois da viagem, fazendo mudanças e acréscimos. Esta tese também abrange cartas que ele escreveu no Oriente. Analiso movimentos da sua escritura e a mobilidade de formas textuais, que migram de cartas para textos da viagem e vice-versa. Ele não quis publicar essas anotações, que constituem um lugar de experiência com a linguagem, uma espécie de laboratório de formas, que depois, com mudanças, ele integra em seus romances. Re
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Potherat, Fabienne. ""Dieu(x) et l'Un conscient" : une approche de la maladie mentale en art." Thesis, Montpellier 3, 2010. http://www.theses.fr/2010MON30066.

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Notre étude fait suite à celle de notre D.E.A : « La ruine comme fondement », en traversant les champs croisés de la psychanalyse et de l’esthétique de l’art. Nous poursuivons le postulat analytique qui est que l’être se forme à travers la division de ses parties internes, inconscientes, ou peu conscientes et non à travers l’unité de son moi conscient. Notre étude consacre en deux parties, cette distinction fondamentale entre l’être social : “l’Unité idéalogique” et l’être créateur : « l’unité du conscient ». Nous convions les artistes et les poètes singuliers, tels que M. Rothko,Y. Reynier, J
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Books on the topic "Delacroix, Eugène"

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Karlsruhe, Staatliche Kunsthalle, ed. Eugène Delacroix. Kehrer, 2003.

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Eugène Delacroix. Tallandier, 2010.

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Delacroix, Eugène. Eugène Delacroix. Kunsthaus Zürich, 1987.

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Eugène Delacroix, la matière ardente. Nouvelles Éditions Scala, 2012.

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Sérullaz, Arlette. Delacroix & Hamlet. Réunion des musées nationaux, 1993.

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1798-1863, Delacroix Eugène, ed. Eugène Delacroix au Maroc: Les heures juives. MémoArts, 2012.

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The Journal of Eugène Delacroix: A selection. 3rd ed. Phaidon Press, 1995.

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1798-1863, Delacroix Eugène, ed. The paintings of Eugène Delacroix: A critical catalogue. Oxford University Press, 2002.

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Néret, Gilles. Eugène Delacroix, 1798-1863: The prince of Romanticism. Taschen, 1999.

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Delacroix, Eugène. Painter of passion: The journal of Eugène Delacroix : a selection. Folio Society, 1995.

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Book chapters on the topic "Delacroix, Eugène"

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Ryan van den, Akker. "Delacroix, Eugène." In Encyclopedia of Romantic Nationalism in Europe. Amsterdam University Press, 2015. http://dx.doi.org/10.5117/9789462981188/ngls2d56ylsdvwykelkh9skv.

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Château, Dominique. "DELACROIX, Eugène." In Les théoriciens de l'art. Presses Universitaires de France, 2017. http://dx.doi.org/10.3917/puf.talon.2017.03.0146.

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"Eugène Delacroix' Figuration der Freiheit." In Ästhetische Regime um 1800. Wilhelm Fink Verlag, 2009. http://dx.doi.org/10.30965/9783846747438_012.

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"Eugène Delacroix. Das Detail des Anderen." In Was aus dem Bild fällt. Wilhelm Fink Verlag, 2007. http://dx.doi.org/10.30965/9783846743478_015.

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"Das ,gänzlich Andere‘ in Eugène Delacroix’ Golgatha." In Golgatha in den Konfessionen und Medien der Frühen Neuzeit, edited by Johann Anselm Steiger and Ulrich Heinen. DE GRUYTER, 2010. http://dx.doi.org/10.1515/9783110225587.433.

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Balzac, Honoré de. "The Girl With the Golden Eyes." In The Girl with the Golden Eyes and Other Stories. Oxford University Press, 2012. http://dx.doi.org/10.1093/owc/9780199571284.003.0004.

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To Eugène Delacroix, painter* One of life’s most terrifying spectacles is surely the general appearance of the population of Paris, a people ghastly to behold, gaunt, jaundiced, and leathery. Is Paris not a vast prairie constantly swept by turbulent storms of self-interest, harvesting...
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"Introduction to the journal of Eugène Delacroix 1972." In The Writings of Robert Motherwell. University of California Press, 2007. http://dx.doi.org/10.1525/9780520940512-073.

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"Eugène Delacroix. Von der Freiheit zur ästhetischen Gemein schaft." In Bilder und Gemeinschaften. Wilhelm Fink Verlag, 2011. http://dx.doi.org/10.30965/9783846750780_010.

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"Eugène Delacroix, Christ on the Sea of Galilee, ca. 1841." In French Paintings and Pastels, 1600-1945: The Collections of the Nelson-Atkins Museum of Art. The Nelson-Atkins Museum of Art, 2021. http://dx.doi.org/10.37764/78973.5.402.

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"Images of Medea: From Ancient Ceramic Art to Eugène Delacroix." In Neulektüren – New Readings. Brill | Rodopi, 2009. http://dx.doi.org/10.1163/9789042028753_003.

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Conference papers on the topic "Delacroix, Eugène"

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Rovenko, Elena. "MUSICALITY OF EUGENE DELACROIXS PAINTING IN VIEW OF CHARLES BEAUDELAIRES." In SGEM 2014 Scientific SubConference on ARTS, PERFORMING ARTS, ARCHITECTURE AND DESIGN. Stef92 Technology, 2014. http://dx.doi.org/10.5593/sgemsocial2014/b41/s12.004.

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