Journal articles: 'Denis Diderot'

1

Guinsburg, Jacó. "Denis Diderot." Revista USP, no. 4 (February 28, 1990): 123. http://dx.doi.org/10.11606/issn.2316-9036.v0i4p123-146.

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Yousfi, Louisa. "Denis Diderot, l'omnivore." Sciences Humaines N° 252, no. 10 (October 22, 2013): 24. http://dx.doi.org/10.3917/sh.252.0024.

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Gessmann, Martin. "Denis Diderot: Philosophische Schriften." Philosophische Rundschau 60, no. 3 (2013): 248. http://dx.doi.org/10.1628/003181513x675109.

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Richard-Pauchet, Odile. "Raymond Trousson, Denis Diderot." Recherches sur Diderot et sur l'Encyclopédie, no. 40-41 (October 1, 2006): 29–300. http://dx.doi.org/10.4000/rde.4362.

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Paschoud, Adrien. "Denis Diderot und die Macht ! Denis Diderot et le pouvoir, éd. Isabelle Defiers." Recherches sur Diderot et sur l'Encyclopédie, no. 51 (November 25, 2016): 207. http://dx.doi.org/10.4000/rde.5419.

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Babiuki, Kamila Cristina. "Diderot e os Salões: a crítica a Watteau [Diderot and the Salons: critique towards Watteau]." Princípios: Revista de Filosofia (UFRN) 24, no. 43 (May 19, 2017): 227. http://dx.doi.org/10.21680/1983-2109.2017v24n43id11145.

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Com base no Salão de 1765, buscaremos mostrar qual é o fundamento da crítica de Denis Diderot à obra pictórica de Antoine Watteau, além de indicar as características essenciais de uma pintura do ponto de vista diderotiano. Mostraremos como seu projeto filosófico procura retomar na pintura setecentista alguns elementos clássicos. Para compreender plenamente o contexto em que esse projeto é elaborado, parece estratégico fazer algumas considerações a respeito da vida de corte na passagem do século XVII para o XVIII. Nossa intenção, assim, é a de mostrar como e por quais razões Watteau, mesmo sendo considerado um bom colorista, é criticado por Diderot. [We will try to show what is the foundation of Denis Diderot’s critique on the compositions by Antoine Watteau. Besides, we will explicit which are the main qualities of a painting for the philosopher. We will show that Diderot wants to see some classical features in the paintings of his Century. In order to understand the context of this project, it is strategical to make some considerations about the court life at the end of the 17th Century and beginning of the 18th Century. Our goal, then, is to show how and why Diderot criticizes Watteau, even the last one being considered a good painter]

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Panighetti, Irene. "Denis Diderot, Éléments de physiologie." Studi Francesi, no. 147 (XLX | III) (December 1, 2005): 650–51. http://dx.doi.org/10.4000/studifrancesi.33293.

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Warman, Caroline. "Denis Diderot, Éléments de physiologie." Recherches sur Diderot et sur l'Encyclopédie, no. 55 (December 1, 2020): 273–76. http://dx.doi.org/10.4000/rde.6855.

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Bartha-Kovacs, Katalin. "Denis Diderot, Articles de l’Encyclopédie." Studi Francesi, no. 180 (LX | III) (December 1, 2016): 529–30. http://dx.doi.org/10.4000/studifrancesi.5336.

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10

Forycki, Maciej. "A new education of women. Denis Diderot’s anatomy course project for young noble women." Biuletyn Historii Wychowania, no. 29 (February 4, 2019): 7–14. http://dx.doi.org/10.14746/bhw.2013.29.1.

