Academic literature on the topic 'Demonism'

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Journal articles on the topic "Demonism"

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Rufinoni, Simone Rossinetti. "Crônica da cidade assassina / Chronicle of Killer City." O Eixo e a Roda: Revista de Literatura Brasileira 30, no. 1 (March 30, 2021): 58. http://dx.doi.org/10.17851/2358-9787.30.1.58-82.

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Resumo: Para além do maniqueísmo de caráter restritamente religioso, comum à obra de Lúcio Cardoso, o romance Crônica da casa assassinada reorienta a dicotomia bem/mal, desdobrando a antítese primeira em outras significações, que conduzem à oposição, de cunho imanente, entre a província e a cidade, a família e o sujeito, a casa e a rua. A protagonista Nina, emissária da ordem da cidade, sucumbe ao desencadear a destruição do mundo patriarcal; nesse sentido, encarna o demonismo do sujeito moderno adaptado às singularidades do contexto local.Palavras-chave: Lúcio Cardoso, casa, cidade, demonismo, mal.Abstract: Beyond manichaeism of a strictly religious character, common to the Lúcio Cardoso’s work, the novel Crônica da casa assassinada reorients the dichotomy of good/evil, unfolding the first antithesis in other meanings, leading to the immanent opposition between province and the city, the family and the subject, the house and the street. The protagonist Nina, emissary of the city’s order, succumbs to unleash the destruction of the patriarchal world; in this sense, incarnates the modern subject’s demonism adapted to the singularities of the local context.Keywords: Lúcio Cardoso, house, city, demonism, evil.
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Râmbu, Nicolae. "The demonism of creation in Goethe's philosophy." Trans/Form/Ação 35, no. 3 (December 2012): 67–80. http://dx.doi.org/10.1590/s0101-31732012000300004.

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Goethe's philosophy of creativity revolves around what he called das Dämonische. This essay is not meant as a definition or an explanation of demonic creation, but instead presents a demonic work par excellence, as the term "demonic" is defined by Goethe in the Elegy from Marienbad. The process of the creation of this work, as it is described by Goethe, also represents a strange exorcism, as the entire daemonic creative force of the author is transposed in this lyrical masterpiece of German and universal literature. After writing the Elegy Goethe, it is no longer demonic.
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Radloff, Bernhard. "The Fate of Demonism in William Faulkner." Arizona Quarterly: A Journal of American Literature, Culture, and Theory 46, no. 1 (1990): 27–50. http://dx.doi.org/10.1353/arq.1990.0015.

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Cambers, Andrew, and Nathan Johnstone. "The Devil and Demonism in Early Modern England." Sixteenth Century Journal 38, no. 4 (December 1, 2007): 1105. http://dx.doi.org/10.2307/20478661.

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Johnstone (book author), Nathan, and Jon Olesen (review author). "The Devil and Demonism in Early Modern England." Renaissance and Reformation 31, no. 4 (January 1, 2008): 123. http://dx.doi.org/10.33137/rr.v31i4.9156.

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Khrenov, Nikolai Andreyevich. "From an Exploration of Demonism in Early Modern Era to an Awareness of the Political Catastrophes of the 20 th Century: Notes on “Faust” by Alexander Sokurov." Journal of Flm Arts and Film Studies 6, no. 1 (March 15, 2014): 34–48. http://dx.doi.org/10.17816/vgik6134-48.

