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Relevant bibliographies by topics / Desdemona

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Academic literature on the topic 'Desdemona'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 April 2022

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Journal articles on the topic "Desdemona"

1

Rai, Ram Prasad. "Jealousy and Destruction in William Shakespear's Othello." Crossing the Border: International Journal of Interdisciplinary Studies 4, no. 1 (October 17, 2017): 53–58. http://dx.doi.org/10.3126/ctbijis.v4i1.18430.

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Othello is honest. He wants to establish an order and peace in the society. He falls in love with a white lady, Desdemona. Despite the discontentment of Desdemona’s father Brobantio, they marry each other. Iago, an evil-minded man, is not happy with the promotion of Cassio, a junior officer to Iago, to lieutenant’s post in support of the chief Othello. Iago becomes jealous to Cassio and plans to destroy the relation between Othello and Cassio in any way it is possible. He uses Roderigo, a rejected suitor to Desdemona and Emilia, the innocent wife of Iago in his evil plot. Iago treacherously makes Desdemona’s handkerchief, a marriage gift from Othello, reach in Cassio through Emilia. Then he notices Othello about the Apresence of the handkerchief in Cassio as an accusation of Desdemona’s falling in love with Cassio. In reality, both Cassio and Desdemona are innocent. They are honest and loyal to their moral position. But because of jealousy grown in Othello by Iago, Othello plans to murder his kind and truly loving wife and his dutiful junior officer Cassio. Othello kills Desdemona and Iago kills his wife Emilia as she discloses the reality about Iago’s evilness. Othello kills himself after he knows about Iago’s treachery. As a result, all the happiness, peace and love in the families of Othello and Iago get spoilt completely because of just jealousy upon each other. Crossing the Border: International Journal of Interdisciplinary Studies Vol.4(1) 2016: 53-58

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Hahn, Robert. "Desdemona Revived." Yale Review 92, no. 1 (June 28, 2008): 104. http://dx.doi.org/10.1111/j.0044-0124.2004.00783.x.

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Walen, Denise A. "Unpinning Desdemona." Shakespeare Quarterly 58, no. 4 (2007): 487–508. http://dx.doi.org/10.1353/shq.2007.0058.

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Tsukamoto, Tomoka, and Ted Motohashi. "Deconstructing the Saussurean System of Signification." Critical Survey 33, no. 1 (March 1, 2021): 23–47. http://dx.doi.org/10.3167/cs.2021.330103.

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Shakespeare’s Othello has been staged overwhelmingly through the racial relationship between the two protagonists, Othello and Iago, at the expense of another protagonist, Desdemona, partly because of the prominence of racial and military perspectives in European modernity, and partly because of the relatively scarce textual presence of Desdemona. Despite the tremendous efforts and contributions of feminist criticism to rectify the imbalance, this female protagonist has been enclosed in the realm of a patriarchal framework that divides women between ‘chaste wife’ and ‘villainous whore’. Miyagi Satoshi’s adaptation and staging of Miyagi-Noh Othello, presented at Shizuoka Arts Theatre in 2018, was a remarkable attempt to address this issue, by transforming the whole play into a memory recollected and enacted by the Ghost of Desdemona, through utilising the Japanese ‘Mugen-Noh’ format. Through his mimetic dramaturgy employing the ‘division of speech and movement’ method, Miyagi succeeded in recovering not only Desdemona’s testimonies regarding her affectionate and passionate relationship with Othello but also multiple women’s ‘her-stories’ hidden and disregarded by male-centred histories authorised by the Venetian ruling class. The detailed analysis of Miyagi’s unique and innovative production will unravel the complicated relationship between actors’ words and their bodies in theatrical productions, as well as offer a fresh insight into the hitherto underrated aspect of Othello as an alternative story of inducing everyone’s suffering into spiritual atonement by reviving the love which has always already been present even in a society torn by racism, genderism and militarism.

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Laskowska-Hinz, Sabina. "Designing Goddesses: Shakespeare’s "Othello" and Marian Nowiński’s "Otello Desdemona"." Multicultural Shakespeare: Translation, Appropriation and Performance 21, no. 36 (June 30, 2020): 135–51. http://dx.doi.org/10.18778/2083-8530.21.09.

