Relevant bibliographies by topics / Descartes, René, 1596-1650 – Correspomdence

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  4. Book chapters

Academic literature on the topic 'Descartes, René, 1596-1650 – Correspomdence'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "Descartes, René, 1596-1650 – Correspomdence"

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Neetens, A. "Cogito ergo sum (René Descartes 1596-1650)." Neuro-Ophthalmology 16, no. 6 (January 1996): 385–86. http://dx.doi.org/10.3109/01658109609044645.

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Watling, John. "René Descartes." Royal Institute of Philosophy Lecture Series 20 (March 1986): 55–56. http://dx.doi.org/10.1017/s0957042x00004016.

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René Descartes (1596–1650) was born at La Haye, near Tours in France. He entered the Jesuit School at La Flèche in 1606, where he studied Latin and Greek and the classical authors, and acquired respect for the certainty of mathematics and distaste for the theories of Aristotle as developed by medieval commentators. In 1616, he took a degree in law at the University of Poitiers. There followed a period during which he travelled, for some of the time as a gentleman-officer in the armies of Maurice of Nassau, Prince of Orange, and Maximilian, Duke of Bavaria. In 1625 he returned to Paris and renewed his acquaintance with Father Marin Mersenne, who was later instrumental in making his views known to many of the famous intellectuals in Europe. From 1628 to 1649 he lived in Holland and worked out in detail the scientific, philosophical and mathematical ideas that had engaged him during his travels. His main philosophical works are Rules for the Direction of the Mind, written in 1629–30 but not published until 1684, Discourse on Method, 1637, Meditations, 1641, Principles of Philosophy, 1644, and The Passions of the Soul, 1649. In 1649, Descartes accepted an invitation to visit the Queen of Sweden and instruct her in philosophy. He succumbed to the rigorous climate, and died in February 1650.
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Le Floch-Prigent, P., S. Verdeille, and A. Froment. "Le crâne de René Descartes (1596–1650) : scannographie sériée et reconstructions." Morphologie 96, no. 314-315 (October 2012): 70–71. http://dx.doi.org/10.1016/j.morpho.2012.08.013.

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Kitagawa, Tomoko L. "Passionate souls: Elisabeth of Bohemia and René Descartes." Mathematical Gazette 105, no. 563 (June 21, 2021): 193–200. http://dx.doi.org/10.1017/mag.2021.46.

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The mathematical investigations of natural phenomena in the seventeenth century led to the inventions of calculus and probability. While we know the works of eminent natural philosophers and mathematicians such as Isaac Newton (1643-1727), we know little about the learned women who made important contributions in the seventeenth century. This article features Princess Elisabeth of Bohemia (1618-1680), whose intellectual ability and curiosity left a unique mark in the history of mathematics. While some of her family members were deeply involved in politics, Elisabeth led an independent, scholarly life, and she was a close correspondent of René Descartes (1596-1650) and Gottfried Leibniz (1646-1716).
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Nickalls, R. W. D. "Viète, Descartes and the cubic equation." Mathematical Gazette 90, no. 518 (July 2006): 203–8. http://dx.doi.org/10.1017/s0025557200179598.

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An appreciation of the geometry underlying algebraic techniques invariably enhances understanding, and this is particularly true with regard to polynomials. With visualisation as our theme, this article considers the cubic equation and describes how the French mathematicians François Viète (1540–1603) and René Descartes (1596–1650) related the ‘three-real-roots’ case (casus irreducibilis) to circle geometry. In particular, attention is focused on a previously undescribed aspect, namely, how the lengths of the chords constructed by Viète and Descartes in this setting relate geometrically to the curve of the cubic itself.
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Chan, Eleanor. "Beautiful Surfaces." Nuncius 31, no. 2 (2016): 251–87. http://dx.doi.org/10.1163/18253911-03102001.

