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Relevant bibliographies by topics / Deng Lijun

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Academic literature on the topic 'Deng Lijun'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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Journal articles on the topic "Deng Lijun"

1

Ahn, Young-yeun. "Deng LiJun and ‘Emotional Enlightenment’." Korea Journal of Chinese Language and Literature 83 (March 31, 2021): 109–35. http://dx.doi.org/10.46612/kjcll.2021.03.83.109.

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2

Mello, Cecília. "De dia Deng Xiaoping, de noite Deng Lijun: música e memória em Plataforma." Significação: Revista de Cultura Audiovisual 42, no. 43 (August 7, 2015): 146. http://dx.doi.org/10.11606/issn.2316-7114.sig.2015.96619.

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<p>Este artigo é dedicado à relação intermidiática entre o cinema e a música pop em mandarim no filme <em>Plataforma </em>(<em>Zhantai</em>, 2000) do cineasta chinês Jia Zhang-ke. Um dos principais diretores do cinema mundial contemporâneo, Jia é considerado o maior expoente da Sexta Geração do cinema chinês, também conhecida como a “geração urbana” por seu enfoque na vida e na paisagem das cidades em constante mutação da China atual. As diversas canções que pontuam o filme, que traça um panorama das transformações ocorridas no país durante a década de 1980 a partir da história de uma trupe de artistas itinerantes, são por um lado fragmentos da memória individual e autoral de Jia, transformados em peças importantes no seu empenho de reconstrução de uma memória coletiva através do cinema. Por outro lado, e para além de seu valor memorial, o impacto dessas canções nos anos 1980 e 1990 na China continental está relacionado, em grande medida, ao seu caráter de novidade, tanto por virem do exterior (principalmente de Hong Kong e Taiwan) quanto por empregarem a enunciação na primeira pessoa do singular, algo ausente nas canções revolucionárias chinesas ubíquas até então. Assim, a hipótese a ser explorada é de que a inclusão de canções pop em <em>Plataforma</em> se manifesta como uma marca autoral complexa relacionada à emergência e valorização do indivíduo no panorama das recentes mudanças econômicas e sociais da China continental. </p>

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Harris, Rachel. "China's New Voices: Popular Music, Ethnicity, Gender, and Politics, 1978–1997. By Nimrod Baranovitch. [Berkeley, Los Angeles and London: University of California Press, 2003. xiv+332 pp. £16.95; $24.95. ISBN 0-520-23450-2.]." China Quarterly 178 (June 2004): 518–19. http://dx.doi.org/10.1017/s0305741004270291.

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An enjoyable overview of the world of pop, rock and politics in Beijing, accessible for students of Chinese culture and popular music studies. This is an area that has been exceptionally well covered in the literature, and Baranovitch's claim to originality lies mainly in his focus on ethnicity and gender. The overview of the development of pop from 1978–97 does a useful job of drawing together the various strands, though most of this is very familiar from the writings of Geremie Barmé, Andrew Jones et al. We begin with the introduction of Gangtai (Hong Kong and Taiwan pop) to the mainland, led by Deng Lijun whose ‘coquettish nasal slides,’ Baranovitch rightly suggests, were more truly subversive in China in 1978 than any of the subsequent rock and punk styles. Baranovitch chronicles the rise of the xibeifeng, the Shaanbei folk-infused rock style, linking it into the xungun roots movement and Tiananmen. An interesting section on qiuge or ‘prison songs,’ popular in 1988, explores somewhat less well-known territory. We follow the rise of the commercial, the karaoke craze and Mao fever, and the co-option of at least some of the rebellious rockers by the state. Baranovitch enthusiastically reveals the significance of music in the political arena, and its ability to prefigure, even shape the political.

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4

Anxiu, Pu. "Letter to Deng Liqun." Chinese Law & Government 24, no. 4 (December 1991): 55–56. http://dx.doi.org/10.2753/clg0009-4609240455.

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5

Liqun, Deng. "Permanently on Heat: An Interview with Comrade Deng Liqun." Chinese Sociology & Anthropology 28, no. 1 (October 1995): 54–58. http://dx.doi.org/10.2753/csa0009-4625280154.

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6

Baum, Richard. "Deng Liqun and the Struggle Against "Bourgeois Liberalization", 1979-1993." China Information 9, no. 4 (March 1995): 1–35. http://dx.doi.org/10.1177/0920203x9500900401.

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7

Poniman, Christiawan, Tri Sunardi, and Hesti Pujiwati. "SERANGAN HAMA PENGGEREK POLONG PADA ENAM VARIETAS KEDELAI DAN PENGARUHNYA TERHADAP HASIL." Jurnal Ilmu-Ilmu Pertanian Indonesia 22, no. 1 (May 22, 2020): 38–44. http://dx.doi.org/10.31186/jipi.22.1.38-44.

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[POD BORER ATTACK ON SIX SOYBEAN VARIETIES AND THEIR EFFECTS ON YIELD]. This study aims to determine the level of pod borer attack on six soybean varieties and their effects on yields. This research was conducted from December 2017 to March 2018 in the Experimental Field of the Faculty of Agriculture, University of Bengkulu, Kandang Limun Village, Muara Bangkahulu District, Bengkulu City. The experimental design used was a Randomized Complete Block Design (RCBD) with the treatment of six soybean varieties (Demas, Argomulyo, Dega, Ringing, Echo, and Dena I) and was repeated 4 times so that there were 24 experimental units. The results showed that the percentage of pod attack on the Demas, Argomulyo, Ringing, Gema, and Dena I varieties was classified as resistant, while the Dega variety was relatively resistant. Whereas the percentage of seed attack in all soybean varieties tested was classified as resistant. Argomulyo varieties have higher resistance to pod borer attack than other varieties because they produce the highest number of trichomes, and the lowest number of larvae per plant. Argomulyo variety produces the highest number of seed weight per plant, and the highest seed weight per plot. The echo variety produces the highest number of total pods, while the Dega variety produces the highest weight of 100 seeds.