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The article discusses the intertextual relationship between the poster by Marian Nowiński, Otello Desdemona, and the content of Shakespeare’s play, while presenting the most important elements of the plot that are decisive for the portrayal of Desdemona. It also discusses the tradition of female nudes in Western art. This allows to usher out these characteristic features of elements of Desdemona that fashion her into Venus Caelestis and Venus Naturalis. The article focuses on the ambivalence of Nowiński’s poster and discusses the significance of the paintings by Titian, Giorgione, and Fuseli in designing the figure of Desdemona as a goddess.

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Laskowska-Hinz, Sabina. "Designing Goddesses: Shakespeare’s "Othello" and Marian Nowiński’s "Otello Desdemona"." Multicultural Shakespeare: Translation, Appropriation and Performance 21, no. 36 (June 30, 2020): 135–51. http://dx.doi.org/10.18778/2083-8530.21.09.

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The article discusses the intertextual relationship between the poster by Marian Nowiński, Otello Desdemona, and the content of Shakespeare’s play, while presenting the most important elements of the plot that are decisive for the portrayal of Desdemona. It also discusses the tradition of female nudes in Western art. This allows to usher out these characteristic features of elements of Desdemona that fashion her into Venus Caelestis and Venus Naturalis. The article focuses on the ambivalence of Nowiński’s poster and discusses the significance of the paintings by Titian, Giorgione, and Fuseli in designing the figure of Desdemona as a goddess.

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7

Mezghani, Miriam. "A Conceptual Metaphor Account of Desdemona: Body, Emotions, Ethics." English Language and Literature Studies 11, no. 2 (April 19, 2021): 20. http://dx.doi.org/10.5539/ells.v11n2p20.

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This paper aims to delve into Desdemona’s mind in Shakespeare’s Othello. In this paper, Desdemona’s utterances are perused through conceptual metaphor analysis. The objective of this study is to disclose Desdemona’s cognitive complexity, and conceptual metaphor analysis offers an opportunity to enter Desdemona’s cognitive world notwithstanding the degradation of her speech. These conceptual metaphors will follow three major axes of scrutiny: body, emotions, and ethics. The findings of this paper demonstrate that a cognitive exploration of the character reveals a structured system of thoughts where corporeal passions, emotional acuity, and ethical choices are culminated in a coherent and dynamic female protagonist. Desdemona’s conceptual metaphors confirm a sensual and wilful persona who broke an ascetic image of femininity associated with conditioning and interdictions. The study aspires to demonstrate how Desdemona would become a haunting presence on stage, triumphant even as all other characters fell, and how she would reach from beyond the grave to hold the audience in the throes of empathy. The intent of the paper is also to point out that conceptual metaphor analysis, with its ties to cognitive poetics, can furnish character criticism with dissimilar readings.

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Brokaw, Katherine Steele. "Desdemona (review)." Shakespeare Bulletin 30, no. 3 (2012): 361–65. http://dx.doi.org/10.1353/shb.2012.0055.

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Porter, Laurin. "Shakespeare's "Sisters": Desdemona, Juliet, and Constance Ledbelly inGoodnight Desdemona (Good Morning Juliet)." Modern Drama 38, no. 3 (September 1995): 362–77. http://dx.doi.org/10.3138/md.38.3.362.

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Peterson, William. "Consuming the Asian Other in Singapore: Interculturalism in TheatreWorks' Desdemona." Theatre Research International 28, no. 1 (February 17, 2003): 79–95. http://dx.doi.org/10.1017/s0307883303000166.

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The Singaporean company TheatreWorks, under the artistic direction of Ong Keng Sen, has been responsible for the creation of a number of large-scale Asian intercultural works that have toured to international festivals from Adelaide to Hamburg. Among the best known of these are Lear and Desdemona, both of which use Shakespeare as a point of departure for new performance pieces that bring together practitioners representing a wide range of traditional and contemporary art forms. Unlike other intercultural experiments, in Lear and Desdemona practitioners stay largely within the frame of their own performance and linguistic traditions, creating a work which, especially in the case of Desdemona, is far from seamless. Using the 2000 production of Desdemona as an object of inquiry, this model of Asian intercultural production is examined against the backdrop of the politics of one's location, the troubled audience response to the work in Singapore and Adelaide, and the current state of intercultural theory.

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Dissertations / Theses on the topic "Desdemona"

1

Guevara, Perry Daniel. "(Un)Doing Desdemona gender, fetish, and erotic materiality in Othello /." Connect to Electronic Thesis (CONTENTdm), 2009. http://worldcat.org/oclc/457178998/viewonline.

