Relevant bibliographies by topics / Demonology in music

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Academic literature on the topic 'Demonology in music'

Author: Grafiati
Published: 27 July 2024
Last updated: 31 July 2025

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Journal articles on the topic "Demonology in music"

1

Golovakha-Hicks, Inna. "Demonology in Contemporary Ukraine: Folklore or ?Postfolklore??" Journal of Folklore Research: An International Journal of Folklore and Ethnomusicology 43, no. 3 (2006): 219–40. http://dx.doi.org/10.2979/jfr.2006.43.3.219.

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Golovakha-Hicks, Inna. "Demonology in Contemporary Ukraine: Folklore or "Postfolklore"?" Journal of Folklore Research 43, no. 3 (2006): 219–40. http://dx.doi.org/10.1353/jfr.2007.0001.

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3

Stephens, Walter. "Learned Credulity in Gianfrancesco Pico’s Strix." Renaissance and Reformation 42, no. 4 (2020): 17–40. http://dx.doi.org/10.7202/1068573ar.

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In 1522–23, Gianfrancesco Pico della Mirandola was involved in trials that executed ten accused witches. Soon after the trials, he published Strix, sive de ludificatione daemonum, a meticulous defence of witch-hunting. A humanistic dialogue as heavily dependent on classical literature and philosophy as on Scholastic demonology, Strix is unusually candid about the logic of witch-hunting. A convicted witch among its four interlocutors makes Strix unique among witch-hunting defenses. Moreover, it devotes less attention to maleficia or magical harm than to seemingly peripheral questions about sacr
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Stephens, Walter. "Learned Credulity in Gianfrancesco Pico’s Strix." Renaissance and Reformation 42, no. 4 (2020): 17–40. http://dx.doi.org/10.33137/rr.v42i4.33705.

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In 1522–23, Gianfrancesco Pico della Mirandola was involved in trials that executed ten accused witches. Soon after the trials, he published Strix, sive de ludificatione daemonum, a meticulous defence of witch-hunting. A humanistic dialogue as heavily dependent on classical literature and philosophy as on Scholastic demonology, Strix is unusually candid about the logic of witch-hunting. A convicted witch among its four interlocutors makes Strix unique among witch-hunting defenses. Moreover, it devotes less attention to maleficia or magical harm than to seemingly peripheral questions about sacr
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5

Верещагина, Е., та А. Зорин. "«Вольный стрелок» Карла Марии фон Вебера в русской культуре XIX века (Молитва Агаты над Волчьей долиной)". Novoe Literaturnoe Obozrenie, № 186 (5 березня 2024). https://doi.org/10.53953/08696365_2024_186_2_123.

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В статье рассмотрена история рецепции оперы К.-М. Вебера «Вольный стрелок» («Der Freischütz») в России XIX века от первых упоминаний об опере в печати 1820-х годов до чеховской «чайки». Мы анализируем историю повседневного бытования оперы, критических откликов на нее, литературных аллюзий, идеологических и художественных переосмыслений. Успех и значение оперы на российской почве определялись специфическим сочетанием романтического демонизма, темы жертвенной ангелоподобной героини и обращением к идее народности в музыке. The article discusses the reception history of K.-M. Weber’s Der Freischüt
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6

Davies, Elizabeth. "Bayonetta: A Journey through Time and Space." M/C Journal 19, no. 5 (2016). http://dx.doi.org/10.5204/mcj.1147.

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Art Imitating ArtThis article discusses the global, historical and literary references that are present in the video game franchise Bayonetta. In particular, references to Dante’s Divine Comedy, the works of Dr John Dee, and European traditions of witchcraft are examined. Bayonetta is modern in the sense that she is a woman of the world. Her character shows how history and literature may be used, re-used, and evolve into new formats, and how modern games travel abroad through time and space.Drawing creative inspiration from other works is nothing new. Ideas and themes, art and literature are f
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7

"Buchbesprechungen." Zeitschrift für Historische Forschung 46, no. 1 (2019): 83–218. http://dx.doi.org/10.3790/zhf.46.1.83.

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Edelmayer, Friedrich / Gerhard Pfeisinger (Hrsg.), Ozeane. Mythen, Interaktionen und Konflikte (Studien zur Geschichte und Kuktur der iberischen und iberoamerikanischen Länder, 16), Münster 2017, Aschendorff, 336 S. / Abb., € 49,00. (Ruth Schilling, Bremen / Bremerhaven) Jaynes, Jeffrey, Christianity beyond Christendom. The Global Christian Experience on Medieval Mappaemundi and Early Modern World Maps (Wolfenbütteler Forschungen, 149), Wiesbaden 2018, Harrassowitz in Kommission, 483 S. / Abb., € 128,00. (Gerda Brunnlechner, Hagen) Weltecke, Dorothea (Hrsg.), Essen und Fasten. Interreligiöse A
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Books on the topic "Demonology in music"

1

Garcia, Kami. Dangerous Deception (Dangerous Creatures Series, Book 2). Little Brown & Company, 2015.

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2

Quando il diavolo ci mette le note: Presenze sulfuree nella musica lirica e non solo, fra tentazioni, caccia alle streghe, inquisizione, tortura e magie. Quattro, 2019.

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3

Moynihan, Michael, and Didrik Soderlind. Lords of Chaos: The Bloody Rise of the Satanic Metal Underground. Feral House, 2003.

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4

West, Jacqueline. Last Things. HarperCollins Publishers, 2019.

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5

Mason-Black, Jennifer, and Carly Robins. Devil and the Bluebird. Audible Studios on Brilliance, 2016.

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6

Mason-Black, Jennifer. Devil and the Bluebird. Abrams, Inc., 2016.

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7

FUGA SATANAE. MUSIQUE ET DEMONOLOGIE A L'AUBE DES TEMPS MODERNES. DROZ, 2018.

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8

Garcia, Kami, and Margaret Stohl. Dangerous Deception. Little, Brown Young Readers, 2015.

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9

Garcia, Kami, and Margaret Stohl. Dangerous Deception (Dangerous Creatures Series, Book 2). Penguin Books, Limited, 2015.

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