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1

Bult, Epko J. "Delft." Archaeological Journal 165, sup1 (2008): 23–33. http://dx.doi.org/10.1080/00665983.2008.11771015.

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2

Schoeffler, Katherine. "Delft." World Literature Today 97, no. 4 (2023): 80. http://dx.doi.org/10.1353/wlt.2023.a901409.

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3

Belloc, Hilaire. "Delft." Chesterton Review 50, no. 1 (2024): 27–30. http://dx.doi.org/10.5840/chesterton2024501/27.

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4

Huys Janssen, Paul. "De schiet- en loterijprijzen van de Delftse schutters uit 1621 en 1631." Oud Holland - Quarterly for Dutch Art History 115, no. 3-4 (2001): 187–99. http://dx.doi.org/10.1163/187501701x00235.

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AbstractIn the municipal archives in Delft are two unique printed lists that inform us about events organised by the Delft civic guard in 1621 and 1631. In 1621 a shooting contest was being held and the prices were several pieces of silver and a number of paintings. These were mainly by Esaias van de Velde, but there were also works by Bartholomeus van Bassen, Cornelis Jacobsz Delff, Joos de Momper together with Jan Brueghel the Elder, Pieter van Bronckhorst, the unknown Pieter Jacobsz Lupert and two works by Hendrick Gerritsz Pot. In the document he titles of the paintings are given, but it i
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5

SAKAMOTO, Takuya. "Delft Report." IEICE ESS Fundamentals Review 6, no. 2 (2012): 151. http://dx.doi.org/10.1587/essfr.6.151.

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6

Monaghan, Margaret. "Delft Farm." Iowa Review 36, no. 3 (2006): 22. http://dx.doi.org/10.17077/0021-065x.6163.

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7

Reid, Robert L. "Digging Delft." Civil Engineering Magazine Archive 82, no. 5 (2012): 66–71. http://dx.doi.org/10.1061/ciegag.0000402.

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8

Pau-Llosa, Ricardo. "Delft/Miami." Manoa 11, no. 2 (1999): 64–65. http://dx.doi.org/10.1353/man.1999.0026.

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9

Henriquez, Denis. "Delft Blues." Review: Literature and Arts of the Americas 40, no. 1 (2007): 133–35. http://dx.doi.org/10.1080/08905760701262253.

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10

ZUIDERVAART, HUIB J., and MARLISE RIJKS. "‘Most rare workmen’: optical practitioners in early seventeenth-century Delft." British Journal for the History of Science 48, no. 1 (2014): 53–85. http://dx.doi.org/10.1017/s0007087414000181.

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AbstractA special interest in optics among various seventeenth-century painters living in the Dutch city of Delft has intrigued historians, including art historians, for a long time. Equally, the impressive career of the Delft microscopist Antoni van Leeuwenhoek has been studied by many historians of science. However, it has never been investigated who, at that time, had access to the mathematical and optical knowledge necessary for the impressive achievements of these Delft practitioners. We have tried to gain insight into Delft as a ‘node’ of optical knowledge by following the careers of thr
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11

Herschberg, I. S., and H. J. van den Herik. "Botvinnik in Delft." ICGA Journal 8, no. 2 (1985): 105–6. http://dx.doi.org/10.3233/icg-1985-8208.

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12

Arets, Wiel. "Dance Theater, Delft." Assemblage, no. 17 (April 1992): 38. http://dx.doi.org/10.2307/3171223.

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13

Lahaussois, Christine. "Delft, l'illusion chinoise." Les cahiers de Mariemont 32, no. 1 (2005): 20–25. http://dx.doi.org/10.3406/camar.2005.1166.

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14

Nelissen, Nico. "Stadshuis van Delft." Bestuurswetenschappen 71, no. 4 (2017): 114–15. http://dx.doi.org/10.5553/bw/016571942017071004010.

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15

Marjetič, Aleš, Matjaž Zemljak, and Tomaž Ambrožič. "Deformation analysis: the DELFT approach." Geodetski vestnik 56, no. 01 (2012): 009–26. http://dx.doi.org/10.15292/geodetski-vestnik.2012.01.009-026.

