Academic literature on the topic 'Department of sacred art'

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Journal articles on the topic "Department of sacred art"

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Олена, Рудич. "ЦЕРКОВНІ РОЗПИСИ ВИПУСКНИКІВ ЛЬВІВСЬКОЇ НАЦІОНАЛЬНОЇ АКАДЕМІЇ МИСТЕЦТВ". ВІСНИК Львівської національної академії мистецтв, № 27 (18 листопада 2015): 191–201. https://doi.org/10.5281/zenodo.33957.

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The article examines the influence of sacred art department on the development of modern iconography Ukraine. For twenty years the department has produced many talented painters such as D. Horditsa, D. Movchan, S. Bishop, A. Cherednichenko engaged easel and monumental sacred painting, creating their own farm, are modern Ukrainian iconography at various exhibitions. Stylistic comparisons paintings and leading workshops search common featuresmodern Lviv school of icon painting found that painters organically combine the tradition of Byzantine iconography of folk crafts and Ukrainian modernism, r
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Matusovskiy, Andrey А. "A cave with rock paintings in Cerro Ací (Colombia, Vaupes) as the dwelling of the Master of animals and object of ancient rock art." Etnograficheskoe obozrenie, no. 2 (August 26, 2024): 112–32. http://dx.doi.org/10.31857/s0869541524020068.

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The article examines rock paintings in a cave in Cerro Aci, a sacred place of indigenous peoples living in the Cananari river basin, a left tributary of the Apaporis (Colombia, Vaupes department). Residents of the nearby multi-ethnic community, where taiwano, cabiyari and tatuyo live together but taiwano predominate, consider the cave in Cerro Aci to be the first maloka – a communal dwelling, the home of the Master of animals, one of the key characters in the traditional religion of the autochthonous population of the Vaupes region. Research interest in this object of ancient rock art is due t
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Milin, Melita. "Sacred Music as a Subversive Force in Socialist Yugoslavia." Musicology Today: Journal of the National University of Music Bucharest XIV, no. 55 (2025): 183–94. https://doi.org/10.69608/mt.55.03.

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The Communist Party of Yugoslavia that had organised the partisan army to fight against the German Nazi forces as occupiers in World War II was well prepared for establishing its one-party system after the war. In March 1945, the Central Committee of the Party of Yugoslavia decided that control over culture in the new state should be institutionalised and very promptly a department for propaganda (Agitprop) was founded within that highest political body. The Union of Serbian Composers followed the general line of disciplining creative artists and in one of its typical statements it recommended
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Zolotova, E. V. "Controversy between N. I. Kompaneyskiy and Priest V. M. Metallov on the Principles of Arranging the Znamennïy Chant." Art of Music, no. 2 (December 2024): 194–213. https://doi.org/10.51678/2307-5015-2024-31-194-213.

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The polyphonic arrangement of church chants was a key issue for the composers of the New School in Russian sacred music, as well as for the music criticism of the early 20th century. Authors of previous periods did not always manage to preserve ancient sources and express the specificity of chant structures in polyphony. In 1891, priest Vasily Mikhailovich Metallov published a collection of “Sacred Musical Works for Mixed Choir,” which included 13 arrangements of the Znamennïy chant. In the chant “To Thee Who Art Clothed,” the arrangement of chants and shorter motifs in different voices leads
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Voinova, Julia G. "THE IMAGE OF THE “RED HORSEMAN” IN SOVIET PROPAGANDA ART. ORIGINS AND TRANSFORMATIONS." Articult, no. 2 (June 2024): 17–29. http://dx.doi.org/10.28995/2227-6165-2024-2-17-29.

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The image of the Red Horseman on a winged horse, which appeared in propaganda art in the first post-revolutionary years has absorbed deep cultural connotations: destruction of the old world, creation of the new, fight against evil and righteous judgment. The most striking examples of this image include: the propaganda plate of Alisa Golenkina “Red Genius” (State Porcelain Factory), the lithograph poster by Vladimir Fidman “The Second Anniversary of the Red Army” (Political Administration Department of the RMSR) and the poster by an unknown artist “Literacy is the way to communism” (Gosizdat),
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Myronenko, Anna. "Hlukhiv People Amature Chamber Choir of Sacred Music creativity as a component of Hlukhiv region’s culture (the end of 20th – early 21st century): art reflections." Aspects of Historical Musicology 31, no. 31 (2023): 167–83. http://dx.doi.org/10.34064/khnum2-31.07.

