Relevant bibliographies by topics / Derek Walcott

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  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Derek Walcott'

Author: Grafiati
Published: 4 June 2021
Last updated: 19 February 2022

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Journal articles on the topic "Derek Walcott"

1

King, Bruce, and John Thieme. "Derek Walcott." World Literature Today 73, no. 3 (1999): 582. http://dx.doi.org/10.2307/40155020.

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Baugh, Edward. "Derek Walcott." Caribbean Quarterly 38, no. 4 (December 1992): xiii—xv. http://dx.doi.org/10.1080/00086495.1992.11829502.

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Goodison, Lorna. ""Derek" [on Derek Walcott]." Review: Literature and Arts of the Americas 50, no. 2 (July 3, 2017): 257–59. http://dx.doi.org/10.1080/08905762.2017.1415019.

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Phillips, Rowan Ricardo. "Tableau: Derek Walcott." Callaloo 28, no. 1 (2005): 87. http://dx.doi.org/10.1353/cal.2005.0032.

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Gidmark, Jill B., and William Baer. "Conversations with Derek Walcott." MELUS 23, no. 2 (1998): 222. http://dx.doi.org/10.2307/468027.

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Thomas, Lorenzo, Derek Walcott, and William Baer. "Conversations with Derek Walcott." African American Review 33, no. 4 (1999): 708. http://dx.doi.org/10.2307/2901366.

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Harclyde Walcott, C. M. "Tribute to Derek Walcott." Caribbean Quarterly 63, no. 2-3 (July 3, 2017): 368–69. http://dx.doi.org/10.1080/00086495.2017.1352284.

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Yeh, M. "Interview with Derek Walcott." Literary Imagination 4, no. 3 (January 1, 2002): 294–302. http://dx.doi.org/10.1093/litimag/4.3.294.

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Malroux, Claire. "Gaudebo pour Derek Walcott." Callaloo 28, no. 1 (2005): 115. http://dx.doi.org/10.1353/cal.2005.0024.

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Malroux, Claire, and Marilyn Hacker. "Gaudebo for Derek Walcott." Callaloo 28, no. 1 (2005): 116. http://dx.doi.org/10.1353/cal.2005.0026.

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Dissertations / Theses on the topic "Derek Walcott"

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Tung, Jaime C. ""The sea is history" : reading Derek Walcott through a melancholic lens /." Connect to online version, 2006. http://ada.mtholyoke.edu/setr/websrc/pdfs/www/2006/157.pdf.

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Brislin, Claire. ""His Strokes Rhyme Couplets Now" the "Prismatic light" of impressionist poetry in Walcott's Tiepolo's Hound /." Diss., Connect to the thesis, 2007. http://hdl.handle.net/10066/987.

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Burnett, Paula. "Derek Walcott and the apple of his island." Thesis, University of Kent, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.264573.

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Keita, Aminata. "Etude de poétique comparée : Edouard Glissant, Derek Walcott." Thesis, Paris 3, 2013. http://www.theses.fr/2013PA030105.