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The article focuses on Alexander Sokurovs Faust, one of the most outstanding pieces of Russian and world cinema (a Venice Film Festival Award). It comments on the directors artistic intentions and the affinities with other parts of Sokurovs film tetralogy about the 20 th century dictators Lenin, Hitler and Hirohito. Contemporary postmodern art practices demonstrate an unprecedented freedom in treating the classical masterpieces; at the same time, this approach cannot be applied to Sokurovs film. The author comes to the conclusion that Goethes intention itself could be analyzed only in comparison with the following historical processes. The 20 th century events allow deeper understanding of Goethes prophetic talent. The article raises a question about the origin of such a mental complex as demonism which was significantly growing during the times of religious crisis, and widely expanded nihilism. At the same time, demonism that was discovered during the era of Enlightenment had clashed with an optimistic attitude of Modern as a discourse. Its consequent exploration took place a century later and was associated with Friedrich Nietzsche who had managed to forebode the historical calamities related to the 20 th century revolutions and world wars from his position of a 19 th century philosopher. Nietsche didnt prognosticate arrival of the dictators, but he defined the barbarian spirit in its new civilized forms. The images of the 20 th century dictators became the embodiment of this spirit, so the phenomenon has attracted Sokurovs directorial attention. In his Faust the director put a spotlight on the early Modern era when the Man began to claim Gods heavenly position. Goethean times with a strong intention to build utopia, as well as an immortal tragedy by Goethe, had attracted Alexander Sokurov who saw it as a harbinger of the 20 th century realities. Goethes tragedy is one of the first attempts to understand the inner workings of the constructive, creative and destructive elements that have been invading the world during the early Modern era. Sokurovs films tell the story of how utopia turned into its opposite, an anti-utopia, i.e. the destructive forms of demonism.
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Gibson, Marion. "The Devil and Demonism in Early Modern England (review)." Histoire sociale/Social history 41, no. 82 (2008): 627–29. http://dx.doi.org/10.1353/his.0.0050.

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Scott, David. "Conversion and Demonism: Colonial Christian Discourse and Religion in Sri Lanka." Comparative Studies in Society and History 34, no. 2 (April 1992): 331–65. http://dx.doi.org/10.1017/s0010417500017710.

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Since the publication of Edward Said's Orientalism in 1978, it has been difficult for anthropology to avoid the fact that its own discourse is ever entangled in a whole Western archive. What became clear, of course, was that the categories through which anthropology constructs descriptions and analyses of the social discourses and practices of non-Western peoples are themselves participants in a network of relations of knowledge and power. Interestingly enough, however, whereas the general import of this Foucauldian thesis has now been quickly assimilated, its challenge has hardly been taken up in terms of tracing out the lines of formation of specific anthropological, or, let us say, anthropologized, concepts.
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Olson, Glending. "Demonism, Geometric Nicknaming, and Natural Causation in Chaucer’s Summoner’s and Friar’s Tales." Viator 42, no. 1 (January 2011): 247–82. http://dx.doi.org/10.1484/j.viator.1.102010.

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Skoropadskaya, Anna. "СЕМАНТИКА ЕВАНГЕЛЬСКОГО ЭПИГРАФА К РОМАНУ «БЕСЫ» Ф. М. ДОСТОЕВСКОГО кандидат фи." Проблемы исторической поэтики 18, no. 4 (November 2020): 209–28. http://dx.doi.org/10.15393/j9.art.2020.8802.

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The article is devoted to the review of the gospel epigraph to the novel Demons from the point of view of the ancient tradition. The parable of the Gadarene demoniac, which correlates with the title and the figurative and semantic content of the novel, actualizes the concept of devilry, the nominative field of which includes the lexeme demon. In addition to historical and literary content, this lexeme has a deep historical and philosophical meaning that goes back to the demon of Socrates described by Plato. The mythological δαίμων and the Socratic τὸ δαιμόνιον possess generally positive semantics, but in the Christian tradition, which replaced antiquity, the nomination demon began to denote an evil demonic force that seeks to take over a person’s soul. The Russian lexeme bes, as well as the words derived from it — Russian besnovaty and besnovanie (demoniac and possession by demons), is synonymous with demon, which is of a Greek origin. Demonic possession, which manifests itself outwardly in the loss of reason, is equated with spiritual illness. For such States, Plato uses the words μαίνομαι and μανία, the root of which is present in the words mania and maniac, denoting obsession with a certain idea. In both ancient Greek and Russian, this root has a negative connotation. Thus, demonic possession, described in the gospel as a spiritual illness, goes back to the ancient concepts of δαιμονίζομαι and μαίνομαι. This perspective allows us to reveal additional layers of meaning in the gospel epigraph and, as a result, in the novel itself.
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Dissertations / Theses on the topic "Demonism"

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Mountian, Daniela. "Simbologia do caos em O diabo mesquinho de Fiódor Sologub." Universidade de São Paulo, 2011. http://www.teses.usp.br/teses/disponiveis/8/8155/tde-15062012-103007/.