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A new education of women. Denis Diderot’s anatomy course project for young noble women.Denis Diderot (1713–1784) explained how women’s education should be different than before. A woman should be considered a citizen, Diderot demanded placing primary social importance on her domestic activity. An interesting feature of this new approach to education of women was to include an anatomy course in their personal development. Denis Diderot did not devote a separate tractate to the issue of women’s education, nor did he write a concise curriculum in anatomy. However, the remarks scattered among various texts by the philosopher concerning that innovative concept allow us not only to reconstruct a fairly cohesive draft of an anatomy course for girls, but also superbly illustrate Diderot’s commitment to realization of his own ideas. Secondly, we need to consider the activities of one Ms. Biheron – the organizer of public anatomy courses – which exerted, as we will see, a huge influence on Diderot’s conviction of the need to incorporate such courses in women’s education. In the last part of the discourse, the involvement of the French philosopher in the educational reforms of Catherine II should be noted. The analysis of Diderot’s texts on education clearly indicates that the philosopher put a strong emphasis on changes in the methods of teaching women. As the director of St. Petersburg facility for girls he managed to partially put his project into effect. Of course, for French philosophers – blind to Russian realities – the unquestionable success of Diderot’s anatomy course might be another argument for the proclamation of the view that Catherine II realized in her country the postulates of the Enlightenment.

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Carli, Stefania. "Denis Diderot, Le Neveu de Rameau." Studi Francesi, no. 153 (LI | III) (December 1, 2007): 665. http://dx.doi.org/10.4000/studifrancesi.9562.

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12

Chartier, Pierre. "Denis Diderot : les retraites du Philosophe." Dix-huitième siècle 48, no. 1 (2016): 135. http://dx.doi.org/10.3917/dhs.048.0135.

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13

Hanna, Blake. "Denis Diderot : formation traditionnelle et moderne." Recherches sur Diderot et sur l'Encyclopédie 5, no. 1 (1988): 3–18. http://dx.doi.org/10.3406/rde.1988.975.

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14

Bernardo, Luís Manuel A. V. "Denis Diderot – Carta a Paul Landois." Cultura, Vol. 34 (June 9, 2015): 171–93. http://dx.doi.org/10.4000/cultura.2475.

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15

McAlpin, Mary. "Denis Diderot and the Masturbating Girl." Journal for Eighteenth-Century Studies 42, no. 4 (November 20, 2019): 487–500. http://dx.doi.org/10.1111/1754-0208.12659.

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16

Mannies, Whitney. "Denis Diderot on War and Peace: Nature and Morality." Araucaria, no. 32 (2014): 155–71. http://dx.doi.org/10.12795/araucaria.2014.i32.08.

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17

Bocquillon, Michèle. "La métamorphose (ou la vision) de Denis Diderot." Hors dossier, no. 73 (September 28, 2004): 117–35. http://dx.doi.org/10.7202/009121ar.

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Résumé Diderot se pose en rival de Greuze dans le commentaire du tableau Jeune fille envoyant un baiser […] (Salon de 1765). En effet, Diderot repeint le tableau sur la toile de ses affects et de cette création fantasmatique surgit son désir pour la jeune fille à laquelle il s’identifie. Il voudrait l’ « absorber », mais se laisse lui-même « absorber » par la scène et s’insinue ainsi de l’autre côté du cadre. Fidèle au principe de la ligne ondoyante qui est, selon lui, signe de vie, Diderot, tel « le serpent qui vit », se coule par l’entremise de la caresse de son regard sur le corps féminin. La jeune fille, quant à elle, manipule de façon suggestive une lettre qu’elle vient de recevoir, lettre dont Diderot néglige toute la portée. En effet, cette lettre est le substitut du rival réel et invisible de Diderot : celui qui, au-delà de la position du spectateur dans l’espace, se trouve suspendu au bout du regard de la jeune femme, qui est le seul être qu’elle daigne regarder. Cette lettre palpée de manière significative en dit long sur son désir à elle (elle-même objet de désir) qui est « hors d’oeuvre » : la lettre devient à la fois métonymie du corps absent de l’aimé et métaphore de son corps à elle, présent dans toute la force de son désir.

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Lupo, Virginie. "Requiem pour une nonne de Camus." Revue Romane / Langue et littérature. International Journal of Romance Languages and Literatures 52, no. 1 (April 24, 2017): 43–60. http://dx.doi.org/10.1075/rro.52.1.05lup.