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The assumption that the Cartesian bête-machine is the invention of René Descartes (1596–1650) is rarely contested. Close examination of Descartes’ texts proves that this is a concept founded not on the basis of his own writings, but a subsequent critical interpretation, which developed and began to dominate his work after his death. Descartes’ Treatise on Man, published posthumously in two rival editions, Florentius Schuyl’s Latin translation De Homine (1662), and Claude Clerselier’s Traité de l’ homme, has proved particularly problematic. The surviving manuscript copies of the Treatise on Man left no illustrations, leaving both editors the daunting task of producing a set of images to accompany and clarify the fragmented text. In this intriguing case, the images can be seen to have spoken louder than the text which they illustrated. This paper assesses Schuyl’s choice to represent Descartes’ Man in a highly stylized manner, without superimposing Clerselier’s intentions onto De Homine.
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Rudolph, Ulrich. "Auf der Suche nach Erkenntnis zwischen Asien und Europa: al-Ġazālī, Descartes und die moderne Forschungswissenschaft." Asiatische Studien - Études Asiatiques 72, no. 1 (April 25, 2018): 1–29. http://dx.doi.org/10.1515/asia-2017-0076.

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Abstract The quest for an indisputable foundation of all knowledge has been one of the driving forces behind intellectual history. In the European tradition it is mainly connected to René Descartes (1596–1650) and his Meditations on First Philosophy whereas in the Islamic world it was already expressed in a brilliant manner by Abū Ḥāmid al-Ġazālī (1058–1111) in his book entitled Deliverance from Error. The article investigates both these texts by contextualizing them within the long history of intellectual autobiographies, which stretches from antiquity to the present and comprises many exciting examples from Asia and Europe.
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Derze Marques, Lucas Guerrezi. "Alguns aspectos sobre a física cartesiana:." Revista Primordium 5, no. 9 (November 8, 2020): 13–66. http://dx.doi.org/10.14393/reprim-v5n9a2020-53830.

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René Descartes (1596 –1650) ficou marcado na história do pensamento como o pai do mecanicismo moderno, sobretudo com o seu método científico dedutivo, idealizado principalmente nas Regras para Direção do Espírito (1628) e no Discurso do Método (1637). Grande parte da literatura aponta a ciência cartesiana como extremamente racionalista, algo muito distante das experiências e hipóteses, feita única e exclusivamente pelo entendimento, a partir das intuições puras e deduções racionais. Entretanto, pretendemos aqui, mostrar uma possível abertura do filósofo francês para o conhecimento adquirido com o auxílio das hipóteses imaginadas e experiências percebidas. Mostraremos como uma de suas últimas obras, o Princípios (1644), demonstra um lado prático da filosofia de Descartes, onde o autor, parece mudar um pouco sua metodologia rígida, abrindo um grande espaço para as sensações e imaginações em sua física.
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Andrade, Eloísa Benvenutti de. "O PROJETO EPISTEMOLÓGICO CARTESIANO." Kínesis - Revista de Estudos dos Pós-Graduandos em Filosofia 1, no. 01 (March 20, 2009): 133–49. http://dx.doi.org/10.36311/1984-8900.2009.v1n01.4296.

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René Descartes (1596-1650) em sua obra “Méditations sur la Philosophie Prémière” apresenta uma avaliação crítica do conhecimento através da escolha de um método que lhe permite duvidar de forma radical e hiperbólica do conhecimento de todas as coisas. Neste artigo veremos como tal atividade racional-reflexiva, que recebeu o nome de dúvida metódica, se desenvolve. Através da análise minuciosa da Primeira, Segunda e Sexta Meditação, mostraremos os passos dados pelo filósofo em questão a fim de demonstrar como este método inaugurou uma perspectiva de reflexão introspectiva que permitiu a construção da crença em um “eu” que, enquanto sujeito do conhecimento, é o único responsável pelos processos cognitivos.
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Dijksterhuis, Fokko Jan. "Understandings of Colors: Varieties of Theories in the Color Worlds of the Early Seventeenth Century." Early Science and Medicine 20, no. 4-6 (December 7, 2015): 515–35. http://dx.doi.org/10.1163/15733823-02046p09.

