Relevant bibliographies by topics / Derrida, Jacques – Criticism and interpretation – Congresses

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Academic literature on the topic 'Derrida, Jacques – Criticism and interpretation – Congresses'

Author: Grafiati
Published: 4 June 2021
Last updated: 29 July 2025

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Journal articles on the topic "Derrida, Jacques – Criticism and interpretation – Congresses"

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Salehi, Peyman. "A critical analysis of Jacques Derrida’s notion of ‘There is nothing outside the text’." Journal of Humanities and Education Development 7, no. 2 (2025): 47–55. https://doi.org/10.22161/jhed.7.2.6.

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The following paper presents a critical examination of Jacques Derrida’s intriguing assertion, "There is nothing outside the text," set against the wider backdrop of the schools of Poststructuralism and Deconstruction. Taking into account Derrida’s significant works of criticism, alongside critiques from notable figures like Frank Kermode and Stanley Fish, this study explores the profound implications of Derrida’s assertions with regards to language, meaning, and reality. Additionally, the study places Derrida’s ideas alongside those of significant earlier thinkers, such as Edmund Husserl’s ph
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Jurgutienė, Aušra. "The Impact of Deconstruction on the Lithuanian Literary Criticism." Literatūra 63, no. 1 (2021): 71–85. http://dx.doi.org/10.15388/litera.2021.1.5.

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In the article I discuss how deconstruction (Jacques Derrida and other Yale School participants) came to Lithuanian literary criticism and how it changed habits of humanitarian thinking during the three decades after independence. The most unusual and radical deconstruction critique of essentialist metaphysical thinking, new terminology (inter-text, elimination of center, footprint, writing, difference, blinding, labyrinth narrative, guest / enemy, etc.) and new strategies for interpreting texts were very important for Lithuanian humanities liberated from Soviet ideology. Literary critics have
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Šuvaković, Miško. "Critical Questiones About Deconstrution or About De-Centring Of The Relation Between Philosophy And Music." Musicological Annual 41, no. 2 (2005): 71–80. http://dx.doi.org/10.4312/mz.41.2.71-80.

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Entirely dissimilar endeavours of problematizing a canonic positioning of music, musicology, aesthetics and philosophy through self-comprehensiveness of a piece-as-a-source hoe et tunc, have led to criticism ar deconstruction of 'self-comprehensiveness' and 'objective autonomy' of music as an art, and of a music piece as a carrier or a centred source of music as an art. Those scarce approaches can be specified from Adorno's contextualization in critical theory, Jacques Attali's developing the theory of exchange, to the New Musicology critiques oriented towards studies of culture, such as those
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Волчков, Алексей. "In the Beginning Was the Text. The Derridean Concept of Textuality and Its Role in Biblical Research." Библия и христианская древность, no. 1(5) (February 15, 2020): 162–84. http://dx.doi.org/10.31802/2658-4476-2020-1-5-163-184.

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Статья посвящена анализу того, как постструктуралистские представления о «тексте» и «текстуальном» влияют на академическую библеистику и традиционную экзегезу. Автор на множестве примеров показывает, что критический настрой философии Деррида помогает читателю Писания, придерживающегося традиционных для религиозных общин (христианство, иудаизм) принципов толкования, отстоять своё право на подобную герменевтическую программу перед лицом библейской критики и вызовов академического рационализма. При исследовании этого влияния автор опирается на работы известных французских философов: Жака Деррида,
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Волчков, Алексей. "In the Beginning Was the Text. The Derridean Concept of Textuality and Its Role in Biblical Research." Библия и христианская древность, no. 1(5) (February 15, 2020): 162–84. http://dx.doi.org/10.31802/2658-4476-2020-1-5-163-184.

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Статья посвящена анализу того, как постструктуралистские представления о «тексте» и «текстуальном» влияют на академическую библеистику и традиционную экзегезу. Автор на множестве примеров показывает, что критический настрой философии Деррида помогает читателю Писания, придерживающегося традиционных для религиозных общин (христианство, иудаизм) принципов толкования, отстоять своё право на подобную герменевтическую программу перед лицом библейской критики и вызовов академического рационализма. При исследовании этого влияния автор опирается на работы известных французских философов: Жака Деррида,
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MILYAEVA, E. G. "PERSONAL BRANDING IN THE ERA OF THE COLLAPSEOF META-NARRATIVES: MICROMYTHES INSTEAD OF GREAT STORIES." Bulletin of Chelyabinsk State University 498, no. 4 (2025): 35–42. https://doi.org/10.47475/1994-2796-2025-498-4-35-42.