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Dissertations / Theses on the topic "Deng Lijun"

1

Cheng, Chen-Ching. "Negotiating Deng Lijun : collective memories of popular music in Asia during the Cold War period." Thesis, University of Edinburgh, 2016. http://hdl.handle.net/1842/25888.

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This study uses the pop music scene as a tool to analyse contemporary cultural history in Asia, with a focus on the cold-war and post-cold war period (1960s-1990s). The primary objective is to present how Pan-Chinese music shaped peoples’ collective memories in Asia and to investigate issues such as cultural history identification, cultural worship, colonisation, nostalgia, and how these influence each other. The secondary objective is to analyse which factors can influence peoples’ collective memories, since similar pop music and historical backgrounds in Asia can be located. A particular focus is Deng Lijun (also known as Teresa Teng) (1964-1995) who is considered the most influential popular singer able to transcend ideological barriers in Asia. Through in-depth interviews carried out in China, Taiwan, Hong Kong and Japan during 2010, audience perceptions focusing on Deng Lijun's personality, music and performances were recorded and analysed in order to create focal points regarding the collective memory of her work. The main interest of this thesis is not only her role as a singer, but also her ability to capture different cultural imaginations, to initiate processes of identification and to transcend different country’s frontiers (Taiwan, China, Hong Kong, South-East Asia and Japan), particularly since these countries champion different ideological perspectives. Her fame and commercial success had a huge cultural impact, and as a result she was the first cultural carrier to break the boundaries of the Cold-War era in Asia. Apart from examining the social, cultural and political factors that influence pop music, the industry behind it and shared audience memories, the focal point of the thesis is to draw attention to aspect of time by examining how the cold war in Asia reconstructed pop music’s cultural symbols and how these symbols were transformed through different ideological structures and facets. Using the information gathered from interviews and archives, this study explores the role of popular music in political struggles between warring ideologies and shows how those struggles both informed and were informed by the sentimental songs of a global popular music idol.

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2

"Commercialization or moralization in fandom?: Understanding the organizational dynamics and roles of Hong Kong fan clubs." 2004. http://library.cuhk.edu.hk/record=b5891954.

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Cheng Wai Sum, Christine.
Thesis (M.Phil.)--Chinese University of Hong Kong, 2004.
Includes bibliographical references (leaves 133-135).
Abstracts in English and Chinese.
Chapter Chapter 1 --- Background --- p.1-5
Chapter Chapter 2 --- Literature Review and Research Methods --- p.6-24
Chapter Chapter 3 --- Framework for Data Analysis and Interpretation: A Commercialization-Moralization Continuum --- p.25-33
Chapter Chapter 4 --- The Commercializing Role of a Fan Club: Joey Yung International Fan Club --- p.34-66
Chapter Chapter 5 --- The Moralizing Role of a Fan Club: Hong Kong Teresa Teng Fan Club --- p.67-97
Chapter Chapter 6 --- A Dual-purpose Fan Club: Andy World Club (AWC) Limited --- p.98-119
Chapter Chapter 7 --- Discussion and Conclusion References --- p.120-132

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Books on the topic "Deng Lijun"

1

Zhaojun and Fang Xu 1952-, eds. Deng Lijun hua zhuan. Beijing: Zuo jia chu ban she, 2004.

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2

Weineng, Pan, ed. Qing mi Deng Lijun. Beijing: Xin xing chu ban she, 2005.

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3

Xidong, Yang, ed. Zen neng yi wang Deng Lijun. Taibei Shi: Pu jin chuan bo you xian gong si, 2006.

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4

He, Lou, ed. Deng Lijun quan zhuan: 1953-1995. Beijing Shi: Beijing lian he chu ban gong si, 2012.

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5

He ri jun zai lai: Deng Lijun. Changsha: Hunan shi fan da xue chu ban she, 2011.

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6

Deng Lijun wen jiao ji jin hui, ed. Jue xiang: Yong yuan de Deng Lijun. Taibei Shi: Shi bao wen hua chu ban qi ye gu fen you xian gong si, 2013.

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7

He, Lou, ed. Deng Lijun si fang xiang ce 1953-1995. Taibei Shi: Lian jing chu ban shi ye gu fen you xian gong si, 2005.

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8

Zai lü tu zhong yu jian Deng Lijun. Taibei Shi: Dong sen mei ti ke ji gu fen you xian gong si wen hua shi ye bu, 2001.

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9

Qiongxiong, ed. Ge mi xiao jie: Deng Lijun cheng ming shi = Teresa Teng. Beijing: Zuo jia chu ban she, 2005.

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10

Lian lian Luzhou qing: Deng Lijun zai Luzhou de sui yue. Taibei Xian: Bo yang wen hua shi ye you xian gong si, 2001.

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Book chapters on the topic "Deng Lijun"

1

Lin, Pei-yin. "How China is Changed by Deng Lijun and Her Songs." In Taiwan's Impact on China, 179–202. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-33750-0_8.

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2

"Defender of the faith: Deng Liqun and leftism." In China And The New Maoists. Zed Books Ltd, 2016. http://dx.doi.org/10.5040/9781350219090.ch-003.

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