Relevant bibliographies by topics / DeLillo, Don - Criticism and interpretation

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Academic literature on the topic 'DeLillo, Don - Criticism and interpretation'

Author: Grafiati
Published: 4 June 2021
Last updated: 20 February 2023

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Journal articles on the topic "DeLillo, Don - Criticism and interpretation"

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Noble, Stuart. "Don DeLillo and Society’s Reorientation to Time and Space: An Interpretation of Cosmopolis." aspeers: emerging voices in american studies 01 (2008): 57–70. http://dx.doi.org/10.54465/aspeers.01-06.

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This essay reads Don DeLillo’s Cosmopolis as a novelization of social theories of time and space as expressed across various academic disciplines. Changing conceptions of time and space point to an underlying change in the social structure. I thus view DeLillo’s novel as social theory. Economist Jeremy Rifkin recently wrote, “[t]he great turning points in human history are often triggered by changing conceptions of space and time. Sometimes, the adoption of a single technology can be transformative in nature, changing the very way our minds filter the world” (89). Eric Packer lives in a world
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Chang, Chi-Min. "Image Re-presentation in Don DeLillo’s Point Omega." Journal of English Language and Literature 9, no. 3 (2018): 884–94. http://dx.doi.org/10.17722/jell.v9i3.368.

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 While technological advancement and artistic creations have amazingly diversified the (re-)presentation of images, infinite image proliferation becomes an irresistible trend. To resist the subsuming power of the image-laden society, the renewed perceptions and interpretations of the image presentation are explored both in artistic presentation and in literary writing. Point Omega is a convergence of such an attempt. The paper explores how the time-featured image in Point Omega activates new idea, sensuous responses, and self-perception. Point Omega represents Douglas Gordon’s 24 Hour Ps
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Hagan, Andrew Bowie. "The Bounds of Narrative in Don DeLillo’s Underworld: Action and the Ecology of Mimêsis." Humanities 10, no. 1 (2021): 40. http://dx.doi.org/10.3390/h10010040.

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The interrelationship of natural and cultural history in Don DeLillo’s Underworld presents an ecology of mimesis. If, as Timothy Morton argues, ecological thought can be understood as a “mesh of interconnection,” DeLillo’s novel studies the interpretation of connection. Underworld situates its action in the Cold War era. DeLillo’s formal techniques examine the tropes of paranoia, containment, excess, and waste peculiar to the history of the Cold War. Parataxis and free-indirect discourse emphasize the contexts of reference in the novel, illustrating how hermeneutics informs the significance of
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Radin-Sabadoš, Mirna. "UNDERWORLD - ABOUT FRAGMENTS OF TIME, J. EDGAR HOOVER, AND A BASEBALL." Годишњак Филозофског факултета у Новом Саду 47, no. 1 (2022): 69–83. http://dx.doi.org/10.19090/gff.2022.1.69-83.

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Considering the recent critical perspectives on the fictions of the late 1990s, the paper interprets the narrative structure and the construction of the networks of time in the novel Underworld by Don DeLillo. Reviewing the dominant theoretical frames for the interpretation of history and narrative, historiographic metafiction proposed by Linda Hutcheon and the postmodern understanding of history as a collage of elements by Frederic Jameson, the paper examines the ideas of structuring the time in narrative from the perspective of now. Timeframe is thus interpreted as a sequence of present mome
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BERGER, KAROL. "Musicology According to Don Giovanni, or: Should We Get Drastic?" Journal of Musicology 22, no. 3 (2005): 490–501. http://dx.doi.org/10.1525/jm.2005.22.3.490.