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Abstract Unlike other adaptations that he has himself chosen, Requiem for a Nun, which was adapted and staged in 1957, is the fruit of a proposal to which Camus responded positively. That’s why I want to examine Camus’ personal motivation for writing this play. I will analyze it in the light of one of Milan Kundera’s texts: Jacques et son maître, Hommage à Denis Diderot en trois actes – which is an adaptation of Jacques et son maître by Denis Diderot – and I will try to see if it is an adaptation, a variation (term borrowed from the music and from Kundera) or a tribute from Camus to Faulkner.

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19

Talviste, Katre. "Diderot in Estonian: In Search of a Dialogue." Interlitteraria 21, no. 2 (January 18, 2017): 229. http://dx.doi.org/10.12697/il.2016.21.2.6.

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Denis Diderot’s work has recently been enthusiastically translated into Estonian. Translations of Neveu de Rameau, Jacques le Fataliste, Paradoxe sur le comédien, Lettre sur les aveugles and Lettre sur les sourds et muets have been published from 2003 to 2015. In the 20th century, there was seemingly much less interest for his work. Only a few excerpts from his texts were translated and critical attention rarely focused on him. However, a closer look reveals that Diderot has held a rather important place in several culturally significant debates and that the relatively discreet response to his work reflects some key developments of Estonian literature.

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20

Dortier, Jean-François. "Denis Diderot (1713-1784). L'aventure de l'encyclopédie." Sciences Humaines N° Hors-série, HS11 (January 6, 2022): 9. http://dx.doi.org/10.3917/sh.hs11.0009.

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21

Morais Ferreira, Maria Manuela. "Denis Diderot. Uma Estética do corpo musical." Philosophica: International Journal for the History of Philosophy 17, no. 33 (2009): 182–88. http://dx.doi.org/10.5840/philosophica2009173315.

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22

Fowler, J. E. "The Nun by Denis Diderot, Russell Goulbourne." Modern Language Review 101, no. 2 (2006): 538–39. http://dx.doi.org/10.1353/mlr.2006.0187.

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23

Chartier, Pierre. "Denis DIDEROT, Supplément au Voyage de Bougainville." Recherches sur Diderot et sur l'Encyclopédie, no. 34 (April 15, 2003): 210. http://dx.doi.org/10.4000/rde.406.

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24

LEZRA, ESTHER. "The Antillean Jewel and the European Imaginary: The Language of the Unspeakable in Denis Diderot's Les bijoux indiscrets." Journal of American Studies 50, no. 1 (July 14, 2015): 33–59. http://dx.doi.org/10.1017/s0021875815001164.

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In the mid-1700s, when Denis Diderot wrote Les bijoux indiscrets, the French modern nation-state was being actively imagined through philosophical and revolutionary discourse as distinct from the monarchical and feudal structures of the ancien régime. At the core of the emerging, transformative vision of Enlightenment thought lay knowledge produced by colonial and enslaved peoples, symbolized in the black female body that is positioned in Diderot's novel as disruptive of and yet central to European social, economic, and cultural norms.

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25

Nascimento, Luís Fernandes dos Santos. "A imaginação na Carta sobre os cegos, ou o órgão do bon sens." Discurso 47, no. 2 (December 9, 2017): 75–87. http://dx.doi.org/10.11606/issn.2318-8863.disc..2017.141433.

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Aguilera, Yanet. "A encenação do corpo." Discurso 45, no. 1 (August 19, 2015): 187–98. http://dx.doi.org/10.11606/issn.2318-8863.discurso.2015.102547.

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A adaptação cinematográfica que Jacques Rivette fez de A Religiosa, de Denis Diderot, traz ao primeiro plano relações inesperadas entre cinema, filosofia e literatura. A vida trágica de Suzanne Simonin é, para Rivette, uma ocasião de se debruçar sobre os tableaux que Diderot constrói incessantemente nesta história. Assim, a análise do romance se fundamenta, pela primeira vez, num diálogo entre a imagem cinematográfica e a literária.

