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1

1958-, Li Xun, ed. Lights! camera! kai shi!: In depth interviews with China's new generation of movie directors. Norfalk, Conn: Eastbridge, 2008.

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2

Michael, Underwood. Death in camera. Bath: Chivers, 1985.

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3

Copyright Paperback Collection (Library of Congress), ed. Eileen Fulton's lights, camera, death. New York: Ballantine Books, 1988.

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4

Wang, Jiang, Zicheng Liu, and Ying Wu. Human Action Recognition with Depth Cameras. Cham: Springer International Publishing, 2014. http://dx.doi.org/10.1007/978-3-319-04561-0.

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5

Fossati, Andrea, Juergen Gall, Helmut Grabner, Xiaofeng Ren, and Kurt Konolige, eds. Consumer Depth Cameras for Computer Vision. London: Springer London, 2013. http://dx.doi.org/10.1007/978-1-4471-4640-7.

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6

La camera verde: Il cinema e la morte. Napoli: Ipermedium libri, 2000.

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7

Zanuttigh, Pietro, Giulio Marin, Carlo Dal Mutto, Fabio Dominio, Ludovico Minto, and Guido Maria Cortelazzo. Time-of-Flight and Structured Light Depth Cameras. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-30973-6.

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8

Camera de Gas. 2nd ed. Barcelona: Planet, 1994.

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9

Understanding close-up photography: Creative close encounters with or without a macro Lens. New York: Amphoto Books, 2009.

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10

Johnson, Jean. Dr. J.R.N. Owen: Frontier doctor and leader of Death Valley's camel caravan. Death Valley, Calif. (P.O. Box 338): Death Valley '49ers, 1997.

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11

Rainer, Gulbins, ed. Photographic multishot techniques: Super-resolution, extended depth of field, stitching, high dynamic range imaging, and other image enhancement techniques. Santa Barbara, CA: Rocky Nook, 2009.

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12

Controller, San Francisco (Calif ). Office of the. Memorandum: Performance measures of community safety cameras and the ShotSpotter gunshot location system. San Francisco: Office of the Controller, 2008.

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13

Pisters, Patricia. Filming for the Future. NL Amsterdam: Amsterdam University Press, 2016. http://dx.doi.org/10.5117/9789462980310.

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Louis Van Gasteren was one of the most prolific filmmakers in the history of the Netherlands, with a resume that includes nearly eighty documentaries and two feature films-to say nothing of artworks and books. Filming for the Future offers an extended exploration of Van Gasteren's work and audio-visual world. Patricia Pisters introduces us to a filmmaker who always had his camera ready and was relentless in filming a wide range of topics and events of national and international importance. Fascinated by technology, deeply engaged with politics, and intensely occupied by the traumatic effects of war, Van Gasteren assembled an unparalleled record of life in twentieth-century Amsterdam and beyond. Filming for the Future will be an invaluable source of documentation and analysis of one of the key filmmakers of our time. The book is accompanied by 3 DVDs by 7 films by Van Gasteren: A New Village on New Land (1960), The House (1961), A Matter of Level (1990), The Price of Survival (2003), Hans Life before Death (1983), Changing Track (2009) and Nema Aviona za Zagreb (2012).
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14

Focusing the View Camera : A Scientific Way to Focus the View Camera and Estimate Depth of Field. MacNab Print, 1993.

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15

Staff, KoRi Publication. Kinect Fusion: 3D Reconstruction and Interaction Using a Moving Depth Camera. Independently Published, 2018.

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16

Michael, Underwood. Death in Camera. Macmillan Publishing Company, 1985.

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17

Underwood, Michael. Death in Camera. Orion Publishing Group, Limited, 2013.

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18

Michael, Underwood. Death in Camesa. G K Hall Audio Books, 1987.

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19

Fulton. Lights, Camera, Death (Ser. No. 4). Ivy Books, 1988.

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20

Michael, Underwood. Death in Camera (Detective Manton Mysteries). Chivers Audio Books, 1996.

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21

Liu, Zicheng, Ying Wu, and Jiang Wang. Human Action Recognition with Depth Cameras. Springer London, Limited, 2014.