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ABSTRACT In a recent essay, Carolyn Abbate argues for a ““drastic”” rather than ““gnostic”” conception of music and would want to see musicology's efforts redirected accordingly. In the wake of the 1985 call by Joseph Kerman urging musicologists to shift their attention from ““positivism”” and ““formalism”” to ““criticism”” or ““hermeneutics””——that is, to musicology centered on interpretation——Abbate issues a call for a new disciplinary revolution, one that would shift our attention from works to performances and thus undo what she perceives as the fatal weakness in Kerman's position. When we
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Jiménez Heffernan, Julián. "Autoridad, poesistocracia y arbitraje: Harold Bloom, lector del "Quijote"." Tropelías: Revista de Teoría de la Literatura y Literatura Comparada, no. 19 (May 23, 2013): 296. http://dx.doi.org/10.26754/ojs_tropelias/tropelias.201319643.

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El presente artículo pretende proporcionar un contexto hermenéutico adecuado a la interpretación que Harold Bloom hizo de Don Quijote en un capítulo sobre Cervantes de The Western Canon (1994). La generalizada recepción negativa que este libro ha tenido en ámbito hispano, en gran medida debido a la denunciada (des)atención del crítico norteamericano hacia las literaturas hispanas, ha provocado una paralela (des)atención de la crítica hispana hacia un ensayo que, sin suponer una contribución decisiva al cervantismo filológico, constituye un valioso juicio implícito sobre el sentido de lo litera
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Milojkovic, Marija. "Is the truthfulness of a proposition verifiable through access to reference corpora?" Journal of Literary Semantics 49, no. 2 (2020): 119–41. http://dx.doi.org/10.1515/jls-2020-2023.

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AbstractThis paper reviews Louw’s (1993 and subsequent publications) deployment of reference corpora in the light of existing philosophical and linguistic milestones when it comes to the notion of the truthfulness of a proposition. Louw (William Ernest. 1993. Irony in the text or insincerity in the writer? The diagnostic potential of semantic prosodies. In Mona Baker, Gill Francis & Elena Tognini-Bonelli (eds.), Text and technology: In honour of John Sinclair, 152–176. Amsterdam: John Benjamins) resorts to reference corpora in order either to explicate a rhetorical device (in Louw 1993, th
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Colahan, Clark. ""Le nouveau-gentilhomme" de Mme d'Aulnoy: factores trans-culturales en la calibración de la salud mental de don Quijote." Tropelías: Revista de Teoría de la Literatura y Literatura Comparada, no. 29 (December 1, 2017): 330–41. http://dx.doi.org/10.26754/ojs_tropelias/tropelias.2018291559.

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La interpretación pan-europea de la personalidad de don Quijote empezó y siguió por todo el XVII enfocada en la comicidad de su locura, pero con el paso de los siglos ha vivido distintas etapas que reflejan las preocupaciones de las culturas que lo consideran hijo suyo. Los existencialistas del XX, herederos de la exaltación romántica del rebelde individualista, lo veían cuerdo, un modelo moral para imitar en una sociedad corrupta, a pesar de que Cervantes, y con él la crítica historicista, ponía hincapié en la resequedad de su cerebro. En el XXI el posmodernismo, inmerso en rápidos cambios mu
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Telizhenko, S. A. "MATERIALS FROM RESEARCH OF O. G. SHAPOSHNIKOVA AND D. YA. TELEHIN IN THE STAROBILSK DISTRICT, LUHANSK REGION." Archaeology and Early History of Ukraine 37, no. 4 (2020): 52–74. http://dx.doi.org/10.37445/adiu.2020.04.04.

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In 2016 during the inventory and transportation of the archaeological finds from temporary archaeological storage at Pheophania to the present-day storage facility of the Institute of Archaeology, the materials of the excavations of the expeditions of 1980 and 1985 were selected and processed. The excavations and surveys were conducted by expeditions under the lead of O. G. Shaposhnikova and D. Ya. Telehin on the territory of the Starobilsk district of the Luhansk region. The surveys in 1980 were conducted at only two locations located close to each other — the settlements of Aidar-Bila and Pi
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Byer, Tia. "Representing the Incomprehensible." FORUM: University of Edinburgh Postgraduate Journal of Culture & the Arts, no. 32 (October 1, 2021). http://dx.doi.org/10.2218/forum.32.6457.