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In the early seventeenth century, there existed a myriad of theories to account for color phenomena. The status, goal, and content of such accounts differed as well as the range of phenomena they explained. Starting with the journal of Isaac Beeckman (1588–1637), this essay inquires into the features and functions of conceptual reflections upon color experiences. Beeckman played a crucial role in the intellectual development of René Descartes (1596–1650), while at the same time their ideas differed crucially. Early corpuscular conceptions of colors cannot be reduced to the mechanistic variety of Descartes. Moreover, the optical rather than corpuscular features of Descartes’s understanding of colors were essential. A stratification of conceptualizations is proposed that is grounded in various problem contexts rather than philosophical doctrines, thus opening a way to interpret the philosophical parts of color worlds in a more diverse way.
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Dissertations / Theses on the topic "Descartes, René, 1596-1650 – Correspomdence"

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Gorescu, Gabriela. "Hobbes’s Deceiving God: the Correspondence Between Thomas Hobbes and Rene Descartes." Thesis, University of North Texas, 2015. https://digital.library.unt.edu/ark:/67531/metadc804825/.

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In presenting their correspondence, I highlight the means in which Hobbes is able to divorce nature and politics in his philosophy. This is done by bringing to light Hobbes’s agreement with Descartes’s deceiving God argument. First, I demonstrate Hobbes’s hidden agreement with it by analyzing his objection to Descartes’s first Meditation. Second, I show that Hobbes and Descartes both retreat into consciousness in order to deal with the possibility of deception on the behalf of God. Third, I trace Hobbes’s rational justification for entertaining that very possibility. Fourth, I bring forward Hobbes’s certain principle, that God is incomprehensible. Fifth, I demonstrate Hobbes’s rationalization for rendering nature incomprehensible in turn. From this key insight, the differences between the two philosophers stand out more. Whereas Descartes rids himself of the possibility of a deceiving God, Hobbes does not. Sixth, I show that Descartes needs to rid himself of that possibility in order to have a basis for science, Hobbes’s science is such that he does not need to rid himself of that possibility. My investigation ends by considering both Hobbes’s and Descartes’s stance on nature, in relation to politics. I find that Hobbes’s principle is much more practical that Descartes’s principle. Hobbes’s principle is shown to be much more instructive and sustainable for human life. In conclusion, this analysis of the origins, principles, and orientation of the two philosopher’s thought brings forward the overarching question, whether the recovery of value and meaning is to be brought about in nature, or in civilization.
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Feller, Waldemar. "Descartes e as humanidades." [s.n.], 1998. http://repositorio.unicamp.br/jspui/handle/REPOSIP/251102.

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Orientador: Newton Aquiles Von Zuben
Tese (doutorado) - Universidade Estadual de Campinas, Faculdade de Educação
Made available in DSpace on 2018-07-24T21:09:48Z (GMT). No. of bitstreams: 1 Feller_Waldemar_D.pdf: 431763 bytes, checksum: cf9ae85d94616e7a1c5709297429efc3 (MD5) Previous issue date: 1998
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Dumont, Pascal. "L'art d'émerveiller : étude sur la pensée esthétique de Descartes." Paris 1, 1993. http://www.theses.fr/1993PA010559.

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Le premier écrit du jeune Descartes, l'abrégé de musique (1618), exprime déjà un refus de l'idée antique d'harmonie et une rupture avec le néoplatonisme de la renaissance qui attribuait un pouvoir magique à la musique. Les recherches de Descartes sur la gamme naturelle le montrent soucieux de ramener les accords musicaux à un mécanisme dont d'habiles praticiens pourront tirer des effets. Cette vision technique, contemporaine de la naissance de l'opéra, conduit à relativiser le jugement de gout et se prolongera, en 1637, par la dévalorisation de l'affectivité. La perception, conçue comme lecture codifiée du monde, déréalise l'objet et interdit toute ontologie des formes. La peinture hollandaise du dix-septième siècle illustre cette définition de l'image comme cryptogramme. Une telle dévitalisation du monde donne la primauté à l'adresse de l'artiste dans l'œuvre. Descartes substitue ainsi à l'émotion esthétique devant la beauté des choses, l'admiration pour la libre invention d'un agent (humain ou divin). Ce renversement trouve son accomplissement dans l'éthique cartésienne : la fermeté dont un homme est capable, dans la libre conduite de ses actions, est, pour l'acteur, source de joie, et, pour le spectateur, la seule source authentique d'émerveillement.
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Starzynski, Wojciech. "Les implications théologiques et religieuses dans la métaphysique de Descartes." Paris 4, 2002. http://www.theses.fr/2002PA040069.

