Academic literature on the topic 'Deller, Alfred'

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Journal articles on the topic "Deller, Alfred"

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Zazzo, Lawrence. "Alfred Deller and the Stour Festival." Early Music 49, no. 1 (2021): 154–55. http://dx.doi.org/10.1093/em/caab022.

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Clapton, N. "The singularity of Alfred Deller (1912-1979)." Early Music 40, no. 2 (2012): 291–96. http://dx.doi.org/10.1093/em/cas040.

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Curami, Andrea. "L'industria bellica italiana dopo Caporetto." ITALIA CONTEMPORANEA, no. 261 (February 2011): 653–64. http://dx.doi.org/10.3280/ic2010-261005.

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L'autore prende in esame la fondatezza delle affermazioni circa la straordinarietŕ dello sforzo compiuto dall'industria italiana per ripianare la perdita di artiglierie in seguito alla ritirata di Caporetto. Se tale perdita fu effettivamente consistente, va perň detto che riguardň materiali in gran parte antiquati; dopo l'ottobre 1917 in realtŕ l'industria bellica proseguě nella realizzazione dei programmi di sviluppo giŕ in atto prima dello sfondamento nemico, coordinati dal ministro delle Armi e munizioni, il generale Alfredo Dallolio, figura centrale nella mobilitazione industriale del paes
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Wells, Rachel. "Fact and Responsibility – Approaches towards the Factual in Contemporary Art." eitschrift für Ästhetik und Allgemeine Kunstwissenschaft Band 60. Heft 1 60, no. 1 (2015): 39–53. http://dx.doi.org/10.28937/1000106257.

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Rachel Wells turns to the examination of three recent artistic practices, which integrate facts in their work not as an antagonistic other but as a constitutive element to their efficacy and ethics. She argues, that in introducing news, factual actions, or objects with traces of factual events, Alfredo Jaar, Jeremy Deller and Martin Creed use facts in order to retract from the position of art as an expression of artistic freedom and subjectivity and thus as the opposite of fact. Instead, she states that by introducing the factual the artists underline each in their own way the instability of g
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Fioravanzo, Monica. "Mussolini, il fascismo e l'‘idea dell'Europa'. Alle origini di un dibattito." ITALIA CONTEMPORANEA, no. 262 (October 2011): 7–27. http://dx.doi.org/10.3280/ic2011-262001.

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Č soltanto a partire dagli anni trenta che il fascismo, stretto fra la coscienza della crisi del continente e l'avanzata del nazionalsocialismo, di cui temeva la concorrenza, sviluppa un progetto di Nuovo ordine europeo. Con la sua proposta, il regime fascista s'inseriva in una riflessione sull'Europa che fin dagli anni venti aveva coinvolto personalitŕ eminenti, come Briand o Coudenhove-Kalergi, e molti movimenti, da Paneuropa a Mitteleuropa e Abendland. L'avvio del dibattito in Italia coincise con il decennale del regime, nel 1932, celebrato all'insegna della romanitŕ, intesa come fondamento
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Stemberger, Günter. "Alfredo M. RABELLO, Giustiniano, Ebrei e Samaritani. Alla luce delle fonti storico-letterarie, ecclesiastiche e giuridiche, vol. II (Monografie del Vocabulario di Giustiniano 2), Dott. A. Giuffrè Editore, Milano 1988, pp. 493-975, Lire 42.000." Journal for the Study of Judaism 21, no. 2 (1990): 269–71. http://dx.doi.org/10.1163/157006390x00414.

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Stemberger, Günter. "Alfredo M. RABELLO, Giustiniano, Ebrei e Samaritani. Alla luce delle fonti storico-letterarie, ecclesiastiche e giuridiche, vol. I (Monografie del Vocabulario di Giustiniano 1), Dott. A. Giuffrè Editore, Milano 1987, ix and 491 pp., Lire 40.000." Journal for the Study of Judaism 19, no. 2 (1988): 254–56. http://dx.doi.org/10.1163/157006388x00372.