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Statement of the problem. The 20th century in the history of Ukraine was marked by the harsh policy of the USSR authorities in relation to religion and national self-identity. Aiming to destroy everything sacred for Ukrainians and transform them into an universal faceless nation, the government achieved the opposite result. Against a background unsuitable for revival, sprouts of spirituality and “Ukrainianness” appeared as a counter-response to the totalitarian radicalism of the government. Recent research and publications. We established that the Hlukhiv phenomenon was revealed in the works o
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Володимир, Попенюк. "КИВОТИ У ТВОРЧОСТІ ВИКЛАДАЧІВ І ВИПУСКНИКІВ КОСІВСЬКОГО ІНСТИТУТУ В КОНТЕКСТІ РОЗВИТКУ САКРАЛЬНОГО МИСТЕЦТВА КІНЦЯ ХХ – ПОЧАТКУ ХХІ СТОЛІТТЯ". ВІСНИК Львівської національної академії мистецтв, № 27 (18 листопада 2015): 182–90. https://doi.org/10.5281/zenodo.33955.

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The author considers the role and place of Kosiv Institute of Applied and Decorative Arts in the revival and development of sacral culture during the period of independence of Ukraine in this article. He sets a variety of highly artistic sacred objects to decorate interiors of the churche in Hutsulshchyna. All of them have been made by the graduates under the supervision of the leading teachers of the department of artistic woodwork, the chair of applied and decorative arts. The author emphasizes the first diploma works, namely icon-cases, executed during 1990-2010s. He analyses the style of t
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Saeed, T. "Cultural Heritage of Pakistan: Conservation Problems and Techniques for its Protection." Nucleus 59, no. 1 (2022): 25–30. https://doi.org/10.71330/nucleus.59.01.1241.

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Pakistan is one of the fortunate countries of the world which possesses earliest socio-political history that goes back to Paleolithic. Its continuation has been expected to the significant period of about 2 million old from today. The areas of this Paleolithic culture have been found in the Potohar (or Pothohar) plateau, the area in and around district Rawalpindi, Punjab province of Pakistan, predictable to have been the most primitive habitat of the human species. This region in fact had played an active role in the evolution of human history since remote antiquity. This is the land where a
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Shalina, Marina. "The Pre-Siberian Period in the Biography of F. M. Dostoevsky in New Documentary Research (Review of the Collective Monograph: New Archival and Printed Sources of the Scientific Biography of F. M. Dostoevsky. St. Petersburg, The Russian Christian Academy for the Humanities Publ., 2021. 260 p.)." Неизвестный Достоевский 9, no. 4 (2022): 262–77. http://dx.doi.org/10.15393/j10.art.2022.6482.

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The peer-reviewed collective monograph is a series of articles, each of which, filling a certain lacuna of the least studied first half of F. M. Dostoevsky's life, is an example of a real investigation of confusing, unclear or completely distorted facts about the writer and his genealogy based on a strict systematization of the already known and newly discovered documentary sources. The main body of articles and the appendix were prepared by the project manager B. N. Tikhomirov, three sections — with the participation of E. D. Maskevich, and one — in co-authorship with N. A. Tikhomirova. The s
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Gerken, Adam. "Examining the Administrative Unworkability of Final Agency Action Doctrine as Applied to the Native American Graves Protection and Repatriation Act." Michigan Journal of Environmental & Administrative Law, no. 8.2 (2019): 477. http://dx.doi.org/10.36640/mjeal.8.2.examining.

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The application of the Administrative Procedure Act (“APA”) to the Native American Graves Protection and Repatriation Act (“NAGPRA”) creates unique practical and doctrinal results. When considering the application of the current law concerning judicial review of final agency action under the APA to NAGPRA, it is evident that the law is simultaneously arbitrary and unclear. In the Ninth Circuit’s holding in Navajo Nation v. U.S. Department of the Interior, the Court applied final agency action doctrine in a manner that was legally correct but administratively unworkable. The Court’s opinion con
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Dissertations / Theses on the topic "Department of sacred art"

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Kiefer, John. "Sacred containers/sacred cups." Virtual Press, 1999. http://liblink.bsu.edu/uhtbin/catkey/1129631.

