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Books on the topic 'Department of Ancient Indian History and Culture'

Author: Grafiati

Published: 4 June 2021

Last updated: 15 February 2022

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1

Bandyopadhyay, Samaresh. Prācyaśikṣāsuhāsinī: Seventy-fifth anniversary celebration volume of the Department of Ancient Indian History and Culture. Calcutta: Calcutta University Press, 1999.

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2

Chattopadhyay, Aparna. Aspects of ancient Indian history and culture. Allahabad: Kitab Mahal, 1990.

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3

P, Sharma O. Indian culture: Ancient glory and present gloom. New Delhi: Intellectual Publishing House, 1993.

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4

Sankaranarayanan, S. Rare facets of ancient Indian history and culture. New Delhi: Harman Pub. House, 2009.

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5

Sankaranarayanan, S. Rare facets of ancient Indian history and culture. New Delhi: Harman Pub. House, 2009.

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6

Sankaranarayanan, S. Rare facets of ancient Indian history and culture. New Delhi: Harman Pub. House, 2009.

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7

Sankaranarayanan, S. Rare facets of ancient Indian history and culture. New Delhi: Harman Pub. House, 2009.

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8

Rare facets of ancient Indian history and culture. New Delhi: Harman Pub. House, 2009.

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9

Singh, G. P. Facets of ancient Indian history and culture: New perception. New Delhi: D.K. Printworld, 2003.

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10

Indian Institute of Advanced Study, ed. Dialogics of cultures in ancient Indian literatures. Shimla: Indian Institute of Advanced Study, 2014.

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11

Meyer, Johann Jakob. Sexual life in ancient India: A study in the comparative history of Indian culture. London: Kegan Paul, 2003.

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12

Valmiki, ed. Sexual life in ancient India: A study in the comparative history of Indian culture. London: Kegan Paul, 2003.

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13

Maity, Sachindra Kumar. Professor A.L. Basham, my Guruji and problems and perspectives of ancient Indian history and culture. New Delhi: Abhinav Publications, 1997.

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14

The ancient Americans: A reference guide to the art, culture, and history of pre-Columbian North and South America. Armonk, N.Y: Sharpe Reference, 2001.

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15

The language of the gods in the world of men: Sanskrit, culture, and power in premodern India. Berkeley: University of California Press, 2006.

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16

Pande, G. C. Foundations of Indian Culture: Dimensions of Ancient Indian Social History. 2nd ed. South Asia Books, 1990.

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17

Thakur, Upendra. Some Aspects of Ancient Indian History and Culture. Abhinav Publications,India, 2003.

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18

Sexual life in ancient India: A study in the comparative history of Indian culture. Dorset Press, 1995.

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19

Radhagovinda, Basak, ed. Ancient Indian history, philosophy, and culture: Essays in memory of Professor Radhagovinda Basak Vidyāvācaspati. Calcutta, India: Sanskrit Pustak Bhandar, 1987.

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20

Meyer, Johann Jakob. Sexual Life in Ancient India: A Study in the Comparative History of Indian Culture. CreateSpace Independent Publishing Platform, 2013.

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21

Bhattacharya, D. K. Ecology and Social Formation in Ancient History (Sakharam Ganesh Deuskar lectures on Indian history and culture). South Asia Books, 1990.

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22

Coe, Michael D. Mexico: From the Olmecs to the Aztecs (Ancient Peoples and Places). 4th ed. Thames & Hudson, 1994.

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23

The Hellenistic "Polis" of Kos: State, economy and culture : Proceedings of an international seminar organized by the Department of Archaeology and Ancient History, Uppsala University, 11-13 May, 2000. Uppsala: Uppsala University, 2004.

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24

Oberlin, Heike, and David Shulman, eds. Two Masterpieces of Kūṭiyāṭṭam. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780199483594.001.0001.

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Kūṭiyāṭṭam, India’s only living traditional Sanskrit theatre, has been continually performed in Kerala for at least a thousand years. The actors and drummers create an entire world in the empty space of the stage by using spectacular costumes and make-up and by an immensely rich interplay of words, rhythms, mime, and gestures. This volume focuses on Mantrāṅkam and Aṅgulīyāṅkam, the two great masterpieces of Kūṭiyāṭṭam. It provides fundamental general remarks and relates them to pan-Indian reflections on aesthetics, philology, ritual studies, and history. Authored by scholars and active Kūṭiyāṭṭam performers, this is the first attempt to bring together a set of sustained, multi-faceted interpretations of these masterpieces-in-performance. With an aim to open up this ancient art form to readers interested in South Indian culture, religion, theatre and performance studies, philology, as well as literature, this volume offers a new way to access a major art form of pre-modern and modern Kerala. The University of Tuebingen in Germany and the Hebrew University of Jerusalem in Israel were partners in a long-term project studying and documenting Kūṭiyāṭṭam performances, including initiating full-scale performances of major works in the classical repertoire. We have been, in particular, focusing on the study of the two major, complex and ancient works, Mantrāṅkam and Aṅgulīyāṅkam, both of which we have seen and recorded in full. The articles in this volume are one of the results. They are supplemented with video-clips of lecture demonstrations provided online.

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25

Snyder, Christina. The South. Edited by Frederick E. Hoxie. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780199858897.013.26.

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Surveying the history of Native Americans of the South from ancient times through the early twenty-first century, this chapter draws on oral tradition, material culture, climatology, and historical documents. Like all Native North Americans, Southern Indians have a dynamic past. They repeatedly adapted their societies to meet challenges arising from climate change 10,000 years ago, population growth during the Mississippian era, population collapse due to the introduction of new diseases following contact, warfare, and slaving in the colonial era, Indian removal, and ongoing US racial discrimination and imperialism. While pointing out diversity within the region, as well as the ties that linked Southern Indians to other people and places over time, this chapter also marks the cultural characteristics that make Native peoples of the South a distinctive group, namely their traditions of matrilineal kinship, dense populations, their long history of agriculture, and distinctive art forms and architecture.

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26

Pecora, Vincent P. Land and Literature in a Cosmopolitan Age. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198852148.001.0001.

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Despite its growing cosmopolitanism, European culture after the Franco-Prussian War of 1870–1871 was no stranger to ancient beliefs in a natural, religiously sanctioned, and aesthetically pleasing relationship to the land. The classical Greek notion translates as “autochthony”—literally, birth from the soil, enabled by a god. The biblical account in Exodus gives the idea of a Promised Land, designed for a particular people by their god. Twentieth-century versions of the first theme culminate in the Nordic (and then Nazi) notion of a Volksgemeinschaft—a folk community—built on the supposedly intrinsic link between Blut und Boden, blood and soil. And the idea of a Promised Land has motivated rebellious English Puritans, colonizing Americans obsessed with their “manifest destiny,” Dutch Voortrekkers, and a wide array of liberation movements.The many resonances of these topoi form a more or less coherent whole, from the novels of George Eliot to the poetry of T. S. Eliot, from thinkers such as J. G. Fichte to the Austrian historian Otto Brunner and the Indian social psychologist Ashis Nandy, and throughout the long history of Western aesthetics, from Meister Eckhart to Alexander Baumgarten to Martin Heidegger. The supposed cosmopolitanism of the modern age often obscures a deep commitment to regional, nativist, nationalist, and civilizational attachments, including a justifying theological politics, much of which is still with us today. Untangling the meaning of the vital geographies of the modern age, including how they shaped our accounts of literature and representation, is the goal of this book.

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