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Leu, Urs. "Alfredo Serrai, Conrad Gesner. A cura di Maria Cochetti. Con una bibliografía delle opere allestita da Marco Menato. Roma, Bulzoni, 1991. 430 S., 1 BL Portr. (II bibliotecario, Nuova serie, 5). Lit. 60 000. ISBN 88-7119-267-2." Gesnerus 49, no. 1 (1992): 79–81. http://dx.doi.org/10.1163/22977953-04901011.

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Lyan, Tszitao. "The opera “Siberia” by U. Giordano in the context of the composer’s creative work." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 52, no. 52 (2019): 71–84. http://dx.doi.org/10.34064/khnum1-52.05.

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Formulation of the problem. The creative work of the bright representative of the Italian opera U. Giordano consists of eleven operas. Despite the fact that the composer is considered a bright representative of verismo, not all his operas belong to this direction. For example, in the late period of his creativity (1910–1920), U. Giordano departs from the traditions of verismo and aims his search for the comedy genre («La cena delle beffe», «Dinner with Jokes»), the genre of opera novels («The King»). But all the same, the main, repertoire operas (as early as «Mala Vita», «Marina», and the matu
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Nuovo, Angela. "Profilo di Storia della Bibliografia. Alfredo Serrai , Fiammetta SabbaStoria della Bibliografia. (Il bibliotecario, n. s. 4) Vol. 1: Bibliografia e cabala. Le enciclopedie rinascimentali, Vol. 2: Le enciclopedie rinascimentali, II. Bibliografi universali, Vol. 3: Vicende ed ammaestramenti della Historia literaria, Vol. 4: Cataloghi a stampa. Bibliografie teologiche. Bibliografie filosofiche. Antonio Possevino, Vol. 5: Trattatistica biblioteconomica, Vol. 6: La maturità disciplinare. Indice dei volumi I—VI. Vol. 7: Storia e critica della catalogazione bibliografica, Vol. 8: Sistemi e tassonomie, Con un'appendice sulla storia della catalogazione delle stampe. Vol. 9: Manualistica, didattica, e riforme nel sec. XVIII, Vol. 10: Specializzazione e pragmatismo: i nuovi cardini della attività bibliografica. Vol. 11: Indici dei volumi I–X. Alfredo Serrai , Maria Cochetti , Maria Grazia Ceccarelli , Margherita Palumbo , Gabriella Miggiano , Marco Menato , Vesna Stunic." Papers of the Bibliographical Society of America 101, no. 2 (2007): 249–52. http://dx.doi.org/10.1086/pbsa.101.2.24293951.

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Dissertations / Theses on the topic "Deller, Alfred"

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NOBILI, ELENA. "Alfredo Ildefonso Schuster a Roma (1880 - 1929)." Doctoral thesis, Università Cattolica del Sacro Cuore, 2011. http://hdl.handle.net/10280/1070.

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Alfredo Ildefonso Schuster (1880-1954), abate di San Paolo fuori le Mura e, successivamente, arcivescovo di Milano dal 1929 al 1954, ricoprì, durante il periodo romano, importanti incarichi sia all’interno dell’Ordine benedettino che della curia romana per volontà di Pio X, Benedetto XV e Pio XI. Egli diede un contributo decisivo in svariati ambiti: insegnò presso la Scuola di Musica sacra, fu consultore della Congregazione dei Riti, preside del Pontificio Istituto Orientale e presidente della Pontificia Commissione di arte sacra. Personalità particolarmente sensibile, fu in contatto con il mo
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Books on the topic "Deller, Alfred"

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Tingaud, Jean-Luc. Alfred Deller: Le contre-ténor. Editions J. Lyon, 1996.

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Oulman Bensaude, Jane. Memorie. Edited by Luisa Levi d'Ancona Modena. Firenze University Press, 2016. http://dx.doi.org/10.36253/978-88-6655-806-4.

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Jeanne (Jane) Oulman Bensaude apparteneva a una famiglia dell’alta borghesia ebraica parigina imparentata con il mondo della finanza e partecipe appieno della vita culturale e politica della Parigi della seconda metà dell’Ottocento. Nelle Memorie Jane rievoca l’ambiente familiare, i viaggi, le letture, i salotti, gli incontri con poeti e scrittori, musicisti e politici. Narra la sua passione per la musica e la scrittura, alla quale si dedicò a Lisbona, dove visse dopo il matrimonio con Alfredo Bensaude. Racconto di formazione e storia di una vita divisa tra la Francia e il Portogallo, l’autobi
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Alfredo Panzini e lo stile delle donne. Editrice Compositori, 2013.

