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Dissertations / Theses on the topic 'Der Doppelgänger'

Author: Grafiati

Published: 4 June 2025

Last updated: 1 August 2025

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1

Orwant, Jon. "Doppelgänger--a user modeling system." Thesis, Massachusetts Institute of Technology, 1991. http://hdl.handle.net/1721.1/12952.

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Thesis (B.S.)--Massachusetts Institute of Technology, Dept. of Electrical Engineering and Computer Science, 1991.<br>Includes bibliographical references (leaves 60-65).<br>by Jonathan L. Orwant.<br>B.S.

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2

Oliveira, Lauro César Pecktor de. "Doppelgänger : da ideia à obra." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2014. http://hdl.handle.net/10183/103499.

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Este memorial trata da investigação do processo criativo de Doppelgänger, para dois pianos. Com suporte nos pressupostos metodológicos da crítica genética expandidos para o campo da música, o olhar investigativo procurou elos entre as operações que, nos níveis de decisão, colocaram o processo criativo em movimento. A expansão da crítica genética para a música fez com que se tornasse imprescindível restituir aos documentos de processo a sua realidade sonora e temporal, considerando-a como parte do estatuto genético da obra em investigação. A pesquisa sobre a gênese do processo criativo de Doppe

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3

Bremer, Donatella. "Der Doppelgänger und sein Name." Gesellschaft für Namenkunde e.V, 2010. https://ul.qucosa.de/id/qucosa%3A12564.

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The motif of the doppelgänger has been present in literature and the visual arts, but also, more or less concealed, in music, from classical antiquity until today and may manifest itself in the most various forms, dependent on genre, epoch, and culture. This has led criticism to consider the motif of the doppelgänger as a genre in its own right and to propose, especially during the last years, numerous classifications of the ways in which this psychological and anthropological phenomenon is treated in the arts. In the present study I have concentrated my attention on creations in which the dop

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4

Bremer, Donatella. "Der Doppelgänger und sein Name." Universitätsbibliothek Leipzig, 2014. http://nbn-resolving.de/urn:nbn:de:bsz:15-qucosa-145536.

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The motif of the doppelgänger has been present in literature and the visual arts, but also, more or less concealed, in music, from classical antiquity until today and may manifest itself in the most various forms, dependent on genre, epoch, and culture. This has led criticism to consider the motif of the doppelgänger as a genre in its own right and to propose, especially during the last years, numerous classifications of the ways in which this psychological and anthropological phenomenon is treated in the arts. In the present study I have concentrated my attention on creations in which the dop

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5

Rashidi, Bahareh. "Divided screen : the doppelgänger in German silent film." Thesis, University of Edinburgh, 2007. http://hdl.handle.net/1842/6578.

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The proliferation of the doppelgänger theme in so many films of Wilhemine and Weimar Germany raises the question of its historical significance, in particular during Germany’s “crisis of classical modernity”. While previous studies have addressed the double from a narrative perspective, focusing on its psychological significations as divided self, this thesis instead considers the theme from a structural and historical perspective: how, as a technical reproduction of the human body that is ontologically double, at once real and unreal, it serves as a site for reflection on the visual experienc

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6

Orwant, Jon. "Doppelgänger goes to school : machine learning for user modeling." Thesis, Massachusetts Institute of Technology, 1993. http://hdl.handle.net/1721.1/29070.

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7

Partyja, Jaclyn. "The Author’s Doppelgänger: Celebrity, Canonicity, and the Anxiety of the Literary Marketplace in the Contemporary Novel." Diss., Temple University Libraries, 2016. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/401342.

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English<br>Ph.D.<br>This dissertation investigates how and why contemporary canonical authors such as Vladimir Nabokov, Philip Roth, J.M. Coetzee, and Salman Rushdie incorporate their celebrity and canonical status as authors into the fictional worlds of their novels. The contemporary celebrity author in general is at the mercy of a more globalized publication industry that depends on a circuit of international circulation, translation, and the diverse reactions of a transnational readership. More specifically, each of the authors I focus on in this dissertation have become notorious, both for

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8

Kiss, Robert James. "The Doppelgänger in Wilhelmine cinema (1895-1914) : modernity, audiences and identity in turn-of-the-century Germany." Thesis, University of Warwick, 2000. http://wrap.warwick.ac.uk/4124/.

