Relevant bibliographies by topics / Derek Attridge

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Academic literature on the topic 'Derek Attridge'

Author: Grafiati
Published: 4 June 2025
Last updated: 1 August 2025

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Journal articles on the topic "Derek Attridge"

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Cureton, Richard D. "A Response to Derek Attridge." Poetics Today 17, no. 1 (1996): 29. http://dx.doi.org/10.2307/1773250.

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Clarkson, Carrol. "Derek Attridge in the event." Journal of Literary Studies 21, no. 3-4 (2005): 368–75. http://dx.doi.org/10.1080/02564710508530384.

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Kácsor, Lóránt. "Creation of the Other." AnaChronisT 11 (September 26, 2023): 372–74. http://dx.doi.org/10.53720/efgm8238.

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Piekarski, Ireneusz. "Derek Attridge, Jednostkowość literatury, przeł. P. Mościcki, Kraków 2007, ss. 223." Facta Simonidis 2, no. 1 (2009): 293–99. http://dx.doi.org/10.56583/fs.313.

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Editors, The. "Derek Attridge, Acts of Literature: Jacques Derrida." Journal of French and Francophone Philosophy 4, no. 1 (1992): 80. http://dx.doi.org/10.5195/jffp.1992.330.

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Shapiro, James. "The Rhythms of English Poetry. Derek Attridge." Modern Philology 82, no. 3 (1985): 345–49. http://dx.doi.org/10.1086/391400.

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ZAMIR, TZACHI. "The Singularity of Literature by attridge, derek." Journal of Aesthetics and Art Criticism 65, no. 4 (2007): 419–21. http://dx.doi.org/10.1111/j.1540-594x.2007.00277_2.x.

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Kató, Eszter. "Theory in Practice or a Practical Theory?" AnaChronisT 11 (September 26, 2023): 374–79. http://dx.doi.org/10.53720/slza8715.

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Vidmar, Iris. "Derek Attridge, The Work of Literature." Estetika: The European Journal of Aesthetics 54, no. 1 (2017): 138. http://dx.doi.org/10.33134/eeja.160.

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Zalloua, Z., and Z. Zalloua. "Derek Attridge on the Ethical Debates in Literary Studies." SubStance 38, no. 3 (2009): 18–30. http://dx.doi.org/10.1353/sub.0.0060.

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Books on the topic "Derek Attridge"

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Giusti, Francesco, and Benjamin Lewis Robinson, eds. The Work of World Literature. ICI Berlin Press, 2021. http://dx.doi.org/10.37050/ci-19.

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The contentious discourse around world literature tends to stress the ‘world’ in the phrase. This volume, in contrast, asks what it means to approach world literature by inflecting the question of the literary. Debates for, against, and around ‘world literature’ have brought renewed attention to the worldly aspects of the literary enterprise. Literature is studied with regard to its sociopolitical and cultural references, contexts and conditions of production, circulation, distribution, and translation. But what becomes of the literary when one speaks of world literature? Responding to Derek A
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Attridge, Derek. Derek Attridge in Conversation. Sussex Academic Press, 2015.

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Attridge, Derek. Derek Attridge in Conversation. Sussex Academic Press, 2015.

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Attridge, Derek, David Jonathan Y. Bayot, and Franciso Roman Guevara. Derek Attridge in Conversation. Sussex Academic Press, 2015.

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Derek Attridge in Conversation. Sussex Academic Press, 2015.

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Attridge, Derek. ‘A Yes without a No’. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198805281.003.0006.

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Derek Attridge’s chapter takes Coetzee’s short story, ‘The Old Woman and the Cats’ (2013), as the starting point for an exploration of the divergence between rational accounts of the good, and the ways in which literary experience can expose the reader to non-rational forms of evaluation and decision-making, which are more akin to conversion experiences. Attridge shows that Coetzee does not shy away from the unsettling implication that Socrates also feared: namely, the potential of literary texts to be morally harmful. In exploring this non-rational attunement to alterity as ‘the ethical’ in i
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Lilja, Eva. Rhythm in Modern Poetry. Bloomsbury Publishing Inc, 2023. http://dx.doi.org/10.5040/9798765101001.

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A pioneering work in cognitive versification studies, scrutinizing the rhythmical means of free verse. Investigating a previously neglected area of study, Rhythm in Modern Poetry establishes a foundation for cognitive versification studies with a focus on the modernist free verse. Following in the tradition of cognitive poetics by Reuven Tsur, Richard Cureton and Derek Attridge, every chapter investigates the rhythms of one modern poem, by Lawrence Ferlinghetti, Sylvia Plath and others, and engages each element in the broader interpretation of the poem in question. In her examination of modern
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Book chapters on the topic "Derek Attridge"

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Giusti, Francesco. "Transcontextual Gestures." In The Work of World Literature. ICI Berlin Press, 2021. http://dx.doi.org/10.37050/ci-19_04.

