Relevant bibliographies by topics / DeLillo, Don (1936-....). White noise / Journal articles
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Journal articles on the topic 'DeLillo, Don (1936-....). White noise'

Author: Grafiati
Published: 4 June 2021
Last updated: 9 February 2022

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1

EL, Erden. "NON-HUMAN AGENCIES IN DON DELILLO S WHITE NOISE." Journal of International Social Research 12, no. 64 (2019): 35–45. http://dx.doi.org/10.17719/jisr.2019.3328.

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2

BrittoJenobia, J., and Dr V. Sekar. "The Anxiety of Death in Don DeLillo’s White Noise." Think India 22, no. 3 (2019): 212–18. http://dx.doi.org/10.26643/think-india.v22i3.8151.

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Anxiety is a human condition which prevails common in many people. Anxieties can be differentiated into ‘ Primal anxiety’, ‘ Ontological anxiety’, ‘ Reality anxiety’, Psychological anxiety’, ‘Social anxiety’, and so on. The real fact is all these anxieties are in some way existential.Paul Tillich, a Christian existentialist says that according to him anxiety can be of three forms: Anxiety of Death, Anxiety of meaninglessness and Anxiety of Condemnation. Paul Tillich declares, “The Anxiety of death is the permanent horizon within which the anxiety of fate is at work”. In the modern world anythi
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3

Couturier, Maurice. "L’histoire et la refiguration de l’instant : White Noise de Don DeLillo." Revue Française d'Etudes Américaines 62, no. 1 (1994): 383–92. http://dx.doi.org/10.3406/rfea.1994.1560.

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4

Subhi Amer1, Enas, and حنان عباس حسين. "Postmodernism and Technology in Don Delillo's Novel The White Noise." Journal of Education College Wasit University 1, no. 33 (2019): 653–76. http://dx.doi.org/10.31185/eduj.vol1.iss33.769.

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This paper aims at investigating the effect of postmodernism and technology on the social life in Don Delillo's novel The White Noise. In this novel, Don Delillo portrays the chaotic life by using modern technology which has been presented by three ways. The first way is by television as being a source of information and entertainment. The second way is by the toxic event whereas the third is by Dylar's episode and its destructive consequences. He depicts that through the atmosphere of Jack's family plus its effects on the life and thoughts of the elders and society. He proves that technology
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5

Happe, François. "Le banal et l'événement : la «Belle Noiseuse» de White Noise de Don DeLillo." Revue Française d'Etudes Américaines 85, no. 1 (2000): 23–32. http://dx.doi.org/10.3406/rfea.2000.1973.

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6

Gervais, Bertrand. "Les murmures de la machine : lire à travers le Bruit de fond de Don DeLillo." Études littéraires 28, no. 2 (2005): 21–34. http://dx.doi.org/10.7202/501118ar.

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Pour expliquer la convergence interprétative qui caractérise la réception critique du roman White Noise , de Don DeLillo, l'auteur examine certains des dispositifs par lequel le roman s'inscrit dans le courant esthétique postmoderne. Il décrit ensuite la situation de lecture initiée par le roman, dans son rapport à la vidéosphère dont il reproduit avec succès l'environnement médiatique.
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7

Allen, David, and Agata Handley. "“The Most Photographed Barn in America”: Simulacra of the Sublime in American Art and Photography." Text Matters, no. 8 (October 24, 2018): 365–85. http://dx.doi.org/10.1515/texmat-2018-0022.

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In White Noise (1985) by Don DeLillo, two characters visit a famous barn, described as the “most photographed barn in America” alongside hordes of picture-taking tourists. One of them complains the barn has become a simulacrum, so that “no one sees” the actual barn anymore. This implies that there was once a real barn, which has been lost in the “virtual” image. This is in line with Plato’s concept of the simulacrum as a false or “corrupt” copy, which has lost all connection with the “original.” Plotinus, however, offered a different definition: the simulacrum distorts reality in order to reve
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8

Camerer, Colin, George Loewenstein, and Drazen Prelec. "Neuroeconomics: How Neuroscience Can Inform Economics." Journal of Economic Literature 43, no. 1 (2005): 9–64. http://dx.doi.org/10.1257/0022051053737843.

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Neuroeconomics uses knowledge about brain mechanisms to inform economic analysis, and roots economics in biology. It opens up the “black box” of the brain, much as organizational economics adds detail to the theory of the firm. Neuroscientists use many tools— including brain imaging, behavior of patients with localized brain lesions, animal behavior, and recording single neuron activity. The key insight for economics is that the brain is composed of multiple systems which interact. Controlled systems (“executive function”) interrupt automatic ones. Emotions and cognition both guide decisions.
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9

Milojkovic, Marija. "Is the truthfulness of a proposition verifiable through access to reference corpora?" Journal of Literary Semantics 49, no. 2 (2020): 119–41. http://dx.doi.org/10.1515/jls-2020-2023.

