Relevant bibliographies by topics / Desdemona

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Desdemona'

Author: Grafiati
Published: 4 June 2021
Last updated: 25 July 2025

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Journal articles on the topic "Desdemona"

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Rai, Ram Prasad. "Jealousy and Destruction in William Shakespear's Othello." Crossing the Border: International Journal of Interdisciplinary Studies 4, no. 1 (2017): 53–58. http://dx.doi.org/10.3126/ctbijis.v4i1.18430.

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Othello is honest. He wants to establish an order and peace in the society. He falls in love with a white lady, Desdemona. Despite the discontentment of Desdemona’s father Brobantio, they marry each other. Iago, an evil-minded man, is not happy with the promotion of Cassio, a junior officer to Iago, to lieutenant’s post in support of the chief Othello. Iago becomes jealous to Cassio and plans to destroy the relation between Othello and Cassio in any way it is possible. He uses Roderigo, a rejected suitor to Desdemona and Emilia, the innocent wife of Iago in his evil plot. Iago treacherously ma
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Hahn, Robert. "Desdemona Revived." Yale Review 92, no. 1 (2008): 104. http://dx.doi.org/10.1111/j.0044-0124.2004.00783.x.

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Walen, Denise A. "Unpinning Desdemona." Shakespeare Quarterly 58, no. 4 (2007): 487–508. http://dx.doi.org/10.1353/shq.2007.0058.

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Bodnar, Stephen. "Poem: Desdemona." English Journal 106, no. 5 (2017): 89. http://dx.doi.org/10.58680/ej201729102.

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Laskowska-Hinz, Sabina. "Designing Goddesses: Shakespeare’s "Othello" and Marian Nowiński’s "Otello Desdemona"." Multicultural Shakespeare: Translation, Appropriation and Performance 21, no. 36 (2020): 135–51. http://dx.doi.org/10.18778/2083-8530.21.09.

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The article discusses the intertextual relationship between the poster by Marian Nowiński, Otello Desdemona, and the content of Shakespeare’s play, while presenting the most important elements of the plot that are decisive for the portrayal of Desdemona. It also discusses the tradition of female nudes in Western art. This allows to usher out these characteristic features of elements of Desdemona that fashion her into Venus Caelestis and Venus Naturalis. The article focuses on the ambivalence of Nowiński’s poster and discusses the significance of the paintings by Titian, Giorgione, and Fuseli i
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Laskowska-Hinz, Sabina. "Designing Goddesses: Shakespeare’s "Othello" and Marian Nowiński’s "Otello Desdemona"." Multicultural Shakespeare: Translation, Appropriation and Performance 21, no. 36 (2020): 135–51. http://dx.doi.org/10.18778/2083-8530.21.09.

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The article discusses the intertextual relationship between the poster by Marian Nowiński, Otello Desdemona, and the content of Shakespeare’s play, while presenting the most important elements of the plot that are decisive for the portrayal of Desdemona. It also discusses the tradition of female nudes in Western art. This allows to usher out these characteristic features of elements of Desdemona that fashion her into Venus Caelestis and Venus Naturalis. The article focuses on the ambivalence of Nowiński’s poster and discusses the significance of the paintings by Titian, Giorgione, and Fuseli i
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Tsukamoto, Tomoka, and Ted Motohashi. "Deconstructing the Saussurean System of Signification." Critical Survey 33, no. 1 (2021): 23–47. http://dx.doi.org/10.3167/cs.2021.330103.

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Shakespeare’s Othello has been staged overwhelmingly through the racial relationship between the two protagonists, Othello and Iago, at the expense of another protagonist, Desdemona, partly because of the prominence of racial and military perspectives in European modernity, and partly because of the relatively scarce textual presence of Desdemona. Despite the tremendous efforts and contributions of feminist criticism to rectify the imbalance, this female protagonist has been enclosed in the realm of a patriarchal framework that divides women between ‘chaste wife’ and ‘villainous whore’. Miyagi
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Mezghani, Miriam. "A Conceptual Metaphor Account of Desdemona: Body, Emotions, Ethics." English Language and Literature Studies 11, no. 2 (2021): 20. http://dx.doi.org/10.5539/ells.v11n2p20.