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Cette étude comparative des œuvres d’Edouard Glissant et de Derek Walcott examine le devenir de la littérature antillaise ainsi que l’évolution des littératures dites postcoloniales.A partir des notions critiques d’esthétique, de politique, de culture et de stratégie discursive, nous avons examiné les œuvres de Glissant et celles de Walcott selon une perspective historique. En effet, la question de la place de l’Histoire étroitement liée à l’expérience personnelle des auteurs est au cœur des textes. Ils mettent en avant l’odyssée d’une Histoire antillaise marginale et fantasmée qui cherche à se frayer un chemin et concurrencer une Histoire traditionnelle.De cette tension, se dégage un jeu de dualité où continuités et ruptures, résistance et appropriation du discours de l’Occident constituent au fil de l’étude un trait distinctif de l’approche des textes. Mais ce qui en montre l’intérêt et l’originalité, c’est leur capacité à s’ériger comme un exposé représentatif du monde contemporain. La question de l’Histoire va au-delà du parcours colonial du monde occidental et le discours qui s’en rattache est loin d’une dénonciation ou l’expression d’une culpabilité et encore moins celle des bienfaits de la colonisation. Les auteurs appellent en revanche à l’expression d’une vision fragmentée de l’Histoire dont l’approche se situe dans la reconnaissance de la diversité des représentations historiques, littéraires et culturelles. Qu’il s’agisse d’épopées, de récits de vie, de chroniques historiques ou politiques, de simples anecdotes ou de réflexions philosophiques qui ponctuent le vaste champ de leur production, Walcott et Glissant apportent un souffle nouveau à la pensée postcoloniale et prolongent son avenir. Ensemble, ils communiquent, échangent et s’opposent parfois pour faire apparaître des procédés conceptuels et méthodologiques qui permettent d’appréhender autrement la littérature, les sciences humaines et sociales
This comparative study of the works of Edouard Glissant and Derek Walcott examines the development of postcolonial literatures especially west indies literature.Based on the critical notions of aesthetic, political, cultural and discursive strategy, we assessed the works of authors through a historical perspective. Indeed, the question of the place of history and personal experience is at the heart of the texts. The authors highlight the fantasised odyssey of a marginal Caribbean History which is trying to make its way and to be in competition with a traditional History.From this tension, emerges a set of duality where continuities and ruptures, resistance and appropriation of the discourse of the West are honoured hallmark of this works. However, what shows interest and originality, is their ability to establish themselves as a functional presentation of the contemporary world. The question of history goes beyond the colonial path of the Western world, hence the discourse that is coming from it isn’t relegated to complaint or quest of guilt and even less of the benefits of colonization. On the contrary, the authors call the expression of a fragmented view of History. Whether epics of life story, historical or political columns, simple stories or philosophical reflections that punctuate the vast field of production, Walcott and Glissant give new impetus to the postcolonial thinking and extend its future. Together, they communicate, interact and sometimes clash to reveal the conceptual and methodological processes that allow us to understand literature in antoher way, humanities and social sciences
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Valcavi, Monica <1964&gt. "Il teatro e Derek Walcott. Prospettive postcoloniali e multiculturali." Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2009. http://amsdottorato.unibo.it/2124/.

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This thesis explores the function of the theatre in Derek Walcott's literary achievements. Focusing on the semiotic theories that characterize the study of drama as a literary text and as a staged text, the initial approach aims at creating a relationship between semiotics and postcolonial theories. In particular Pavis's concept of intercultural semiotics and Peter Brook's innovative visions about the regenerative function of the space of the theatre represent a useful theoretical basis to consider the specificity of postcolonial theatre as an innovative space, where new cultural meanings emerge. Derek Walcott's dramatic production is studied according to this approach, in order to be defined as a new hybrid, syncretic and multicultural space. After considering the development of drama from a postcolonial and Caribbean perspective, this study begins with an insight into Walcott's views on theatre, taking into consideration his linguistic depth, linked to the European tradition, but also his strong concern with the Caribbean public's cultural needs. The double tension characterizing Walcott's cultural identity as well as his art represents an essential element to analyse his dramatic texts. With an ambivalent approach, which takes into consideration language and performance, this thesis offers an insight into Walcott's plays to detect their postcolonial and multicultural elements. The analysis of the different texts are divided into two chapters (third and fourth). The third chapters - mainly focused on postcolonial themes - explores issues such as language, identity and space, whereas the fourth chapter centers on multiculturalism in text and performance. Dealing with interracial interactions, issues like re-writing classical texts and the manipulation of personal and collective memory as a way to re- establish new historical perspectives, the last part of the thesis aims at demonstrating the idea that Walcott has created a new space in the theatre made by the harmonic fusion of different and opposed cultural elements, which are visible in the literary as well as in the staged text. The textual perspective of Walcott's drama fits into Pavis's definition of intercultural semiotics, as the faithful representation of a multicultural creole society: that of the West Indies.
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Bailach, Teresa. "West Indian theatre : Derek Walcott and the infinite rehearsal." Thesis, University of Warwick, 2005. http://wrap.warwick.ac.uk/103796/.

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This thesis analyses three of Derek Walcott's plays in the light of Wilson Harris's ideas of 'infinite rehearsal' and 'unfinished genesis.' The purpose of this thesis is to explore Walcott's definition of the artist and his relation to society in the context of decolonisation. Throughout the thesis the struggle against nihilism appears as a constant underlying goal that both writers relate to the essence of the Caribbean, as a symbol of survival and regenesis. The first part of the thesis offers a deep analysis of Harrisian concepts of literature and its connection to reality, and an exploration of the links between Harris's ideas and the theatrical genre in the context of Walcott's early theatrical endeavours. The second part of the thesis presents a reading of Ti-Jean and His Brothers, Dream on Monkey Mountain, and Pantomime, that highlights the development of Walcott's notions of the artist in relation to his society and to the world. The unresolved conflicts of the pre-1970 period give way to a coherent and grounded set of principles that offer an example of one Caribbean artist's attempt at restoring the pieces of his fragmented identity. Reading Derek Walcott's plays in a Harrisian context throws new light into his theatrical production, and brings to the surface elements that had remained hidden and overlooked. The use of Wilson Harris as a theoretical background responds to two main aspects of these writers' work. On the one hand, the scope of Wilson Harris's philosophical world draws links with manifold cultures and literary traditions. More importantly, Wilson Harris proposes a fluid environment in which Walcott's divided self can find a suitable malleable ground.
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Vieira, LÃlian Cavalcanti Fernandes. "Omeros: vozes de identidade e cultura em Derek Walcott." Universidade Federal do CearÃ, 2012. http://www.teses.ufc.br/tde_busca/arquivo.php?codArquivo=7979.

