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1

Cureton, Richard D. "A Response to Derek Attridge." Poetics Today 17, no. 1 (1996): 29. http://dx.doi.org/10.2307/1773250.

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Clarkson, Carrol. "Derek Attridge in the event." Journal of Literary Studies 21, no. 3-4 (2005): 368–75. http://dx.doi.org/10.1080/02564710508530384.

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Kácsor, Lóránt. "Creation of the Other." AnaChronisT 11 (September 26, 2023): 372–74. http://dx.doi.org/10.53720/efgm8238.

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Piekarski, Ireneusz. "Derek Attridge, Jednostkowość literatury, przeł. P. Mościcki, Kraków 2007, ss. 223." Facta Simonidis 2, no. 1 (2009): 293–99. http://dx.doi.org/10.56583/fs.313.

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Editors, The. "Derek Attridge, Acts of Literature: Jacques Derrida." Journal of French and Francophone Philosophy 4, no. 1 (1992): 80. http://dx.doi.org/10.5195/jffp.1992.330.

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6

Shapiro, James. "The Rhythms of English Poetry. Derek Attridge." Modern Philology 82, no. 3 (1985): 345–49. http://dx.doi.org/10.1086/391400.

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7

ZAMIR, TZACHI. "The Singularity of Literature by attridge, derek." Journal of Aesthetics and Art Criticism 65, no. 4 (2007): 419–21. http://dx.doi.org/10.1111/j.1540-594x.2007.00277_2.x.

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8

Kató, Eszter. "Theory in Practice or a Practical Theory?" AnaChronisT 11 (September 26, 2023): 374–79. http://dx.doi.org/10.53720/slza8715.

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9

Vidmar, Iris. "Derek Attridge, The Work of Literature." Estetika: The European Journal of Aesthetics 54, no. 1 (2017): 138. http://dx.doi.org/10.33134/eeja.160.

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10

Zalloua, Z., and Z. Zalloua. "Derek Attridge on the Ethical Debates in Literary Studies." SubStance 38, no. 3 (2009): 18–30. http://dx.doi.org/10.1353/sub.0.0060.

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11

Lilja, Eva. "Movement and Balance. A comment on Derek Attridge’s Moving Words." Studia Metrica et Poetica 7, no. 2 (2020): 90–108. http://dx.doi.org/10.12697/smp.2020.7.2.05.

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This paper discusses some central problems that occur within cognitive versification studies. Derek Attridge’s Moving Words (2013) comments on Richard Cureton’s concept of temporalities. Attridge understands poetic rhythm as movement. He draws the conclusion that movement and repetition are, in principle, contradictory because, in a way, repetition looks backwards and stops the movement. This turns out to be a complicated statement, as repetition seems to be the only poetic device that is common in poetry all over the world. However, it may be possible to understand the relationship between mo
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12

Attridge, Derek, Bartosz Lutostański, and Marta Nowicka. "Performing Metaphors: The Singularity of Literary Figuration." Tekstualia 4, no. 31 (2012): 183–97. http://dx.doi.org/10.5604/01.3001.0013.7460.

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In Performing Metaphors: The Singularity of Literary Figuration Derek Attridge redefi nes the work of art in terms of alterity, invention and singularity. For a given work of art to occur, it must be performed, that is, justice must be done to it as a literary event and as the eventness of that event. One of the most vital features of the (process of) performance of literature is metaphor, argues Attridge, adducing various works, from philosophy (David Hume) to poetry (Robert Graves) to everyday spoken speech (quoted by a cognitive linguist, Ronald Carter) to prove his point.
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13

Verheyen, Leen. "Literature and the Nugget of Knowledge. An Interview with Derek Attridge and Peter Lamarque." Aesthetic Investigations 3, no. 1 (2019): 9–27. http://dx.doi.org/10.58519/aesthinv.v3i1.11948.