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Criticism of Michael Herr’s Dispatches (2015) and Don DeLillo’s Falling Man (2007) can be divided into two mainstream interpretations. On the one hand, they are both marked as psychic trauma texts. Herr’s writing of Dispatches can be read as a therapeutic process that allows him to deal with his trauma experienced as a war correspondent during the Vietnam War. The intimate and domestic trauma in DeLillo’s Falling Man focuses on the disconnected lives of a couple and their child in the wake of the attacks on the World Trade Center. On the other hand, critics have aligned each text with the nati
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Dissertations / Theses on the topic "DeLillo, Don - Criticism and interpretation"

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Sisk, Richard Ronald. ""How this took place he couldn't have said exactly": A stylistic analysis of the prose of Don DeLillo." CSUSB ScholarWorks, 1989. https://scholarworks.lib.csusb.edu/etd-project/531.

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Winward, P. "Politics and postmodernism in the fiction of Russell Banks, Don DeLillo and Robert Stone : an enquiry into the attempt to write a radical fiction in the era of late capitalism." Phd thesis, Department of English, 1998. http://hdl.handle.net/2123/12322.

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Muscolino, Stephen J. "Writing in real-time, fictions of digitization : the novels of Don DeLillo and Dave Eggers." Thesis, University of Glasgow, 2017. http://theses.gla.ac.uk/8276/.

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By tracking the intersection of contemporary fiction and the information technologies of the digital age, this thesis argues that the narratives being produced over the past ten years have evolved into a distinct genre of literature, one where the aesthetics of fragmentation and postmodern uncertainty must confront the new realities of a digitally saturated culture and society. In order to demonstrate this alteration in contemporary fiction, this thesis considers novels written within the past ten years that reflect on this new form of textuality, namely Don DeLillo’s Cosmopolis (2003) and Dav
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Robinson, Brendon Kimbale. "No other world: the poetry of Don Maclennan." Thesis, Rhodes University, 2008. http://hdl.handle.net/10962/d1002264.

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This is a study of the poetry of Don Maclennan in four chapters. Chapter One explores the poetry's deep involvement with the immediate world, and with the being that encounters it. Chapter Two examines the corpus's mistrust of abstract thought, and its suggestions for alternative ways of intepreting (or at least approaching an interpretation of) our existential situation. Chapter Three deals with Maclennan's writing on the subject of death, while the final chapter looks at the response of the poetry to the fact of death: put simply, this is to learn to love the situation we are in, and to reco
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Polley, Jason S. "Acts of justice : risk and representation in contemporary American fiction." Thesis, McGill University, 2006. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=102824.

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Spectacles of justice preoccupy contemporary American culture. Legal culture---including the Watergate trials, the Lewinsky scandal, and OJ Simpson's trial for alleged murder---assumes a central place in the American imaginary. Configurations of the law are not limited to media reportage and televised docudramas. Nor are arbitrations confined to law faculties and the spaces of formal courts. Working through depictions of due process in different ways and in different zones, contemporary American writers point up the prevalence of legality in everyday life. Whether on college campuses, in TV st
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Hirst, Brett. "The place of the bass : a study of Charlie Haden's accompaniment of Don Cherry's solo on "The face of the bass"." Thesis, The University of Sydney, 2006. http://hdl.handle.net/2123/17828.

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Santucci, Isabella Cristina Stangherlin 1988. "O donjuanismo de Stendhal : a figura de Don Juan na construção do "romantismo" stendhaliano." [s.n.], 2013. http://repositorio.unicamp.br/jspui/handle/REPOSIP/270069.

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Orientador: Marcos Antônio Siscar<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem<br>Made available in DSpace on 2018-08-23T15:09:48Z (GMT). No. of bitstreams: 1 Santucci_IsabellaCristinaStangherlin_M.pdf: 1947248 bytes, checksum: a55952ad63ed1c55a1055229aa8d2f54 (MD5) Previous issue date: 2013<br>Resumo: Em 1789 um novo século se impôs ao mundo. Das Luzes à Escuridão, o homem francês tornou-se apenas homem. O medo, o silêncio e o tédio invadiam o coração de uma sociedade. O sublime, ou o grotesco, como diria Victor Hugo, inevitavelmente levar
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Gournay, Aurélia. "Don Juan en France au XXe siècle : réécritures d'un mythe." Phd thesis, Université de la Sorbonne nouvelle - Paris III, 2013. http://tel.archives-ouvertes.fr/tel-00975274.

