Academic literature on the topic 'Denis Roche'
Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles
Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Denis Roche.'
Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.
You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.
Journal articles on the topic "Denis Roche"
Welch, E. "Denis Roche: l'un ecrit, l'autre photographie." French Studies 62, no. 3 (July 1, 2008): 364–65. http://dx.doi.org/10.1093/fs/knn062.
Full textMagno, Luigi. "Denis Roche ou de l'écriture « comme activité torsatoire »." L'Esprit Créateur 58, no. 3 (2018): 28–37. http://dx.doi.org/10.1353/esp.2018.0030.
Full textScotto, Fabio. "Denis Roche, Saggi di letteratura arrestata/Essais de littérature arrêtée." Studi Francesi, no. 169 (LVII | I) (April 1, 2013): 212–13. http://dx.doi.org/10.4000/studifrancesi.3539.
Full textArena, Sara. "Denis Roche: l’un écrit, l’autre photographie, sous la direction de Luigi Magno." Studi Francesi, no. 154 (LII | I) (June 1, 2008): 224. http://dx.doi.org/10.4000/studifrancesi.9340.
Full textKunz Westerhoff, Dominique. "La photographie au révélateur littéraire : de Denis Roche à Anne-Marie Garat." Études de lettres, no. 3-4 (December 15, 2013): 183–204. http://dx.doi.org/10.4000/edl.582.
Full textMartens, David. "Une supercherie collaborative: Claude Bonnefoy et Denis Roche dans l'ombre de Marc Ronceraille." Nottingham French Studies 58, no. 3 (December 2019): 348–65. http://dx.doi.org/10.3366/nfs.2019.0262.
Full textBaquey, Stéphane. "La poésie de Denis Roche. Proposition d’un protocole de lecture : une pragmatique érotique." Aletria: Revista de Estudos de Literatura 27, no. 3 (December 29, 2017): 147–71. http://dx.doi.org/10.17851/2317-2096.27.3.147-171.
Full textBricco, Elisa. "Thibaud Baldacci, L’alias e lo sciame II. Poesia & fotografia nell’opera di Denis Roche." Studi Francesi, no. 150 (L | III) (December 31, 2006): 639. http://dx.doi.org/10.4000/studifrancesi.28078.
Full textWelch, Edward. "Photobiographies: pour une écriture de notation de la vie (Roland Barthes, Denis Roche, Annie Ernaux)." French Studies 70, no. 1 (November 3, 2015): 127–28. http://dx.doi.org/10.1093/fs/knv296.
Full textLauper, K., D. Mongin, S. A. Bergstra, D. Choquette, C. Codreanu, D. De Cock, L. Dreyer, et al. "OP0231 COMPARATIVE EFFECTIVENESS OF JAK-INHIBITORS, TNF-INHIBITORS, ABATACEPT AND IL-6 INHIBITORS IN AN INTERNATIONAL COLLABORATION OF REGISTERS OF RHEUMATOID ARTHRITIS PATIENTS (THE “JAK-POT” STUDY)." Annals of the Rheumatic Diseases 79, Suppl 1 (June 2020): 146–47. http://dx.doi.org/10.1136/annrheumdis-2020-eular.346.
Full textDissertations / Theses on the topic "Denis Roche"
Regler, Eva Maria. "Postmodern Textpraxis im heutigen Frankreich am Beispiel von Denis Roche /." Frankfurt am Main : Peter Lang, 1997. http://catalogue.bnf.fr/ark:/12148/cb375233214.
Full textBaquey, Stéphane. "Possibles de la poésie : Michel Deguy, Denis Roche, Jacques Roubaud." Paris 8, 2006. http://www.theses.fr/2006PA082709.
Full textThe poetical works of Michel Deguy, Denis Roche and Jacques Roubaud traversed Structuralism. They appropriated, thanks to a reflection on the possibilities of their own discourse, the paradigm drown from linguistics. Thus, they reformulated the romantic project while emphasizing its contradiction between criticism and the ideal of the thing in itself. Bazed on a questioning of the specific relationship between poetry, human sciences and philosophy, the study focuses on the parallel yet singular trajectories of the three writers who relentlessly withstood the scientific or philosophic reduction but also maintained, in the face of History seen as a tragedy, the imperative of a litterary practice. It may just be that, in risking such confrontation, those writers contributed to a shift in the art of poetry, to a reopening onto the discourses and images of ordinary life, and to the defense of both its memory and its freedom understood as the invention of a life
Magno, Luigi. "Dialectique(s) de l''écrit et de l'image chez Denis Roche." Lyon, Ecole normale supérieure, 2006. http://www.theses.fr/2006ENSF0091.