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nÃo hÃ
Este trabalho tem como objetivo investigar e analisar a questÃo da identidade e cultura de matriz africana por meio da obra do autor afro-caribenho e PrÃmio Nobel de Literatura em 1992, Derek Walcott, cuja obra ainda nÃo encontra no Brasil um estudo e divulgaÃÃo adequados. Com essa proposta, estamos cooperando com a lei no. 10.639/03 para a afirmaÃÃo do processo de consciÃncia negra por meio da busca de um processo identitÃrio que permeia os escritos do autor, analisando o entre-lugar do discurso do poeta e suas possÃveis influÃncias na produÃÃo de identidade e cultura no Brasil. Parte-se do pressuposto da pertinÃncia de se fazer uma reflexÃo sobre identidade e cultura como atos polÃticos, ao divulgar e expor a riqueza cultural afro ou afrodescendente sob uma nova Ãtica, recuperando o escravizado como sujeito de uma histÃria social, mostrando a infÃmia do escravismo e reforÃando as aÃÃes afirmativas no contexto brasileiro. O conhecimento e o estudo dessa literatura identitÃria pode contribuir tanto para a formaÃÃo de educadores como abrir caminhos para as Ãreas de filosofia da educaÃÃo brasileira pelo aprofundamento na cultura de base africana na diÃspora, servindo de aporte Ãs diversidades culturais.
The main purpose of this work is to analyze the thematic identity and culture of African basis through the work OMEROS written by the afro Caribbean writer and Literature Nobel Prize winner (1992), Derek Walcott. His work allows the focus to issues like the discussion of concepts such as identity and culture as political acts and artifacts of a good education, the affirmation of the process of black consciousness and the recovery of the enslaved one as the subject of a social history through post-colonial literature. The knowledge and study of this literature can contribute a great deal to the intellectual formation of educators as well as it may open paths to areas of philosophy of Brazilian education through the deepening in the culture of African basis during the Diaspora serving as a contribution to cultural diversity.
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Tardière, Dominique. "Temps, Histoire et Identités dans l’œuvre de Derek Walcott." Thesis, Paris 10, 2011. http://www.theses.fr/2011PA100189.