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Ermanno, Guida, ed. Alfredo Cottrau, 1839-1898: L'architettura del ferro nell'Italia delle grandi trasformazioni. Electa Napoli, 2003.

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Barucci, Piero, Piero Bini, and Lucilla Conigliello, eds. Economia e Diritto in Italia durante il Fascismo. Firenze University Press, 2017. http://dx.doi.org/10.36253/978-88-6453-605-7.

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Il volume raccoglie otto saggi sulla cultura economica e giuridica in Italia nel periodo tra le due guerre mondiali. Alcuni di essi indagano sul rapporto tra regime fascista e intellettuali, come nel caso del giurista Alfredo Rocco e degli economisti Luigi Amoroso, Arrigo Serpieri e Alberto Bertolino. Altri scritti affrontano il tema dei modi e dei luoghi attraverso cui l’economia e il diritto furono divulgati nel periodo fascista. I casi approfonditi sono quelli dell’Università Bocconi di Milano e della Scuola di Scienze Corporative di Pisa. Due saggi, infine, si occupano della politica econo
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Alfredo D'Andrade: Precursore e mentore nel recupero e valorizzazione delle antichità in Valle d'Aosta. Le château, 2007.

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Book chapters on the topic "Deller, Alfred"

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Kowalik, Katarzyna. "Alfredo Oriani, una visione contesa dell’italianità." In Sperimentare ed esprimere l’italianità. Aspetti letterari e culturali. Doświadczanie i wyrażanie włoskości. Aspekty literackie i kulturowe. Wydawnictwo Uniwersytetu Łódzkiego, 2021. http://dx.doi.org/10.18778/8220-478-0.10.

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Il testo si propone come rassegna delle informazioni sulla produzione letteraria di Alfredo Oriani (1852–1909), scrittore, giornalista e pensatore italiano le cui idee, nonostante un’incoerenza cronologica, furono interpretate da Benito Mussolini come appoggio intellettuale all’ideologia fascista. L’autore romagnolo, dopo numerosi tentativi falliti di attirare l’attenzione del pubblico e della critica letteraria con i suoi romanzi, si dedicò al lavoro storiografico che servì a corroborare il “mito del precursore”. Il punto di riferimento per le considerazioni su Oriani è sempre, oltre all’indiscutibile aspetto biografico, la delusione provocata dagli ideali traditi del Risorgimento e della realtà dell’Italia post-unitaria. Nell’articolo si cercherà di ricostruire la fortuna letteraria di Oriani nel contesto degli avvenimenti politici del ventesimo secolo che hanno contribuito alla nascita di un caso letterario eccezionale per la storia d’Italia.
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Howe, Andrew. "Partial Rehabilitation: Task Force and the Case of Billy Mitchell." In ReFocus: The Films of Delmer Daves. Edinburgh University Press, 2016. http://dx.doi.org/10.3366/edinburgh/9781474403016.003.0010.

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Andrew Howe provides an account of one of Daves’ war films. Task Force is a biopic of General Billy Mitchell who, during the 1920s, tirelessly advocated for the concept of the aircraft carrier as the future of naval warfare. In his analysis, Howe posits three central figures: Daves as writer-director, Billy Mitchell as historical inspiration, and lead-actor Gary Cooper, who plays Mitchell’s fictional treatment in the film, Jonathan L. Scott. The chapter situates its analysis of ‘Mitchell’ within the context of the early Cold War years and of the Hollywood of the time. In the case of the latter, it discusses Hollywood’s post-War obsession with the subject of aerial warfare. In contrast to other contributors in this collection, Howe suggests Daves’ greater quality was as a writer, rather than a director, and ranks his best scripting efforts – Task Force included – alongside those of Alfred Hitchcock and Nicholas Ray.
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Pardo, Vittorio Franchetti. "La Facoltà di Architettura di Roma negli anni della formazione studentesca e delle prime nostre attività professionali:." In Alfredo Lambertucci. 1928-1996. Quodlibet, 2020. http://dx.doi.org/10.2307/j.ctvvb7msq.6.

