Relevant bibliographies by topics / DeLillo, Don (1936-....). White noise

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Academic literature on the topic 'DeLillo, Don (1936-....). White noise'

Author: Grafiati
Published: 4 June 2021
Last updated: 9 February 2022

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Journal articles on the topic "DeLillo, Don (1936-....). White noise"

1

EL, Erden. "NON-HUMAN AGENCIES IN DON DELILLO S WHITE NOISE." Journal of International Social Research 12, no. 64 (2019): 35–45. http://dx.doi.org/10.17719/jisr.2019.3328.

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BrittoJenobia, J., and Dr V. Sekar. "The Anxiety of Death in Don DeLillo’s White Noise." Think India 22, no. 3 (2019): 212–18. http://dx.doi.org/10.26643/think-india.v22i3.8151.

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Anxiety is a human condition which prevails common in many people. Anxieties can be differentiated into ‘ Primal anxiety’, ‘ Ontological anxiety’, ‘ Reality anxiety’, Psychological anxiety’, ‘Social anxiety’, and so on. The real fact is all these anxieties are in some way existential.Paul Tillich, a Christian existentialist says that according to him anxiety can be of three forms: Anxiety of Death, Anxiety of meaninglessness and Anxiety of Condemnation. Paul Tillich declares, “The Anxiety of death is the permanent horizon within which the anxiety of fate is at work”. In the modern world anythi
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Couturier, Maurice. "L’histoire et la refiguration de l’instant : White Noise de Don DeLillo." Revue Française d'Etudes Américaines 62, no. 1 (1994): 383–92. http://dx.doi.org/10.3406/rfea.1994.1560.

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Subhi Amer1, Enas, and حنان عباس حسين. "Postmodernism and Technology in Don Delillo's Novel The White Noise." Journal of Education College Wasit University 1, no. 33 (2019): 653–76. http://dx.doi.org/10.31185/eduj.vol1.iss33.769.

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This paper aims at investigating the effect of postmodernism and technology on the social life in Don Delillo's novel The White Noise. In this novel, Don Delillo portrays the chaotic life by using modern technology which has been presented by three ways. The first way is by television as being a source of information and entertainment. The second way is by the toxic event whereas the third is by Dylar's episode and its destructive consequences. He depicts that through the atmosphere of Jack's family plus its effects on the life and thoughts of the elders and society. He proves that technology
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Happe, François. "Le banal et l'événement : la «Belle Noiseuse» de White Noise de Don DeLillo." Revue Française d'Etudes Américaines 85, no. 1 (2000): 23–32. http://dx.doi.org/10.3406/rfea.2000.1973.

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Gervais, Bertrand. "Les murmures de la machine : lire à travers le Bruit de fond de Don DeLillo." Études littéraires 28, no. 2 (2005): 21–34. http://dx.doi.org/10.7202/501118ar.

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Pour expliquer la convergence interprétative qui caractérise la réception critique du roman White Noise , de Don DeLillo, l'auteur examine certains des dispositifs par lequel le roman s'inscrit dans le courant esthétique postmoderne. Il décrit ensuite la situation de lecture initiée par le roman, dans son rapport à la vidéosphère dont il reproduit avec succès l'environnement médiatique.
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Allen, David, and Agata Handley. "“The Most Photographed Barn in America”: Simulacra of the Sublime in American Art and Photography." Text Matters, no. 8 (October 24, 2018): 365–85. http://dx.doi.org/10.1515/texmat-2018-0022.

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In White Noise (1985) by Don DeLillo, two characters visit a famous barn, described as the “most photographed barn in America” alongside hordes of picture-taking tourists. One of them complains the barn has become a simulacrum, so that “no one sees” the actual barn anymore. This implies that there was once a real barn, which has been lost in the “virtual” image. This is in line with Plato’s concept of the simulacrum as a false or “corrupt” copy, which has lost all connection with the “original.” Plotinus, however, offered a different definition: the simulacrum distorts reality in order to reve
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Camerer, Colin, George Loewenstein, and Drazen Prelec. "Neuroeconomics: How Neuroscience Can Inform Economics." Journal of Economic Literature 43, no. 1 (2005): 9–64. http://dx.doi.org/10.1257/0022051053737843.