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NORONHA, JOANNA VIEIRA. "FROM DESDEMONA TO ALICE: GENDER, POLITICAL ACTION AND DOMESTIC VIOLENCE." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2010. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=16511@1.

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CONSELHO NACIONAL DE DESENVOLVIMENTO CIENTÍFICO E TECNOLÓGICO
Essa dissertação busca analisar o papel da ação política centrada em uma identidade - aqui, o conceito mulher - para o acesso à esfera pública hegemônica e para utilizar o direito como ferramenta de paridade participatória e empoderamento. Tomando por base esses três conceitos-chave (identidade, ação política e direito) e suas interações, buscar-se-á explorar possibilidades e limites da ação política centrada em um conceito fechado de agente para garantir direitos ao grupo que se pretende representar. A partir da apresentação de importantes exclusões dadas dentro dos movimentos feministas, utiliza-se um recorte da obra da filósofa feminista Judith Butler para construir a lente teórica que guiará a análise. O processo de formulação e promulgação da lei Maria da Penha de 2006, que lida com a violência doméstica e familiar contra mulheres, assim como as exclusões que se pode enxergar no texto dessa lei, formam o contexto escolhido para ilustrar a análise, por fornecer tanto exemplos das possibilidades e dos limites tratados em teoria, como também para que se pudesse obter um recorte adequado do tema.
This dissertation aims at analyzing the role of political action based on identity - here, the concept of women - to gain the hegemonic public sphere and use law as a tool for participation parity and empowerment. Using these three key concepts (identity, political action and law) and their interactions, this work hopes to show some possibilities and limits of a political action based on a closed concept of agent. Departing from the presentation of important exclusions occurred within feminist movements, a part of feminist philosopher Judith Butler is used to form a lens that will guide further analysis. The formulation and enactment process of the Maria da Penha statute, concerning domestic and familiar violence against women, alongside the exclusions one may notice in this statute, form the chosen context of analysis, for it provides examples of both possibilities and limits presented in theory. It also allowed for adequate framing of such a complex theme.

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Cinnamon, Christopher. "Ann-Marie MacDonald's Goodnight Desdemona (good morning Juliet), a director's journey." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp04/mq20812.pdf.

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Bento, Carlos Henrique. "O gênero atuante: a performance de gênero em The Passion of New Eve e Goodnight Desdemona (Good Morning Juliet)." Universidade Federal de Minas Gerais, 2007. http://hdl.handle.net/1843/ECAP-6Z8EDT.

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Este trabalho faz uma leitura dos livros The Passion of New Eve, de Angela Carter, e Goodnight Desdemona (Good Morning Juliet), de Ann-Marie Mac Donald, usando o conceito de performance de gênero, de Judith Butler. Desta forma, discute algumas questões relacionadas com o gênero, mostrando a necessidade de considerá-lo , na contemporaneidade, como uma performance. Trata-se de uma leitura transgressora das duas obras literárias, que pretende contribuir para o campo dos estudos de gênero.

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Mezghanni, Miriam. "Unsettling heroines : towards a cognitive poetics exploration of power dynamics (Ophelia, Lady Macbeth, Desdemona and Cleopatra as case studies)." Thesis, Montpellier 3, 2016. http://www.theses.fr/2016MON30015.

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L’argument de cette recherche propose d’étudier le concept du pouvoir et ses manifestations chez les héroïnes tragiques de Shakespeare Ophélie, Desdémone, Lady Macbeth, et Cléopâtre. Cette étude suit deux axes d’interprétation, la domination et la résistance qui constituent le pouvoir féminin à travers ses productions verbales et ses projections mentales. Ces aspects sont explorés à travers une théorie de poétique cognitive et d'analyse de conversation. En parallèle, les théories critiques vont compléter la discussion des résultats trouvés. Ce travail explore comment les héroïnes tragiques de Shakespeare mènent leur propre résistance et exercent une contre-force à un poly-système patriarcal basé sur un héritage de séparation de genre. Ces personnages brossent un portrait distinctif d'héroïsme tragique féminin ; une voix indépendante et vibrante dans le texte shakespearien
The Shakespearean tragic heroines are a polemical topic. Critics are divided between a reading that describes them as complex and dynamic protagonists and a reading that sees their presence as ornamental and paper-thin in the Shakespearean dramatic tradition. This study examines tenets of power within four major tragic figures, Ophelia, Desdemona, Lady Macbeth, and Cleopatra. Conversation analysis and disciplines from cognitive poetics, text world theory and conceptual metaphor analysis, will be used to study these characters’ utterances and thoughts. The research shows that Ophelia, Desdemona, Lady Macbeth, and Cleopatra are actively involved in power relations. They manifest dominance, exercise resistance, and sow dissidence within masculine narratives of authority. The conclusion can also be drawn that the Shakespearean tragic heroine succeeds in breaking through patriarchal embargo, embraces power, and inaugurates a distinctive concept of female heroism