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 The idea of an interview with Peter Lamarque and Derek Attridge on the cognitive value of literary fiction arose in the wake of an aesthetics course on the relation between literature and truth at the University of Antwerp. In Spring 2015 Peter Lamarque contributed to this course with the lecture “The Opacity of Narrative and Fine-grained Reading”. In Spring 2017 Derek Attridge elaborated his view on the relation between literature and truth in his lecture “The Event of Truth : Literature’s Singular Relation to Knowledge”. After each lecture, we had the occasion to discuss with the auth
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Verheyen, Leen, and Arthur Cools. "Literature and the Nugget of Knowledge. An Interview with Derek Attridge and Peter Lamarque." Aesthetic Investigations 3, no. 1 (2019): 9–27. https://doi.org/10.5281/zenodo.4067659.

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The idea of an interview with Peter Lamarque and Derek Attridge on the cognitive value of literary fiction arose in the wake of an aesthetics course on the relation between literature and truth at the University of Antwerp. In Spring 2015 Peter Lamarque contributed to this course with the lecture “The Opacity of Narrative and Fine-grained Reading”. In Spring 2017 Derek Attridge elaborated his view on the relation between literature and truth in his lecture “The Event of Truth : Literature’s Singular Relation to Knowledge”. After each lecture, we had the occasion t
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15

Clark, T. "Review: Singularity in Criticism * Derek Attridge: The Singularity of Literature." Cambridge Quarterly 33, no. 4 (2004): 395–98. http://dx.doi.org/10.1093/camqtly/33.4.395.

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16

Ross, Ciaran. "Joyce’s inexplicable trick of writing : ex(clay)plaining “Clay”." Recherches anglaises et nord-américaines 37, no. 1 (2004): 69–80. http://dx.doi.org/10.3406/ranam.2004.1725.

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This article re-assesses Joyce's "realism" in Dubliners by exploring the sense of indeterminacy that prevails in his writing. Particular focus is placed on "Clay" and one key passage which actively resists interpretation. Building on Derek Attridge' s analysis of reference and reality in "Clay", I show how Joyce's art of the unexplained can be approached in terms of play and negativity.
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17

Hägglund, Martin. "The Non-Ethical Opening of Ethics: A Response to Derek Attridge." Derrida Today 3, no. 2 (2010): 295–305. http://dx.doi.org/10.3366/drt.2010.0208.

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This paper is a response to Derek Attridge's review of my book Radical Atheism: Derrida and the Time of Life, Stanford: Stanford University Press, 2008. Attridge's review was published in Derrida Today Vol. 2, Issue 2 (2009), pp. 271–281, the arguments of which have also been incorporated in Attridge's recent book Reading and Responsibility, Edinburgh: Edinburgh University Press, 2010.
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18

Fabb, Nigel. "Metrical rules and the notion of ‘maximum’: a reply to Derek Attridge." Language and Literature: International Journal of Stylistics 12, no. 1 (2003): 73–80. http://dx.doi.org/10.1177/096394700301200106.

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Attridge, Derek. "Joyce in Southern Africa: A Response by Derek Attridge to Ariela Freedman’s ‘Global Joyce’." Literature Compass 8, no. 11 (2011): 870–72. http://dx.doi.org/10.1111/j.1741-4113.2011.00840.x.

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20

Schmitt-Kilb, Christian. "Derek Attridge. The Work of Literature. Oxford: Oxford University Press, 2015, 320 pp., £ 35.00." Anglia 135, no. 1 (2017): 222–26. http://dx.doi.org/10.1515/ang-2017-0020.

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21

Bemath. "The Cambridge History of South African Literature ed. David Attwell and Derek Attridge." Research in African Literatures 44, no. 3 (2013): 190. http://dx.doi.org/10.2979/reseafrilite.44.3.190.

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22

McGregor, Rafe. "The Work of Literature by Derek Attridge Oxford University Press | 2015 | ix + 324pp | isbn 9780198733195." Critical Quarterly 57, no. 3 (2015): 112–15. http://dx.doi.org/10.1111/criq.12220.

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23

Schacht Pereira, Pedro. "The Singularity of Literature. Derek Attridge. London and New York: Routledge, 2004. Pp. xii+178." Modern Philology 104, no. 4 (2007): 560–63. http://dx.doi.org/10.1086/519193.