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What if one thinks not in terms of shared meanings or contents, but rather in terms of iterable gestures available for re-enactment in different times and places in order to conceive of a cross-cultural world of literature? This essay sets out to explore, within the discursive mode of the lyric, whether the notion of gesture could be more helpful than meaning-based translation to account for the transferability of literary texts and for envisioning a form of community based on the shareability of certain gestures. To do so, it will look at how the act-event of reading described by Derek Attrid
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"DEREK ATTRIDGE IN CONVERSATION." In Derek Attridge in Conversation. Liverpool University Press, 2015. http://dx.doi.org/10.2307/j.ctv3029kgk.2.

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"Front Matter." In Derek Attridge in Conversation. Liverpool University Press, 2015. http://dx.doi.org/10.2307/j.ctv3029kgk.1.

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"Derek Attridge Chronological List of Publications." In Derek Attridge in Conversation. Liverpool University Press, 2015. http://dx.doi.org/10.2307/j.ctv3029kgk.3.

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Attridge, Derek. "Zoë Wicomb in Conversation with Derek Attridge." In Zoë Wicomb & the Translocal, edited by Kai Easton. Routledge, 2017. http://dx.doi.org/10.4324/9781315283418-14.

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"Responsible Reading and Cultural Distance: Derek Attridge." In Postcolonial Audiences. Routledge, 2012. http://dx.doi.org/10.4324/9780203126165-28.

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Jaurretche, Colleen. "Book III." In Language as Prayer in Finnegans Wake. University Press of Florida, 2020. http://dx.doi.org/10.5744/florida/9780813066370.003.0004.

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This chapter envisions the Wake as part of the tradition of dream vision literature. Beginning with the first critical writing on the Wake that sought to contextualize the book as such, and reassessing more contemporary views that the Wake is not part of the genre, the chapter lays out the tradition from the origins of English poetry and demonstrates Joyce’s adaptation and conformity with it. Part of the chapter engages Giordano Bruno’s extensive writings on dreaming and sight. The chapter takes into consideration the end result of dreaming—awakening—and situates the Wake as an aubade as well
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Williams, David-Antoine. "Adaptations in the Age of the Arbitrary." In The Life of Words. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198812470.003.0003.

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This chapter begins by noting with Saussure that the rupture structural linguistics makes between sound image and referent would appear to make etymology theoretically vacant. How one might continue to ‘believe’ in the truth of etymologies in the face of this occupies the rest of the discussion, beginning with the problems and possibilities of phenomenological ‘unveiling’ (Martin Heidegger, Anne Carson, Jan Zwicky, and Anne Waldman are discussed) and deconstructive etymological word play (Jean Paulhan, Nancy Streuver, Derek Attridge, Paula Blank). Play, or work, with etymology then frames a co
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Creaser, John. "‘Service is Perfect Freedom’." In Milton and the Resources of the Line. Oxford University PressOxford, 2022. http://dx.doi.org/10.1093/oso/9780192864253.003.0002.

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Abstract This chapter considers how to analyse and respond to verse rhythm in Milton, especially in Paradise Lost. Traditional foot prosody is shown unable to do justice to such rhythm, and an approach based on the theories of Derek Attridge is presented. Through comparison with excerpts from early narrative blank verse and more generally with the verse of Shakespeare’s later plays, Milton’s verse is shown as a deliberate fresh start, characterised by a paradoxical combination of austerity and liberty. The appeal to freedom in Milton’s note on the verse is shown to be justified by the flexibil
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"• Derek Attridge (ed.), The Cambridge Companion to James Joyce (Cambridge: Cambridge University Press, 1990), xv +305 pp., $39.50 (hardback) $12.95) (paperback)." In Textual Practice. Routledge, 2005. http://dx.doi.org/10.4324/9780203988121-23.

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Conference papers on the topic "Derek Attridge"

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Rafid, C. "Plurality in Literary Reading: A Comparative Study of the ‘Goodreads’ Reviews of Moustache and Mama Africa." In XII Congress of the ICLA. Georgian Comparative Literature Association, 2024. http://dx.doi.org/10.62119/icla.1.8190.

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The paper tries to address the plurality of ‘literary reading’ through a comparative analysis of the Goodreads reviews of Mous-tache. Inspired by Derek Attridge's idea of the 'event of literature', the paper considers a literary 'work' as an event performed in a reader's relation with the 'text'. The same 'text' can be read as diffe-rent 'works', and each review is about a particular reading which is a 'work'. The differences among these works attest to the plurality of literary reading. Additionally, the paper refers to Attridge's type/ token distinction to elaborate on the plurality of the r
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