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This paper aims to delve into Desdemona’s mind in Shakespeare’s Othello. In this paper, Desdemona’s utterances are perused through conceptual metaphor analysis. The objective of this study is to disclose Desdemona’s cognitive complexity, and conceptual metaphor analysis offers an opportunity to enter Desdemona’s cognitive world notwithstanding the degradation of her speech. These conceptual metaphors will follow three major axes of scrutiny: body, emotions, and ethics. The findings of this paper demonstrate that a cognitive exploration of the c
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Peterson, William. "Consuming the Asian Other in Singapore: Interculturalism in TheatreWorks' Desdemona." Theatre Research International 28, no. 1 (2003): 79–95. http://dx.doi.org/10.1017/s0307883303000166.

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The Singaporean company TheatreWorks, under the artistic direction of Ong Keng Sen, has been responsible for the creation of a number of large-scale Asian intercultural works that have toured to international festivals from Adelaide to Hamburg. Among the best known of these are Lear and Desdemona, both of which use Shakespeare as a point of departure for new performance pieces that bring together practitioners representing a wide range of traditional and contemporary art forms. Unlike other intercultural experiments, in Lear and Desdemona practitioners stay largely within the frame of their ow
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KAYADUMAN, Büşra. "PORTRAIT OF OTHELLO AS AN EASTERN MAN." Siirt Üniversitesi Sosyal Bilimler Enstitüsü Dergisi 10, no. 1 (2022): 83–87. http://dx.doi.org/10.53586/susbid.1103464.

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Othello, written by William Shakespeare, is one of the greatest works of all time. It is believed that Othello was written in 1603. The protagonist of the play, Othello, is a black man who is also the general of the Venetian forces. His wife is Desdemona, his lieutenant is Casio and his ensign is Iago. Othello centers on the private lives, problems and passions of its main four characters. Othello believes in Iago’s lies about Desdemona’s relationship with Casio so he kills Desdemona and kills himself at the end of the play. This paper aims to illustrate the portrayal of Othello as an evil man
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Dissertations / Theses on the topic "Desdemona"

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NORONHA, JOANNA VIEIRA. "FROM DESDEMONA TO ALICE: GENDER, POLITICAL ACTION AND DOMESTIC VIOLENCE." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2010. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=16511@1.

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CONSELHO NACIONAL DE DESENVOLVIMENTO CIENTÍFICO E TECNOLÓGICO<br>Essa dissertação busca analisar o papel da ação política centrada em uma identidade - aqui, o conceito mulher - para o acesso à esfera pública hegemônica e para utilizar o direito como ferramenta de paridade participatória e empoderamento. Tomando por base esses três conceitos-chave (identidade, ação política e direito) e suas interações, buscar-se-á explorar possibilidades e limites da ação política centrada em um conceito fechado de agente para garantir direitos ao grupo que se pretende representar. A partir da apresentação de
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Guevara, Perry Daniel. "(Un)Doing Desdemona gender, fetish, and erotic materiality in Othello /." Connect to Electronic Thesis (CONTENTdm), 2009. http://worldcat.org/oclc/457178998/viewonline.

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Cinnamon, Christopher. "Ann-Marie MacDonald's Goodnight Desdemona (good morning Juliet), a director's journey." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp04/mq20812.pdf.

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Biagiola, Elisabetta. "Talìami mentri ciusciu l’amuri e ‘u riconsignu ô paraddisu. L’Otello di Luigi Lo Cascio." Bachelor's thesis, Alma Mater Studiorum - Università di Bologna, 2016. http://amslaurea.unibo.it/9794/.