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Biagiola, Elisabetta. "Talìami mentri ciusciu l’amuri e ‘u riconsignu ô paraddisu. L’Otello di Luigi Lo Cascio." Bachelor's thesis, Alma Mater Studiorum - Università di Bologna, 2016. http://amslaurea.unibo.it/9794/.

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L’Otello di Luigi Lo Cascio è stato concepito nella volontà di mettere in luce come non sia Otello bensì Desdemona la straniera del dramma. Il mio lavoro rileva in primo luogo in che modo l’autore sia riuscito a raggiungere il suo obiettivo utilizzando diversi espedienti: esplicitare la scelta di riportare la vicenda raccontando di un generale bianco, per non suscitare pregiudizi avversi ad una corretta interpretazione; isolare linguisticamente Desdemona, unica parlante italiana in un universo di voci palermitane, per enfatizzare la solitudine della donna che, circondata da soli uomini, non ha possibilità di essere vista e compresa per quello che è, in quanto viene interpretata attraverso immagini stereotipate; inserire un narratore interno che guidi gli spettatori attraverso il ragionamento dell’autore. In secondo luogo, il mio elaborato confronta l’opera di Lo Cascio con quella di Shakespeare dimostrando come già all’interno di quest’ultima fossero presenti tutti gli elementi necessari per dare all’Otello l’interpretazione che ne dà l’autore palermitano: la perfetta integrazione di Otello nella società veneziana, che esclude il comune ricorso alle diverse culture dei coniugi per giustificare il comportamento violento del Moro; la visione idealizzata della figura femminile, che impedisce ai personaggi maschili di vedere la realtà; l’impossibilità di conciliare la donna reale con quella immaginata, vero movente dell’assassinio di Desdemona.

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Anthony, Courtney Elizabeth. "Eve's Legacy: The Fates of Young Women in Shakespeare's Tragedies." Xavier University / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=xavier1472821662.

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Prytz, Ann-Louise. "Den älskande kvinnan i Shakespeares dramatik : En dramatikanalys av dramerna Othello och Romeo och Juliet med fokus på Desdemona och Juliet." Thesis, Södertörns högskola, Institutionen för kultur och lärande, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-39171.

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The essay The loving women in Shakespeare’s dramas is based on the fact that the dramas are performed circa 400 years after they were written. That makes it intresting to examine the caractars, and especially the female parts, and particularly the loving woman. To fulfill that, I have inquired Desdemona in Othello and Juliet in Romeo and Juliet. I have used eight parts of the drama analysis modelled by Birthe Sjöberg as the main research methode. The scientific aim is to investigate the loving woman in two plays of Shakespeas dramaproduction, Othello and Romeo and Juliet. The question at issue is, how does the female parts in Shakespeare’s tragedies looks like when it comes to the loving woman? The research questions are – how are Juliet and Desdemona allowed to act? How does their love look like? How do they act? How are they as persons? What are important for them? When you investigate Juliet and Desdemona, you reach their husbands as well, so they become a part of the analysis. Are Juliet and Desdemona shaped by conventions, free will or by nature? These questions are discussed with help of Judith Butler’s theory of socialconstructivism. Desdemona and Juliet are both very loving and free to act. Both are very beautiful and Desdemona is much appreciated as a person. Desdemona is happily married until Jago enters the scene and demands revenge because of a post he didn’t get. Romeo and Juliet are happy together but theire families destroy for them. Desdemona and Juliet are shaped by their genus that their surroundings force upon them. Both women act upon the constraints they face. Desdemona trys to obey and Juliet plays dead to escape the marriage with Paris. The analysis shows that the female part is oppressed by the culture of honour and by social circumstances as the family feud in Romeo and Juliet. Love does not survive and triumph over oppression. The patriarchate wins over emancipation, especially in Othello. Desdemona is strangled by her husband Othello and therefor she is a victim of patriarchate. The men also suffer from the patriarchate, their love can’t be free and they also die in the end.