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Since the 1960s, following the dramatic changes in the Roman Catholic Church, the design of the chalices used at the communion service became simplified; many of them becoming so plain that they are only wine goblets devoid of any decoration. As Catholics implement the changes of the Second Vatican Council, we have a growing desire for sacred vessels that better reflect a sense of awe.The purpose of this creative project is to explore symbolism used in chalice design. Traditional and newer symbols are incorporated into the chalices produced in this project.My creative process involves a commun
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Johnson, Brian Todd. "Sacred conversations viewing liturgy through art /." Theological Research Exchange Network (TREN) Access this title online. Theological Research Exchange Network (TREN) Access this title online, 2005. http://www.tren.com.

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Kaha, Myra. "The vessel and the sacred." Morgantown, W. Va. : [West Virginia University Libraries], 2006. https://eidr.wvu.edu/etd/documentdata.eTD?documentid=4791.

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Thesis (M.F.A.)--West Virginia University, 2006.<br>Title from document title page. Document formatted into pages; contains v, 15 p. : col. ill. Vita. Includes abstract. Includes bibliographical references (p. 13).
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Deloria, Jr Vine, and Richard W. Stoffle. "Native American Sacred Sites and the Department of Defense." Bureau of Applied Research in Anthropology, University of Arizona, 1998. http://hdl.handle.net/10150/272997.

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Since 1990, at the direction of Congress, the U.S. Department of Defense (DoD) has been developing the Legacy Resource Management Program to enhance DoD's stewardship of cultural and natural resources for which it has responsibilities. The Legacy Program is designed to go beyond compliance with various host nation, Federal, tribal, state, and local historic preservation, religious freedom, and natural resource protection laws, policies, regulations, and guidance. The original Legacy legislation specifically directed the Program to assess the adequacy of DoD's stewardship of Native American res
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Whitson, Robert. "Sacred landscape : An unsettling." Thesis, Mt. Helen, Vic. :, 2002. http://researchonline.federation.edu.au/vital/access/HandleResolver/1959.17/36547.

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"This project is concerned with a visual exploration of the land of the Western Plains of Victoria and the nature of "the sacred" in that landscape. Specifically, I have explored these ideas through the medium of painting and works on paper. The studio practice has been informed both by my personal experiencs of this geographic region and by research into the histories associated with white settlement and the subsequent forms of erasue of aboriginal presence."<br>Master of Arts- (Visual Arts)
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Whitson, Robert. "Sacred landscape : an unsettling." Mt. Helen, Vic. :, 2002. http://archimedes.ballarat.edu.au:8080/vital/access/HandleResolver/1959.17/15639.

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"This project is concerned with a visual exploration of the land of the Western Plains of Victoria and the nature of "the sacred" in that landscape. Specifically, I have explored these ideas through the medium of painting and works on paper. The studio practice has been informed both by my personal experiencs of this geographic region and by research into the histories associated with white settlement and the subsequent forms of erasue of aboriginal presence."<br>Master of Arts- (Visual Arts)
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Jones, Charlotte. ""THIS SACRED LAND IS OUR SHIELD": Deploying the Sacred in Indigenous Art and Activism." Scholarship @ Claremont, 2018. http://scholarship.claremont.edu/scripps_theses/1206.

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My art historical and sociological thesis will take Cheyenne-Arapaho artist Edgar Heap of Birds’ Defend Sacred Mountains print series as the point of departure for examining the interventions of Native artists and grassroots activists in their decolonizing campaigns. Heap of Birds’ exhibition of sixty-four mono-prints, to be exhibited at Pitzer College Art Galleries in January 2018, calls attention to the ongoing injustices committed against four indigenous sacred sites across the United States: Bear Butte, South Dakota; Bear’s Lodge, Wyoming; San Francisco Peaks, Arizona; and Mauna Kea, Hawai
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Nash, Vikki. "Revealing the essence of the sacred." Thesis, School of Education & Arts Federation University Australia, 2013. http://researchonline.federation.edu.au/vital/access/HandleResolver/1959.17/35902.

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This research project, ‘Revealing the Essence of the Sacred’, examines the archetypal forms of the dot, cross and the mandorla. Their appearance and meaning are traced back through history and across cultures. The commonalities between the physical act of making imagery using these pared back abstracted forms and the experience, in the maker, of embodied immanence are examined. By extension the research also considers how creating and contemplating artwork can be a curative spiritual practice. I identify how the artwork correlates with, and is informed by, my spiritual practice. The research t
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Bernasconi, Gina. "Art and religious education: Seeking meaning in the sacred seriousness of art." Thesis, Australian Catholic University, 2006. https://acuresearchbank.acu.edu.au/download/4866d8aeffa87aa911cd9ec0550330f1da5a5413861095d66dc5812ac891d9b1/3609586/Bernasconi_2006_Art_and_religious_education_seeking_meaning_in.pdf.