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Cette recherche fait recours à la méthode phénoménologique dans l'histoire de la philosophie et procède dans trois registres : 1)dans les 'regulae', Descartes élabore une notion dé-théologisée de l'objet. En s'appuyant sur la relation entre formel et objectif, les 'meditationes' élargissent ce concept jusqu'à définir Dieu comme archétype de tout objet. 2)malgré le silence sur la question de l'analogie, il est possible d'identifier ses figures dans l'oeuvre cartésienne. De plus, sa doctrine de la substance se caractérise par une univocité de type phénoménologique. 3)L'ordre des attributs divins dans la métaphysique de Descartes devient lisible par une analyse comparative avec la pensée de Suarez. Descartes marque son originalité par le recours aux expériences de Dieu dans le doute et en tant que "causa sui". Ainsi, les implications théologiques prennent aussi une dimension religieuse : ce qui confirme la doctrine cartésienne de la transsubstantation.
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Vasco, Nathalie. "Descartes et Saint-Augustin." Paris 1, 1997. http://www.theses.fr/1997PA010516.

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Devillairs, Laurence. "La connaissance des attributs divins chez Descartes." Paris 4, 2000. http://www.theses.fr/1999PA040253.

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Notre travail porte sur le type de connaissance impliqué dans la détermination des attributs divins, dans la métaphysique de Descartes : s'agit-il d'une connaissance d'un genre particulier ? Quel acte intellectuel (démonstration, raisonnement, argumentation) une telle connaissance réclame-t-elle ? Nous souhaiterions développer la thèse d'une connaissance intuitive des attributs de dieu, l' « énumération » de ces attributs étant ainsi réductible à une déduction systématique et complète. Les attributs ne sont pas donnés, dans la métaphysique cartésienne, sous la forme d'une liste contingente ; ils sont prouvés en même temps qu'est prouvée l'existence de dieu, et selon la même apodicticité. Aussi, tout ce que nous pouvons connaitre des attributs divins est-il clairement et parfaitement connu, même si la métaphysique doit admettre que tout en dieu n'est pas objet de connaissance, certains attributs étant l'objet d'une révélation. Nous nous proposons d'analyser le caractère, démonstratif de cette connaissance des attributs et de montrer en quoi Descartes rompt avec la tradition scolastique des traites des noms divins. C'est à une autre source que les méditations et les principes puisent pour élaborer une nouvelle idée de dieu : cette source nous semble être la pensée d'Augustin.
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Delia, Luigi. "La verità filosofica nel pensiero di Descartes : studio storico, critico e semantico." Dijon, 2007. http://www.theses.fr/2007DIJOL025.

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La question de la vérité, c’est-à-dire de sa recherche et des expériences requises pour s’en emparer; de sa possibilité et de son origine; de ses caractères et des choix qui portent sur elle; de sa force contraignante et de sa formation intellectuelle; de sa cohérence et de sa correspondance; de son univocité et de sa diverse modulation discursive; de l’usage, enfin, qu’il convient qu’on en fasse en vue du progrès de la science et du perfectionnement moral de l’homme, n’est pas une question locale, mais traverse comme une idée directrice l’ensemble du projet (cohérent, et en même temps, pluriel) de la philosophie cartésienne. Notre thèse s’est fixé un triple objectif: reconstruire le contexte intellectuel dans lequel se forme l’idée cartésienne de vérité; mener une enquête plus intrinsèque à l’œuvre de Descartes, visant à réfléchir sur les principaux problèmes interprétatifs liés à cette notion; accomplir une étude lexicale consacrée au registre négatif de la vérité
The question of truth, that is of its research and of the proper experiences that allow to grasp it (the necessity of the method); of its possibility and of its origin; of its characteristics and of the choices that imply it; of its constraining force and of its intellectual formation; of its coherence and of its correspondence; of its univocallity and of its diverse discursive modulation (distinction of the three primitive notions); of the use, last, that we must rightly make of it in light of science’s progress and of human moral development, is not a localised question but indeed transpires through all the Cartesian philosophy project. The defended thesis was fixed around a triple objective: to reconstruct the intellectual context within which is shaped the Cartesian idea of truth; to conduct an enquiry within Descartes’ work, aiming to think over the main interpretative problems linked to this notion; to conduct a lexical study dedicated to the negative register about truth
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Macris-L'Hoest, Marie-Claire. "Descartes opticien : le problème de la réfraction chez Descartes et ses contemporains." Paris 1, 1985. http://www.theses.fr/1985PA010252.