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Derek Walcott est né en 1930 à Sainte Lucie, petite île perdue dans l’archipel des Caraïbes. Son œuvre poétique et théâtrale est à la conjonction de deux influences majeures : l’une est héritée du colonialisme britannique, la seconde lui vient de son ascendance africaine.J’ai essayé, dans mon travail, de toujours garder en mémoire cette ambivalence, voire cet écartèlement, que Walcott revendique puisqu’il se définit comme le divided child. L’œuvre de Walcott est multiple. Néanmoins, c’est son rapport au Temps, à l’Histoire et à la création picturale qui m’ont paru essentiels. Dans le premier chapitre de mon étude, j’ai réservé une large part au long poème de Walcott, Another Life, où Walcott se livre à une véritable reconstruction autobiographique. C’est le déchirement du poète qui constitue le nœud central de Another Life : balancement entre hier et aujourd’hui, le dedans et le dehors, l’art et la vie, sur cette terre meurtrie par l’esclavage. Dans la seconde partie, j’ai tenté d’analyser la perception walcottienne de l’Histoire, à travers deux poèmes essentiels, The Schooner Flight et Omeros. Sur le mode de l’épopée, Walcott y raconte la vie des habitants de Sainte Lucie, leurs odyssées intérieures, et leur quête d’Histoire. Il en résulte une vision protéiforme de l’Histoire, proche de celle de Walter Benjamin et en totale opposition avec celle des historiens classiques. La dernière partie est consacrée à l’analyse des liens entre la poésie de Walcott et l’art pictural. L’influence est évidente dans Another Life, Midsummer et Tiepolos’s Hound. J’ai choisi d’étudier Tiepolo’s Hound, non seulement parce que cet hommage à Pissaro, Veronèse et Tiepolo ressemble à une grande fresque, mais aussi pour mettre en exergue la filiation que s’invente Walcott avec le peintre impressionniste
Derek Walcott was born in 1930 in Saint Lucia, a small island lost in the Caribbean archipelago. His poetry has been deeply influenced by two main strains : one is marked by British colonialism, the other is rooted in his African ascendancy.I have tried to keep in mind this duality, which Walcott is still claiming for since he defines himself as a “divided child”. Walcott’s works are complex and multi-faced. However, I choose to study more particularly his relations to time, history and artistic creation. I have reserved a large part of the first chapter to the analyse of Another Life, which can be compared to the experiment of an autobiographical reconstruction, on Walcott’s behalf. The narrator’s splitting is at he core of the poem. Another Life’s hero is constantly balanced between present and past, home life and outdoor life, art and reality. In the second part of this thesis, I have tried to scrutinize Walcott’s perception of History, through two main poems, The Schooner Flight and Omeros. Walcott adopts the epic pattern to describe every day life in Saint Lucia, giving a new birth to homeric myths. Because of the closeness between past and present, we are given another vision of History, quite similar to Walter Benjamin’s theories, and far from classical issues.The last part is focused on the ties which link Walcott’s poetry to the art of painting. These connections are obvious in such poems as Another Life, Midsummer or Tiepolo’s Hound. I choose to examine Tiepolo’s Hound for two main reasons: on the one hand, the poem could be compared to a large frescoe; on the other hand, it enlightens Walcott’s personnality, because of the fictional parallel introduced beween the poet and the painter
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VIEIRA, Lílian Cavalcanti Fernandes. "Omeros: vozes de identidade e cultura em Derek Walcott." www.teses.ufc.br, 2012. http://www.repositorio.ufc.br/handle/riufc/7652.

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VIEIRA, Lílian Cavalcanti Fernandes. Omeros: vozes de identidade e cultura em Derek Walcott. 2012. 154f. – Tese (Doutorado) – Universidade Federal do Ceará, Programa de Pós-graduação em Educação Brasileira, Fortaleza (CE), 2012.
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The main purpose of this work is to analyze the thematic identity and culture of African basis through the work OMEROS written by the afro Caribbean writer and Literature Nobel Prize winner (1992), Derek Walcott. His work allows the focus to issues like the discussion of concepts such as identity and culture as political acts and artifacts of a good education, the affirmation of the process of black consciousness and the recovery of the enslaved one as the subject of a social history through post-colonial literature. The knowledge and study of this literature can contribute a great deal to the intellectual formation of educators as well as it may open paths to areas of philosophy of Brazilian education through the deepening in the culture of African basis during the Diaspora serving as a contribution to cultural diversity.
Este trabalho tem como objetivo investigar e analisar a questão da identidade e cultura de matriz africana por meio da obra do autor afro-caribenho e Prêmio Nobel de Literatura em 1992, Derek Walcott, cuja obra ainda não encontra no Brasil um estudo e divulgação adequados. Com essa proposta, estamos cooperando com a lei no. 10.639/03 para a afirmação do processo de consciência negra por meio da busca de um processo identitário que permeia os escritos do autor, analisando o entre-lugar do discurso do poeta e suas possíveis influências na produção de identidade e cultura no Brasil. Parte-se do pressuposto da pertinência de se fazer uma reflexão sobre identidade e cultura como atos políticos, ao divulgar e expor a riqueza cultural afro ou afrodescendente sob uma nova ótica, recuperando o escravizado como sujeito de uma história social, mostrando a infâmia do escravismo e reforçando as ações afirmativas no contexto brasileiro. O conhecimento e o estudo dessa literatura identitária pode contribuir tanto para a formação de educadores como abrir caminhos para as áreas de filosofia da educação brasileira pelo aprofundamento na cultura de base africana na diáspora, servindo de aporte às diversidades culturais.
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Jefferson, Ben Thomas. "'If I listen, I can hear' : Derek Walcott and place." Thesis, University of Essex, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.559261.