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In relation to the post-compulsory religious education program of a Catholic secondary college for boys, this research study set out to ascertain the role of art as a medium for the self-revelation of God in the linking of aesthetic and religious experience. In other words, this research study proposed to provide a group of students with a space and opportunity for a ‘calling to attend’ experience of God; that is, an experience that was compelling. The theoretical framework called on two types of concepts: first, those related to the theological investigation of revelation and its connection w
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Whitehand, Dawn. "Evoking the sacred : the artist as shaman." Thesis, University of Ballarat, 2009. http://researchonline.federation.edu.au/vital/access/HandleResolver/1959.17/64909.

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This thesis examines, via a feminist theoretical framework, the systems in existence that permit the ongoing exploitation of the environment; and the appropriateness of ceramics as a medium to reinvigorate dormant insights. I argue that the organic nuances expressed through clay; the earthy, phenomenological and historic ritual connotations of clay; and the tactile textured surfaces and undulating form, allows ceramics to conjure responses within the viewer that reinvigorates a sense of embedment in the Earth.<br>Doctor of Philosophy
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Books on the topic "Department of sacred art"

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Couturier, Marie-Alain. Sacred Art. University of Texas Press, 1989.

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de, Menil Dominique, and Duployé Pie 1906-, eds. Sacred art. University of Texas Press, 1989.

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Merrifield, Heyoehkah. Sacred art, sacred earth. Rain Bird Publishers, 1993.

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Rawson, Philip S. Sacred Tibet. Thames and Hudson, 1991.

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Albanese, Marilia. Divina India =: Sacred India. BE-MA Editrice, 1990.

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Gillette, Donna L., Mavis Greer, Michele Helene Hayward, and William Breen Murray, eds. Rock Art and Sacred Landscapes. Springer New York, 2014. http://dx.doi.org/10.1007/978-1-4614-8406-6.

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Munakata, Kiyohiko. Sacred mountains in Chinese art. Krannert Art Museum, 1991.

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Nielsen, Lavrans. Sacred art of Lavrans Nielsen. Sheed & Ward, 1992.

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Morin, Jeffrey W. The sacred abecedarium. sailorBOYpress, 1999.

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Museum, British, ed. Hindu visions of the sacred. British Museum Press, 2004.

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Book chapters on the topic "Department of sacred art"

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Wang, Jiaren, Regina Kanyu Wang, Storycom, Guo Qi, and John Shanahan. "Art Department." In The Making of The Wandering Earth. Routledge India, 2022. http://dx.doi.org/10.4324/9781003205920-13.

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Wales, Lorene M. "The Art Department." In The Complete Guide to Film and Digital Production, 4th ed. Routledge, 2023. http://dx.doi.org/10.4324/9781003324201-11.

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Wales, Lorene M. "The Art Department." In The Complete Guide to Film and Digital Production. Routledge, 2017. http://dx.doi.org/10.4324/9781315294896-8.

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Vikan, Gary. "Byzantine Pilgrims' Art." In Sacred Images and Sacred Power in Byzantium. Routledge, 2024. http://dx.doi.org/10.4324/9781003557234-5.

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Zwerman, Susan, Jeffrey A. Okun, and Susan Thurmond O'Neal. "VAD (Virtual Art Department)." In The VES Handbook of Virtual Production. Focal Press, 2023. http://dx.doi.org/10.4324/9781003366515-8.

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Kirihara, Midori. "The Dual Nature of Syariah Compliance and the Diversity of Halal Standardisation: A Comparative Study of Malaysia and Japan." In The Halal Industry in Asia. Springer Nature Singapore, 2025. https://doi.org/10.1007/978-981-96-0393-0_3.

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Abstract This chapter scrutinises the issues related to the halal industry, halal standards and halalisation, with special attention given to the nature of Islamic law (syariah) compliance in two contrasting countries, Malaysia and Japan. The former is a Muslim-majority country while the latter has a tiny Muslim population. The analysis opens with a discussion of contemporary syariah having a dual nature—one dimension being statutory law and the other possessing ethical and legal force in society. Halal standards have been discussed in the literature as part of governmental regulations in Musl
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Okediji, Moyo. "Sacred Spaces." In Methodology, Ideology and Pedagogy of African Art. Routledge, 2023. http://dx.doi.org/10.4324/9781003389088-15.