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AbstractThis paper reviews Louw’s (1993 and subsequent publications) deployment of reference corpora in the light of existing philosophical and linguistic milestones when it comes to the notion of the truthfulness of a proposition. Louw (William Ernest. 1993. Irony in the text or insincerity in the writer? The diagnostic potential of semantic prosodies. In Mona Baker, Gill Francis & Elena Tognini-Bonelli (eds.), Text and technology: In honour of John Sinclair, 152–176. Amsterdam: John Benjamins) resorts to reference corpora in order either to explicate a rhetorical device (in Louw 1993, th
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10

Wong, Nicole. "Canned Peaches and Chicken Parts: Postmodern Food in Don DeLillo's White Noise." Elements 5, no. 1 (2009). http://dx.doi.org/10.6017/eurj.v5i1.8908.

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Descriptions and interactions with food serve as signifiers of cultural values in the postmodern society of Don DeLillo's novel, <em>White Noise</em>. Amid a constant stream of name brand advertisements and flashy television commercials, characters struggle to find substantive meaning in their lives. DeLillo presents a consumer culture swamped in excess, belongings, and commodities, where food items characterize their buyers and even commodify their outlooks on life. From family bargain packs of potato chips indicating success and well-being, to plastic-wrapped slices of cheese fac
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11

Pajović, Stefan. "THE LONGEVITY OF THE SUPERMARKET AS A NON-PLACE IN DON DELILLO’S WHITE NOISE." Facta Universitatis, Series: Linguistics and Literature, January 28, 2018, 235. http://dx.doi.org/10.22190/full1702235p.

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The paper examines the setting of the supermarket as a non-place in Don DeLillo's novel White Noise, published in 1985, and its lastingness in contemporary culture. Critics have been mainly focusing on the consumerist and religious meaning of the place of the supermarket in the novel, disregarding its spatial implications. As a place, the concept of the supermarket is present in the philosophical thought of the French anthropologist Marc Augé who had developed the term “non-place” during the last decade of the twentieth century. It is this paper’s aim to prove beyond doubt that DeLillo’s conce
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12

Taveira, Rodney. "Don DeLillo, 9/11 and the Remains of Fresh Kills." M/C Journal 13, no. 4 (2010). http://dx.doi.org/10.5204/mcj.281.

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It’s a portrait of grief, to be sure, but it puts grief in the air, as a cultural atmospheric, without giving us anything to mourn.—— Tom Junod, “The Man Who Invented 9/11”The nearly decade-long attempt by families of 9/11 victims to reclaim the remains of their relatives involves rhetorics of bodilessness, waste, and virtuality that offer startling illustrations of what might be termed “the poetics of grief.” After combining as the WTC Families for Proper Burial Inc. in 2002, the families sued the city of New York in 2005. They lost and the case has been under appeal since 2008. WTC Families
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13

Deer, Patrick, and Toby Miller. "A Day That Will Live In … ?" M/C Journal 5, no. 1 (2002). http://dx.doi.org/10.5204/mcj.1938.

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By the time you read this, it will be wrong. Things seemed to be moving so fast in these first days after airplanes crashed into the World Trade Center, the Pentagon, and the Pennsylvania earth. Each certainty is as carelessly dropped as it was once carelessly assumed. The sounds of lower Manhattan that used to serve as white noise for residents—sirens, screeches, screams—are no longer signs without a referent. Instead, they make folks stare and stop, hurry and hustle, wondering whether the noises we know so well are in fact, this time, coefficients of a new reality. At the time of writing
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14

Laba, Martin. "Picking through the Trash." M/C Journal 2, no. 4 (1999). http://dx.doi.org/10.5204/mcj.1758.

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In a recent "Arts & Leisure" feature in a national Canadian newspaper, The Globe and Mail (5 June 1999), music critic Robert Everett-Green muses on the invention by the pop music industry of Andrea Bocelli as an opera singer: "call him an airborne virus or a gift from God ... . He is the voice you are most likely to hear while waiting for a double latte." The pop sentimentality industry fast-tracked Bocelli (a pop singer who "sounds" operatic) and created a global entertainment product. In a masterful stroke of high pop spectacle, the holy trinity of musical melodrama joined together -- Bo
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15

Marshall, P. David, and Axel Bruns. "Pop." M/C Journal 2, no. 4 (1999). http://dx.doi.org/10.5204/mcj.1757.

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Welcome to the world of pop. Even to announce this issue in such a way seems like a quaint anachronism, a mild nostalgia; the expression echoes the voices of countless TV presenters on Top of the Pops, Beat Club, Countdown, or whatever your local variety was. This association demonstrates that pop has been historically located in the arts and in popular culture as something connected to the 1960s: not so much to the politicisation of musical intent that embodied the late sixties, but to the current of the three-minute-or-less love song, the early Beatles, the vacant but loving repeat of Andy W
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