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L’Otello di Luigi Lo Cascio è stato concepito nella volontà di mettere in luce come non sia Otello bensì Desdemona la straniera del dramma. Il mio lavoro rileva in primo luogo in che modo l’autore sia riuscito a raggiungere il suo obiettivo utilizzando diversi espedienti: esplicitare la scelta di riportare la vicenda raccontando di un generale bianco, per non suscitare pregiudizi avversi ad una corretta interpretazione; isolare linguisticamente Desdemona, unica parlante italiana in un universo di voci palermitane, per enfatizzare la solitudine della donna che, circondata da soli uomini, non ha
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Mezghanni, Miriam. "Unsettling heroines : towards a cognitive poetics exploration of power dynamics (Ophelia, Lady Macbeth, Desdemona and Cleopatra as case studies)." Thesis, Montpellier 3, 2016. http://www.theses.fr/2016MON30015.

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L’argument de cette recherche propose d’étudier le concept du pouvoir et ses manifestations chez les héroïnes tragiques de Shakespeare Ophélie, Desdémone, Lady Macbeth, et Cléopâtre. Cette étude suit deux axes d’interprétation, la domination et la résistance qui constituent le pouvoir féminin à travers ses productions verbales et ses projections mentales. Ces aspects sont explorés à travers une théorie de poétique cognitive et d'analyse de conversation. En parallèle, les théories critiques vont compléter la discussion des résultats trouvés. Ce travail explore comment les héroïnes tragiques de
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Bento, Carlos Henrique. "O gênero atuante: a performance de gênero em The Passion of New Eve e Goodnight Desdemona (Good Morning Juliet)." Universidade Federal de Minas Gerais, 2007. http://hdl.handle.net/1843/ECAP-6Z8EDT.

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Este trabalho faz uma leitura dos livros The Passion of New Eve, de Angela Carter, e Goodnight Desdemona (Good Morning Juliet), de Ann-Marie Mac Donald, usando o conceito de performance de gênero, de Judith Butler. Desta forma, discute algumas questões relacionadas com o gênero, mostrando a necessidade de considerá-lo , na contemporaneidade, como uma performance. Trata-se de uma leitura transgressora das duas obras literárias, que pretende contribuir para o campo dos estudos de gênero.
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Anthony, Courtney Elizabeth. "Eve's Legacy: The Fates of Young Women in Shakespeare's Tragedies." Xavier University / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=xavier1472821662.

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Prytz, Ann-Louise. "Den älskande kvinnan i Shakespeares dramatik : En dramatikanalys av dramerna Othello och Romeo och Juliet med fokus på Desdemona och Juliet." Thesis, Södertörns högskola, Institutionen för kultur och lärande, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-39171.

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The essay The loving women in Shakespeare’s dramas is based on the fact that the dramas are performed circa 400 years after they were written. That makes it intresting to examine the caractars, and especially the female parts, and particularly the loving woman. To fulfill that, I have inquired Desdemona in Othello and Juliet in Romeo and Juliet. I have used eight parts of the drama analysis modelled by Birthe Sjöberg as the main research methode. The scientific aim is to investigate the loving woman in two plays of Shakespeas dramaproduction, Othello and Romeo and Juliet. The question at issue
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Hallquist, Pola L. "Intertextuality as internal adaptation in Ann-Marie MacDonald's "Goodnight Desdemona (Good Morning Juliet)", Robert Lepage's "Le Confessionnal," and Atom Egoyan's "The Sweet Hereafter"." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape9/PQDD_0009/MQ61767.pdf.

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Woodbridge, Emilie Sandahl Carrie. "Desdemona (a)mended feminist revisions of Othello /." 2003. http://etd.lib.fsu.edu/theses/available/etd-08282003-193718.

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Thesis (M.A.)--Florida State University, 2003.<br>Advisor: Dr. Carrie Sandahl, Florida State University, School of Theatre. Title and description from dissertation home page (viewed Oct. 2, 2003). Includes bibliographical references.
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Books on the topic "Desdemona"

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Morrison, Toni. Desdemona. Oberon Books, 2012.

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Keller, Beverly. Fowl play, Desdemona. Lothrop, Lee & Shepard Books, 1989.

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Keller, Beverly. Desdemona moves on. Bradbury Press, 1992.