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Este trabalho se propôs a analisar O Diabo Mesquinho (1892-1902), romance-chave de Fiódor Sologub (1863-1927), um dos expoentes do simbolismo russo. Além da importância incontestável da obra para a literatura russa e mundial, foi estímulo para a pesquisa a possibilidade de delinear o primeiro estudo acadêmico sobre o autor no Brasil. A análise seguiu duas direções, que continuamente se encontraram: a evidente tessitura paródica, e a presença de arquétipos míticos universais perpassados por elementos do folclore russo. Quanto ao uso da paródia, tendo como base teórica autores como Iuri Tyniánov e Mikhail Bakhtin, foram feitas aproximações de O Diabo Mesquinho com textos de Aleksándr Púchkin, Nikolai Gógol e Fiódor Dostoiévski, cujas marcas deflagradas são essenciais para o entendimento da estrutura da obra, assim como o narrador que, subvertendo a estética realista, organiza esses discursos. Com relação à incorporação de arquétipos literários, a qual ressalta a dimensão paródica e a contextura neomitológica, tal como conceituada por Zara Mints, foi desenvolvida uma análise do desdobramento do anti-herói Ardalión Peredonov, um trickster diabólico, no herói cultural mítico. Esse aprofundamento, embasado sobretudo em Eliazar Meletínski, desvelou a articulação que a narrativa faz entre as dualidades míticas mais estáveis (caos versus cosmos, próprio versus alheio), as construções de herói e de anti-herói, e os traços folclóricos e do demonismo popular. A convivência desses componentes conduz o enredo ao caos mítico junto da loucura progressiva de Peredonov. A breve contextualização do simbolismo russo, movimento que, apoiado na própria cultura e história, inaugurou novos rumos na arte e na filosofia russas, foi também fundamental para trabalhar com O Diabo Mesquinho, pois o romance consagra seus grandes mestres, sublinha seu contexto gerador e rompe paradigmas.
The research aims at analysing The Petty Demon (1892-1902), a key novel by Fiódor Sologub (1863-1927) who is one of the best known writers of the Russian symbolism. The importance of this novel is well established for Russian and world literature, and this research thesis was the first academic study on the author in Brazil. The analysis followed two main directions, which appear in intersection: first, the evident parodist structure of the text and second, the presence of universal mythic archetypes juxtaposed by elements of the Russian folklore, which inhabit the narration. Regarding the use of parody, drawing on Iuri Tyniánov and Mikhail Bakhtin, the analysis establish dialogues between The Petty Demon and texts by Aleksándr Púchkin, Nikolai Gógol and Fiódor Dostoiévski. These parodist dialogues are seen here as essential for the understanding of the structure of the text, as well as the narrator who organises these discourses subverting the realistic aesthetics. In relation to the incorporation of literary archetypes in the novel, highlighting the parodist dimension and the neomythologic structure, as conceptualised by Zara Mints, an analysis was developed on the history of the anti-hero Ardalión Peredonov, a diabolic trickster, as a cultural mythic hero. This in-depth analysis drawing on Eliazar Meletínski, unravelled the articulation between well established mythic dualities (chaos versus cosmos); the construction of the hero and anti-hero; and the folkloric characteristics and popular demonism. The relation between these components guides the story to the mythic chaos alongside the gradual madness of Peredonov. The brief contextualisation put forward in this research thesis of the Russian symbolism - a movement that based on its own culture and history launched new paths for Russian arts and philosophy - was fundamental to the analysis of The Petty Demon, as the novel established great masters in literature, highlighted its symbolist context and broke paradigms.
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Espi, Forcen Fernando. "Demons, fast and death : mental health in the late middle ages = Demonios, ayuno y muerte : salud mental en la Baja Edad Media." Doctoral thesis, Universidad de Murcia, 2015. http://hdl.handle.net/10803/361102.