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SILVA, PRISCILA ALBA DA. "TRUTH X VERISIMILITUDE: NOTES FROM RENÉ DESCARTES (1596-1650) AND GIAMBATTISTA VICO (1668-1744)." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2016. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=27504@1.

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PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO
COORDENAÇÃO DE APERFEIÇOAMENTO DO PESSOAL DE ENSINO SUPERIOR
PROGRAMA DE SUPORTE À PÓS-GRADUAÇÃO DE INSTS. DE ENSINO
Partindo da análise das obras de René Descartes (1596-1650) e da concepção de retórica enquanto uma metalinguagem, fornecida tanto por Roland Barthes quanto por Haroldo de Campos, investigamos certa tensão entre Giambattista Vico (1668-1744) e o filósofo francês. Atrito forjado a partir da leitura indireta do retor napolitano das obras de Descartes. Este trabalho trata, portanto, da diferença entre a certificação do conhecimento em Descartes e Vico, diferença que, segundo elucidamos, pode ser situada na tensão entre os conceitos de verdade e verossimilhança, respectivamente, bem como nos conceitos de sentido e senso. Em 1699, Giambattista Vico assumiu a cátedra de Retórica na Universidade Real de Nápoles. A partir deste ano e, até o ano de 1707, o filósofo proferiu discursos de abertura dos anos letivos nesta instituição. Esses discursos nos chegam sob o título de Orazioni Inaugurali (1699-1707), donde foram analisadas, na presente dissertação, às duas primeiras, concernentes aos anos de 1699 e 1700. Tal análise procurou nuançar não apenas o entrelaçamento entre forma e conteúdo como, também, a partir disso, sugerir que a verossimilhança viquiana incide formalmente em seus textos, assim como a verdade cartesiana seria derivada de certa estrutura textual.
Analyzing the works of René Descartes (1596-1650) and the conception of rhetoric as a meta language, provided both by Roland Barthes and by Haroldo de Campos, we investigated tension between Giambattista Vico (1668-1744) and the French philosopher. Misunderstanding forged from indirect reading of Neapolitan rector of the works of Descartes. This work analyzes the difference between the certification of knowledge in Descartes and Vico, a difference that, according elucidated, may be located in the tension between the concepts of truth and verisimilitude, respectively, as well as the concepts of way and sense. In 1699, Giambattista Vico took over the chair of Rhetoric at the Royal University of Naples. From this year by the year 1707, the philosopher gave opening speeches of school years at this institution. These talks come in under the heading of Orazioni Inaugurali (1699-1707), from which were analyzed in the present work the first two, pertaining to the years 1699 and 1700. This analysis sought to nuance not only the interweaving between form and content as, also, from there, suggest that the verisumilitude viquiana focuses formally in his writings, as well as the Cartesian truth would be derived from certain textual structure.
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Dauvois, Daniel. "La représentation chez Descartes." Paris 4, 1998. http://www.theses.fr/1997PA040112.