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Neuroeconomics uses knowledge about brain mechanisms to inform economic analysis, and roots economics in biology. It opens up the “black box” of the brain, much as organizational economics adds detail to the theory of the firm. Neuroscientists use many tools— including brain imaging, behavior of patients with localized brain lesions, animal behavior, and recording single neuron activity. The key insight for economics is that the brain is composed of multiple systems which interact. Controlled systems (“executive function”) interrupt automatic ones. Emotions and cognition both guide decisions.
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Milojkovic, Marija. "Is the truthfulness of a proposition verifiable through access to reference corpora?" Journal of Literary Semantics 49, no. 2 (2020): 119–41. http://dx.doi.org/10.1515/jls-2020-2023.

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AbstractThis paper reviews Louw’s (1993 and subsequent publications) deployment of reference corpora in the light of existing philosophical and linguistic milestones when it comes to the notion of the truthfulness of a proposition. Louw (William Ernest. 1993. Irony in the text or insincerity in the writer? The diagnostic potential of semantic prosodies. In Mona Baker, Gill Francis & Elena Tognini-Bonelli (eds.), Text and technology: In honour of John Sinclair, 152–176. Amsterdam: John Benjamins) resorts to reference corpora in order either to explicate a rhetorical device (in Louw 1993, th
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Wong, Nicole. "Canned Peaches and Chicken Parts: Postmodern Food in Don DeLillo's White Noise." Elements 5, no. 1 (2009). http://dx.doi.org/10.6017/eurj.v5i1.8908.

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Descriptions and interactions with food serve as signifiers of cultural values in the postmodern society of Don DeLillo's novel, <em>White Noise</em>. Amid a constant stream of name brand advertisements and flashy television commercials, characters struggle to find substantive meaning in their lives. DeLillo presents a consumer culture swamped in excess, belongings, and commodities, where food items characterize their buyers and even commodify their outlooks on life. From family bargain packs of potato chips indicating success and well-being, to plastic-wrapped slices of cheese fac
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Dissertations / Theses on the topic "DeLillo, Don (1936-....). White noise"

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Bouraoui, Jihene. "The power of negativity and its functioning in the metafictional text through five works : vladimir Nabokov’s Pale Fire, John Barth’s Coming Soon!!!, Graham Swift’s Waterland, Robert Coover’s Gerald’s Party and Don DeLillo’s White Noise." Thesis, Paris 10, 2012. http://www.theses.fr/2012PA100139.

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La thèse se donne comme objectif l’appréhension des catégories de la négativité dans le texte métafictionnel en tant qu’une force libératrice et transformatrice qui, à la fois, assure la survie du texte malgré son aspect fragmentaire et multidirectionnel, et pousse le lecteur à s’engager dans une quête de l’insensé et du paradoxal qui n’embarque pas sur le nihilisme ‘négatif’, mais aboutit plutôt à la découverte de la face cachée constructive de la négativité, qu’est l’autocréation. Pour mener un tel projet, un assemblage littéraire de cinq œuvres disparates- Pale Fire par Vladimir Nabokov, Co
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McMinn, Robert Frank. "Don DeLillo, events and local gods." Thesis, University of Nottingham, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.311725.

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Castellani, Brenda M. ""Once we stop denying death": Fear, Death and the Postmodern Generation in White Noise." University of Toledo Honors Theses / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=uthonors1450431284.

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Quam, Steven. "Meaningful Play: Exploring the Possibilities of the Novel in Don DeLillo's White Noise." Oberlin College Honors Theses / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=oberlin1399992271.

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Little, Joshua. "Queering the Family Space: Confronting the Child Figure and the Evolving Dynamics of Intergenerational Relations in Don DeLillo's White Noise." Digital Archive @ GSU, 2011. http://digitalarchive.gsu.edu/english_theses/121.