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Abstract Introduction: With the expansion of Christianity in the Roman Empire, a religious approach was taken to understand mental illness during the Middle Ages. Hypothesis: It is possible to elucidate the status of mental health in the Late Middle Ages through psychiatric interpretation of demonic possessions, holy fasting and death anxiety. Methods: A number of cases of exorcisms narrated in the hagiographies of Saints, several cases of women who practiced fasting have been analyzed, and the manuals that helped friars assist the dying during the late Middle Ages have been interpreted and analyzed. Results: In the study of demonic possessions we see traits of mental disorders compatible with mood, psychotic, dissociative, cognitive, personality disorders and neurological conditions. Women who practiced fasting show symptoms that resemble anorexia nervosa. Death anxiety was very common in the Late Middle Ages, manuals like Ars Moriendi helped friars assist the dying. Discussion: The risk of studying medieval behavior from a psychiatric perspective is to miss behaviors compatible with mental illness and to impose current psychiatric nosology on the past. However recent neuroscientific literature on mental illness and review of past literature supports the existence of mental illness throughout history. Conclusions: It is possible to elucidate the status of mental illness in the Late Middle Ages through the views of demonic possessions, holy fasting and death anxiety.
Resumen en Español Introducción: Con la expansión del Cristianismo en el Imperio Romano, la enfermedad mental, las teorías religiosas predominaron para explicar la enfermedad mental durante la Edad Media. Hipótesis: Es posible estudiar la salud mental en la Baja Edad Media a través del estudio de la posesión demoníaca, el santo ayuno y la ansiedad de la muerte. Métodos: Se han estudiado varios casos descritos en las hagiografías de los Santos, de mujeres que practicaban el ayuno por razones religiosas y los manuales que se empleaban para asistir a los moribundos. Resultados: En el estudio de la posesión demoníaca se intuyen rasgos de trastornos mentales de tipo psicótico, del ánimo, disociativos, cognitivos, de personalidad y neurológicos. Las mujeres que practicaban el ayuno religioso muestran rasgos parecidos a los de la anorexia nerviosa. La ansiedad de la muerte era muy común en la Baja Edad Media y manuales como el Ars Moriendi eran de utilidad para ayudar a los moribundos. Discusión: el riesgo de estudiar el comportamiento medieval desde una perspectiva psiquiátrica conlleva la posibilidad de imponer la nosología actual en el pasado y de que pasen desapercibidas conductas compatibles con la enfermedad mental. Con todo, los avances neurocientíficos sobre la enfermedad mental, y la revisión de literatura existente sugieren la existencia de la enfermedad mental a lo largo de la historia. Conclusiones: Es posible elucidar el estado de la enfermedad mental en la Baja Edad Media a través del estudio de las posesiones demoníacas, del ayuno y de la ansiedad de la muerte. Introduccion: Durante la Edad Media predominaban teorías religionsas o espirituales para explicar el comportamiento errático. Examinando las narrativas literarias de exorcismos se pueden hallar rasgos de tipo ansioso, depresivo, piscótico y de personalidad. Examinando las narrativas de Santos que practicaban el ayuno se hallan rasgos de trastornos de la conducta alimentaria. La muerte prematura en la Edad Media era frecuente debido a epidemias como las peste negra entre otras. La ansiedad de la muerte en la población medieval generan una serie de manuales con el fin de ayudar a los frailes asistir a los moribundos. Las estrategias empleadas en estos manuales tienen paralelos con las técnicas que se usan hoy día para tratar la ansiedad de los pacientes con enfermedades terminales.
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Nanneman, Alexandria. "The Cultural Theatrics of Early Modern Images of Demonic Possession." Thesis, University of Oregon, 2016. http://hdl.handle.net/1794/20669.