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Pykare, Nina. Death comes for Desdemona. Five Star, 1999.

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MacDonald, Ann-Marie. Goodnight Desdemona (good morning Juliet). Grove Press, 1998.

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MacDonald, Ann-Marie. Goodnight Desdemona (good morning Juliet). Coach House Press, 1990.

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Keller, Beverly. Desdemona, twelve going on desperate. Lothrop, Lee & Shepard Books, 1986.

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MacDonald, Ann-Marie. Goodnight Desdemona (good morning Juliet). Vintage Canada, 1998.

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Vogel, Paula. Desdemona: A play about a handkerchief. Dramatists Play Sevice, 1994.

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MacDonald, Ann-Marie. Goodnight Desdemona (good morning Juliet): [by] Ann-Marie Macdonald. Playwrights Canada Press, 1990.

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Book chapters on the topic "Desdemona"

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Thompson, Ayanna. "Desdemona." In A Feminist Companion to Shakespeare. John Wiley & Sons, Ltd, 2016. http://dx.doi.org/10.1002/9781118501221.ch27.

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Shapira, Ron A. "Saving Desdemona." In The Dynamics of Judicial Proof. Physica-Verlag HD, 2002. http://dx.doi.org/10.1007/978-3-7908-1792-8_21.

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Cohen, Derek. "The Murder of Desdemona." In Shakespeare's Culture of Violence. Palgrave Macmillan UK, 1993. http://dx.doi.org/10.1057/9780230379442_8.

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Smyth, Judy. "Desdemona: A Play About a Handkerchief." In The Palgrave Encyclopedia of Global Shakespeare. Springer International Publishing, 2024. http://dx.doi.org/10.1007/978-3-319-99378-2_145-1.

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Elliott, Martin. "‘But that I loue the gentle Desdemona’." In Shakespeare’s Invention of Othello. Palgrave Macmillan UK, 1988. http://dx.doi.org/10.1007/978-1-349-09517-9_2.

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Parker, Fred. "2. Welcoming the Stranger." In Tragedy and the Witness. Open Book Publishers, 2025. https://doi.org/10.11647/obp.0435.02.

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The chapter enlarges on the need for another person to perform the task of witness (i.e. the protagonist cannot bear witness to themselves), and the problems that this entails. Even a Greek chorus, formally positioned as witnesses to the tragic action, may be felt to fall short, as Antigone discovers in going to her death. The need for someone to tell one’s story is expressed by Richard II, Hamlet, and Othello as they approach their ends. How Desdemona listened to Othello’s life-story suggests what it means to find that need fulfilled. Desdemona was there responding to a person and a set of ex
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Fahey, Maria Franziska. "Proving Desdemona Haggard: Metaphor and Marriage in Othello." In Metaphor and Shakespearean Drama. Palgrave Macmillan UK, 2011. http://dx.doi.org/10.1057/9780230308800_2.

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Bolis, Amy L. "Desdemona by Toni Morrison (dir. Peter Sellars, USA, 2011)." In The Palgrave Encyclopedia of Global Shakespeare. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-319-99378-2_10-1.

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Bolis, Amy L. "Desdemona by Toni Morrison (dir. Peter Sellars, USA, 2011)." In The Palgrave Encyclopedia of Global Shakespeare. Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-319-99378-2_10-2.

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Carney, Jo Eldridge. "Toni Morrison and Rokia Traoré's Desdemona and William Shakespeare's Othello." In Women Talk Back to Shakespeare. Routledge, 2021. http://dx.doi.org/10.4324/9781003166580-1.

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Conference papers on the topic "Desdemona"

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Miletovic, I., M. Wentink, D. Pool, et al. "The Use of Pilot Ratings in Rotorcraft Flight Simulation Fidelity Assessment." In Vertical Flight Society 73rd Annual Forum & Technology Display. The Vertical Flight Society, 2017. http://dx.doi.org/10.4050/f-0073-2017-12107.