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16

Liufandy, Helwis, Denny Sugianto, Widodo S. Pranowo, Johar Setiyadi, and Baskoro Rochaddi. "Simulasi Numerik Dampak Badai George dan Jacob (2007) Terhadap Tinggi Gelombang Signifikan pada Laut Selatan Jawa Hingga Nusa Tenggara." Jurnal Chart Datum 8, no. 1 (2022): 15–22. http://dx.doi.org/10.37875/chartdatum.v8i1.224.

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Gelombang laut adalah gerakan naik dan turunnya air laut yang membentuk kurva/grafik sinusoidal. Gelombang laut dihasilkan karena gaya pembangkit yang bekerja di laut salah satunya adalah angin. Angin dari siklon tropis dapat menjadi gaya pembangkit yang kuat bagi gelombang laut, sehingga gelombang laut yang terbentuk cenderung memiliki ketinggian yang lebih tinggi serta energi yang lebih besar. Bila gelombang tinggi tiba bersamaan dengan saat laut pasang, maka akan terjadi banjir yang biasanya disebut dengan gelombang badai. Simulasi hidrodinamika pada penelitian ini dilakukan menggunakan pro
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17

Leedal, D., A. H. Weerts, P. J. Smith, and K. J. Beven. "Application of data-based mechanistic modelling for flood forecasting at multiple locations in the Eden catchment in the National Flood Forecasting System (England and Wales)." Hydrology and Earth System Sciences 17, no. 1 (2013): 177–85. http://dx.doi.org/10.5194/hess-17-177-2013.

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Abstract. The Delft Flood Early Warning System provides a versatile framework for real-time flood forecasting. The UK Environment Agency has adopted the Delft framework to deliver its National Flood Forecasting System. The Delft system incorporates new flood forecasting models very easily using an "open shell" framework. This paper describes how we added the data-based mechanistic modelling approach to the model inventory and presents a case study for the Eden catchment (Cumbria, UK).
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18

Kushner, Aleksandr, Dinara Georgeoliani, and Mark Halperin. "The Master of Delft." Antioch Review 59, no. 1 (2001): 83. http://dx.doi.org/10.2307/4614107.

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19

Kampen, Georges. "Vermeer, de Delft, cartographe." Mappemonde 3, no. 3 (1986): 9–12. http://dx.doi.org/10.3406/mappe.1986.2320.

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20

Jr., Arthur K. Wheelock, and Walter A. Liedtke. "Architectural Painting in Delft." Art Bulletin 68, no. 1 (1986): 169. http://dx.doi.org/10.2307/3050878.

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21

Liedtke, Walter. "Architectural Painting in Delft." Art Bulletin 68, no. 4 (1986): 690. http://dx.doi.org/10.2307/3051056.

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22

van Dam, Brenda. "Hospice en VPTZ Delft." Pallium 24, no. 1 (2022): 33. http://dx.doi.org/10.1007/s12479-021-0913-2.

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23

Popma, Max. "Een complex in Delft." AGORA Magazine 4, no. 3 (1988): 5. http://dx.doi.org/10.21825/agora.v4i3.15022.

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24

Liedtke, Walter. "Architectural Painting in Delft." Art Bulletin 68, no. 4 (1986): 690. http://dx.doi.org/10.1080/00043079.1986.10788395.

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25

Greger, D. "A View of Delft." Literary Imagination 5, no. 1 (2003): 42–43. http://dx.doi.org/10.1093/litimag/5.1.42.

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26

Van Zuylen, H. J., D. P. Dee, Ir A. E. Mynett, et al. "Hydroinformatics at Delft Hydraulics." Journal of Hydraulic Research 32, sup1 (1994): 83–136. http://dx.doi.org/10.1080/00221689409498806.

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27

van Wijk, C. "The Delft Chair Collection." Journal of Design History 24, no. 1 (2011): 79–84. http://dx.doi.org/10.1093/jdh/epq047.

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28

Beckers, Carolijn. "‘Vaardighedenonderwijs delft het onderspit’." Advocatenblad 100, no. 2 (2020): 54–55. http://dx.doi.org/10.5553/ab/0165-13312020100002029.

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29

Verkerk, Peter, and Peter Bode. "Neutron facilities in Delft." Neutron News 5, no. 2 (1994): 12–19. http://dx.doi.org/10.1080/10448639408218979.

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30

Meiler, P. P., and A. J. van de Goor. "The Delft test system." Microprocessing and Microprogramming 29, no. 1 (1990): 27–41. http://dx.doi.org/10.1016/0165-6074(90)90009-x.