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Artists creating images of demonic possession during the Roman Catholic Counter-Reformation communicated theological messages by accentuating the most famous and dramatic exorcisms. This project proposes an interpretive structure, called cultural theatrics, for analyzing these works. Brian Levack’s theory of cultural performance provides the framework from which cultural theatrics develops. Levack’s cultural performance includes the demoniac and the exorcist as participants in religious dramas who act in a way that their religious communities expected them to act. However, this thesis proposes that images of possession and exorcism (rather than the historical events of alleged possession and exorcism themselves) are more appropriate subject matter for studying the theatricality of possession because artists held the interpretative leverage of conveying theological messages through depictions of exorcisms. This research shows how the artist, patron, and learned advisor mobilize cultural theatrics in images of demonic possession.
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De, Carufel Jean-Lou. "Demonic Kleene Algebra." Doctoral thesis, Québec : Université Laval, 2009. http://www.theses.ulaval.ca/2009/25981/25981.pdf.

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Schiel, Rachael. "Quiet Demons." Chapman University Digital Commons, 2019. https://digitalcommons.chapman.edu/creative_writing_theses/13.

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Guckelberg, Bruce William. "Believers' demonization, a doctrinal evaluation." Theological Research Exchange Network (TREN) Access this title online, 2005. http://www.tren.com/search.cfm?p096-0003.

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Livingston, Hannah M. "Demonic conflict in Mark." Theological Research Exchange Network (TREN) Access this title online, 2005. http://www.tren.com.

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Johnson, Perry Wesley. "Ghost and demons." College Park, Md. : University of Maryland, 2006. http://hdl.handle.net/1903/3642.

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Thesis (M.F.A.) -- University of Maryland, College Park, 2006.
Thesis research directed by: Dept. of Art. Title from t.p. of PDF. Includes bibliographical references. Published by UMI Dissertation Services, Ann Arbor, Mich. Also available in paper.
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Glomsås, Guttorm. "Demons and crystals." Thesis, Kungl. Konsthögskolan, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:kkh:diva-462.

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At Nordnes in Bergen there are a stone foundation supporting a plateau with buildings and an old fort. In the stone foundation, almost like a cave, there are a public urinal. As rain pours down, the mortar holding together the stones in the structures slowly dissolves into a flow of water. When the water flow passes the room of the urinal it gets exposed to heat from the air and sun which causes the water to evaporate and the minerals from the mortar to precipitate out in to stalactites. If left unattended this would eventually lay down the fort and the buildings in a ruin, and the empty space of the urinal would be filled by a mineral structure.
Bildene er av eksamensverket "Metallfeber"
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Delmar, Jose. "De la publicidad y otros demonios." THĒMIS-Revista de Derecho, 2015. http://repositorio.pucp.edu.pe/index/handle/123456789/108820.

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Books on the topic "Demonism"

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Supernatural environments in Shakespeare's England: Spaces of demonism, divinity, and drama. Cambridge: Cambridge University Press, 2011.

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Brown, Dan. Engeli un demoni =: Angels & demons. Riga: Kontinents, 2004.

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G, Bromley David, ed. Cults and new religions: A brief history. Malden, MA: Blackwell Pub., 2007.

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Mäyrä, Ilkka. Demonic texts and textual demons: The demonic tradition, the self, and popular fiction. Tampere: Tampere University Press, 1999.

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1952-, Jantz Stan, ed. World religions and cults 101. Eugene, Or: Harvest House Publishers, 2005.

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Marquez, Gabriel Garcia. Del amor y otros demonios: Of love and other demons. Mexico: Editorial Diana, 1994.

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Haastrup, Israel A. Demons and demonic forces: A book on the secrets of the life and behaviour of demons. Port Harcourt, Nigeria: Pam Unique Pub. Co., 1989.