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22

Fossati, Andrea, Juergen Gall, and Helmut Grabner. Consumer Depth Cameras for Computer Vision. Springer, 2012.

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23

Liu, Zicheng, Ying Wu, and Jiang Wang. Human Action Recognition with Depth Cameras. Springer, 2014.

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24

Garrae, SR. Death in Camera: Murder in modelling's murky underbelly. Independently Published, 2019.

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25

Fulton, Eileen. LIGHTS,CAMERA,DEATH #4 (Take 1 for Murder, No 4). Ivy Books, 1988.

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26

Fossati, Andrea, Juergen Gall, Helmut Grabner, Xiaofeng Ren, and Kurt Konolige. Consumer Depth Cameras for Computer Vision: Research Topics and Applications. Springer London, Limited, 2012.

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27

Fossati, Andrea, Juergen Gall, Helmut Grabner, Xiaofeng Ren, and Kurt Konolige. Consumer Depth Cameras for Computer Vision: Research Topics and Applications. Springer, 2016.

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28

Mutto, Carlo Dal, Pietro Zanuttigh, Giulio Marin, Fabio Dominio, Ludovico Minto, and Guido Maria Cortelazzo. Time-of-Flight and Structured Light Depth Cameras: Technology and Applications. Springer, 2018.

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29

Mutto, Carlo Dal, Pietro Zanuttigh, Giulio Marin, Fabio Dominio, Ludovico Minto, and Guido Maria Cortelazzo. Time-of-Flight and Structured Light Depth Cameras: Technology and Applications. Springer, 2016.

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30

Grisham, John. Camara, La. Planeta, 1994.

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31

Grisham, John. Camara De Gas. Editorial Planeta, S.A. (Barcelona), 1995.

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32

Tremps, Enric, and John Grisham. Camara De Gas. Editorial Planeta, S.A. (Barcelona), 1997.

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33

Consumer Depth Cameras for Computer Vision Advances in Computer Vision and Pattern Recognition. Springer London Ltd, 2012.

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34

Soper, Mark Edward. The PC and gadget help desk: In depth. 2014.

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35

Cohen, Margaret. Underwater Eye: How the Movie Camera Opened the Depths and Unleashed New Realms of Fantasy. Princeton University Press, 2022.

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36

Cohen, Margaret. Underwater Eye: How the Movie Camera Opened the Depths and Unleashed New Realms of Fantasy. Princeton University Press, 2022.

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37

Naremore, James. Letter from an Unknown Woman. British Film Institute, 2021. http://dx.doi.org/10.5040/9781839022371.

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James Naremore's study of Max Ophuls' classic 1948 melodrama, Letter from an Unknown Woman, not only pays tribute to Ophuls but also discusses the backgrounds and typical styles of the film’s many contributors--among them Viennese author Stephan Zweig, whose 1922 novella was the source of the picture; producer John Houseman, an ally of Ophuls who nevertheless made questionable changes to what Ophuls had shot; screenwriter Howard Koch; music composer Daniéle Amfitheatrof; designers Alexander Golitzen and Travis Banton; and leading actors Joan Fontaine and Louis Jourdan, whose performances were central to the film’s emotional effect. Naremore also traces the film's reception history, from its middling box office success and mixed early reviews, exploring why it has been a work of exceptional interest to subsequent generations of both aesthetic critics and feminist theorists. Lastly, Naremore provides an in-depth critical appreciation of the film, offering nuanced appreciation of specific details of mise-en-scene, camera movement, design, sound, and performances, integrating this close analyses into an overarching analysis of Letter’s “recognition plot;” a trope in which the recognition of a character’s identity creates dramatic intensity or crisis. Naremore argues that Letter's use of recognition is one of the most powerful in Hollywood cinema, and contrasts it with what we find in Zweig's novella.
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38

Camara De Gas / the Chamber. Booket, 1998.

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39

(Translator), Enric Tremps, ed. Camara De Gas / the Chamber. Planeta Pub Corp, 2001.

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40

Grisham, John. Camara De Gas / the Chamber. Planeta, 2003.

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41

H, Walker James. Johnstown Horror!!!: Or, Valley of Death Being a Complete and Thrilling Account of the Awful Floods and Their Appalling Ruin. Pennsylvania State University Press, 2008.