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The article is devoted to the study of the phenomenon of personal branding in the context of postmodern philosophy, where traditional metanarratives such as religion, progress and science have lost their legitimacy. Micromyths are considered as local, fragmentary narratives that replace global ideologies and become instruments of self-identification in the context of digital culture. Micromyths created through personal branding allow an individual to construct a unique story, but at the same time turn identity into a commodity subject to the laws of the market. The article analyzes the philoso
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Shikoh, Mohsin Mirza. "REINCARNATING THE WORD: INTERPRETATION AND DECONSTRUCTION." August 10, 2018. https://doi.org/10.5281/zenodo.1411760.

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The emergence of deconstruction in the seventies inaugurated a new, and what some believe, a radical way of appreciating literature. After it the analysis of literary texts was transformed, as an entirely different method of studying textuality of literary works was introduced in the academia. Though, by this time, New Criticism had in many ways already paved the way for ?close reading? of literary works, the French philosopher Jacques Derrida introduced new tools of discussing and analyzing literature. He derived his concepts and terminology essentially from Western philosophy, and by applyin
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Farmоnоva, Mоhinur Faxritdinоvna. "THE RELATIONSHIP BETWEEN A LITERARY TEXT AND THE READER: A RE-READING OR DECONSTRUCTION STRATEGY." February 14, 2025. https://doi.org/10.5281/zenodo.14870236.

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<em>This article reveals the essence of the re-reading or deconstruction strategy based on the multilayeredness of the text. The object of this research is the deconstructive approach to a literary text and its specific features. The article is relevant due to its focus on aspects such as the polyphonic tone, multilayeredness, and the reader's worldview in the text, which remain outside the traditional analysis that focuses on the idea and images of a literary work. The ideas about the impossibility of creating a single interpretation of a literary text are explained in connection with the rea
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"Dark Ecology Between Discourse and Otherness." Philosophical Literary Journal Logos 29, no. 5 (2019): 33–56. http://dx.doi.org/10.22394/0869-5377-2019-5-33-54.

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In contrast to the more popular interpretations of Timothy Morton’s dark ecology as one more example of speculative realism, the article suggests regarding it argue as a special case of Jacques Derrida’s deconstruction. By examining Morton’s earlier writing, the author demonstrates that it extends the deconstructionist structure of argumentation by criticizing ecological discourse in order to justify dark ecology. Derrida revealed the violent structure of writing as the basis of the logocentric myth, and Morton has similarly shown that the Romantic idea of a harmonious Nature came about as a r
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Trivedi, Chetan N., and Rohal S. Raval. "FROSTIAN ANTICIPATION AND RESCUING ROCHESTER: DECONSTRUCTION AND READER-RESPONSE CRITICISM IN READINGS OF JANE EYRE (1847) AND WIDE SARGASSO SEA (1966)." Towards Excellence, June 30, 2021, 1006–15. http://dx.doi.org/10.37867/te130285.

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The present article argues that Robert Frost’s poem “For Once, Then, Something” (1923) anticipates, by virtue of its latent similarities to them, the theory of Deconstruction propounded by Jacques Derrida, and Reader-Response Criticism which developed through the work of a number of important theorists, one of them being Stanley Fish. The validity of the interpretation is tested by juxtaposing it, in brief, on Charlotte Brontë’s novel Jane Eyre (1847) and Jean Rhys’ Wide Sargasso Sea (1966), a postcolonial, Feminist re-reading or re-writing of Brontë’s work, especially one of literature’s grea
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Dissertations / Theses on the topic "Derrida, Jacques – Criticism and interpretation – Congresses"

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Winter, Ligia Maria 1981. "Escritas do suporte." [s.n.], 2012. http://repositorio.unicamp.br/jspui/handle/REPOSIP/269969.