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24

Marais, Michael. "Accommodating the other: Derek attridge on literature, ethics, and the work of J M Coetzee." Current Writing 17, no. 2 (2005): 87–101. http://dx.doi.org/10.1080/1013929x.2005.9678222.

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25

Roberts, Ben. "Derek Attridge, The Singularity of Literature (New York and London: Routledge, 2004). ISBN 0-415-33593-0 £12.99." Oxford Literary Review 25, no. 1 (2003): 391–94. http://dx.doi.org/10.3366/olr.2003.023.

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26

Skansgaard, Michael. "How Not to Introduce Blues Prosody:." Poetics Today 40, no. 4 (2019): 645–81. http://dx.doi.org/10.1215/03335372-7739071.

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This article delivers a two-pronged intervention into blues prosody. First, it argues that scholars have repeatedly misidentified the metrical organization of blues poems by Langston Hughes and Sterling Brown. The dominant approach to these poems has sought to explain their rhythms with models of alternating stress, including both classical foot prosody and the beat prosody of Derek Attridge. The article shows that the systematic organization of blues structures originates in West African call-and-response patterning (not alternating stress), and is better explained by models of syntax and mus
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27

Klitgård, Ida. "Taking the pun by the horns." Target. International Journal of Translation Studies 17, no. 1 (2005): 71–92. http://dx.doi.org/10.1075/target.17.1.05kli.

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Taking my starting-point in Maria Tymoczko’s claim (1999) that syntagmatic elements in texts present the greatest challenges to translators and readers of translations, I want to argue that literary translators and translation scholars need to pay greater attention to clusters of wordplay rather than distinguishing puns as individual, separate brain-teasers. Hence, more is at stake in the translation of wordplay than just trying to transfer the source text complexities into the target language. Historical, social and other contextual and intertextual factors must also be taken into considerati
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28

Satyam Kumar. "Common Readers and the Singularity of Literature: A View on Derek Attridge’s Analysis of the Process of Reading." Creative Launcher 8, no. 5 (2023): 56–65. http://dx.doi.org/10.53032/tcl.2023.8.5.06.

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Reading is a complex process. It mostly aims at getting at the most accurate meaning of a text, but it is not always easy. Because what is the accurate meaning is something very tough to decide. A text has various qualities which nearly all need to be analysed to come closer to a complete meaning. It needs expertise and attention while reading any text. On the other hand, the process of reading itself has various aspects to look at. For example, a reader always has more than one perspective available to analyse and interpret a text. And it is necessary that a text is read and analysed using th
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29

Warnes, Christopher. "The Cambridge History of South African Literature Eds. Derek Attridge and David Attwell Cambridge: Cambridge University Press, 2012. 896 pp." Cambridge Journal of Postcolonial Literary Inquiry 2, no. 1 (2014): 142–44. http://dx.doi.org/10.1017/pli.2014.29.

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30

Wheeler, Kathleen M. "Reviews : Acts of Literature. By Jacques Derrida. Edited by Derek Attridge. New York and London: Routledge, 1992. Pp. xii + 456. £12.99." Journal of European Studies 23, no. 3 (1993): 327–28. http://dx.doi.org/10.1177/004724419302300308.

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31

Tevdoradze, Nino. "The Meaning of a Literary Text as a Mental Construct and as an Event in Literary Communication." Kadmos 10 (2018): 7–45. http://dx.doi.org/10.32859/kadmos/10/7-45.

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The present article is an attempt to synthesize the existing interdisciplinary knowledge on the concept of literary meaning, to argue for an alternative conception of textual meaning, and to analyze the meaning of a literary text in view of the “cluster conception” – an alternative conception about the nature of text and textual meaning – introduced by Anders Pettersson. Accordingly, the meaning of a literary text is considered as a mental construct comprised of author’s meaning, readers’ meanings and commentators’ meanings. It discusses the author’s and the reader’s involvement in a dynamic c
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32

Graham, Lucy. "BOOK REVIEW: Derek Attridge. J. M. COETZEE AND THE ETHICS OF READING: LITERATURE IN THE EVENT. Chicago: U of Chicago P, 2005." Research in African Literatures 37, no. 4 (2006): 240. http://dx.doi.org/10.2979/ral.2006.37.4.240.