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42

Brennan, T. Corey. Sabina’s Death and Deification. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190250997.003.0010.

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The chapter places Sabina’s death firmly in late 137. It first studies a relief depicting Hadrian’s consecration ceremony for her on Rome’s Campus Martius. No literary source mentions her deification, but coinage and inscriptions confirm it. Perhaps Hadrian’s failing health and the intense political conflict following his adoption of Aelius Caesar provide a context for the empress’s death, especially given the ancient tradition that Hadrian forced her into suicide. Divinization came naturally to the deceased empress, even though Hadrian alienated the Senate thoroughly and quashed much of that body’s good will for Sabina’s memory. After Hadrian’s death, his adopted heir Antoninus did complete the late emperor’s Mausoleum and buried the imperial couple there in 139, but before the Senate allowed Hadrian the same divine honors as Sabina’s. The chapter also details how, after Sabina’s deification, Matidia II aggrandized herself in Antoninus Pius’ and Marcus Aurelius’ reigns.
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43

The camel's load in life and death: Iconography and ideology of Chinese pottery figurines from Han to Tang and their relevance to trade along the silk routes (Akanthus crescens). Akanthus, 1998.

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44

Picano, Eugenio, Fausto Pinto, and Blazej Michalski. Ischaemic heart disease: coronary artery anomalies. Oxford University Press, 2016. http://dx.doi.org/10.1093/med/9780198726012.003.0030.

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Coronary anomalies occur in less than 1% of the general population and their clinical presentation can range anywhere from a benign incidental finding to the cause of sudden cardiac death. Since congenital coronary arteries anomalies are often considered as the first cause of cardiac death in young athletes in Europe, careful attention has to be paid in this specific subpopulation in case of suggestive symptoms. Although focused expert echocardiography is the first-line imaging tool, coronary computed tomography or radiation-free magnetic resonance imaging are recommended for more definitive definition of the coronary course in persons suspected of having coronary artery anomalies. Most coronary anomalies belong to the group of anomalous origin. Aneurysms are defined as dilations of a coronary vessel 1.5 times the normal adjacent coronary artery segment. Coronary artery fistulas are communications between one or more coronary arteries and a cardiac chamber (coronary-cameral), the pulmonary artery, or a venous structure (such as the sinus or superior vena cava).
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45

May, Allan R. Gangland Gotham. ABC-CLIO, LLC, 2009. http://dx.doi.org/10.5040/9798400655579.

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Organized crime and the mob figures who run it have long captured the imagination of the American public, appearing since the early twentieth century as characters in a host of popular books, movies, and television programs. But often what the public knew of such figures and their criminal careers was as much myth as fact. This book offers highly readable, carefully researched biographies that dispel the the myths but preserve the fascination surrounding 10 infamous New York mob leaders of the twentieth century. Each in-depth biography will help interested readers understand how and why each of these men achieved special notariety within the world of organized crime. Each biography describes the early years of each man, assessing how he came to a criminal career; his rise to prominence within the mob, providing reaction from those who knew him and witnessed his actions; and the last years of his career, assessing why it ended as it did. Each biography is illustrated with a picture of its subject and concludes with a listing of additional information resources, both print and electronic. A detailed subject index provides further access to the large amount of information contained in each biography. A timeline allows readers to quickly and easily track the birth, death, and important events in the life of each mobster.
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46

Emmerson, Allison L. C. Life and Death in the Roman Suburb. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198852759.001.0001.

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A Roman city was a bounded space. Defined by borders both physical and conceptual, the city stood apart as a concentration of life and activity that was divided from its rural surroundings not only physically, but also legally, economically, and ritually. Death was a key area of control, and tombs were relegated outside city walls from the Republican period through Late Antiquity. Given this separation, an unexpected phenomenon marked the Augustan and early Imperial periods: Roman cities developed suburbs, built-up areas beyond their boundaries, where the living and the dead came together in environments that could become densely urban. Life and Death in the Roman Suburb examines these districts, drawing on the archaeological remains of cities across Italy to understand their character and to illuminate the factors that led to their rise and decline, with a particular focus on the tombs of the dead. Work on Roman cities still tends to pass over funerary material, while research on death has concentrated on issues seen as separate from urbanism. This book aims to reconnect those threads, considering tombs within their suburban landscapes of shops, houses, workshops, garbage dumps, extramural sanctuaries, and major entertainment buildings to trace the many roles they played within living cities. It argues that tombs were not passive memorials, but active spaces that both facilitated and furthered the social and economic life of the city, where relationships between the living and the dead were an enduring aspect of urban life.
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47