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Vikan, Gary. "Art and Marriage in Early Byzantium." In Sacred Images and Sacred Power in Byzantium. Routledge, 2024. http://dx.doi.org/10.4324/9781003557234-10.

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Takoudes, Greg. "The director and art department." In The Collaborative Director. Routledge, 2019. http://dx.doi.org/10.4324/9780429461392-8.

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Babbage, B. H. "Science and Art Department. Babbage's." In The Works of Charles Babbage Vol 2. Routledge, 2024. https://doi.org/10.4324/9781003549444-17.

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Conference papers on the topic "Department of sacred art"

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Uscinowicz, Jerzy. "INTRODUCTION INTO THEOSOPHY OF THE SACRED ART." In 5th SGEM International Multidisciplinary Scientific Conferences on SOCIAL SCIENCES and ARTS SGEM2018. STEF92 Technology, 2018. http://dx.doi.org/10.5593/sgemsocial2018h/61/s14.042.

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Dominte, Georgeta Merişor. "Some Educational Landmarks Of Sacred Art In A Humanistic Perspective." In 2nd Central and Eastern European LUMEN International Conference - Multidimensional Education and Professional Development. Ethical Values. Cognitive-crcs, 2017. http://dx.doi.org/10.15405/epsbs.2017.07.03.48.

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Aguay, Alex. "The Sacred and The Profane Aspects in the Traditional Art." In International Conference on Aesthetics and the Sciences of Art. Bandung Institute of Technology, 2020. http://dx.doi.org/10.51555/338650.

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Uscinowicz, Jerzy. "PRACTICAL ECUMENISM IN SACRED ART AND ARCHITECTURE � INCORPORATION AND SYNTHESIS." In 5th SGEM International Multidisciplinary Scientific Conferences on SOCIAL SCIENCES and ARTS SGEM2018. STEF92 Technology, 2018. http://dx.doi.org/10.5593/sgemsocial2018/5.3/s21.057.

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Datsiuk, N. M. "SACRED ART OF THE TERNOPIL REGION OF THE 21ST CENTURY." In АКТУАЛЬНІ ПРОБЛЕМИ РОЗВИТКУ УКРАЇНСЬКОГО ТА ЗАРУБІЖНОГО МИСТЕЦТВ: КУЛЬТУРОЛОГІЧНИЙ, МИСТЕЦТВОЗНАВЧИЙ, ПЕДАГОГІЧНИЙ АСПЕКТИ. Liha-Pres, 2023. http://dx.doi.org/10.36059/978-966-397-317-3-42.

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Szymanska-Stulka, Katarzyna. "SPACE PERFORMS FOR SACRED AMONG MUSIC AND ARCHITECTURE. THE CASE OF STABAT MATER??S MOTIF IN POLISH CONTEMPORARY MUSICAL WORKS BY PAWEL LUKASZEWSKI AND IGNACY ZALEWSKI." In 10th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2023. SGEM WORLD SCIENCE, 2023. http://dx.doi.org/10.35603/sws.iscah.2023/vs08.09.

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In sacred musical works we find structures and composing solutions that introduce a specific action, similar to visual elements. What are the means for the architectural and sound space that create a sacred space? Are there playing in common? I answer this question on the basis of contemporary architecture (e.g. Church of Light by Tadao Ando in Ibaraki/Japan, Fritz Hoger�s Kirke in Berlin/Germany, Basilica Sanctuary of Our Lady of Tears by Stephane Aboudaram in Syracuse/Italy) confronted with music dedicated to the sacred sphere. In accordance with the currently developed cognitive interpretat
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Johnson, Nicholas. "CONTINUITY AND CHANGE IN THE SACRED ART OF THE RAMIFIED BYZANTINE EMPIRE." In Kralj Milutin i doba Paleologa: istorija, književnost, kulturno nasleđe. Publishing House of the Eparchy of Šumadija of the Serbian Orthodox Church - "Kalenić", 2023. http://dx.doi.org/10.46793/6008-065-5.559j.