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Orientador: Fabio Akcelrud Durão<br>Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem<br>Made available in DSpace on 2018-08-19T21:55:34Z (GMT). No. of bitstreams: 1 Winter_LigiaMaria_D.pdf: 5771235 bytes, checksum: ed362af43a48a013403a9dff1d4f1402 (MD5) Previous issue date: 2012<br>Resumo: A proposta deste trabalho é pensar o estatuto literário e político de uma escrita, que nomeio Escrita do Suporte, partindo da imagem habitual de um suporte lido como sustentáculo ou mediador neutro, terreno sobre o qual edificar instituições, a que nomear "pátria" ou
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Dicks, Henry. "Being and earth : an ecological criticism of late twentieth-century French thought." Thesis, University of Oxford, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.669967.

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Snyman, Johannes Hendrik Bailey. "Stepping into history : biography as approaches to contemporary South African choreography with specific reference to Bessie's Head (2000) and Miss Thandi (2002)." Thesis, Rhodes University, 2003. http://hdl.handle.net/10962/d1004678.

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This mini-thesis is located in historical discursive practices, choreographing history, biography as a source for making dance in South Africa and choreographic transformations in South African choreography since the 1994 democratic elections. Derridian concepts of deconstruction will be referenced in an attempt to focus the argument of this research, which comments on choreographic transformations since 1994, by subverting the influence of the 'violent hierarchies' enforced by the apartheid regime on South African cultural life and choreographic identity. The researcher draws on these conside
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Mott, Elizabeth J. "In search of a question : interrogating the '/' [slash] within discourses of inclusion." Thesis, University of Stirling, 2012. http://hdl.handle.net/1893/6508.

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Summary This thesis uses poststructural theory to question how language shapes educational policy and practice. It starts from the premise that the tendency for categorising knowledge as binary opposites, whilst potentially useful, also encourages polarisation, is reductive, and produces closure. Thus, by interrogating the ‘/’ [slash], the boundary between the pairs, the intention is to produce a different, more equable, productive, and openly uncertain way of questioning unresolved educational dilemmas, hence the search for a question. Educational inclusion/exclusion foregrounds this research
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Cloete, Michael. "Postmetaphysical versus postmodern thinking : a critical appraisal of Habermas's debate with postmodernism." Thesis, Stellenbosch : Stellenbosch University, 2002. http://hdl.handle.net/10019.1/53008.

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Thesis (PhD) -- University of Stellenbosch, 2002.<br>ENGLISH ABSTRACT: Philosophy has traditionally been concerned with the question of reason and rationality, as its central focus. From the perspective of the modern metaphysical tradition, this focus has developed around the theme of subjectivity in general, and the assumption of an ahistorical transcendental subject in particular. The idea of reason was thus foundational for the articulation and validation of the notions of truth and freedom. From the perspective of modernity, reason has thus been the condition of the possibility of
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Bailey, Colin R. "As looks the sun, infinite riches, valorem : the economics of metaphor in Marlowe's Tamburlaine the Great, the Jew of Malta and the Doctor Faustus." Thesis, McGill University, 1987. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=63913.

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Reynolds, Jack. "Embodiment and the other : relationships and alterity in phenomenology and deconstruction, Merleau-Ponty and Derrida." Phd thesis, 2002. http://hdl.handle.net/1885/148511.

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Castricano, Carla Jodey. "In Derrida’s dream: a poetics of a well-made crypt." Thesis, 1997. http://hdl.handle.net/2429/6691.

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This question usually arises out of Derridean deconstruction: what is the relationship between writing and death? This dissertation, however, explores Jacques Derrida's evocation of the living-dead for purposes of theorizing what might be thought of as Derrida's "poetics of the crypt." The first section, "The First Partition: Without the Door," proposes the term "cryptomimesis" to describe how, in Derrida's writing, (the) "crypt" functions as the model, method and theory of a formal poetics based upon the fantasy of incorporation. Cryptomimesis is a writing practice that le
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(15977060), Matthew Lamb. "An Examination of the Frames of Literary Criticism - from Leavis to Derrida - in Relation to theFreudian Frame of Psychoanalysis." Thesis, 2023. https://figshare.com/articles/thesis/An_Examination_of_the_Frames_of_Literary_Criticism_-_from_Leavis_to_Derrida_-_in_Relation_to_theFreudian_Frame_of_Psychoanalysis/26143936.