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Masi, Felice. "Il contesto dell’epistemologia provabilistica di Alfred Schutz." In Realismo, pragmatismo, naturalismo. Le trasformazioni della fenomenologia in Nord America. Quodlibet, 2020. http://dx.doi.org/10.2307/j.ctv13xpr0g.12.

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Ceschin, Arianna. "«Ho sempre desiderato di avere un grande album»." In La detection della critica. Fondazione Università Ca’ Foscari, 2020. http://dx.doi.org/10.30687/978-88-6969-455-4/019.

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The posthumous work Album di vestiti, although not a real diary, constitutes an example of private writing capable of retracing the salient passages of the personal and literary story of Paola Masino, author and journalist of the 20th century. These are autobiographical pages where Masino reflects on the themes of motherhood, marriage, her concept of literature and the interest in the chromatic sphere expressed in her volumes. A work of memory, therefore, a ‘biography of clothes’ capable of revealing the dynamics that led to the drafting of some of the most famous passages of Paola Masino’s writings, as well as episodes related to the dear figures of the father Enrico Alfredo and Massimo Bontempelli.
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Gallese, Vittorio, and Michele Guerra. "Stilted Movements and Improbable Stares." In The Empathic Screen, translated by Frances Anderson. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198793533.003.0002.

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This chapter discusses how cinema is able to produce the sense of body immanence, allowing audiences to identify with the characters they see on the screen. The subheadings are “Someone moved, but who?”, in which famous scenes from Alfred Hitchcock’s Notorious, Robert Montgomery’s Lady in the Lake, and Delmer Daves’ Dark Passage are analyzed, with a discussion of how cinema creates a subjective perspective; “Resonating with movement” discusses the pertinence of neuroscience to the issues introduced in the preceding pages; “Positions” addresses the mind–movie problem; lastly, “Sherlock Jr.” analyzes the problem of spatial segregation between screen and audience, discussing scenes from Buster Keaton’s film Sherlock Jr.
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GODDEN, MALCOLM. "The Alfredian Project and its Aftermath: Rethinking the Literary History of the Ninth and Tenth Centuries." In Proceedings of the British Academy, Volume 162, 2008 Lectures. British Academy, 2009. http://dx.doi.org/10.5871/bacad/9780197264584.003.0005.

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This lecture presents the text of the speech about the Alfredian project and its aftermath delivered by the author at the 2008 Sir Israel Gollancz Memorial Lecture held at the British Academy. It explains the details of King Alfred's programme of mass education and to deliver near-universal literacy in English, and evaluates the impact of Pastoral Care on English literature.
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Pool, Robert. "Introduction: Understanding Technology." In Beyond Engineering. Oxford University Press, 1997. http://dx.doi.org/10.1093/oso/9780195107722.003.0005.

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This is a very different book from the one I began writing four years ago. That happens sometimes, usually when an author doesn't really understand a subject or when he discovers something else more interesting along the way, and in my case it was both. Allow me to explain. In 1991 the Alfred P. Sloan Foundation provided grants to some two dozen writers to create a series of books on technology. Because technology has shaped the modern world so profoundly, Sloan wanted to give the general, nontechnical reader some place to go in order to learn about the invention of television or the history of X-rays or the development of birth control pills. This would be it. Sloan asked that each book in the series focus on one particular technology and that all of the books be accessible to readers with no background in science or engineering, but otherwise the foundation left it up to the writers to decide what to write about and how. Various authors agreed to produce books on vaccines, modern agriculture, radar, fiber optics, the transistor, the computer, software, biotechnology, commercial aviation, the railroads, and other modern technologies. I took on nuclear power. At the time, I planned to produce a straightforward treatment of the commercial nuclear industry—its history, its problems, and its potential for the future. I knew that nuclear power was controversial, and I believed that both sides in the debate over its use were shading the truth somehow. My job would be to delve into the technical details, figure out what was really going on, and report back to the readers. To keep the book as lively and readable as possible, I would sprinkle anecdotes and colorful characters throughout, but the book's heart would be a clear, accurate account of the engineering practices and scientific facts that underlie nuclear technology. Given this information, readers could then form their own opinions on the nuclear conundrum. There was nothing original about this approach.
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