Academic literature on the topic 'Derby porcelain'

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Journal articles on the topic "Derby porcelain"

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Pérez, Liliane. "A. P. Ledger et Roger Smith, Benjamin Vulliamy and the Derby porcelain manufactory, 1784-1795." Documents pour l'histoire des techniques, no. 16 (December 1, 2008): 226–29. http://dx.doi.org/10.4000/dht.733.

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Owen, J. Victor, and Robin Barkla. "Compositional Characteristics of 18th Century Derby Porcelains: Recipe Changes, Phase Transformations, and Melt Fertility." Journal of Archaeological Science 24, no. 2 (February 1997): 127–40. http://dx.doi.org/10.1006/jasc.1995.0099.

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Dissertations / Theses on the topic "Derby porcelain"

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Thornton, Peter. "Landscape decoration on Derby porcelain in the 18th century." Thesis, University of Manchester, 1995. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.575144.

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Anderson, Judith Anne. "Derby porcelain and the early English fine ceramic industry, c.1750-1830." Thesis, University of Leicester, 2000. http://hdl.handle.net/2381/7941.

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This thesis sets out to give contemporary commercial context to a luxury business, whose products have been traditionally studied as art-objects. The provincial firm, under the Duesburys, was the country's pre-eminent producer of fine porcelain from c. 1770, a position no other domestic manufactory rivalled for twenty years. But its success was not easily achieved: the proprietors regularly adapted their business. This work identifies such changes, and seeks to establish their causes: were they proprietorially led, or a reaction to some external influence? Importantly, the Duesburys' domination coincided with a period of general industrial and commercial transition, when luxury crafts were in decline, but before mass-production; when the capital was losing its industry to newer, specialised regional production centres like Staffordshire; and when London no longer dominated the fashionable market, as provincial towns became increasingly gentrified. Distinct themes are analysed: the nature of the luxury market and the role of fine ceramics (the growth of 'alternative' consumer luxuries and the middle-class market, combined with the shift from rococo to neoclassical design); marketing and distribution, and the role of the Duesburys' London showroom (the manager's letters and accounts provide rare detail on sales); fashionable ceramics and the competition and cooperation within the fine-ceramic sector (notably the competition from France after the 1786 trade treaty, and relationships with Wedgwood and Flight of Worcester); the location of the Derby China Works, and the sourcing of raw materials (including communications and the role of the Derby Philosophical Society); and human and financial resources. While porcelain production did not benefit from macro-inventions like, for example, the textile industry, the Duesburys' relatively small-volume luxury manufacture allowed a sophisticated use of the infrastructure of the early Industrial Revolution. By contrast, Duesbury II's partner, Kean, during the extended war years, was later obliged to exert more commercial rigour and scale to the firm.
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Books on the topic "Derby porcelain"

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Bradley, Gilbert. Derby porcelain 1750-1798. London: Heneage, 1990.

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Bradley, Gilbert. Derby porcelain, 1750-1798. London: T. Heneage, 1990.

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John, Twitchett, ed. Painters and the Derby China Works. London: Trefoil, 1987.

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Bradshaw, Peter. Derby porcelain figures 1750-1848. London: Faber and Faber, 1990.

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Peter, Bradshaw. Derby porcelain figures 1750-1848. London: Faber, 1990.

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Derby Museum and Art Gallery., ed. European competition, trade and influence, 1786-1796: References from original documents. Derby: Derby Museum and Art Gallery, 1998.

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R, Daniel Gerald, and Derby Porcelain International Society, eds. Recent research on ceramics of Derbyshire. Hellidon, Daventry, Northants, England: Derby Porcelain International Society, 1991.

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Cox, Ian. Royal Crown Derby paperweights: A collectors' guide. London: Merrell Holberton Publishers, 1998.

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Bambery, Anneke. Derby porcelain: The factory at King Street 1849-1935. (Derby): Derby Museums & Art Gallery, 1993.

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Derby porcelain, 1748-1848: An illustrated guide. Woodbridge, Suffolk: Antique Collectors' Club, 2002.

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Book chapters on the topic "Derby porcelain"

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Edwards, Howell G. M. "William Billingsley at Derby, Pinxton and Worcester and His Ambition for the Manufacture of Nantgarw Porcelain." In The Farnley Hall Service: A Unique Survivor in Nantgarw Porcelain, 1–15. Cham: Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-21816-3_1.

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Conference papers on the topic "Derby porcelain"

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Crofts, John G. "The Original “Silken Valley”: How and Why the Derwent Valley Became the Birthplace of the Industrial Revolution." In ASME 2002 International Mechanical Engineering Congress and Exposition. ASMEDC, 2002. http://dx.doi.org/10.1115/imece2002-33134.

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The paper outlines the history of the extraction of power from the River Derwent in Derbyshire, England, a source of abundant, reliable and vigorous water flow; and how this renewable power source provided power for the industrialization of what were formerly cottage occupations. The Romans introduced Water Wheels to Britain in the 1st century, which were used in the Derwent Valley to grind grist, mine lead, power iron forges and pump water. The prototype factories of the Industrial Revolution were built here, utilizing water power technology to drive textile mills. Cotchett’s Silk Mill, built in Derby in 1702, was followed by Lombe’s Silk Mill nearby in 1717, Then followed the cotton industry, led by Arkwright and Strutt in Cromford, the first “modern” mill, with 200 hands and round-the-clock operations, in 1771. After this success, Strutt built a larger mill in 1782 at Belper, powered by eleven 21 ft diameter water wheels. Samuel Slater, apprenticed during the building of this mill, emigrated secretly to America, where he enabled the first successful U.S cotton mill to be built in Pawtucket, R.I. The skills and traditions remain in the area, in such notable companies as Rolls-Royce and the Royal Crown Derby Porcelain works.
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