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The Doppelganger is a celebrated motif of German silent cinema that has been seen by art and literary historians as a filmic descendant of German Romanticism, and by psychoanalysts as a concretisation of human beings' fears regarding their own potentially fragmentary nature and mortality. This research builds on such interpretations by suggesting that - in the case of German cinema before World War One, at least - the Doppelganger can be read as a signifier of modernity as it was experienced by members of various social groupings. Returning to primary sources, some 203 films are identified tha

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9

Chamberlain, Martin. "OPERATION CONDOR'S DOPPELGÄNGER: THE JUNTA DE COORDINACIÓN REVOLUCIONARIA AND THE OUTBREAK OF POLITICAL VIOLENCE IN THE SOUTHERN CONE." Master's thesis, Temple University Libraries, 2012. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/161806.

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History<br>M.A.<br>This thesis explores the Junta de Coordinación Revolucionaria (JCR) and its impact on the outbreak of political violence in the Southern Cone. Given the JCR's short existence and the barbarity of Operation Condor, most scholars have overlooked this organization or treated as convenient excuse for the military regimes to justify their heinous crimes. This article attempts to transcend the one-dimensional view that has predominated studies on the JCR by exploring its revolutionary project and contextualizing it within the international and domestic context in which it develope

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10

Cantrell, Paul A. "Palamedes." Digital Archive @ GSU, 2011. http://digitalarchive.gsu.edu/english_theses/110.

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This thesis offers a syncretic, synoptic account of Palamedes from the Trojan War. It delineates three interpretive modes: (1) that Palamedes was present all along; (2) that later poets inserted him into the Trojan narrative, either as an archetypal intellectual figure, or as Odysseus’s double; (3) that Palamedes was present only as Odysseus’s imaginary Doppelgänger. The thesis accounts for Palamedes’s scarce attention in classical texts by way of Lacanian and—via Otto Rank—Freudian psychoanalytic theory, as well as by Slavoj Žižek’s adoption of the “vanishing mediator.” After tracing a potent

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11

Dobbs, Joshua D. "James Hogg's Ambiguously Justified Sinner." Thesis, Virginia Tech, 2016. http://hdl.handle.net/10919/71639.

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This thesis explores Hogg's interpretation of indeterminacy both throughout his career and in Justified Sinner, especially in the character Gil-Martin. Hogg seems to reject the tradition of choosing one side over another in such a dichotomy, and instead chooses to look at both extremes as equally co-present. Hogg wrote Justified Sinner within the framework of the literary Gothic tradition and used Gothic tropes to create ambiguity throughout his novel, as is the case throughout his body of works. Many of the ambiguities in Justified Sinner center on the character Gil-Martin. My interpretat

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12

Cesaro, Patrícia Souza Silva. "O mito do duplo em retratos." Universidade Federal de Goiás, 2012. http://repositorio.bc.ufg.br/tede/handle/tede/3196.

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Submitted by Erika Demachki (erikademachki@gmail.com) on 2014-09-26T20:27:29Z No. of bitstreams: 2 Cesaro, Patrícia Souza Silva-2012-dissertação.pdf: 2464854 bytes, checksum: 532712a329cd48a09f59cb655120e2a6 (MD5) license_rdf: 23148 bytes, checksum: 9da0b6dfac957114c6a7714714b86306 (MD5)<br>Approved for entry into archive by Jaqueline Silva (jtas29@gmail.com) on 2014-09-26T21:15:48Z (GMT) No. of bitstreams: 2 Cesaro, Patrícia Souza Silva-2012-dissertação.pdf: 2464854 bytes, checksum: 532712a329cd48a09f59cb655120e2a6 (MD5) license_rdf: 23148 bytes, checksum: 9da0b6dfac957114c6a7714714b86306 (MD

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13

Thomann, Larissa Cristina. "O duplo em Cosmétique de l'ennemi /." Araraquara, 2016. http://hdl.handle.net/11449/142855.

