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Relevant bibliographies by topics / Denis Diderot

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Academic literature on the topic 'Denis Diderot'

Author: Grafiati

Published: 4 June 2021

Last updated: 20 February 2023

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Journal articles on the topic "Denis Diderot"

1

Guinsburg, Jacó. "Denis Diderot." Revista USP, no. 4 (February 28, 1990): 123. http://dx.doi.org/10.11606/issn.2316-9036.v0i4p123-146.

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Yousfi, Louisa. "Denis Diderot, l'omnivore." Sciences Humaines N° 252, no. 10 (October 22, 2013): 24. http://dx.doi.org/10.3917/sh.252.0024.

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Gessmann, Martin. "Denis Diderot: Philosophische Schriften." Philosophische Rundschau 60, no. 3 (2013): 248. http://dx.doi.org/10.1628/003181513x675109.

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Richard-Pauchet, Odile. "Raymond Trousson, Denis Diderot." Recherches sur Diderot et sur l'Encyclopédie, no. 40-41 (October 1, 2006): 29–300. http://dx.doi.org/10.4000/rde.4362.

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Paschoud, Adrien. "Denis Diderot und die Macht ! Denis Diderot et le pouvoir, éd. Isabelle Defiers." Recherches sur Diderot et sur l'Encyclopédie, no. 51 (November 25, 2016): 207. http://dx.doi.org/10.4000/rde.5419.

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Babiuki, Kamila Cristina. "Diderot e os Salões: a crítica a Watteau [Diderot and the Salons: critique towards Watteau]." Princípios: Revista de Filosofia (UFRN) 24, no. 43 (May 19, 2017): 227. http://dx.doi.org/10.21680/1983-2109.2017v24n43id11145.

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Com base no Salão de 1765, buscaremos mostrar qual é o fundamento da crítica de Denis Diderot à obra pictórica de Antoine Watteau, além de indicar as características essenciais de uma pintura do ponto de vista diderotiano. Mostraremos como seu projeto filosófico procura retomar na pintura setecentista alguns elementos clássicos. Para compreender plenamente o contexto em que esse projeto é elaborado, parece estratégico fazer algumas considerações a respeito da vida de corte na passagem do século XVII para o XVIII. Nossa intenção, assim, é a de mostrar como e por quais razões Watteau, mesmo sendo considerado um bom colorista, é criticado por Diderot. [We will try to show what is the foundation of Denis Diderot’s critique on the compositions by Antoine Watteau. Besides, we will explicit which are the main qualities of a painting for the philosopher. We will show that Diderot wants to see some classical features in the paintings of his Century. In order to understand the context of this project, it is strategical to make some considerations about the court life at the end of the 17th Century and beginning of the 18th Century. Our goal, then, is to show how and why Diderot criticizes Watteau, even the last one being considered a good painter]

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Panighetti, Irene. "Denis Diderot, Éléments de physiologie." Studi Francesi, no. 147 (XLX | III) (December 1, 2005): 650–51. http://dx.doi.org/10.4000/studifrancesi.33293.

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Warman, Caroline. "Denis Diderot, Éléments de physiologie." Recherches sur Diderot et sur l'Encyclopédie, no. 55 (December 1, 2020): 273–76. http://dx.doi.org/10.4000/rde.6855.

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Bartha-Kovacs, Katalin. "Denis Diderot, Articles de l’Encyclopédie." Studi Francesi, no. 180 (LX | III) (December 1, 2016): 529–30. http://dx.doi.org/10.4000/studifrancesi.5336.

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Forycki, Maciej. "A new education of women. Denis Diderot’s anatomy course project for young noble women." Biuletyn Historii Wychowania, no. 29 (February 4, 2019): 7–14. http://dx.doi.org/10.14746/bhw.2013.29.1.

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A new education of women. Denis Diderot’s anatomy course project for young noble women.Denis Diderot (1713–1784) explained how women’s education should be different than before. A woman should be considered a citizen, Diderot demanded placing primary social importance on her domestic activity. An interesting feature of this new approach to education of women was to include an anatomy course in their personal development. Denis Diderot did not devote a separate tractate to the issue of women’s education, nor did he write a concise curriculum in anatomy. However, the remarks scattered among various texts by the philosopher concerning that innovative concept allow us not only to reconstruct a fairly cohesive draft of an anatomy course for girls, but also superbly illustrate Diderot’s commitment to realization of his own ideas. Secondly, we need to consider the activities of one Ms. Biheron – the organizer of public anatomy courses – which exerted, as we will see, a huge influence on Diderot’s conviction of the need to incorporate such courses in women’s education. In the last part of the discourse, the involvement of the French philosopher in the educational reforms of Catherine II should be noted. The analysis of Diderot’s texts on education clearly indicates that the philosopher put a strong emphasis on changes in the methods of teaching women. As the director of St. Petersburg facility for girls he managed to partially put his project into effect. Of course, for French philosophers – blind to Russian realities – the unquestionable success of Diderot’s anatomy course might be another argument for the proclamation of the view that Catherine II realized in her country the postulates of the Enlightenment.