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Rojas, Miguel A. García. Origins: Gods and demonds [i.e. demons] in Colombian myths and legends. [Tunja: UPTC], 1993.

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Zaccardi, Alejandro. Demonios. [La Plata?, Argentina]: Cámara Argentina del Libro, 2002.

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Eiximenis, Francesc. Àngels e demonis. Barcelona: Quaderns Crema, 2003.

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Book chapters on the topic "Demonism"

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Clunies Ross, Margaret. "2.1.3. Demonism and the Pre-Christian Gods of Scandinavia." In The Pre-Christian Religions of the North, 119–26. Turnhout: Brepols Publishers, 2018. http://dx.doi.org/10.1484/m.pcrn-eb.5.115248.

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Gregor, Brian. "Strangers, Gods, and Demons: Toward a Carnal Hermeneutics of the Demonic." In Anacarnation and Returning to the Lived Body with Richard Kearney, 107–25. New York: Routledge, 2022. http://dx.doi.org/10.4324/9781003285649-9.

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Jacques-Chaquin, Nicole. "Demoniac Conspiracy." In Changing Conceptions of Conspiracy, 71–85. New York, NY: Springer New York, 1987. http://dx.doi.org/10.1007/978-1-4612-4618-3_4.

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Stephenson, Craig. "Demons." In Encyclopedia of Psychology and Religion, 624–27. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-24348-7_160.

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Stephenson, Craig. "Demons." In Encyclopedia of Psychology and Religion, 478–81. Boston, MA: Springer US, 2014. http://dx.doi.org/10.1007/978-1-4614-6086-2_160.

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Diamond, Stephen A., Paul Larson, Jennifer Amlen, Kathryn Madden, Kathryn Madden, Todd DuBose, Bonnie Smith Crusalis, et al. "Demons." In Encyclopedia of Psychology and Religion, 218–20. Boston, MA: Springer US, 2010. http://dx.doi.org/10.1007/978-0-387-71802-6_160.

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de Macedo, Heitor O’Dwyer. "Demons." In Clinical Lessons on Life and Madness, 135–83. Milton Park, Abingdon, Oxon ; New York, NY : Routledge, 2018.: Routledge, 2018. http://dx.doi.org/10.4324/9781351014557-6.

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Wakolbinger, Manfred. "Demonic Power." In Unter der Oberfläche / Under the Surface, 34–35. Vienna: Springer Vienna, 2012. http://dx.doi.org/10.1007/978-3-7091-1075-1_6.

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Tomlins, Christopher. "Demonic Ambiguities." In Market Ethics and Practices, c. 1300–1850, 87–106. Abingdon, Oxon ; New York, NY : Routledge, 2017.: Routledge, 2017. http://dx.doi.org/10.4324/9781315123677-5.

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Morriston, Wes. "Skeptical Demonism:." In Skeptical Theism: New Essays, 221–35. Oxford University Press, 2014. http://dx.doi.org/10.1093/acprof:oso/9780199661183.003.0016.

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Conference papers on the topic "Demonism"

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Tang, Chao, Xiaohui Xie, and Ruxu Du. "Improved Image Registration Technique Using Demons and B-Spline." In ASME 2013 International Mechanical Engineering Congress and Exposition. American Society of Mechanical Engineers, 2013. http://dx.doi.org/10.1115/imece2013-65830.

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Non-rigid image registration is an important and challenge work in image processing. The demons algorithm is one of the most effective non-rigid image registration methods. However, it is only suitable for images with small deformation. In recent years, many improving techniques are proposed. The free form deformation method based on B-spline function is widely employed in non-rigid image registration and is good at dealing with large deformation image registration. However, the performance of the demons algorithm is better than that of the B-spline method in dealing with small deformation registration. Therefore, in this paper, we propose to combine the demons algorithm and the B-spline method. The new method consists of two steps: First, it applies the B-spline method to deal with the large deformation. Then, it uses the demons algorithm to treat the small deformation. The testing results show that the new method is effective in dealing images with both small and large deformations. Comparing to the demons algorithm as well as the B-spline method, the new method has the smallest registration error and hence, is the best.
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Chow, Philip, Wesley Bonelli, Yu Huang, Karl Fua, Bethany A. Teachman, and Laura E. Barnes. "DEMONS." In UbiComp '16: The 2016 ACM International Joint Conference on Pervasive and Ubiquitous Computing. New York, NY, USA: ACM, 2016. http://dx.doi.org/10.1145/2968219.2968300.