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Hallquist, Pola L. "Intertextuality as internal adaptation in Ann-Marie MacDonald's "Goodnight Desdemona (Good Morning Juliet)", Robert Lepage's "Le Confessionnal," and Atom Egoyan's "The Sweet Hereafter"." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape9/PQDD_0009/MQ61767.pdf.

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Woodbridge, Emilie Sandahl Carrie. "Desdemona (a)mended feminist revisions of Othello /." 2003. http://etd.lib.fsu.edu/theses/available/etd-08282003-193718.

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Thesis (M.A.)--Florida State University, 2003.
Advisor: Dr. Carrie Sandahl, Florida State University, School of Theatre. Title and description from dissertation home page (viewed Oct. 2, 2003). Includes bibliographical references.

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Books on the topic "Desdemona"

1

Morrison, Toni. Desdemona. London: Oberon Books, 2012.

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Desdemona: Roman. Cluj-Napoca: Editura Virtus Romana Rediviva, 1999.

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Keller, Beverly. Desdemona moves on. New York: Bradbury Press, 1992.

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Keller, Beverly. Fowl play, Desdemona. New York: Lothrop, Lee & Shepard Books, 1989.

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Desdemona acts up. New York: Random House, 1993.

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Not now, sweet Desdemona. Kampala: Netmedia Publishers Ltd., 2006.

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Pykare, Nina. Death comes for Desdemona. Unity, Me: Five Star, 1999.

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MacDonald, Ann-Marie. Goodnight Desdemona (good morning Juliet). Toronto: Coach House Press, 1990.

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Keller, Beverly. Desdemona, twelve going on desperate. New York: Lothrop, Lee & Shepard Books, 1986.

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MacDonald, Ann-Marie. Goodnight Desdemona (good morning Juliet). New York: Grove Press, 1998.

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Book chapters on the topic "Desdemona"

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Thompson, Ayanna. "Desdemona." In A Feminist Companion to Shakespeare, 494–506. Chichester, UK: John Wiley & Sons, Ltd, 2016. http://dx.doi.org/10.1002/9781118501221.ch27.

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Shapira, Ron A. "Saving Desdemona." In The Dynamics of Judicial Proof, 419–35. Heidelberg: Physica-Verlag HD, 2002. http://dx.doi.org/10.1007/978-3-7908-1792-8_21.

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Cohen, Derek. "The Murder of Desdemona." In Shakespeare's Culture of Violence, 110–25. London: Palgrave Macmillan UK, 1993. http://dx.doi.org/10.1057/9780230379442_8.

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Elliott, Martin. "‘But that I loue the gentle Desdemona’." In Shakespeare’s Invention of Othello, 54–74. London: Palgrave Macmillan UK, 1988. http://dx.doi.org/10.1007/978-1-349-09517-9_2.

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Fahey, Maria Franziska. "Proving Desdemona Haggard: Metaphor and Marriage in Othello." In Metaphor and Shakespearean Drama, 22–48. London: Palgrave Macmillan UK, 2011. http://dx.doi.org/10.1057/9780230308800_2.

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Carney, Jo Eldridge. "Toni Morrison and Rokia Traoré's Desdemona and William Shakespeare's Othello." In Women Talk Back to Shakespeare, 9–33. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003166580-1.

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Waldron, Jennifer. "Of Stones and Stony Hearts: Desdemona, Hermione, and Post-Reformation Theater." In The Indistinct Human in Renaissance Literature, 205–27. New York: Palgrave Macmillan US, 2012. http://dx.doi.org/10.1057/9781137015693_12.

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Tan, Marcus Cheng Chye. "Listening in/to Asia: Ong Keng Sen’s Desdemona and the Polyphonies of Asia." In Acoustic Interculturalism, 133–64. London: Palgrave Macmillan UK, 2012. http://dx.doi.org/10.1057/9781137016959_5.

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Chattopadhyay, Bankimchandra, and Subha Chakraborty Dasgupta. "‘A Message to the New Writers of Bengal’ and ‘Sakuntala, Miranda and Desdemona’." In Critical Discourse in Bangla, 82–92. London: Routledge India, 2021. http://dx.doi.org/10.4324/9781003224686-7.

