Academic literature on the topic 'DeLillo, Don. White noise'

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Journal articles on the topic "DeLillo, Don. White noise"

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BrittoJenobia, J., and Dr V. Sekar. "The Anxiety of Death in Don DeLillo’s White Noise." Think India 22, no. 3 (2019): 212–18. http://dx.doi.org/10.26643/think-india.v22i3.8151.

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Anxiety is a human condition which prevails common in many people. Anxieties can be differentiated into ‘ Primal anxiety’, ‘ Ontological anxiety’, ‘ Reality anxiety’, Psychological anxiety’, ‘Social anxiety’, and so on. The real fact is all these anxieties are in some way existential.Paul Tillich, a Christian existentialist says that according to him anxiety can be of three forms: Anxiety of Death, Anxiety of meaninglessness and Anxiety of Condemnation. Paul Tillich declares, “The Anxiety of death is the permanent horizon within which the anxiety of fate is at work”. In the modern world anythi
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EL, Erden. "NON-HUMAN AGENCIES IN DON DELILLO S WHITE NOISE." Journal of International Social Research 12, no. 64 (2019): 35–45. http://dx.doi.org/10.17719/jisr.2019.3328.

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Subhi Amer1, Enas, and حنان عباس حسين. "Postmodernism and Technology in Don Delillo's Novel The White Noise." Journal of Education College Wasit University 1, no. 33 (2019): 653–76. http://dx.doi.org/10.31185/eduj.vol1.iss33.769.

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This paper aims at investigating the effect of postmodernism and technology on the social life in Don Delillo's novel The White Noise. In this novel, Don Delillo portrays the chaotic life by using modern technology which has been presented by three ways. The first way is by television as being a source of information and entertainment. The second way is by the toxic event whereas the third is by Dylar's episode and its destructive consequences. He depicts that through the atmosphere of Jack's family plus its effects on the life and thoughts of the elders and society. He proves that technology
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Couturier, Maurice. "L’histoire et la refiguration de l’instant : White Noise de Don DeLillo." Revue Française d'Etudes Américaines 62, no. 1 (1994): 383–92. http://dx.doi.org/10.3406/rfea.1994.1560.

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Happe, François. "Le banal et l'événement : la «Belle Noiseuse» de White Noise de Don DeLillo." Revue Française d'Etudes Américaines 85, no. 1 (2000): 23–32. http://dx.doi.org/10.3406/rfea.2000.1973.

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Gervais, Bertrand. "Les murmures de la machine : lire à travers le Bruit de fond de Don DeLillo." Études littéraires 28, no. 2 (2005): 21–34. http://dx.doi.org/10.7202/501118ar.

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Pour expliquer la convergence interprétative qui caractérise la réception critique du roman White Noise , de Don DeLillo, l'auteur examine certains des dispositifs par lequel le roman s'inscrit dans le courant esthétique postmoderne. Il décrit ensuite la situation de lecture initiée par le roman, dans son rapport à la vidéosphère dont il reproduit avec succès l'environnement médiatique.
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Pirnajmuddin, Hossein, and Bahareh Bagherzadeh Samani. "Don DeLillo’s "White Noise": A Virilian Perspective." Text Matters, no. 9 (December 30, 2019): 356–73. http://dx.doi.org/10.18778/2083-2931.09.22.

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Don DeLillo’s White Noise depicts a world of rapid techno-scientific and economical changes. Paul Virilio’s concepts of dromology and speed, as well as his notions of accident and technology, seem to be the most relevant in order to examine a novel centrally concerned with change, speed and technology. This article first offers an analysis of White Noise in the light of Virilio’s concept of integral accident in relation to the negative consequences brought about by industrial and technological progress. This is followed by a discussion of the relevance to the novel of Virilio’s theories about
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choi jae min. "Death, Noise, and (Un)plotting in Don DeLillo’s White Noise." American Studies 38, no. 2 (2015): 111–28. http://dx.doi.org/10.18078/amstin.2015.38.2.005.