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Dissertations / Theses on the topic "Denis Diderot"

1

Proust, Jacques. "Diderot et l'"Encyclopédie" /." Paris : A. Michel, 1995. http://catalogue.bnf.fr/ark:/12148/cb36962057f.

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Dean, Philippe. "Diderot devant l'image /." Paris ; Montréal (Québec) : l'Harmattan, 2000. http://catalogue.bnf.fr/ark:/12148/cb37111477n.

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Marchal-Ninosque, France. "La culture de Denis Diderot." Paris 4, 1997. http://www.theses.fr/1997PA040249.

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Ces travaux de doctorat se veulent une enquête sur les sources tant écrites qu'orales qui ont pu façonner la culture de Diderot et ont fait de lui un humaniste du siècle des Lumières. Son éducation chez les jésuites puis en Sorbonne, ses recherches pour l'Encyclopédie, ses contacts dans les divers salons qu'il a fréquentés - cercles de la finance, cercles éclairés, milieux matérialistes ou gagnés 0 la franc-maçonnerie -, ses lectures pour la correspondance littéraire de son faux ami Grimm, son voyage en Hollande, sa curiosité jamais démentie pour tout ce qui vient d’Europe et ce qui a trait aux civilisations, l'ont autant formé que son amour pour l'antiquité. Médecins et savants, artistes et littérateurs : la réalité dans son ample diversité l'a arrêté. Son œuvre semble une réconciliation de la querelle des anciens et des modernes, en même temps qu'une réconciliation de l'humanisme et du matérialisme. Une œuvre marquée par le génie et le paradoxe, une pensée enquêtant et curieuse, un esprit altruiste, voilà les marques d'une culture
This thesis would like to be an inquiry upon the sources -as well orals than written - that have built Diderot's culture and given him the will to become an humanist of enlightenment. His studies with Jesuits, then, at the Sorbonne, his works for the Encyclopedie, his contacts in salons, his readings for Grimm's correspondence literary, his travel in Holland, his intense interest for Europe and every civilization have formed him as well as his attachment to the antiquity. His work is as the end of ancients and moderns ‘quarrel, as well as it is a reconciliation between materialism and humanism

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Heyer, Andreas. "Materialien zum politischen Denken Diderots : eine Werksmonographie /." Hamburg : Kovač, 2004. http://catalogue.bnf.fr/ark:/12148/cb39194575w.

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Crouzet, Mary-Emilie. "Suzanne Simonin, figurine de l'individuel étude sémiotique de la "Religieuse" de Denis Diderot." Lille 3 : ANRT, 1988. http://catalogue.bnf.fr/ark:/12148/cb37596897x.

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Khadhar, Hédia Pomeau René. "Diderot et l'actualité politique (1746-1784) /." Tunis : Publications de la Faculté des lettres de la Manouba, 1992. http://catalogue.bnf.fr/ark:/12148/cb376684370.

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Kim, Tai-Hyung. "La technique romanesque de Diderot." Toulouse 2, 1994. http://www.theses.fr/1994TOU20064.

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Ballstadt, Kurt P. A. "The natural philosophical thought of Denis Diderot." Thesis, University of Oxford, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.270591.

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Déan, Philippe. "Diderot devant l'image." Paris 7, 1995. http://www.theses.fr/1995PA070154.

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L'entreprise de connaissance critique des images developpee par diderot s'est accomplie en mettant en oeuvre un principe de contradiction entre le projet de savoir theorique et de la pratique critique ou interpretative des peintures telle qu'elle se donne a lire dans les salons. Prenant son depart dans une pensee du signe qui privilegie le realisme pictural, la science iconologique de diderot cherche a etablir la cricularite des notions d'imitation et de signification, de lisible et de visible faisant recours au mythe des origines figurees du langage qui a pour nom "hieroglyphe". Cependant un tel cadre conceptuel se trouve contredit par la pratique d'ecriture des images qui decouvre une tension entre voir et savoir, entre lisibilite et visualite des images parce qu'intervient, dans la relation a l'image, la dimension du fantasme et l'economie d'un desir. Dans la relation a l'image, sujet et objet echouent a se stabiliser
Diderot's project of a critical knowledge of pictures has developped through a contradiction between its theoretical framework and the interpretative praxis of paintings in les salons. The iconologic thought of diderot identifies the image with an iconic sign and favours figurative realism. It establishes the interdependance of notions such imitation and signification, legibility and visibility and its conceptual basis originates in a fable of the visual origin of language which produces a specific sign pattern called "hieroglyph". However these theories associate their negative counterpart because diderot's creative writing reveals a tension between legibility and visuality, knowing and seeing. Facing the image in an imaginary and fantasmatic relation, the subject of writing is caught up in a dialectic of desire and the image's signification is constantly deferred

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Langbour, Nadège. "Diderot écrivain critique d'art." Rouen, 2007. http://www.theses.fr/2007ROUEL577.