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Orientador: Silvana Vieira da Silva<br>Banca: Alexander Meireles da Silva<br>Banca: Maria das Graças Gomes Villa da Silva<br>Resumo: Na obra Cosmétique de l'ennemi (2001), da escritora belga Amélie Nothomb (1967), tanto as personagens, quanto o tempo e o espaço são construídos de forma a garantir características duplas à narrativa. O duplo é analisado como fator predominante na construção da narrativa, sendo parte do espaço que se divide em dois: sala de espera de um aeroporto e imaginação de Jérôme; bem como parte do tempo - cronológico e psicológico; e, ainda, como característica das persona

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14

Dujarric, Florence. "La ville de Rebus : polarités urbaines dans les romans d'Ian Rankin (1987-2007)." Phd thesis, Université de la Sorbonne nouvelle - Paris III, 2013. http://tel.archives-ouvertes.fr/tel-01015364.

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La présente étude analyse les représentations de la ville dans la série policière d'Ian Rankin dont l'inspecteur John Rebus est le protagoniste. La polarité étant l'un des principes organisateurs de l'écriture rankinienne, notre analyse s'articule autour de plusieurs couples de notions antinomiques. Nous remettons d'abord en cause la légitimité de l'antinomie qui oppose la littérature à la " littérature de masse ", dans laquelle est souvent classé le roman policier. Cela nous conduit à redéfinir le roman policier, et mettre en perspective la série dans le contexte du monde littéraire et artist

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15

Kroupová, Alžběta. "Doppelgänger ve španělské povídkové tvorbě." Master's thesis, 2017. http://www.nusl.cz/ntk/nusl-358085.

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(in English) The topic of this master thesis is a character of the double in Spanish short stories focused on 20th century. Firstly, we describe the historical context of this literary theme and we observe its changing through the time, its transition from a tragic tone to absurdity or a comic tone. The aim of this work is to observe Freud's concept of "unheimlich" feeling applied to the topic of the double and to investigate what literary tools can intensify this feeling in the reader. After this, we focus on repeating motives in selected short stories and we contemplate constituent aspects o

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16

Szymańska-Sabala, Ewa. "Doubles and Duality as Strategies of Subversion in Contemporary Scottish Women 's Writing." Doctoral thesis, 2016. https://depotuw.ceon.pl/handle/item/1764.

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“Doubles and Duality as Strategies of Subversion in Contemporary Scottish Women’s Writing” The aim of this disertation is to investigate five novels by the contemporary Scottish female authors through their shared engagement with the reworking of the motif of doubling and duality. It focuses on analyzing the variety of uses of the doppelgänger figure as strategies to overcome the binary system underpinning national, cultural and political discourses. With the customary doppelgänger being a male figure, the literature of the second self has been categorized as the domain of male writers, in par

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17

"Worry, Want, and Wickedness Insanity and the Doppelgänger in Wilkie Collins' The Woman in White and Mary Elizabeth Braddon's Lady Audley's Secret." Master's thesis, 2012. http://hdl.handle.net/2286/R.I.15003.

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abstract: John Herdman provides a brief explanation for neglecting the Victorian sensational double in his work The Double in Nineteenth-Century Fiction, "Nor have I ventured into the vast hinterland of Victorian popular fiction in which doubles roam in abundance, as these are invariably derivative in origin and break no distinctive new territory of their own" (xi). To be sure the popular fiction of the Victorian Era would not produce such penetrating and resonate doubles found in the continental, and even American, literature of the same period until the works of Scottish writers James Hogg a

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18

Gomes, Joana Filipa Almeida 1986. "Universos íntimos e histórias contadas." Master's thesis, 2011. http://hdl.handle.net/10451/7276.