Full textFor over forty years, the syncretic work of Denis Roche (born in 1937) has unfolded throught the scope of a nearly constant dialectical relationship between the image and the word. Roche plays on the clash and the transpositions of these two semiotic codes in order to create a series of complex poetic objects. We started from a materialistic approach of writing in order to rethink some of these objects as products of practical operations within the writing process. Relying on references to abstract art (Kandinsky, Klee) and to photography, we showed how this substansial work can be understood as a heterogeneous system of micro-devices integrating non-verbal material to writing, thanks to formal transpositions, the transposition of modes of production, or to the integration of clich"s. This work can indeed be characterised as a systematic exercise enacted in various forms, as a generalised recontextualisation or hypermediation that entices us to read its products as poetic fields of investigation endowed with an epistemic, if not ethical or political, design
Lemasson, Joaquim. "De l'art poétique : Samuel Beckett, Georges Bataille, Denis Roche, Christian Prigent." Rennes 2, 2002. http://www.theses.fr/2002REN20024.
Full textThrough the poems of Beckett, Bataill, Roche and Prigent, we analyse a conception and a writing of poetry as an impossibility of poetry
Arribert-Narce, Fabien. "Photobiographies : pour une écriture de notation de la vie (Roland Barthes, Denis Roche, Annie Ernaux)." Thesis, Paris 3, 2011. http://www.theses.fr/2011PA030104.
Full textThis thesis examines the literary genre of photobiography, which encompasses autobiographical works in which photographs play an essential role, be they reproduced or merely described within the text. It focuses more specifically on the works of three contemporary photobiographers, Roland Barthes, Denis Roche and Annie Ernaux. These authors share a desire to capture material traces of their own existence and to grasp the concrete reality of their lives. In doing so, they follow the model of photographic recording and produce a notational form of life writing that significantly challenges traditional autobiography. In Barthes’s photobiographical project, the photograph is not only viewed as an exemplary form of the notation of the present, but also provides a number of studium and punctum ‘biographemes’ that eventually construct a fragmented autobiographical subject. Roche’s photobiographical activity is that of a practitioner (he is both a photographer and a writer) and consists in ceaselessly accumulating graphic ‘deposits’ of life and in incorporating them within intermedial devices that exploit the principal characteristics of photography (instantaneity, mechanicity, exposability, seriality). Finally, Ernaux’s ‘auto-socio-biographical’ work provides a sociological and historical testimony that makes use of the photograph to reveal the collective dimension and alterity of the ‘self’. This body of work belongs to the paradigm of analogue photography, which is anchored in the twentieth century and is on the verge of disappearing at the dawn of the twenty-first
Pal, Gyöngyi. "Le dispositif photo-littéraire en France dans la seconde moitié du XXème siècle : analyse de l'oeuvre de François-Marie Banier, Jean-Loup Trassard, Lorand Gaspar et Denis Roche." Phd thesis, Université Rennes 2, 2010. http://tel.archives-ouvertes.fr/tel-00481329.
Full textPal, Gyöngyi. "Le dispositif photo-littéraire en France dans la seconde moitié du XXème siècle : analyse de l’oeuvre de François-Marie Banier, Jean-Loup Trassard, Lorand Gaspar et Denis Roche." Rennes 2, 2010. http://tel.archives-ouvertes.fr/tel-00481329/fr/.
Full textDuring the second half of the 20th century the status of photography has changed: institutionalization of the medium, its use in conceptual art, the crisis of photojournalism, the invention of digital photography, together with the transition to more pragmatist aesthetics, have influenced the recognition of the always changing nature of signs. New concepts have appeared subsequently in the definition of photography such us the terms of “traces” and the so-called “dispositif”. The limits of photography have thus extended beyond its physical manifestation. These transformations have caused a mutation in the text/image relationship in general. The possibilities of combining photos and texts are questioning the value of both mediums' truthfulness, which becomes problematic in particular in the use of photos in autobiographical writings. But once this problem was overcome a wide range of text/image combinations became possible either in autobiographical or fictional photo-literature writings. The second part of the study aims to explore these “intermedia” mixtures through a parallel monographical research on the work of François-Marie Banier, Jean-Loup Trassard, Lorand Gaspar and Denis Roche. These French artists are in fact mixing up their photographic and literary works, but each one in a different and personal way, which also requires developing new methods of analysis. This research therefore seeks to understand how the problem of the paradoxical meaning of photography appeared and was overcome in the theory of photography, in photo-literary autobiographies and in the works of writers who combine text with photography
Trahan, Michaël. "La littérature aux limites du lisible : singularités de l’expérience littéraire dans le champ poétique français contemporain." Thèse, 2016. http://hdl.handle.net/1866/19289.