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33

Ibarrola-Armendariz, Aitor. "Family Secrets and Narrative Structure in Celeste Ng's Everything I Never Told You." Atlantis. Journal of the Spanish Association for Anglo-American Studies 43, no. 2 (2021): 168–85. http://dx.doi.org/10.28914/atlantis-2021-43.2.09.

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Celeste Ng’s novel Everything I Never Told You (2014) has been said to combine some stock ingredients of literary thrillers with other less customary features that complicate its classification in that genre. Although we learn from page one that the protagonist of the novel, sixteen-year-old Lydia Lee, is dead, discovering who is behind the possible murder of this Chinese American girl proves to be one of the lesser mysteries in the story. While the reader remains intrigued by the forces/people that may have driven Lydia to her demise, other enigmas—related to the other members of the Lee fami
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34

Ricard, Alain. "ATWELL (David) & ATTRIDGE (Derek), dir., The Cambridge History of South African Literature. Cambridge : Cambridge University Press, 2012, 877 p. – ISBN 978-0521199285." Études littéraires africaines, no. 34 (2012): 134. http://dx.doi.org/10.7202/1018492ar.

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Brown, Michael R. "Reviews : The Linguistics of Writing: Arguments between Language and Literature. Edited by Nigel Fabb, Derek Attridge, Alan Durant, and Colin MacCabe. New York: Methuen, 1987. 315." Journal of English Linguistics 24, no. 1 (1996): 82–84. http://dx.doi.org/10.1177/007542429602400110.

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HEAD, DOMINIC. "Writing South Africa: literature, apartheid, and democracy, 1970–1995 edited by DEREK ATTRIDGE and ROSEMARY JOLLY Cambridge: Cambridge University Press, 1998. Pp. xvii+288. £37.50, £12.95 (pbk.)." Journal of Modern African Studies 37, no. 2 (1999): 347–71. http://dx.doi.org/10.1017/s0022278x98333005.

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Nakhaei, Bentolhoda. "FitzGerald’s Translation of the Mantiq-Ut-Tayr: A Colonial Approach towards Metrics, Textual Rhythm, and Rhyme Translation." TranscUlturAl: A Journal of Translation and Cultural Studies 14, no. 1 (2022): 97–110. http://dx.doi.org/10.21992/tc29562.

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The Mantiq-Ut-Tayr[1] is a collection of mystical poems composed by Farid ud-Din Attar in 1177 in Iran. He was a doctor, druggist, perfumer, and at the same time a Sufi in his ideas. In 1857, the British poet and translator, Edward FitzGerald, introduced this collection of couplets to England for the first time. As a Victorian translator, he attempted to colonize the Persian text and recreate Attar’s rhythmic pattern in his translation. In other terms, he tried to introduce the Persian Metrics of the twelfth century into English literature of the nineteenth century.
 By introducing Persia
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38

MANGHARAM, MUKTI LAKHI. "AN UNCONSTRAINING EMBRACE - The Cambridge History of South African Literature. Edited by David Attwell and Derek Attridge. Cambridge: Cambridge University Press, 2012. Pp. xvii+877. $180, hardback (isbn978-0-521-19928-5)." Journal of African History 54, no. 2 (2013): 301–2. http://dx.doi.org/10.1017/s0021853713000431.

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39

Pietrzak, Wit. "Voicing the Terrestrial: Theory of the Lyric and the Pressures of the Anthropocene." Journal of Literary Theory 17, no. 2 (2023): 290–304. http://dx.doi.org/10.1515/jlt-2023-2013.