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Tese de mestrado, Pintura, Universidade de Lisboa, Faculdade de Belas Artes, 2011<br>A tese possui um DVD em anexo com um Video que apenas será visualizado na Biblioteca da FBAUL - cota: CDA87<br>A presente dissertação pretende, na sua vertente teórica, compreender um dos modos como na arte contemporânea se contam histórias, num modelo narrativo que tem presentes, em latência ou de forma expressa, a multiplicidade (de personagens, espaços, tempos ou médios), a ideia de doppelgänger e o unheimlich, enquanto elementos próprios da identidade humana inscrita na sociedade actual. Toma-se como

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19

Raymond, Sylvain. "De la figure monstrueuse : de l'homme-spectacle à l'hyper-mâle ou une tentative de définition de mon histoire secrète." Thèse, 2007. http://hdl.handle.net/1866/7141.

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20

Macura, Michal. ""Vývoj fenoménu dvojnictví ve viktoriánské literatuře"." Master's thesis, 2013. http://www.nusl.cz/ntk/nusl-323426.

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English abstract To understand why the doppelgänger, or the phenomenon of double personality, developed such literary presence in the fin-de-siècle Victorian Britain we must look to the dramatic social changes which had taken place since the beginning of the Industrial Revolution, as well as to the nascent science of psychology and its preoccupation with the subconscious in relation to consciousness. The doppelgänger typically emerges where one component of personality is suppressed due to supra-individual requirements and expectations. The doppelgänger is, therefore, closely linked to its env

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21

Bär, Gerald. "Das Motiv des Doppelgängers als Spaltungsphantasie in der Literatur und im deutschen Stummfilm." Doctoral thesis, 2002. http://hdl.handle.net/10400.2/2461.

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Tese de Doutoramento em Ciências Humanas e Sociais na especialidade de Estudos Alemães apresentada à Universidade Aberta<br>Embora enquadrado na Área de Línguas e Literaturas Modernas, mais concretamente no âmbito dos Estudos Alemães a tese entende-se como um trabalho interdisciplinar no campo das Literaturas Inglesas e Norte-Americanas explorando também as dimensões cinematográficas do motivo do Doppelgänger. A tese compõe-se de quatro partes: A primeira parte contém uma introdução à temática da dissertação, explicando o aparecimento e o desenvolvimento das várias definições do conceito de D

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22

Marco, Favaro. "La Maschera dell’Antieroe. Evoluzione della Mitologia e della Filosofia del Supereroe in Fumetti e Graphic Novel, dalla Dark Age a Oggi." Doctoral thesis, 2021. http://hdl.handle.net/11562/1043823.

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Il progetto “La Maschera dell’Antieroe. Evoluzione della Mitologia e della Filosofia del Supereroe in Fumetti e Graphic Novel, dalla Dark Age a Oggi” nasce con lo scopo di analizzare e approfondire gli aspetti filosofici propri della narrativa supereroica, considerando prevalentemente il media nel quale tale narrativa ha preso vita, il fumetto, ma senza tralasciare le più recenti manifestazioni del fenomeno come film e serie televisive. L’obiettivo è stato quello di scoprire quelle che sono le strutture tipiche del mondo supereroico e quali sono i concetti filosofici in esse impliciti. A quest

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23

marco, favaro. "La Maschera dell'Antieroe. Evoluzione della Mitologia e della Filosofia del Supereroe in Fumetti e Graphic Novel, dalla Dark Age a Oggi." Doctoral thesis, 2021. http://hdl.handle.net/11562/1043825.

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Il progetto “La Maschera dell’Antieroe. Evoluzione della Mitologia e della Filosofia del Supereroe in Fumetti e Graphic Novel, dalla Dark Age a Oggi” nasce con lo scopo di analizzare e approfondire gli aspetti filosofici propri della narrativa supereroica, considerando prevalentemente il media nel quale tale narrativa ha preso vita, il fumetto, ma senza tralasciare le più recenti manifestazioni del fenomeno come film e serie televisive. L’obiettivo è stato quello di scoprire quelle che sono le strutture tipiche del mondo supereroico e quali sono i concetti filosofici in esse impliciti. A quest

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