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This thesis examines place in the poetry of Derek Walcott. Through the close reading of a number of key topoi in Walcott's poetry, this thesis investigates the meanings that Walcott associates with different places. Threaded through these investigations, and forming the main argument, this thesis asserts that Walcott privileges place over space. Walcott rejects 'space' as an invention and abstract 'design' associated with colonial dominion and with neocolonial practices. For Walcott, space, as an abstraction, disavows local experience. Because of this, privileging space knowingly or unknowingly attempts to rid marginalised or oppressed people of their agency. In his poetry, Walcott consistently emphasises embodied ways of knowing, and draws upon human experience as an appropriate, and often counterhegemonic, form of knowledge. Walcott has consistently shown that one person's space is in fact another person's place, and suggests that, because of this, space is imagined over place. Drawing on the works of Edward Casey and phenomenology, this thesis argues that the idea that place precedes space goes against many academic discourses that assume the contrary. Walcott consistently draws his reader's attention to plant and animal life in association with place, and in doing so counteracts anthropocentric definitions of place. Reading Derek Walcott's poetry with an emphasis on place and experiential or a posteriori knowledge creates room for new critical readings of Walcott's work. Specifically, emphasis on place helps to contextualise Walcott's emphasis on the Caribbean as 'nothing' and of the Caribbean people's Adamic relationship with the landscape. This thesis argues that Walcott's notion of place is inherently political: most obviously, the poet's ideas concerning place form part of his arsenal in the very real fight against the multinational hotel/tourist industry's incursion on, and appropriation of, Caribbean sites. This thesis shows that Walcott's project of investing uninhabited landscapes with a sense of place, and blurring the delineations between privileged sites such as churches and "open space/' Walcott challenges the forces that operate within the Caribbean as a consumable, commodified space.
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Books on the topic "Derek Walcott"

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Hamner, Robert D. Derek Walcott. New York: Twayne, 1993.

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Derek Walcott. New York: Cambridge University Press, 2006.

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Baugh, Edward. Derek walcott. Cambridge: Cambridge Univ Press, 2011.

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Derek, Walcott. Conversations with Derek Walcott. Jackson: University Press of Mississippi, 1996.

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Todd, Loreto. Derek Walcott: Selected poems. Harlow: Longman, 1993.

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King, Bruce Alvin. Derek Walcott: A Caribbean life. Oxford: Oxford University Press, 2000.

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Nobody's nation: Reading Derek Walcott. Chicago: University of Chicago Press, 2001.

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Derek Walcott: Politics and poetics. Gainesville: University Press of Florida, 2000.

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Epica dell'arcipelago: Il racconto della tribù, Derek Walcott, Omeros. Firenze: Le Lettere, 2009.

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New World modernisms: T.S. Eliot, Derek Walcott, and Kamau Brathwaite. Charlottesville: University of Virginia Press, 2004.

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Book chapters on the topic "Derek Walcott"

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Collier, Gordon. "Walcott, Derek." In Englischsprachige Autoren, 280–83. Stuttgart: J.B. Metzler, 2004. http://dx.doi.org/10.1007/978-3-476-02951-5_103.

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Erll, Astrid. "Walcott, Derek." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_17299-1.

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Juneja, Renu. "Derek Walcott." In Post-Colonial English Drama, 236–66. London: Palgrave Macmillan UK, 1992. http://dx.doi.org/10.1007/978-1-349-22436-4_16.

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Polukhina, Valentina. "Derek Walcott." In Brodsky through the Eyes of his Contemporaries, 309–24. London: Palgrave Macmillan UK, 1992. http://dx.doi.org/10.1007/978-1-349-22138-7_17.

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Woodcock, Bruce. "Derek Walcott: Omeros." In A Companion to Twentieth-Century Poetry, 547–56. Malden, MA, USA: Blackwell Publishing Ltd, 2007. http://dx.doi.org/10.1002/9780470998670.ch45.

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Collier, Gordon, and Astrid Erll. "Walcott, Derek: Omeros." In Kindlers Literatur Lexikon (KLL), 1–3. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_17302-1.

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Martens, Klaus, and Astrid Erll. "Walcott, Derek: Das lyrische Werk." In Kindlers Literatur Lexikon (KLL), 1–3. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_17300-1.

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Breitinger, Eckhard, and Astrid Erll. "Walcott, Derek: Dream on Monkey Mountain." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_17301-1.

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McGarrity, Maria. "Imagining the ‘wettest indies’: The Transatlantic Network of James Joyce and Derek Walcott." In Joycean Legacies, 213–29. London: Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137503626_12.

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Singer, Christoph. "„The Sea, the snotgreen Sea“. James Joyce, Derek Walcott und die Temporalität (post-)kolonialer Genealogien des Epos." In Abhandlungen zur Literaturwissenschaft, 173–86. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-04844-8_11.

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