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La thèse intitulée « Diderot écrivain critique d'art » met en évidence les interactions entre les écrits sur l'art de Diderot et ses œuvres littéraires. Présentant dans un premier temps la formation artistique de Diderot, elle répertorie les lectures effectuées par le salonnier et souligne l'importance de l'Encyclopédie dans la constitution de ses réflexions artistiques. Sont ensuite étudiés les neuf Salons de Diderot et ses deux « essais sur la peinture ». Montrant tout d'abord comment Diderot se positionne par rapport au discours artistique de son temps, cette thèse met ensuite l'accent sur l'originalité des Salons, tant sur les plans thématique et théorique que sur le plan formel. Enfin est analysée l'influence des réflexions picturales de Diderot sur ses œuvres romanesques et dramatiques
This thesis entitled, « Diderot seen as an art critic », highlights the interactions of Diderot's writings on art and his literary works. Firstly, Diderot's artistic formation is presented, with an exhaustive repertoire of readings made by this noted « Salon » art critic and emphasizes the major role of the Encyclopaedia in the shaping of his artistic opinions and judgments. The following sequence examines in depth Diderot's nine « Salons » as well as his two « essays on painting ». At the outset, Diderot's status (position) is perceived in relationship with the artistic way of thinking (reasoning) of his time. The thesis then emphasizes the originality of the Salons, both on a thematic and theoretical level as well as on the formal level. The last section is an analysis of the influence of Diderot's pictorial judgements on his novels and plays (Romanesque and dramatic works)

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Books on the topic "Denis Diderot"

1

Dlugach, T. B. Denis Diderot. Moscow: Progress Publishers, 1988.

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2

Tamagnone, Carlo. Denis Diderot: L'ateismo problematico. Civitavecchia (RM) [i.e. Rome, Italy]: NonCredoLibri, 2013.

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Denis Diderot: Alias frère Tonpla. Paris: Hachette, 1996.

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4

Jacques le fataliste, Denis Diderot. Paris: Ellipses, 2006.

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Chabut, Marie-Hélène. Denis Diderot: Extravagance et génialité. Amsterdam: Rodopi, 1998.

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Bardet, Guillaume. Jacques le fataliste, Denis Diderot. Paris: Ellipses, 2006.

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Chabut, Marie-Hľn̈e. Denis Diderot: extravagance et gňialit ̌. Amsterdam: Rodopi, 1998.

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8

Diderot, dialogue & debate. Liverpool, Great Britain: F. Cairns, 1986.

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Verhulst, Gilliane. Étude sur Denis Diderot: La religieuse. Paris: Ellipses, 2007.

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10

Denis Diderot, ou, Le vrai Prométhée. Paris: Tallandier, 2005.

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Book chapters on the topic "Denis Diderot"

1

Wehinger, Brunhilde. "Denis Diderot." In 439094, 118–23. Stuttgart: J.B. Metzler, 2017. http://dx.doi.org/10.1007/978-3-476-04506-5_25.

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Montminy, Martin. "Denis Diderot." In Sourcebook in the History of Philosophy of Language, 859–86. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-26908-5_34.

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Wild, Gerhard. "Diderot, Denis." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_3402-1.

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Pépin, François. "Diderot, Denis." In Encyclopedia of Early Modern Philosophy and the Sciences, 1–5. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-319-20791-9_451-1.

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Albert, Claudia. "Diderot, Denis." In Metzler Philosophen Lexikon, 220–24. Stuttgart: J.B. Metzler, 1995. http://dx.doi.org/10.1007/978-3-476-03642-1_78.

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Ratto, Adrián. "Diderot, Denis." In Encyclopedia of the Philosophy of Law and Social Philosophy, 1–4. Dordrecht: Springer Netherlands, 2020. http://dx.doi.org/10.1007/978-94-007-6730-0_758-1.

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Wehinger, Brunhilde. "Denis Diderot." In Kindler Kompakt Philosophie 18. Jahrhundert, 83–91. Stuttgart: J.B. Metzler, 2016. http://dx.doi.org/10.1007/978-3-476-05540-8_16.

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Pépin, François. "Diderot, Denis." In Encyclopedia of Early Modern Philosophy and the Sciences, 456–60. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-319-31069-5_451.

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Krauss, Werner, and KLL. "Diderot, Denis: La religieuse." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_3405-1.

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Mog, Paul, and KLL. "Diderot, Denis: Les salons." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_3415-1.

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