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<p dir="ltr">Many of the errors inherent in Sigmund Freud's thinking have been inherited by such critics as Roland Barthes, Jacques Lacan and Jacques Derrida, who have based their own work on both psychoanalysis in general and on Freud in particular. Although much work has been done dismantling Freud's work and legacy there have been very few attempts to assess the effects of these findings on disciplines other than psychology. It is this gap, within the discipline ofliterary studies, that the current research is attempting to fill.</p><p><br></p><p dir="ltr">Psychoanalysis posits that the hu
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Kruger, Jacob Petrus. "Transcedence in immanence - a conversation with Jacques Derrida on space, time and meaning." Thesis, 2011. http://hdl.handle.net/10500/5449.

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This study postulates the existence of a notion of transcendence in immanence in the thought of Jacques Derrida. The deconstruction of, amongst others, Husserlian phenomenology and Saussurean structuralism, affords Derrida the opportunity of presenting a thought of contamination, haunting and impurity, which is a thought of transcendence in immanence. The hypothesis of a notion of transcendence in immanence in Derrida’s thought is refined by specifying it as temporal transcendence in immanence. Accordingly, the intimation of transcendence in immanence does not amount to the ontological
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Books on the topic "Derrida, Jacques – Criticism and interpretation – Congresses"

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Calle-Gruber, Mireille. Jacques Derrida, la distance généreuse. Différence, 2009.

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1935-, Adami Valerio, ed. Jacques Derrida, la distance généreuse. Différence, 2009.

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1939-, Rand Richard, and Derrida Jacques, eds. Futures: Of Jacques Derrida. Stanford University Press, 2001.

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Huber, Gérard. Anatomie de la séparation: Résponses à Jacques Derrida. De Boeck Université, 2002.

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Deutscher, Penelope. How to read Derrida. W.W. Norton, 2006.

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Þorsteinsson, Björn. La question de la justice chez Jacques Derrida. Harmattan, 2007.

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Thomas, Dutoit, and Romanski Philippe, eds. Derrida d'ici, Derrida de là. Galilée, 2009.

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Thomas, Dutoit, and Romanski Philippe, eds. Derrida d'ici, Derrida de là. Galilée, 2009.

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Schäfer, Tanja. Positionen literarischer Dekonstruktion: Paul de Man und Jacques Derrida. Tectum Verlag, 2009.

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Stanislas, Jullien. La phénoménologie en suspens: Derrida et la question de l'apparaître. Association internationale de phénoménologie, 2020.

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Book chapters on the topic "Derrida, Jacques – Criticism and interpretation – Congresses"

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Newton, K. M. "Performing literary interpretation." In Literary Theory and Criticism. Oxford University PressOxford, 2006. http://dx.doi.org/10.1093/oso/9780199291335.003.0031.

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Abstract One of the best-known critical encounters of the 1970s was that between M. H. Abrams, a major figure in historical criticism both as practitioner and theorist, and J. Hillis Miller, a leading exponent of Derridean deconstruction, on the question of the limits of literary interpretation. Abrams claimed that Jacques Derrida ‘puts out of play, before the game even begins, every source of norms, controls, or indications which, in the ordinary use and experience of language, set a limit to what we can mean and what we can be understood to mean’, in favour of ‘a free participation in the in
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Fish, Stanley. "With the Compliments of the Author: Reflections on Austin and Derrida." In Doing What Comes Naturally. Oxford University PressOxford, 1990. http://dx.doi.org/10.1093/oso/9780198129998.003.0003.

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Abstract The most important thing in acting is honesty; once you learn to fake that, you’re in.-Sam Goldwyn In the summer of r 977, as I was preparing to teach Jacques Derrida’s Of Grammatology to a class at the School of Criticism and Theory in Irvine, a card floated out of the text and presented itself for interpretation. It read:
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McClary, Susan. "Writing about Music—and the Music of Writing." In Making Sense of Music. Oxford University PressNew York, NY, 2025. https://doi.org/10.1093/9780197779798.003.0005.

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Abstract Written as a contribution to an interdisciplinary conference on academic writing, this chapter deals with the particular difficulties of writing effectively about music. Musicologists often regard music as ineffable, as impervious to cultural criticism and verbal interpretation. That taboo has discouraged the discipline from engaging with music as a medium that bears traces of social history and human experience. The chapter examines some of the reasons such prohibitions developed. It also suggests ways in which musical concepts might enhance writing on all varieties. It argues for tr
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