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Levey, Nick. "Crisis and Control in Don DeLillo's WHITE NOISE." Explicator 71, no. 1 (2013): 11–13. http://dx.doi.org/10.1080/00144940.2012.758613.

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Kastrokumar, J. "MORBID IMAGES IN DON DELILLOS WHITE NOISE: A STUDY." International Journal of Advanced Research 7, no. 4 (2019): 1640–42. http://dx.doi.org/10.21474/ijar01/8996.

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Dissertations / Theses on the topic "DeLillo, Don. White noise"

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McMinn, Robert Frank. "Don DeLillo, events and local gods." Thesis, University of Nottingham, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.311725.

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Castellani, Brenda M. ""Once we stop denying death": Fear, Death and the Postmodern Generation in White Noise." University of Toledo Honors Theses / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=uthonors1450431284.

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Quam, Steven. "Meaningful Play: Exploring the Possibilities of the Novel in Don DeLillo's White Noise." Oberlin College Honors Theses / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=oberlin1399992271.

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Torell, Alexander. "Ideological Technology and Posthuman Conditions in Don DeLillo’s White Noise and Cosmopolis." Thesis, Högskolan Dalarna, Engelska, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:du-28118.

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Little, Joshua. "Queering the Family Space: Confronting the Child Figure and the Evolving Dynamics of Intergenerational Relations in Don DeLillo's White Noise." Digital Archive @ GSU, 2011. http://digitalarchive.gsu.edu/english_theses/121.

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Criticism surrounding the children of the Gladney family in Don DeLillo’s novel White Noise remains a contested issue. I argue the children and their social environment reflect Lee Edelman’s analysis of the Child figure and its bolstering of reproductive futurism. The Child figure upholds a heteronormative social order that precludes equal rights and social viability for non-normative family structures and those opposed to an inherently conservative ideology. I find the continually evolving family structure elicits new dynamics among its members, offering greater social independence for all, w
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Applen, John David. "The play of texts in Don DeLillo's "Libra", "Ratner's Star", and "White Noise"." Diss., The University of Arizona, 1994. http://hdl.handle.net/10150/186812.

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The central concern in my dissertation is how current theories of rhetoric and social construction are made manifest in three of Don DeLillo's novels: Libra, White Noise, and Ratner's Star. Libra demonstrates how the historical figure Lee Harvey Oswald and the events surrounding the assassination of John Kennedy are socially constructed by media imagery and the ambient texts of American culture. White Noise is an extension of Libra in that it details how the discourse of American consumer and political culture construct our sense of self and our relationship to others in our society. Ratner's
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Inci, Metehan. "Alienation in 1980s American Society : A Marxist Perspective on Don DeLillo’s, White Noise." Thesis, Högskolan Dalarna, Engelska, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:du-18736.

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Starn, Natalie M. "Cognitive Mapping in the Postmodern Novel: Philip K. Dick's "Ubik", Kim Stanley Robinson's, The Gold Coast, and Don DeLillo's, White Noise." Kent State University Honors College / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=ksuhonors1367844337.

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Lento, Stephen Casimir. "CYBERSPATIAL PARADIGMS IN THOMAS PYNCHON'S THE CRYING OF LOT 49 AND DON DELILLO'S WHITE NOISE." Diss., Temple University Libraries, 2011. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/115419.

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English<br>Ph.D.<br>Between the 1960s and 1990s, Thomas Pynchon and Don DeLillo both registered and attempted to influence the development of a mode of cultural perception organized around computer technologies that we can call a "cyberspatial paradigm." This cyberspatial worldview involves a dual ontology in which experienced reality is generated by a fundamentally different, hidden one. This way of organizing experience parallels the structure of cyberspace, in which a hidden set of data gives rise to a world that is experienced spatially. This dissertation examines the responses Pynchon and
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Reed, Mark Dobson. "The Role of Popular Mythology and Popular Culture in Post-war America, as represented by four novels - The Floating Opera and The End of the Road, by John Barth, White Noise, by Don DeLillo, and Vineland, by Thomas Pynchon." University of Sydney. English, 2004. http://hdl.handle.net/2123/627.