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Criticism surrounding the children of the Gladney family in Don DeLillo’s novel White Noise remains a contested issue. I argue the children and their social environment reflect Lee Edelman’s analysis of the Child figure and its bolstering of reproductive futurism. The Child figure upholds a heteronormative social order that precludes equal rights and social viability for non-normative family structures and those opposed to an inherently conservative ideology. I find the continually evolving family structure elicits new dynamics among its members, offering greater social independence for all, w
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Marques, Ana Carolina dos Santos [UNESP]. "White Noise e Cosmopolis: análise do processo de desumanização em ficções pós-modernas." Universidade Estadual Paulista (UNESP), 2014. http://hdl.handle.net/11449/122246.

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Made available in DSpace on 2015-04-09T12:28:31Z (GMT). No. of bitstreams: 0 Previous issue date: 2014-02-19Bitstream added on 2015-04-09T12:47:16Z : No. of bitstreams: 1 000813586.pdf: 948524 bytes, checksum: 30562a6d5f99deb1730f7ff795471b19 (MD5)<br>Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq)<br>Este trabalho analisa os romances White Noise (1985) e Cosmopolis (2003), de Don DeLillo, a fim de examinar as estratégias narrativas utilizadas pelo autor norte-americano nessas ficções pós-modernas para abordar questões relativas ao meio ambiente, ao capital e à tecnologi
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Starn, Natalie M. "Cognitive Mapping in the Postmodern Novel: Philip K. Dick's "Ubik", Kim Stanley Robinson's, The Gold Coast, and Don DeLillo's, White Noise." Kent State University Honors College / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=ksuhonors1367844337.

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Reed, Mark Dobson. "The Role of Popular Mythology and Popular Culture in Post-war America, as represented by four novels - The Floating Opera and The End of the Road, by John Barth, White Noise, by Don DeLillo, and Vineland, by Thomas Pynchon." University of Sydney. English, 2004. http://hdl.handle.net/2123/627.

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The four novels - The Floating Opera, The End of the Road, White Noise, and Vineland - are representative of the cultural shift away from traditional moral concepts after World War II. Popular culture has increasingly become the guiding force for the continuation of American society, and in Don DeLillo�s White Noise, popular culture and its creation of myth (according to the author�s representation of America) has become embedded in the system and life of contemporary America. John Barth�s novel The End of the Road and its predecessor The Floating Opera are important in any discussion o
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Ortín, Calabrese María Melina. "La influencia de los medios de comunicación en la percepción de la realidad del individuo : White noise de Don DeLillo y Saturday de Ian McEwan." Bachelor's thesis, 2015. http://hdl.handle.net/11086/12891.

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This work aims at analysing the role of mass media in contemporary families, the influence that news have on our perception of reality and on the behaviour of the members of a contemporary society. More specifically, it intends to analyse the influence of mass media on the Gladney family's perception of reality and behaviour in White Noise (1985) by Don LeLillo, and the influence of mass media on Henry Perowne's perception of reality and behaviour in Saturday (2005) by Ian McEwan. Mass media is communication—whether written, broadcast, or spoken—that reaches a large audience. This inclu
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Wu, Chiao-Yu, and 吳蕎羽. "Don DeLillo''s Postmodern Vision in White Noise and Mao II." Thesis, 2018. http://ndltd.ncl.edu.tw/handle/r2jue6.

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碩士<br>國立中興大學<br>外國語文學系所<br>106<br>This thesis aims to discuss the impact of postmodern culture on the characters in two novels of Don DeLillo’s White Noise and Mao II. Both novels depict a society that is full of images, information, and commodities, unveiling how people fetishize different forms of commodities in postmodern culture. Thus, this thesis uses the key concept of Karl Marx’s commodity fetishism and essential critics such as Jean Baudrillard, Walter Benjamin, Fredric Jameson and Guy Debord’s theories to discuss the postmodern vision in DeLillo’s two novels. This thesis is divided in
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Books on the topic "DeLillo, Don (1936-....). White noise"

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Orr, Leonard. Don Delillo's White noise: A reader's guide. Continuum, 2003.

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Tim, Engles, and Duvall John N. 1956-, eds. Approaches to teaching Delillo's White noise. Modern Language Association of America, 2006.

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Approaches to teaching Delillo's White noise. Modern Language Association of America, 2007.