Full textThis dissertation focuses on the readability of literature—on the readability of a certain literature: French, contemporary, a literature that is more often than not classified in the poetic field. At first, a simple observation: some books are difficult to read. Sometimes we even get so far as to say they are unreadable; if this judgment cannot provide a rigorous concept to describe the texts, it nevertheless raises a number of questions which are at the heart of this dissertation. For there is nothing unreadable in itself: the unreadable is not a property, but a judgment that translates an impasse in reading. Thus, the verdicts of unreadability have varied causes and consequences. The unreadable is situated: it is difficult to approach it outside of its circumstances, since it refers less to a specific content than to an experience. The objective here is not to alleviate the misunderstanding that can be felt in front of certain texts, but rather to question the place it occupies in our ways of reading and our relation to literature. This dissertation proposes to reflect on these questions by approaching the works of Jean-Michel Reynard, Christophe Tarkos, Denis Roche, Anne-Marie Albiach, Christian Prigent, Valère Novarina and Pierre Guyotat. These works do not all have the same place in this dissertation. In this sense, the aim is not to exhaust them but to raise a number of questions through them. Different questions according to the works, according to the writers, but which are crossed by a common thread: the literary experience. From singular situations, the goal is thus to understand certain aspects, certain modalities of the literary experience. The two poles of this experience are writing and reading—related to those are the figures of the writer and the reader, which occupy an important place in this dissertation. Therefore, the perspective is broad, which raises questions sometimes of poietic, centred on the way writers live the creation of their works, and sometimes more of poetic, even politic, which rather refer to the ways in which readers, on their side, experience these radically singular texts. In short, the objectives of this dissertation are: 1) to study these works from a new angle; 2) through their problematic example, to lay the foundations for a reflection on readability that gives a large place to the writers’ posture and the way they live the creation of their works; and 3) to contribute to studies on creation, reception and mediation of literary works by reflecting on our ways of living (with) literature.
Books on the topic "Denis Roche"
Le primitivisme de Denis Roche: Lyrique amazonide. Paris: Éditions des archives contemporaines, 2008.
Find full textBaquey, Stéphane. Le primitivisme de Denis Roche: Lyrique amazonide. Paris: Éditions des archives contemporaines, 2008.
Find full textPostmoderne Textpraxis im heutigen Frankreich am Beispiel von Denis Roche. Frankfurt am Main: P. Lang, 1997.
Find full textIndociles: Essai littéraire sur Denis Roche, Hélène Bessette, Kathy Acker, B.S. Johnson. [Paris]: Scheer, 2012.
Find full textDenis, Roche. Denis Roche: Photographies 1965-1989 : Espace photographique de Paris, 24 octobre-3 décembre 1989. Paris: Espace photo, 1989.
Find full textPhotobiographies: Pour une écriture de notation de la vie (Roland Barthes, Denis Roche, Annie Ernaux). Paris: Honoré Champion Éditeur, 2014.
Find full textBobillot, Jean-Pierre. Trois essais sur la poésie littérale: De Rimbaud à Denis Roche, d'Apollinaire à Bernard Heidsieck. Romainville: Al Dante, 2003.
Find full textMode de formation de la roche silicifiée à bactéries fossiles du Crétacé supérieur du Bassin de Mons (microbialite de Saint-Denis). [Bruxelles]: Classe des sciences, Académie royale de Belgique, 2010.
Find full textBook chapters on the topic "Denis Roche"
Ghatwary, Ghada. "Interprétation d’un dispositif lisuel de Denis Roche." In Traduire le même, l’autre et le soi, 261–79. Presses universitaires de Provence, 2011. http://dx.doi.org/10.4000/books.pup.21059.
Full text"Primat des Signifikanten: Denis Roche und Georges Perec." In Aufnahmen und Zuschreibungen, 71–130. transcript-Verlag, 2013. http://dx.doi.org/10.14361/transcript.9783839424919.71.
Full textPàl, Gyöngyi. "Éros et le déclic sexuel dans l’œuvre de Denis Roche." In La scène érotique sous le regard, 159–73. Presses universitaires de Rennes, 2014. http://dx.doi.org/10.4000/books.pur.52976.
Full text"My Favourite Piccies: Sequencing, Structuring and Essayism in Photo-Anthologies by Régis Debray and Denis Roche." In Photo-texts, 71–83. Liverpool University Press, 2010. http://dx.doi.org/10.5949/liverpool/9781846310522.003.0004.
Full textRoche, Roger-Yves. "5 – D’un autoportrait l’autre (Marguerite Duras/Denis Roche, aller dans la chambre blanche et retour dans la chambre noire)." In Photofictions, 205–16. Presses universitaires du Septentrion, 2009. http://dx.doi.org/10.4000/books.septentrion.79356.
Full textDenis, Roch. "PRÉFACE DE ROCH DENIS." In Le travail professoral reconstruit, XIII—XVIII. Presses de l'Université du Québec, 2011. http://dx.doi.org/10.2307/j.ctv18pgxgf.3.
Full text