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27

Petitdemange, Frédéric René Guy. "O Tratado do belo ou as Indagações sobre a origem e a natureza do belo 1752 e alguns dos seus desdobramentos nos salons de 1763, 1765 e 1767 (e nos ensaios sobre a pintura que completam o salons 1765): alguns escritos de Denis Diderot sobre o belo e as artes." Risco Revista de Pesquisa em Arquitetura e Urbanismo (Online) 19 (July 28, 2021): 130–47. http://dx.doi.org/10.11606/1984-4506.risco.2021.167078.

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Esse trabalho busca esclarecer alguns aspectos da reflexão estética do filósofo Denis Diderot aproximando O Tratado do Belo ou as Indagações sobre as origens e a natureza do Belo com uma escolha de passagens dos Relatórios dos Salons. O Tratado foi editado como verbete sobre o Belo para a Encyclopédie em 1752. É um “tratado” tanto pelo estilo doutrinal empregado pelo filósofo, quanto pelo método epistemológico que busca nas suas origens a natureza do Belo. Os relatórios dos Salons de 1759,1763, 1765 e 1767, e os Ensaios sobre a pintura de 1765, constituíam os escritos mais importantes sobre a arte de Denis Diderot. Neles, o filósofo aplica e questiona na prática da crítica de Arte suas teorias em (trans) formações.

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28

de Croismare, Marquis, Dan Valahu, and Heather Lloyd. "Three Croismare Documents: Weighing the Authenticity of Letters to Diderot's “Religieuse” and Mme Madin." PMLA/Publications of the Modern Language Association of America 121, no. 2 (March 2006): 532–45. http://dx.doi.org/10.1632/003081206x129701.

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Thus does Denis Diderot express his skepticism about whether it was actually the Marquis de Croismare, an Ostensibly Innocent player in the machinations leading to the composition of La religieuse, who replied to letters to him by Diderot and company or whether Frédéric Grimm and friends tricked Diderot into believing it was Croismare. Counterbalancing the philosophe's questioning volley is Grimm's assertion in the “Préface”:Vous voudrez bien vous souvenir que toutes ses [Madin's] lettres, ainsi que celles de sa recluse, ont été fabriquées par nous autres enfants de Bélial, et que toutes les lettres de son généreux protecteur sont véritables et ont été écrites de bonne foi, ce qu'on eut toutes les peines du monde à persuader à M. Diderot qui se croyait persiflé par le marquis et par ses amis.(Diderot, Religieuse 33)

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29

Bruit, Louise, and Gabrielle Houbre. "L'histoire des femmes à Paris 7 – Denis Diderot." Les cahiers du CEDREF, no. 10 (June 1, 2001): 153–54. http://dx.doi.org/10.4000/cedref.271.

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30

McDonald, Christie. "Résonances associatives. La pensée analogique selon Denis Diderot." Études françaises 22, no. 1 (1986): 9. http://dx.doi.org/10.7202/036876ar.

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31

Berthiaume, Pierre. "La Religieuse de Denis Diderot ou l’hypotypose spéculaire." Lumen: Selected Proceedings from the Canadian Society for Eighteenth-Century Studies 22 (2003): 67. http://dx.doi.org/10.7202/1012259ar.

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32

Ruiz García, Claudia. "El universo de la novela de Denis Diderot." Anuario de Letras Modernas 18 (August 18, 2015): 81–90. http://dx.doi.org/10.22201/ffyl.01860526p.2013.18.578.

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Este artículo explora cuatro novelas o antinovelas de Denis Diderot —La Religieuse, Les Bijoux indiscrets, Le neveu de Rameau y Jacques le fataliste— que permiten conocer algunos aspectos de la visión del mundo del filósofo así como su particular concepción sobre este género. Se revisa la aceptación o el rechazo de esta parte de su producción en su tiempo así como las razones de la censurapara condenarla.