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The four novels - The Floating Opera, The End of the Road, White Noise, and Vineland - are representative of the cultural shift away from traditional moral concepts after World War II. Popular culture has increasingly become the guiding force for the continuation of American society, and in Don DeLillo�s White Noise, popular culture and its creation of myth (according to the author�s representation of America) has become embedded in the system and life of contemporary America. John Barth�s novel The End of the Road and its predecessor The Floating Opera are important in any discussion o
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Books on the topic "DeLillo, Don. White noise"

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Orr, Leonard. Don Delillo's White noise: A reader's guide. Continuum, 2003.

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Tim, Engles, and Duvall John N. 1956-, eds. Approaches to teaching Delillo's White noise. Modern Language Association of America, 2006.

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Approaches to teaching Delillo's White noise. Modern Language Association of America, 2007.

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Harold, Bloom, ed. Don DeLillo's White noise. Chelsea House Publishers, 2003.

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Don Delillo's White Noise (Bloom's Modern Critical Interpretations). Chelsea House Publications, 2002.

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American history: A study of Don Delillo's White noise, Libra, Mao II and "Pafko at the Wall". National Library of Canada, 1993.

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Martins, Susana Santos. Unnatural futures imagining the high-tech in contemporary american culture. 2000.

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Book chapters on the topic "DeLillo, Don. White noise"

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Leypoldt, Günter. "DeLillo, Don: White Noise." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_5156-1.

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Colebrook, Martyn. "Whole Families Paranoid at Night: Don DeLillo’s White Noise." In Reassessing the Twentieth-Century Canon. Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137366016_17.

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Caton, Lou Freitas. "A White European American Perspective: Imagining Family and Community in Don Delillo’s White Noise." In Reading American Novels and Multicultural Aesthetics. Palgrave Macmillan US, 2008. http://dx.doi.org/10.1057/9780230610286_10.

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Helyer, Ruth. "Taking Possession of Knowledge: The Masculine Academic in Don DeLillo’s White Noise." In Masculinities in Text and Teaching. Palgrave Macmillan UK, 2008. http://dx.doi.org/10.1057/9780230592629_12.

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Rizza, Michael James. "Masculinity in Don DeLillo’s White Noise: Mapping the Self, Killing the Other." In American Revenge Narratives. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-93746-5_4.

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"Death and the avant-garde: White Noise." In Don DeLillo. Routledge, 2006. http://dx.doi.org/10.4324/9780203315422-16.

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Olster, Stacey. "White Noise." In The Cambridge Companion to Don DeLillo. Cambridge University Press, 2008. http://dx.doi.org/10.1017/ccol9780521870658.007.

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Michael, Magali Cornier. "24. Don DeLillo, White Noise (1985)." In Handbook of the American Novel of the Twentieth and Twenty-First Centuries, edited by Timo Müller. De Gruyter, 2017. http://dx.doi.org/10.1515/9783110422429-026.

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"The Last Things Before the Last: NO,tes on White Noise." In Introducing Don DeLillo. Duke University Press, 2020. http://dx.doi.org/10.1515/9780822381679-011.

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"Don DeLillo, White Noise, New York: Viking Penguin, 1985." In The Twentieth-Century American Fiction Handbook. Wiley-Blackwell, 2012. http://dx.doi.org/10.1002/9781444393675.ch64.

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Conference papers on the topic "DeLillo, Don. White noise"

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Zhao, Yuxin. "The Ecological Analysis of White Noise by Don DeLillo." In 2016 6th International Conference on Machinery, Materials, Environment, Biotechnology and Computer. Atlantis Press, 2016. http://dx.doi.org/10.2991/mmebc-16.2016.25.

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