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Abstract In the present essay, I argue that lyric ecopoetry is particularly suited to alter our worldview in favor of a more ecologically-aware stance. In itself this position has been announced by numerous ecocritics, with some doubts as to its adequacy expressed by Timothy Clark in his Ecocriticism on the Edge. Partly in response to his critique, it is here argued that poems do offer a viable way of altering human modes of thinking not by what or how they evoke but by the way in which they register in the reader’s consciousness. To this effect, I depart from the theories of the lyric advance
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40

Pierce, David. "The Cambridge Companion to James Joyce (2nd edition)2004431Edited by Derek Attridge. The Cambridge Companion to James Joyce (2nd edition). Cambridge: Cambridge University Press 2004. xvii + 290 pp., ISBN: 0 521 85710 3 (hbk); 0 521 54533 6 (pbk) £45 $65 (hbk); $15.99 $22.99 (pbk) Cambridge Companion to Literature." Reference Reviews 18, no. 8 (2004): 25–26. http://dx.doi.org/10.1108/09504120410565756.

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41

ELGARHI, Nabit. "The Gravitational Fields of J.M Coetzee’s Fiction." International Journal of Language and Literary Studies 2, no. 3 (2021): 168–76. http://dx.doi.org/10.36892/ijlls.v2i3.650.

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The novels of J.M. Coetzee, South African novelist, have always been a source of inspiration for both readers and critics. A distinctive feature of his writing is the ability to converse with a wide range of disciplines amongst which is the scientific field stands distinguishingly appealing. This paper will explore the use of cosmology terminology to see its underpinnings in J.M Coetzee’s fiction as well as in Derek Attridge’s insightful criticisms. The gravitational velocity of J.M Coetzee’s fiction stems from his text’s singularity. Singularity remains Coetzee’s hallmark to engage with ethic
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42

Kathpalia, Jyoti. "From instrumentalism to embracing the other: An analysis of Mahasweta Devi’s ‘Rudali’ and Kalpana Lajmi’s Rudaali." Journal of Adaptation in Film & Performance 17, no. 1 (2024): 49–58. http://dx.doi.org/10.1386/jafp_00108_1.

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This article examines Mahasweta Devi’s literary work ‘Rudali’ alongside Kalpana Lajmi’s cinematic adaptation Rudaali from the perspective of Derek Attridge’s views on literary instrumentalism and literariness. It attempts to tease out the literary elements and explore the shifting dynamic of the instrumental and the literary. The article looks at how the focus on the literariness in the two works facilitates an opening out towards the ‘other’ and an inclusivity that an instrumental approach may negate. The article also analyses the representation of the stereotype of the sex worker as prostitu
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Peeraer, Frederik. "Restitution under an Illegal Contract: From Purpose to Finality and Civil Fines." European Review of Private Law 32, Issue 4 (2024): 577–606. http://dx.doi.org/10.54648/erpl2024028.

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Abstract: This article delves into the complex issue of restitution under an illegal contract, a topic brought into focus by the UK Supreme Court’s landmark decision in Patel v. Mirza (2016). It contends that the current trend towards discretion often leads to unclear outcomes, underscoring the limitations of a flexible approach. Drawing from examples in German and Italian law, it argues that these shortcomings arise from a failure to acknowledge the political choice about law’s finality one ascribes to law. In proposing a shift from a focus on the purpose of restitution rules to their ultimat
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Nowell Smith, David. "Reading the event of the poem: Derek Attridge and John Wilkinson on Denise Riley’s ‘Lone Star Clattering’." English: Journal of the English Association, July 4, 2022. http://dx.doi.org/10.1093/english/efac017.

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Abstract In this brief introduction to Derek Attridge’s ‘The Event of a Poem’ and John Wilkinson’s ‘Reading Denise Riley with Derek Attridge’, David Nowell Smith outlines some of the key concepts and questions explored in Attridge’s and Wilkinson’s essays. The central question is a double one: How does meaning in a poem unfold, and how do we as readers make sense of this unfolding? To ask this question means focusing on meaning as a process rather than a content that lies notionally behind the words; it is to understand the poem as actualized in the event, and experience, of its encounter with
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Wilkinson, John. "Is This the Way to Amarillo? Reading Denise Riley with Derek Attridge." English: Journal of the English Association, July 4, 2022. http://dx.doi.org/10.1093/english/efac008.