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This paper will look for evidence of continuity and change in the periphery and centre of the Byzantine Empire in the late Palaeologan period looking at examples of sacred art from before and after the Latin occupation of Constantinople (1204-1261), I shall attempt to identify examples of continuity which served to reestablish Orthodoxy and note changes in composition, style and symbolism which have come to be seen by some as a Palaeologan Renaissance. My contention is that the visual culture thrived even when the polity and economy of empire were compromised.
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Mitasova, Svetlana, Anastasia Medova, and Pavel Mishagin. "The Specifics of Culturological Interpretation of a Piece of Sacred Orthodox Art." In Proceedings of the 3rd International Conference on Culture, Education and Economic Development of Modern Society (ICCESE 2019). Atlantis Press, 2019. http://dx.doi.org/10.2991/iccese-19.2019.53.

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ARDELEAN, Elena. "30 years of artistic education in “Alexandru Ioan Cuza” University of Iași." In "Ştiință și educație: noi abordări și perspective", conferinţă ştiinţifică internaţională. Ion Creangă Pedagogical State University, 2024. https://doi.org/10.46727/c.v3.21-22-03-2024.p298-301.

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Founded in 1993 within the "Alexandru Ioan Cuza" University in Iași, the section of Cultural Heritage (later called Sacred Art) will become the first accredited section of university education in Romania, with the aim of training specialists in the field of conservation and restoration of mobile cultural heritage (old book icon and polychrome wood). In 1999, a new specialization appeared, Painting, and in 2017 the study program was accredited according to the standards in the field of Visual Arts. During the 30 years, the Sacred Art section carried out an intense didactic, artistic creation an
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DOMINTE, Georgeta Merisor, Marina VRACIU, Bogdan COJOCEA, and Stelian ONICA. "Sacred Art, a Core Value in the Cultural-Artistic Rethinking and Visual Practice." In 8th LUMEN International Scientific Conference Rethinking Social Action. Core Values in Practice | RSACVP 2017 | 6-9 April 2017 | Suceava – Romania. LUMEN Publishing House, 2017. http://dx.doi.org/10.18662/lumproc.rsacvp2017.20.

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Reports on the topic "Department of sacred art"

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Nyman, Matt, Nancy Staus, and Martin Storksdieck. Science and Art Teaching Practices for Oregon Elementary Teachers: Results of a Landscape Survey. Oregon State University, 2023. http://dx.doi.org/10.5399/osu/1163.

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An Evaluation Report for the Oregon Department of Education. In collaboration with classroom teachers and WRAP personnel we developed and implemented a survey to collect baseline data on the science and arts teaching practices for ALL elementary teachers. This included “regular” classroom teachers (those teachers with an assigned physical classroom and set of students), art teachers, music teachers, PE teachers and other educators or administrators. In December 2022 we recruited three (3) elementary teachers to assist us in survey development, in particular framing questions around frequency o
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Johra, Hicham. Measurement Capabilities and Equipment at the Building Material Characterization Laboratory of Aalborg University (2024). Department of the Built Environment, 2023. http://dx.doi.org/10.54337/aau580248093.

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The aim of this short communication report is to provide synthetic information concerning the measurement capabilities and equipment of the Building Material Characterization Laboratory of Aalborg University - Department of the Built Environment. This laboratory uses state-of-the-art equipment to determine the thermophysical properties and the heat-air-moisture transport characteristics of materials, especially construction materials.
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Johra, Hicham. Measurement Capabilities and Equipment at the Building Material Characterization Laboratory of Aalborg University (2025). Department of the Built Environment, Aalborg University, 2024. http://dx.doi.org/10.54337/aau741131244.

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The aim of this short communication report is to provide synthetic information concerning the measurement capabilities and equipment of the Building Material Characterization Laboratory of Aalborg University - Department of the Built Environment. This laboratory uses state-of-the-art equipment to determine the thermophysical properties and the heat-air-moisture transport characteristics of materials, especially construction materials.
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Johra, Hicham. Air permeameter for porous building materials: Aalborg University prototype 2023. Department of the Built Environment, 2023. http://dx.doi.org/10.54337/aau545266824.

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The aim of this lecture note is to present the first prototype of an air permeameter for porous building material built at Aalborg University, Department of the Built Environment. This air permeameter setup is primarily intended for porous insulation materials but could be used for all types of materials fitting the sample frame. This lecture note also provides guidelines to operate this air permeameter and perform a state-of-the-art measurement of the effective air permeability.
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Wilcox. PR-015-09200-R01A Compressor and Pump Station Incidents and Technology Gaps. Pipeline Research Council International, Inc. (PRCI), 2009. http://dx.doi.org/10.55274/r0010956.