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Albanese, Denise. "Black and White, and Dread All Over: The Shakespeare Theatre’s ‘Photonegative’ Othello and the Body of Desdemona." In Othello, 220–49. London: Macmillan Education UK, 2004. http://dx.doi.org/10.1007/978-1-137-11548-5_10.

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Conference papers on the topic "Desdemona"

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Roza, Manfred, Mark Wentink, and Philippus Feenstra. "Performance Testing of the Desdemona Motion System." In AIAA Modeling and Simulation Technologies Conference and Exhibit. Reston, Virigina: American Institute of Aeronautics and Astronautics, 2007. http://dx.doi.org/10.2514/6.2007-6472.

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Bles, Willem, Ruud Hosman, and Bernd d. "Desdemona - Advanced disorientation trainer and (sustained-G) flight simulator." In Modeling and Simulation Technologies Conference. Reston, Virigina: American Institute of Aeronautics and Astronautics, 2000. http://dx.doi.org/10.2514/6.2000-4176.

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Valente Pais, Ana Rita, Mark Wentink, Max Mulder, and M. M. Paassen. "A Study on Cueing Strategies for Curve Driving in Desdemona." In AIAA Modeling and Simulation Technologies Conference and Exhibit. Reston, Virigina: American Institute of Aeronautics and Astronautics, 2007. http://dx.doi.org/10.2514/6.2007-6473.

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Wentink, Mark, Wim Bles, Ruud Hosman, and Michael Mayrhofer. "Design and Evaluation of Spherical Washout Algorithm for Desdemona Simulator." In AIAA Modeling and Simulation Technologies Conference and Exhibit. Reston, Virigina: American Institute of Aeronautics and Astronautics, 2005. http://dx.doi.org/10.2514/6.2005-6501.

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Wentink, Mark. "New Solutions for Dynamic Flight Simulation in the Desdemona Simulator." In AIAA Modeling and Simulation Technologies Conference and Exhibit. Reston, Virigina: American Institute of Aeronautics and Astronautics, 2008. http://dx.doi.org/10.2514/6.2008-6351.

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Mayrhofer, Michael, Bernhard Langwallner, Richard Schlüsselberger, Willem Bles, and Mark Wentink. "An Innovative Optimal Control Approach for the Next Generation Simulator Motion Platform DESDEMONA." In AIAA Modeling and Simulation Technologies Conference and Exhibit. Reston, Virigina: American Institute of Aeronautics and Astronautics, 2007. http://dx.doi.org/10.2514/6.2007-6474.

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Mayrhofer, Michael, Johann Schwandtner, Richard Schlüsselberger, Mark Wentink, and Willem Bles. "Optimal Motion Control of Next Generation Simulator Motion Platform DESDEMONA for Car Driving Application." In AIAA Modeling and Simulation Technologies Conference and Exhibit. Reston, Virigina: American Institute of Aeronautics and Astronautics, 2008. http://dx.doi.org/10.2514/6.2008-6536.

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Groen, Eric, Maite Trujillo, Mark Wentink, and Rolf Huhne. "Ground-Based Simulation of Upset Recovery in DESDEMONA: Aspects of Motion Cueing and Motion Perception." In AIAA Modeling and Simulation Technologies Conference and Exhibit. Reston, Virigina: American Institute of Aeronautics and Astronautics, 2008. http://dx.doi.org/10.2514/6.2008-6869.

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Correia Grácio, Bruno Jorge, Mark Wentink, Eric Groen, and Wim Bles. "Subjective Estimates of G-load in Centrifuge-Based Simulation and Applications for G-cueing in Desdemona." In AIAA Modeling and Simulation Technologies Conference. Reston, Virigina: American Institute of Aeronautics and Astronautics, 2009. http://dx.doi.org/10.2514/6.2009-5919.

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Correia Grácio, Bruno Jorge, Marinus van Paassen, Max Mulder, and Mark Wentink. "Tuning of the Lateral Specific Force Gain Based on Human Motion Perception in the Desdemona Simulator." In AIAA Modeling and Simulation Technologies Conference. Reston, Virigina: American Institute of Aeronautics and Astronautics, 2010. http://dx.doi.org/10.2514/6.2010-8094.

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Reports on the topic "Desdemona"

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Pearson, Walter H., Nancy P. Kohn, and J. R. Skalski. Entrainment of Dungeness Crab in the Desdemona Shoals Reach of the Lower Columbia River Navigation Channel. Office of Scientific and Technical Information (OSTI), September 2006. http://dx.doi.org/10.2172/896903.

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