Dieck, Herman. Johnstown Flood: A Thriving City of 30,000 Inhabitants and Many Great Industrial Establishments Nearly Wiped from Earth - Many Thousands Drowned or Burned to Death - Property Worth Many Millions of Dollars Destroyed - An Avalanche of Water Sweeps down the Conemaugh Valley - General Hastings in Command in Johnstown. Pennsylvania State University Press, 2008.

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48

Capp, Bernard. British Slaves and Barbary Corsairs, 1580-1750. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780192857378.001.0001.

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This is the first comprehensive study of the thousands of Britons captured and enslaved in North Africa in the early modern period, charting their lives from capture to eventual liberation, death in Barbary, or for a lucky few, escape. It outlines the character of Barbary’s government and society, the world of the corsairs, and the wider context of Mediterranean slavery. Using letters from slaves and accounts by former slaves, the book describes the trauma of the slave market, the lives of galley-slaves and labourers, and the fate of female captives. It explores the significance of their faith for some captives, especially puritans, but shows how a significant minority apostatized and accepted Islam, seduced by promises or hoping to ease their conditions. For them, and for other Britons who joined the corsairs voluntarily, identity became fluid and multilayered. The book also explores in depth how ransoms were raised by families and by state-sponsored charitable collections, and how redemptions were organized by merchants, consuls, and other intermediaries. Most families were too poor to raise a ransom, and the state came under intense pressure to intervene. The book shows how from the mid-seventeenth century, the state practised a form of ‘gunboat diplomacy’ that eventually curbed the corsairs. The Barbary corsairs posed a threat to all European powers, and the book places the British story within the wider context of Mediterranean slavery, which saw Moors and Christians as both captors and captives.
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49

Lawrence, Amy. Ghost Channels. University Press of Mississippi, 2022. http://dx.doi.org/10.14325/mississippi/9781496838100.001.0001.

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Between 2004 and 2019, over seventy programs dealing with the paranormal have appeared on US television. “Paranormal reality” series (as distinct from scripted programs with paranormal subjects) combine the traits of the horror genre with the documentary style of reality television. Despite being widely derided, these programs have important things to tell us about America: economic and social pressures affecting the American middle class; the perceived failure of institutions; the persistence of racial and ethnic exclusion; and the way assumptions about what it means to be a man or a woman resist change and, occasionally, give way to new possibilities. These issues are explored not only through the lens of the paranormal (encounters with ghosts, demons, and other unexplainable phenomena) but through interactions with technology. Devices ranging from consumer-grade digital cameras to specialized temperature gauges, “night-vision” infra-red cameras and EMF detectors are used to identify the presence of -- and enable communication with -- hostile or friendly spirits, thus validating the otherwise inexplicable experiences of ordinary people. Questions about technology’s reliability, its association with science and reason and its usefulness to “average” Americans, expand to include television itself as the medium is interrogated in a variety of ways.In-depth analyses of over thirty paranormal television series provide insight into the paranormal reality television genre, its development and place in cable television, and reveals the things Americans fear in the first two decades of the twenty-first century.
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50

Rosenow, Michael K. The Marks of Capital. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252039133.003.0002.

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This chapter examines the politics of death regarding industrial accidents in the United States during the period 1865–1919. More specifically, it investigates how ideas about the body—and the classed, raced, and gendered meanings mapped to it—facilitated the industrial accident crisis and impacted workers' experiences with death. The chapter first provides an overview of corporeality and the industrial imperative during the Industrial Revolution, along with the triumph of the machine and of individualism that came with industrialization. It then establishes the broader social and cultural contexts that shaped interpretations of workers' deaths resulting from work accidents. It shows that cultures of order and progress, cultures of work, and cultures of reform and protest motivated working people to use the space of death to reflect on the meanings of their lives and deaths.
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