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La représentation cartésienne n'est point une image ni un tableau, ni encore une forme appréhensive, mais la déclinaison ordonnée de ces diverses acceptions. Elle enveloppe l'intuitus mentis, sous l'orientation et l'attention requises de l'esprit, le pouvoir représentatif de l'idée, et sa disponibilité à conduire vers les essences le regard d'âme, enfin le contenu représenté qui parait en son indépendance essentielle à l'égard d'un esprit qui pourtant le recèle. Ce sont un modèle de perspective et, plus généralement, de l'exercice applique de la puissance visive sur des figures aptes à la conduire vers les essences (ce pourquoi l'artefact compréhensif reste celui des taille-douces), ce sont ces modèles appliqués qui permettent que la représentation cartésienne s'éclaire au travers d'une analyse des duplicités de la vision, ainsi que de l'étude - d'ambition technologique- des représentations picturales de l’âge classique. Voir consiste à recevoir le sentiment mais aussi bien à projeter un regard vers l'espace visible, selon le couple poussinien aspect/prospect. Se représenter consiste de même à accueillir les rapports propres aux essences selon la visée perspective d'un intuitus mentis. On en doit excepter les idées qui sont obscures et confuses, de sorte que l'application vers l'objet à connaitre des règles de son appréhension intuitive est proprement ce en quoi la connaissance se fait ou ne se fait point, ce qui révèle la vertu de ses règles dans l'exercice en acte de sa puissance, confrontée à la disponibilité effective ou non, d'un objet à percevoir. Le modèle cartésien du savoir est technique, et, avec cela, naturel.
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Books on the topic "Descartes, René, 1596-1650 – Correspomdence"

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Rousset, Bernard. Spinoza, lecteur des Objections faites aux Méditations de Descartes et de ses Réponses. Paris: Editions Kimé, 1996.

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Janody, Patricia. Constructions schizophrènes, constructions cartésiennes. Ramonville Saint-Agne: Erès, 1998.

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Book chapters on the topic "Descartes, René, 1596-1650 – Correspomdence"

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Clack, Beverley. "René Descartes 1596–1650." In Misogyny in the Western Philosophical Tradition, 95–106. London: Palgrave Macmillan UK, 1999. http://dx.doi.org/10.1057/9780230212800_8.

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Howard, Alex. "René Descartes (1596–1650)." In Philosophy for Counselling and Psychotherapy, 126–37. London: Macmillan Education UK, 2000. http://dx.doi.org/10.1007/978-1-137-04644-4_13.

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Campagna, Norbert. "René Descartes (1596–1650)." In Tocqueville-Handbuch, 107–10. Stuttgart: J.B. Metzler, 2021. http://dx.doi.org/10.1007/978-3-476-05754-9_25.

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Shamey, Renzo. "Descartes, René Du Perron 1596–1650." In Pioneers of Color Science, 89–93. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-319-30811-1_19.

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Duhem, Pierre. "The French Contribution to Statics (Continued) René Descartes (1596–1650)." In The Origins of Statics, 226–43. Dordrecht: Springer Netherlands, 1991. http://dx.doi.org/10.1007/978-94-011-3730-0_14.

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Antoine-Mahut, Delphine. "Descartes, René (1596–1650): His Scientific Work and Its Reception." In Encyclopedia of Early Modern Philosophy and the Sciences, 1–9. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-319-20791-9_608-1.

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Barclay, Katie, and François Soyer. "René Descartes (1596–1650), The Passions of the Soule in three Books the First, Treating of the Passions in Generall, and Occasionally of the Whole Nature of Man. the Second, of the Number, and Order of the Passions, and the Explication of the Six Primitive Ones. the Third, of Particular Passions." In Emotions in Europe 1517–1914, 264–68. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003175506-41.

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de Pater, W. A., and P. Swiggers. "Descartes, René (1596–1650)." In Encyclopedia of Language & Linguistics, 459–60. Elsevier, 2006. http://dx.doi.org/10.1016/b0-08-044854-2/02533-5.

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"DESCARTES, RENÉ (1596–1650)." In Cultural Theory: The Key Thinkers, 52–56. Routledge, 2005. http://dx.doi.org/10.4324/9780203996423-21.

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10

Sautter, Udo. "René Descartes (1596–1650)." In Die 101 wichtigsten Personen der Weltgeschichte, 59. C.H.Beck, 2015. http://dx.doi.org/10.17104/9783406679483-59.

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