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31

Sluijter, Eric Jan. "De Burger van Delft." Rijksmuseum Bulletin 56, no. 3 (2007): 348–53. http://dx.doi.org/10.52476/trb.17987.

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32

Article, Editorial. "NEW WAVE RADAR." World of Transport and Transportation 15, no. 5 (2017): 44. http://dx.doi.org/10.30932/1992-3252-2017-15-5-27.

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[For the English full text of the article please see the attached PDF-File (English version follows Russian version)].Thanks to the «wave radar» developed by TU Delft researcher Peter Naaijen, everyone at sea can see whether they will be hit by dangerous waves in the next five minutes and how their vessel will respond to this. Retrieved and compiled from the news of TU Delft of October 6, 2017. Original source : https://www.tudelft.nl/en/2017/tu-delft/new-wave-radar-predicts-exactly-when-it-is-dangerous-at-sea/ .
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33

Liu, Philip L. F., and Arthur Mynett. "IN MEMORIAM: Maarten Dingemans." Coastal Engineering Proceedings, no. 35 (June 23, 2017): 4. http://dx.doi.org/10.9753/icce.v35.foreword.4.

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Maarten Dingemans passed away due to heart failure in the hospital on January 12, 2017. Maarten was born 15 Aug 1943 in Haarlem, the Netherlands, where he attended high-school at the Lorentz Lyceum. He started his studies at Delft University of Technology in 1962; initially in Mechanical Engineering, and later in the Faculty of Mathematics.
 
 After receiving his Ir degree in Mathematics from Delft University of Technology in September 1970, Maarten started working at Delft Hydraulics in 1970 as a Mathematical Engineer until his retirement in 2007. During his career at Delft Hydrauli
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34

Ursem, Bob W. N. J., Winarko Boesrie, and Erwin Kluver. "Horticulture of Nutmeg: Germination, Propagation and Cultivation." Sibbaldia: the International Journal of Botanic Garden Horticulture, no. 12 (October 29, 2014): 129–38. http://dx.doi.org/10.24823/sibbaldia.2014.28.

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The living collection of plants in the nutmeg family, Myristicaceae, has been increasing at the Botanic Garden of Delft University of Technology (Delft BG) since 2001. Horticultural and research staff there have been exploring the horticultural requirements, molecular structure and chemical composition of these plants since then. This paper comments on the historical importanceof this family and the processes required to acquire live plant material. In recent years the significance of the mycorrhizal associations formed by the family and the consequences for their cultivation have been identif
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35

Teperek, Marta, Maria J. Cruz, Ellen Verbakel, Jasmin Böhmer, and Alastair Dunning. "Data Stewardship addressing disciplinary data management needs." International Journal of Digital Curation 13, no. 1 (2018): 141–49. http://dx.doi.org/10.2218/ijdc.v13i1.604.

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One of the biggest challenges for multidisciplinary research institutions which provide data management support to researchers is addressing disciplinary differences (Akers and Doty,2013). Centralised services need to be general enough to cater for all the different flavours of research conducted in an institution. At the same time, focusing on the common denominator means that subject-specific differences and needs may not be effectively addressed. In 2017, Delft University of Technology (TU Delft) embarked on an ambitious Data Stewardship project, aiming to comprehensively address data manag
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36

Carl, Robert, Edward T. Cone, and Robert P. Morgan. "Music: A View from Delft." Notes 48, no. 2 (1991): 505. http://dx.doi.org/10.2307/942054.

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37

Nijhuis, Steffen, Egbert Stolk, and MaartenJan Hoekstra. "Teaching urbanism: the Delft approach." Proceedings of the Institution of Civil Engineers - Urban Design and Planning 170, no. 3 (2017): 96–106. http://dx.doi.org/10.1680/jurdp.16.00013.

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38

Lahaussois, Christine. "De nouveaux Delft à Sèvres." Sèvres. Revue de la Société des amis du Musée national de la céramique 10, no. 1 (2001): 17–21. http://dx.doi.org/10.3406/sevre.2001.1414.

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39

Cocquyt, Tiemen. "Een vroeg telescoopje uit Delft." Studium 9, no. 4 (2017): 217. http://dx.doi.org/10.18352/studium.10139.

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40

Klip, Ronald. "Kleine gemeente delft het onderspit." AGORA Magazine 10, no. 1 (2019): 11. http://dx.doi.org/10.21825/agora.v10i1.15120.