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In 2008, Pipeline Research Council International (PRCI) took the initiative to identify the main causes of reportable incidents in compressor and pump stations. Data was gathered from several sources including the United States� Department of Transportation Pipeline and Hazardous Materials Safety Administration, Canada�s National Energy Board, and PRCI member companies. More than 1600 incidents were reviewed over an 18 year period (1990 to 2008). The incidents were evaluated based on their frequency of occurrence and the consequences of the incidents (injury, ignition, environmental impact, et
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Boehm, Ted W., and Jim Handy. Central HMA Acceptance Lab Process Improvement Implementation Plan Project. Purdue University, 2020. http://dx.doi.org/10.5703/1288284317130.

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The Indiana Department of Transportation (INDOT) Central Hot Mix Asphalt (HMA) Acceptance Lab was opened on March 29, 2018 at the Office of Materials Management (OMM) facility in Indianapolis. The state-of-the-art lab conducts acceptance testing on HMA samples from INDOT’s Crawfordsville and Greenfield districts, as well as testing of appeals samples from the other four INDOT districts. Each HMA sample undergoes multiple sequences acceptance testing processes. In 2019, project SPR-4353 “Central HMA Acceptance Lab Process Improvement Project” was conducted with the goal to improve organization,
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Barajas, Jesus, Lindsay Braun, Amanda Merck, Bob Dean, Paul Esling, and Heidy Persaud. The State of Practice in Community Impact Assessment. Illinois Center for Transportation, 2022. http://dx.doi.org/10.36501/0197-9191/22-011.

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The objective of this research was to provide recommendations to the Illinois Department of Transportation for updating and revising the “Community Impact Assessment Manual” in accordance with the latest research and practice. The guide incorporated findings from a literature review, a scan of state department of transportation (DOT) community impact assessment (CIA) guidance and manuals, a survey of practitioners from state DOTs involved in CIA, and a series of interviews with those same practitioners to recommend process updates. According to the Federal Highway Administration, community imp
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Tom, Joe, Marcelo Garcia, and Haode Wang. Review of Methodologies to Assess Bridge Safety During and After Floods. Illinois Center for Transportation, 2022. http://dx.doi.org/10.36501/0197-9191/22-008.

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This report summarizes a review of technologies used to monitor bridge scour with an emphasis on techniques appropriate for testing during and immediately after design flood conditions. The goal of this study is to identify potential technologies and strategies for Illinois Department of Transportation that may be used to enhance the reliability of bridge safety monitoring during floods from local to state levels. The research team conducted a literature review of technologies that have been explored by state departments of transportation (DOTs) and national agencies as well as state-of-the-ar
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Motamed, Ramin, David McCallen, and Swasti Saxena. An International Workshop on Large-Scale Shake Table Testing for the Assessment of Soil-Foundation-Structure System Response for Seismic Safety of DOE Nuclear Facilities, A Virtual Workshop – 17-18 May 2021. Pacific Earthquake Engineering Research Center, University of California, Berkeley, CA, 2024. http://dx.doi.org/10.55461/jjvo9762.

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Aging infrastructure within the US Department of Energy (DOE) and the National Nuclear Security Administration (NNSA) nuclear facilities poses a major challenge to their resiliency against natural phenomenon hazards. Examples of mission-critical facilities located in regions of high seismicity can be found at a number of NNSA sites including Lawrence Livermore National Laboratory, Los Alamos National Laboratory, and the Nevada National Security Site. Most of the nation’s currently operating nuclear facilities have already reached their operating lifetime, and most currently operating nuclear p
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At the Gates of Paradise: Art of the Guaraní of Paraguay. Inter-American Development Bank, 2005. http://dx.doi.org/10.18235/0008210.

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The exhibit unites a number of artistic expressions of the Guaraní Indians of Paraguay, from the colonial period to the present. Include 65 pieces including statuary, both sacred and secular, photographs, videos, and contemporary art. All of the art works allow for a better understanding of the Guaraní culture that transmits knowledge fundamentally through an oral tradition, but has also come to assimilate a number of influences, modifying them to their own needs. The exhibition was open at the Art Gallery of the Cultural Center of the Inter-American Development Bank on September 2005.
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