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Martins, Susana Santos. Unnatural futures imagining the high-tech in contemporary american culture. 2000.

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Book chapters on the topic "DeLillo, Don (1936-....). White noise"

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Leypoldt, Günter. "DeLillo, Don: White Noise." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_5156-1.

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"Death and the avant-garde: White Noise." In Don DeLillo. Routledge, 2006. http://dx.doi.org/10.4324/9780203315422-16.

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Olster, Stacey. "White Noise." In The Cambridge Companion to Don DeLillo. Cambridge University Press, 2008. http://dx.doi.org/10.1017/ccol9780521870658.007.

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"The Last Things Before the Last: NO,tes on White Noise." In Introducing Don DeLillo. Duke University Press, 2020. http://dx.doi.org/10.1515/9780822381679-011.

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Michael, Magali Cornier. "24. Don DeLillo, White Noise (1985)." In Handbook of the American Novel of the Twentieth and Twenty-First Centuries, edited by Timo Müller. De Gruyter, 2017. http://dx.doi.org/10.1515/9783110422429-026.

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"Don DeLillo, White Noise, New York: Viking Penguin, 1985." In The Twentieth-Century American Fiction Handbook. Wiley-Blackwell, 2012. http://dx.doi.org/10.1002/9781444393675.ch64.

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Cinquegrani, Alessandro. "Alterità e inesperienza nell’opera di Don DeLillo." In Diaspore. Edizioni Ca' Foscari, 2020. http://dx.doi.org/10.30687/978-88-6969-396-0/020.

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Don DeLillo is one of the most important interpreters of the West. One of the key points of his work is the analysis of the effects of the “end of the history” (Fukuyama). The protagonist of Underworld says “I long for days of disorder”. History is represented in the first part of his works (Running Dog, White Noise) as Nazism and Hitler’s legacy, while later, in Cosmopolis and in Zero K, it is embodied by immigrant characters. This study analyes how these figures become symbolic images within the framework of the author’s thought.
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"White Noise : A Level of Experience to which We Will Gradually Adjust." In The Environmental Unconscious in the Fiction of Don DeLillo. Routledge, 2012. http://dx.doi.org/10.4324/9780203939178-9.

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"Black Boxes and White Noise. Don DeLillo and the Reality of Literature." In Addressing Modernity. Brill | Rodopi, 2011. http://dx.doi.org/10.1163/9789042032583_005.

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Ferguson, Rex. "Applications." In Identification Practices in Twentieth-Century Fiction. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780198865568.003.0005.

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Chapter Four asks what happens when the physical markers of identity are rendered in the language of digital code. In the contemporary moment, fingerprints and DNA profiles are stored and matched through networked databases rather than paper records, while iris scans and facial recognition technology have produced radically new modes of reading identity in the body. This digitization of identification is accentuated still further when the more mundane means of identifying oneself in the contemporary period (through the use of credit cards or in ‘checking in’ to a workplace) are considered. Taking place within an essentially surveillant contemporary culture, these validations of identity create a retrievable record of one’s movements and activities and place the citizen’s body in the ‘non-place’ of networked databases in which a direct checking of what Haggerty and Ericson describe as ‘data doubles’ takes place. As with Chapter Three, much of the significance that is attached to this development in recent identificatory practice will be developed via Powers’s The Gold Bug Variations. This explication will cede into a more thorough analysis of Don DeLillo’s White Noise (1984) and Cosmopolis (2003) and Jennifer Egan’s Look at Me (2001). While DeLillo’s earlier text represents some of the archetypal modes of contemporary surveillance, both Cosmopolis and Look at Me depict a complete internalization of its logic. Thus, just as DeLillo and Egan’s central characters voluntarily place themselves under surveillant monitoring, so too their representation as, in effect, data doubles requires a decidedly anti-realist form of narration.
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Conference papers on the topic "DeLillo, Don (1936-....). White noise"

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Zhao, Yuxin. "The Ecological Analysis of White Noise by Don DeLillo." In 2016 6th International Conference on Machinery, Materials, Environment, Biotechnology and Computer. Atlantis Press, 2016. http://dx.doi.org/10.2991/mmebc-16.2016.25.

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