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Né en 1630, sous la plume du moine espagnol Tirso de Molina, le personnage de Don Juan n'a cessé d'inspirer les auteurs, au point de devenir un véritable mythe littéraire. On ne saurait, désormais, l'évoquer sans mentionner quelques œuvres majeures, telles que le Dom Juan de Molière ou le Don Giovanni de Mozart. S'il est difficile de trouver, au 20ème siècle, des réécritures du scénario mythique susceptibles de rivaliser avec ces illustres noms, il est indéniable que ce dernier demeure productif. La France offre, à elle seule, des preuves de cette vitalité. En effet, l'histoire de Don Juan con
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Lawrence, Faith. "'True receivers': Rilke and the contemporary poetics of listening (Part 1) ; Poems: Small weather (Part 2)." Thesis, University of St Andrews, 2015. http://hdl.handle.net/10023/7418.

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Part 1: ‘True Receivers': Rilke and the Contemporary Poetics of Listening In this part of this thesis I argue that a contemporary ‘poetics of listening' has emerged in the UK, and explore the writing of three of our most significant poets - John Burnside, Kathleen Jamie and Don Paterson - to find out why they have become interested in the idea of the poet as a ‘listener'. I suggest that the appeal of this listening stance accounts for their engagement with the poetry of Rainer Maria Rilke, who thought of himself as a listening ‘receiver'; it is proposed that Rilke's notion of ‘receivership' an
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Bowman, Natalie A. "Rethinking the dualism : Don DeLillo's White Noise and the ecocritical possibilities of the nature/culture mix." Thesis, 2003. http://hdl.handle.net/1957/31599.

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Rethinking the Dualism: Don DeLillo's White Noise and the Ecocritical Possibilities of the Nature/Culture Mix questions current applications of ecocriticism and offers that these applications are inadequate in dealing with the perceived nature/culture dualism. This thesis suggests that ecocritics need to stop thinking in dualistic terms, but instead must consider that the separation between nature and culture is an illusion created by the postmodern culture. Don DeLillo's White Noise, then, is used to illustrate the possibilities of rethinking the relationship between nature and culture. DeLil
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Books on the topic "DeLillo, Don - Criticism and interpretation"

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Keesey, Douglas. Don DeLillo. Twayne, 1993.

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Harold, Bloom, ed. Don DeLillo. Chelsea House Publishers, 2003.

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Frank, Lentricchia, ed. Introducing Don DeLillo. Duke University Press, 1991.

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Understanding Don Delillo. The University of South Carolina Press, 2015.

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Don DeLillo: Mao 2, Underworld, Falling man. Continuum, 2011.

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Cowart, David. Don DeLillo: The physics of language. University of Georgia Press, 2002.

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Cowart, David. Don DeLillo: The physics of language. University of Georgia Press, 2003.

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Don DeLillo: The possibilities of fiction. Routledge, 2005.

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Don DeLillo: The physics of language. University of Georgia Press, 2002.

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Don DeLillo, Jean Baudrillard, and the consumer conundrum. Cambria Press, 2008.

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Book chapters on the topic "DeLillo, Don - Criticism and interpretation"

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Muth, Katie. "Postmodernism and Literary Criticism." In Don DeLillo in Context. Cambridge University Press, 2022. http://dx.doi.org/10.1017/9781009025676.024.

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"Don DeLillo: Kierkegaard and the Grave in the Air." In Volume 12, Tome IV: Kierkegaard's Influence on Literature, Criticism and Art. Routledge, 2016. http://dx.doi.org/10.4324/9781315234816-12.

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