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41

James, Sara Nair, Walter Liedtke, Michiel C. Plomp, and Axel Ruger. "Vermeer and the Delft School." Sixteenth Century Journal 33, no. 4 (2002): 1239. http://dx.doi.org/10.2307/4144230.

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42

Boer, F. W. N. de, M. Fransen, H. van der Graaf, et al. "DICE (Delft Internal Conversion Experiment)." Journal of Instrumentation 4, no. 11 (2009): P11021. http://dx.doi.org/10.1088/1748-0221/4/11/p11021.

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43

Scheffers, W. Alexander. "In Delft: a personal account." FEMS Yeast Research 15, no. 5 (2015): fov037. http://dx.doi.org/10.1093/femsyr/fov037.

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44

Liedtke, Walter. "Johannes Coesermans, painter of Delft." Oud Holland - Quarterly for Dutch Art History 106, no. 4 (1992): 191–98. http://dx.doi.org/10.1163/187501792x00064.

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45

 . "527 Ziekenhuis Delft Wil Verhuizen." Zorg en Financiering 8, no. 4 (2009): 76. http://dx.doi.org/10.1007/bf03098196.

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46

van Eijck, L., L. D. Cussen, G. J. Sykora, et al. "Design and performance of a novel neutron powder diffractometer: PEARL at TU Delft." Journal of Applied Crystallography 49, no. 5 (2016): 1398–401. http://dx.doi.org/10.1107/s160057671601089x.

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The performance of the new neutron powder diffraction instrument PEARL that is installed at the research reactor of Delft University of Technology is reported. It is based on the optimization concepts developed by Cussen [Nucl. Instrum. Methods Phys. Res. Sect. A (2007), 583, 394–406], which lead to high performance competing with existing constant-wavelength neutron powder diffractometers, despite the relatively low source brightness of the 2 MW reactor of Delft University of Technology.
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47

Vinken, Pierre. "Een embleem van Coornhert als bron van Jan Steens zogenaamde Burgemeester van Delft." Oud Holland - Quarterly for Dutch Art History 112, no. 4 (1998): 253–58. http://dx.doi.org/10.1163/187501798x00248.

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AbstractJan Steen's So-called Burgomaster of Delft and his Daughter (1655) honours a prosperous citizen of Delft well known in his day for his charitable works. The sitter himself may not actually have commissioned the painting. Its composition and related meaning would appear to have been drawn form one of Coornhert's emblems: 'It is God's will that the rich man shall support His humble porters, the poor who knock on his door'.
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48

TYHOTYHOLO, THEMBELANI, MSUTHUKAZI MAKIVA, GREGORY DAVIDS, and BONGANI NCUBE. "Analysing Impediments to the Effective Distribution of Low-income Housing in South Africa: The Case of the Delft Symphony Community in Cape Town." African Journal of Governance and Development (AJGD) 11, no. 2 (2022): 420–39. http://dx.doi.org/10.36369/2616-9045/2022/v11i2a3.

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One of the dilemmas facing the post-Apartheid government in South Africa is the shortage of housing, often expressing itself in the rapid increase of informal settlements, especially in urban townships. The primary purpose of this qualitative study was to examine key impediments to the effective distribution of low-income housing with the Delft Symphony community in Cape Town used as its contextual focus. To achieve this, content and cross-analytical approaches were used to analyse some crucial insights from the Theory of Justice, the self-help housing model and the empirical findings from 28
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49

Waite, Gary K. "The Devil of Delft in England." Church History and Religious Culture 101, no. 4 (2021): 429–95. http://dx.doi.org/10.1163/18712428-bja10016.

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Abstract The Dutch glasspainter and Anabaptist prophet David Joris (1501–1556) was the Netherland’s most infamous heretic who became a spiritualist who depreciated the scriptures, condemned confessional conflict, and argued that the devil did not exist external to a person’s mind. Unlike the Dutch founder of the Family of Love, Hendrik Niclaes, Joris had no following in England, yet English writers condemned him with increasing frequency over seventeenth century. This paper examines that response, showing that for most writers Joris was the exemplar of the dangers of visionary mysticism, while
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50

Mortier, Hans, and Steven Delfgaauw. "Tunneling Underneath Historical Buildings of Delft." IABSE Symposium Report 99, no. 25 (2013): 493–500. http://dx.doi.org/10.2749/222137813806482968.

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