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33

Martin, Christophe. "Denis Diderot (1713-1784). Un si discret génie." Les Grands Dossiers des Sciences Humaines N° 56, no. 9 (September 1, 2019): 7. http://dx.doi.org/10.3917/gdsh.056.0007.

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34

Thiel, Joachim. "Denis Diderot, or the Ambivalence of the Enlightenment." Philosophy and History 21, no. 2 (1988): 152. http://dx.doi.org/10.5840/philhist1988212134.

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35

Quintili, Paolo. "Denis Diderot, Lettres à Sophie Volland. 1759-1774." Studi Francesi, no. 166 (I | LVI) (April 1, 2012): 151–52. http://dx.doi.org/10.4000/studifrancesi.4698.

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36

Fortunati, Vittorio. "Denis Diderot, Satyre Seconde. Le Neveu de Rameau." Studi Francesi, no. 173 (LVIII | II) (September 1, 2014): 367. http://dx.doi.org/10.4000/studifrancesi.1845.

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37

Piva, Franco. "Raymond Trousson, Denis Diderot ou le vrai Prométhée." Studi Francesi, no. 151 (LI | I) (April 1, 2007): 182–83. http://dx.doi.org/10.4000/studifrancesi.26371.

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38

Kovács, Eszter. "Denis Diderot, Est-il bon? Est-il méchant?" Studi Francesi, no. 169 (LVII | I) (April 1, 2013): 175. http://dx.doi.org/10.4000/studifrancesi.3418.

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39

Holt, David K. "Denis Diderot and the Aesthetic Point of View." Journal of Aesthetic Education 34, no. 1 (2000): 19. http://dx.doi.org/10.2307/3333651.

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40

Caplan, Jay. "Denis Diderot: Extravagance et génialité (review)." Eighteenth-Century Fiction 13, no. 1 (2000): 94–96. http://dx.doi.org/10.1353/ecf.2000.0063.

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41

Connon, Derek, and David Adams. "Bibliographie des oeuvres de Denis Diderot, 1739-1900." Modern Language Review 99, no. 4 (October 2004): 1052. http://dx.doi.org/10.2307/3738544.

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42

Seoane Pinilla, Julio. "Denis Diderot, Contra el colonialismo y las tiranías. Contribuciones políticas a la 'Historia de las dos Indias', Estudio introductorio, traducción y notas de Roberto R. Aramayo." EUNOMÍA. Revista en Cultura de la Legalidad, no. 20 (March 25, 2021): 487. http://dx.doi.org/10.20318/eunomia.2021.6091.

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Este artículo reseña: Denis Diderot, Contra el colonialismo y las tiranías. Contribuciones políticas a la 'Historia de las dos Indias', Estudio introductorio, traducción y notas de Roberto R. Aramayo. Madrid, Plaza y Valdés, 2020 ,248 pp

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43

Oittinen, Vesa. "When Diderot Met Catherine: Some Reflections on an Archetypic Event." Transcultural Studies 14, no. 2 (December 12, 2018): 171–82. http://dx.doi.org/10.1163/23751606-01402004.

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The paper deals with the meeting of Catherine ii and Denis Diderot in 1773–1774, which is interpreted as an archetypal event of the clash of Western Enlightenment with a country on the periphery of Western civilisation. Diderot was one of the few Enlightenment thinkers who saw the problems associated with the globalisation of Enlightenment ideas and practices. The problem of “enlightened despotism” is discussed; the suggestion is that it foreshadows the 20th century dictatorial regimes pursuing modernisation.

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44

Hirschmann, Nancy J. "Diderot’s Letter on the Blind as Disability Political Theory." Political Theory 48, no. 1 (May 2, 2019): 84–108. http://dx.doi.org/10.1177/0090591719843063.