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The fidelity of a rotorcraft flight simulator is influenced by many factors, such as the vehicle dynamic model and the motion cueing algorithm (MCA). To quantify the fidelity of a simulator objectively requires detailed knowledge of human pilot perception and control behaviour that is not yet available. As a consequence, subjective assessments made by qualified pilots remain the most important way to assess flight simulation fidelity. The use of standardized rating scales during such assessments can increase the level of objectivity above that provided by less structured evaluations. The curre
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Roza, Manfred, Mark Wentink, and Philippus Feenstra. "Performance Testing of the Desdemona Motion System." In AIAA Modeling and Simulation Technologies Conference and Exhibit. American Institute of Aeronautics and Astronautics, 2007. http://dx.doi.org/10.2514/6.2007-6472.

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Bles, Willem, Ruud Hosman, and Bernd d. "Desdemona - Advanced disorientation trainer and (sustained-G) flight simulator." In Modeling and Simulation Technologies Conference. American Institute of Aeronautics and Astronautics, 2000. http://dx.doi.org/10.2514/6.2000-4176.

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Wentink, Mark. "New Solutions for Dynamic Flight Simulation in the Desdemona Simulator." In AIAA Modeling and Simulation Technologies Conference and Exhibit. American Institute of Aeronautics and Astronautics, 2008. http://dx.doi.org/10.2514/6.2008-6351.

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Valente Pais, Ana Rita, Mark Wentink, Max Mulder, and M. M. Paassen. "A Study on Cueing Strategies for Curve Driving in Desdemona." In AIAA Modeling and Simulation Technologies Conference and Exhibit. American Institute of Aeronautics and Astronautics, 2007. http://dx.doi.org/10.2514/6.2007-6473.

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Wentink, Mark, Wim Bles, Ruud Hosman, and Michael Mayrhofer. "Design and Evaluation of Spherical Washout Algorithm for Desdemona Simulator." In AIAA Modeling and Simulation Technologies Conference and Exhibit. American Institute of Aeronautics and Astronautics, 2005. http://dx.doi.org/10.2514/6.2005-6501.

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Mayrhofer, Michael, Bernhard Langwallner, Richard Schlüsselberger, Willem Bles, and Mark Wentink. "An Innovative Optimal Control Approach for the Next Generation Simulator Motion Platform DESDEMONA." In AIAA Modeling and Simulation Technologies Conference and Exhibit. American Institute of Aeronautics and Astronautics, 2007. http://dx.doi.org/10.2514/6.2007-6474.

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Mayrhofer, Michael, Johann Schwandtner, Richard Schlüsselberger, Mark Wentink, and Willem Bles. "Optimal Motion Control of Next Generation Simulator Motion Platform DESDEMONA for Car Driving Application." In AIAA Modeling and Simulation Technologies Conference and Exhibit. American Institute of Aeronautics and Astronautics, 2008. http://dx.doi.org/10.2514/6.2008-6536.

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Groen, Eric, Maite Trujillo, Mark Wentink, and Rolf Huhne. "Ground-Based Simulation of Upset Recovery in DESDEMONA: Aspects of Motion Cueing and Motion Perception." In AIAA Modeling and Simulation Technologies Conference and Exhibit. American Institute of Aeronautics and Astronautics, 2008. http://dx.doi.org/10.2514/6.2008-6869.

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Correia Grácio, Bruno Jorge, Marinus van Paassen, Max Mulder, and Mark Wentink. "Tuning of the Lateral Specific Force Gain Based on Human Motion Perception in the Desdemona Simulator." In AIAA Modeling and Simulation Technologies Conference. American Institute of Aeronautics and Astronautics, 2010. http://dx.doi.org/10.2514/6.2010-8094.

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Reports on the topic "Desdemona"

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Pearson, Walter H., Nancy P. Kohn, and J. R. Skalski. Entrainment of Dungeness Crab in the Desdemona Shoals Reach of the Lower Columbia River Navigation Channel. Office of Scientific and Technical Information (OSTI), 2006. http://dx.doi.org/10.2172/896903.

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