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Abstract This essay responds to a challenge offered by the avowed bafflement of the critic and prosodist Derek Attridge faced with a poem by Denise Riley, ‘Lone Star Clattering’. It argues that Attridge’s adoption of an interpretative approach derived from Don Paterson, employing a step-by-step and constrictive cognitive framing, cannot succeed with a late Modernist lyric poem. Drawing on classroom experience with the same poem, it describes a prevalent cats-cradle approach as a variant on such constrictive reading, where a small group of external referents is grabbed onto, and the poem forced
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Barcsák, János. "Creativity, Singularity, Ethics in Pope's Essay on Criticism." AnaChronisT 17 (January 1, 2013). http://dx.doi.org/10.53720/rkvu8629.

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This paper discusses Pope’s Essay on Criticism in terms of Derek Attridge’s theory of creativity. It argues that Pope’s text is fundamentally based on the same commitment to the other that Attridge describes as constitutive of the singularity of literature and hence the 300-year-old Essay is a vital text which communicates itself to the present in significant ways. The success of poetry for Pope depends primarily on an appropriate relation to nature and the first chapter of this paper argues that the way Pope describes this relation is very similar to Attridge’s description of the relation to
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47

Cai, Yun. "A study of J. M. Coetzee's novels from the perspective of Ethics." European Journal for Philosophy of Religion, September 10, 2022. http://dx.doi.org/10.24204/ejpr.2021.3837.

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Derek Attridge's emphasis on cautious reading is a strength of this dedication to Coetzee's analysis since his concept of "moral of reading" (6) focuses on the "formal uniqueness of Coetzee's writings" and the scholarly text as an "opportunity for both its creator and peruser" (9). However, such a methodology risks emphasizing aestheticism, the text's legitimate features, above its political implications, and even though Attridge is aware of this and attempts to refute it, he does not decide it. This is especially evident in his reading of J.M. Coetzee's 1980 novel Waiting for the Barbarians,
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Costa, Pâmela Bueno, and Quésia Oliveira Olanda. "LITERATURA PENSANTE: RASTROS DE DERRIDA, LISPECTOR E NIETZSCHE." Revista de Letras Norte@mentos 17, no. 47 (2024). http://dx.doi.org/10.30681/rln.v17i47.12147.

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O presente ensaio é um convite para Brincar de pensar. Atravessados pela crônica de Clarice Lispector, uma abertura acontece, e nesse movimento, somos convidados a pensar junto com outrem. Dessa forma, vamos seguir alguns rastros de Jacques Derrida, a partir de sua entrevista, realizada por Derek Attridge, em 1989: “Essa estranha instituição chamada Literatura”. Com base em suas elucubrações, iremos pensar o conceito de Literatura, dialogando com a escrita, o corpo e o movimento, que permeiam a escrita-corpo de Lispector e Nietzsche. O filósofo alemão sempre elaborou críticas à tradição metafí
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"Nigel Fabb, Derek Attridge, Alan Durant, and Colin MacCabe (eds.), The linguistics of writing: Arguments between language and literature. Manchester: Manchester University Press; New York: Methuen, 1987. Pp. vi + 325." Language in Society 19, no. 2 (1990): 299–300. http://dx.doi.org/10.1017/s0047404500014494.

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50

During, Simon. "Terry Eagleton, Critical Revolutionaries: Five Critics Who Changed the Way we Read, New Haven: Yale University Press 2022. pp. 336, £20 (hbk.), ISBN: 9780300264487; and Anirudh Sridhar, Mir Ali Hosseini, Derek Attridge, The Work of Reading: Literary Criticism in the 21st Century, London: Palgrave Macmillan 2021, pp. xix, 303, £109.99 (hbk.) ISBN: 9783030711382." Textual Practice, July 11, 2022, 1–7. http://dx.doi.org/10.1080/0950236x.2022.2096276.

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