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Rusinova, Irina I. "Demonyms in the ethnodialectal «Dictionary of mythological narratives of the Perm region»." In Lexicography of the digital age. TSU Press, 2021. http://dx.doi.org/10.17223/978-5-907442-19-1-2021-73.

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Urazmetova, Aleksandra Vladimirovna. "Demonym formation in English." In VI International Scientific and Practical Conference. TSNS Interaktiv Plus, 2017. http://dx.doi.org/10.21661/r-463733.

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Wilson, P. R., and T. G. Moher. "Demonic memory for process histories." In the ACM SIGPLAN 1989 Conference. New York, New York, USA: ACM Press, 1989. http://dx.doi.org/10.1145/73141.74848.

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Tchier, Fairouz. "Demonic Semantics and Fixed Points." In 2009 International Conference on Computing, Engineering and Information (ICC). IEEE, 2009. http://dx.doi.org/10.1109/icc.2009.15.

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Habeck, Michael. "Nested sampling with demons." In BAYESIAN INFERENCE AND MAXIMUM ENTROPY METHODS IN SCIENCE AND ENGINEERING (MAXENT 2014). AIP Publishing LLC, 2015. http://dx.doi.org/10.1063/1.4905971.

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8

Salem, Leila. "Angelic and demonic visitation: school memories." In SPLASH '21: Software for Humanity. New York, NY, USA: ACM, 2021. http://dx.doi.org/10.1145/3486607.3486773.

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Thirion, J. P. "Non-rigid matching using demons." In Proceedings of IEEE Conference on Computer Vision and Pattern Recognition. IEEE, 1996. http://dx.doi.org/10.1109/cvpr.1996.517081.

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Yang, Nanzi, Wenbo Shen, Jinku Li, Yutian Yang, Kangjie Lu, Jietao Xiao, Tianyu Zhou, et al. "Demons in the Shared Kernel." In CCS '21: 2021 ACM SIGSAC Conference on Computer and Communications Security. New York, NY, USA: ACM, 2021. http://dx.doi.org/10.1145/3460120.3484744.

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Reports on the topic "Demonism"

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Vivek Agarwal, Nancy J. Lybeck, and Laura C. Matacia. Light Water Reactor Sustainability Program Demonst. Office of Scientific and Technical Information (OSTI), September 2013. http://dx.doi.org/10.2172/1097696.

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Fabregat, Isabel. Papel del TGF-β en carcinogénesis: ¿Ángel o demonio? Sociedad Española de Bioquímica y Biología Molecular (SEBBM), May 2011. http://dx.doi.org/10.18567/sebbmdiv_anc.2011.05.1.

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Benavides-Delgado, Jacqueline. Sobre el amor y el demonio de la violencia en las relaciones de noviazgo. Universidad Cooperativa de Colombia, 2016. http://dx.doi.org/10.16925/greylit.1573.

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Liedman, Sean R. Finding the Demons in Our Midst: Utilizing DOD ISR Assets to Combat Terrorist Use of CBRNE Weapons. Fort Belvoir, VA: Defense Technical Information Center, February 2002. http://dx.doi.org/10.21236/ada402235.

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Nishiyama, Jitsuya. Confronting Noh Demons: Zeami's Demon Pacifying Noh and Nobumitsu's Demon Killing Noh. Portland State University Library, January 2000. http://dx.doi.org/10.15760/etd.7011.

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