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This essay considers Denis Diderot’s Letter on the Blind for the Use of Those Who Can See as a work that can contribute to a disability political theory. By recounting the experiences of visually impaired persons in their own words, Diderot opens up possibilities for a disability politics of self-representation, maintaining that sighted persons should listen to blind persons’ accounts of their own experience rather than relying on their own imaginings and assumptions. By using blind experiences to challenge a philosophical problem that intrigued philosophers of the seventeenth and eighteenth centuries amid often-unsuccessful efforts to “cure” blindness through cataract surgeries, Diderot develops a powerful critique of the empiricist stress on vision as the primary source of perception and provides a remarkably forward-looking critique of disablist attitudes toward the blind. Through this philosophical discourse, he engages a political argument about the way knowledge is gathered, evaluated, and interpreted through relationships of power.

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45

Mourão, Elder João Teixeira. "DENIS DIDEROT: A FORMULAÇÃO DE UMA CRÍTICA DE ARTE PARA ALÉM DO ILUMINISMO." Em Tese 16, no. 1 (April 30, 2010): 33. http://dx.doi.org/10.17851/1982-0739.16.1.33-40.

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Este trabalho visa observar, através de um exame da crítica de arte de Denis Diderot, a gestação de produções textuais que fundaram e consolidaram conceitos antes inexistentes em sua obra. Posteriormente, esses conceitos foram considerados precursores da crítica de arte moderna

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46

Da Silva Façanha, Luciano, and Mário Bertony Ribeiro Costa. "Uma apreciação dos Ensaios sobre a Pintura de Diderot." Revista DIAPHONÍA 4, no. 1 (June 29, 2018): 29–36. http://dx.doi.org/10.48075/rd.v4i1.19797.

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Apresentar o filósofo Denis Diderot como o criador da disciplina Crítica de Arte em pleno século XVIII. As apreciações de Diderot se encontram em pleno desenvolvimento, mesmo que apenas de forma incipiente se verifique as características de uma crítica mais formal. A forma literária é um dos grandes achados do filósofo. Se as obras artísticas sempre foram objeto de juízos de valor, a justificação dessa nova função, a do crítico, corresponde a uma necessidade de reconhecer seu caráter, dentre outros, de mediador entre artistas e fruidores. Destarte, não há em Diderot, em seus Ensaios sobre a pintura, qualquer constrangimento acerca da possibilidade ou não de dissertar acerca das obras de seus contemporâneos ou suas credenciais para tal empreitada.

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47

Garnier, André. "La séquestration arbitraire de Denis Diderot en janvier 1743." Recherches sur Diderot et sur l'Encyclopédie 2, no. 1 (1987): 46–52. http://dx.doi.org/10.3406/rde.1987.893.

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48

Pille, René. "Denis Diderot : Briefe an Sophie Volland von Rolf Geissler." Recherches sur Diderot et sur l'Encyclopédie 2, no. 1 (1987): 190–91. http://dx.doi.org/10.3406/rde.1987.912.

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49

Abdelmohsin, Saïd. "Tamara B. Dlougatch, Denis Diderot, "Progress Publishers", Moscou, 1985." Recherches sur Diderot et sur l'Encyclopédie 8, no. 1 (1990): 132. http://dx.doi.org/10.3406/rde.1990.1062.

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50

Ratto, Adrián. "El pesimismo histórico en la filosofía de Denis Diderot." Tópicos. Revista de Filosofía de Santa Fe, no. 22 (July 13, 2018): 211–30. http://dx.doi.org/10.14409/topicos.v0i22.7541.

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Los especialistas suelen atribuir a Diderot una concepción pesimista de la historia. Si bien de las obras de madurez del editor de la Encyclopédie se desprende una oscura imagen del porvenir, producto entre otras cosas de su encuentro con Catalina II y de la influencia de Galiani, ese pesimismo parece no agotar sus reflexiones acerca de la historia. De los trabajos de la época anterior a su viaje a Rusia se desprende otra concepción de la historia, la cual, no obstante, no se confunde con las Cándidas especulaciones acerca del futuro del marqués de Condorcet.

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Journal articles on the topic 'Denis Diderot'

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