Relevant bibliographies by topics / Design-led innovation

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Design-led innovation'

Author: Grafiati
Published: 4 June 2021
Last updated: 26 January 2023

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Journal articles on the topic "Design-led innovation"

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Gabay, Ron. "Design-led innovation." Interactions 27, no. 5 (September 2020): 64–67. http://dx.doi.org/10.1145/3418604.

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Walls, Andrew James. "Design‐Led Innovation: A Framework for the Design of Enterprise Innovation Systems." Design Management Journal 16, no. 1 (October 2021): 93–110. http://dx.doi.org/10.1111/dmj.12071.

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Dai, Ying, and Shyh-Huei Hwang. "Social Innovation Design and Sustainability of Youth-Led Bamboo Craft Brand in Zhushan Township, Taiwan." Sustainability 13, no. 17 (September 3, 2021): 9911. http://dx.doi.org/10.3390/su13179911.

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Various brands of bamboo crafts created by youths have emerged in Zhushan Township, Taiwan. With the special bamboo materials available in Zhushan Township as their core, these brands have created different types of social innovations through their management, design, and mechanical knowledge. The results indicate the following: (1) The youths advocate for causes such as the preservation of culture, mutually beneficial situations, sustainable local development, and environmentally friendly lifestyles. The youths proposed innovative solutions for these causes, such as establishing a guesthouse, revitalizing unused space, creating opportunities for dialogues, developing bamboo-based environmentally friendly products, and holding local activities; (2) the youths constructed a model for internal cooperation and enhancement, revitalization, and marketing Zhushan Township; (3) the youths advocated for various social values, utilized social capital, and proposed innovative solutions through diversified participation and the creation of new relationships, allowing different communities to generate a group dynamic to resolve social problems and achieve sustainability together. This study aids in the facilitation of sustainable management of township micro-enterprises by innovating products and service modes through social capital and social value. At the same time, local and common social innovation modes are connected to provide a reference for the social innovation of micro-enterprises.
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Wrigley, Cara, and Sam Bucolo. "Teaching Design Led Innovation: The Future of Industrial Design." Design Principles and Practices: An International Journal—Annual Review 5, no. 2 (2011): 231–40. http://dx.doi.org/10.18848/1833-1874/cgp/v05i02/38037.

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Mercer, Lisa E. "Design‐Led Social Innovation in Human Trafficking." Design Management Journal 14, no. 1 (October 2019): 43–49. http://dx.doi.org/10.1111/dmj.12050.

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Hayhurst, D. R., K. T. Kedward, H. T. Soh, and K. L. Turner. "Innovation-led multi-disciplinary undergraduate design teaching." Journal of Engineering Design 23, no. 3 (March 2012): 159–84. http://dx.doi.org/10.1080/09544828.2010.544248.

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Bailey, Mark, Nicholas Spencer, Justine Carrion‐Weiss, Arman Arakelyan, and Anthonia Carter. "Design‐led Innovation Readiness: priming micro SMEs for strategic innovation." Design Management Journal 17, no. 1 (October 2022): 5–17. http://dx.doi.org/10.1111/dmj.12074.

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de Bont, Cees, and Sylvia Xihui Liu. "Breakthrough Innovation through Design Education: Perspectives of Design-Led Innovators." Design Issues 33, no. 2 (April 2017): 18–30. http://dx.doi.org/10.1162/desi_a_00437.

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This study explored how breakthrough innovation can be stimulated in the context of China. Interviews with leading design practitioners led to a comprehensive framework of barriers to innovation, out of which design education is chosen as the main focus. The leading practitioners provide suggestions on the adoption of strategic design in the context of China and provide explicit suggestions on how to improve design education.
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Kembaren, Philips, Togar M. Simatupang, Dwi Larso, and Dudy Wiyancoko. "Design Driven Innovation Practices in Design-preneur led Creative Industry." Journal of technology management & innovation 9, no. 3 (2014): 91–105. http://dx.doi.org/10.4067/s0718-27242014000300007.

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Langham, Jo'Anne, and Cara Wrigley. "Defence Innovation: The Role of Design-Led Innovation in Disrupting the Conservative Paradigm." Academy of Management Proceedings 2020, no. 1 (August 2020): 21494. http://dx.doi.org/10.5465/ambpp.2020.21494abstract.

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Dissertations / Theses on the topic "Design-led innovation"

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Nusem, Erez. "A design-led approach to innovation in aged care." Thesis, Queensland University of Technology, 2016. https://eprints.qut.edu.au/96318/23/Erez_Nusem_Thesis.pdf.

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This research explores the journey of a non-profit organisation seeking to respond to prominent change drivers in aged care through the strategic integration of design. A longitudinal action research project investigated the business models of aged care providers, the viability and capacity of existing aged care business models, and the ways aged care organisations could utilise design to drive innovation and address emerging challenges in practice. The thesis identified a new aged care business model typology, a framework and methods for integrating design in practice, offering new knowledge and approaches for leveraging design to realise social and economic outcomes.
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Price, Rebecca A. "Implementing design-led innovation in an Australian airport corporation." Thesis, Queensland University of Technology, 2016. https://eprints.qut.edu.au/97994/1/Rebecca_Price_Thesis.pdf.

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This thesis explores the introduction and application of DLI to bring about desired changes in operations, improved business outcomes and to build innovation capabilities in the organisational context of an Australian Airport Corporation (AAC). The study employed qualitative action research methods to explore DLI through action, with the researcher acting as an 'Innovation Catalyst' for the duration of 18 months. Several novel contributions to knowledge are made from this thesis. First, the DLI implementation framework was developed, building upon experiential learning theory, to aid organisations to implement DLI in a way that complements existing organisational processes. Second, three narrative typologies were developed as distinct design tools specifically deployed during DLI. Third, an evidence-based definition of DLI, linking the unique nature of the design-led approach to expected outcomes, was developed.
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Runling, André. "Evar : En produktutveckling och formgivning av cykelbelysning med LED som ljuskälla." Thesis, Karlstads universitet, Avdelningen för maskin- och materialteknik, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-26576.

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Evar är ett examensarbete, om 22,5 HP individuellt utfört av André Runling under våren 2012 vid Karlstads universitet, till högskoleingenjörsprogrammet i innovationsteknik och design. Uppdragsgivare för projektet har varit Johan Larsvall, industridesigner och ägare av Idesign i Stockholm. Handledare på Karlstads universitet har varit Lennart Wihk, industridesigner och universitetsadjunkt. Examinator har varit Fredrik Thuvander, professor och universitetslektor. Idesign är en designbyrå med kontor på Långholmen i centrala Stockholm och har uppdrag för olika företag inom olika branscher, bland annat Silva Sweden AB och myndigheten Trafikverket. Idesign har Trafikverkets uppdrag att komma med förslag på koncept till cykelbelysning för ökad användning och tillförlitlighet mot dagens användning. Projektet har initierats av Trafikverket och Idesign skall stå för utvecklingen av en belysning åt Silva. Silva har specialiserat sig på pannlampor i många år och ser en möjlighet att nå en ny marknad av cykelbelysning med samarbetet, vilket föranledde detta examensarbete och en utvecklingsprocess mot Idesign i första hand. Projektets första del gick ut på att undersöka vad som brister med dagens cykelbelysning och varför den inte används i så stor utsträckning. Undersökningen gjordes i form av enkäter och diskussioner på svenska forum på internet. En stor del av projektet innebar att jämföra varför användningen ser annorlunda ut och används oftare i Danmark och även Tyskland. Tyskland har ett detaljerat typgodkännande av cykelbelysning i trafikförordningen som behövde tydas. Med hjälp av den insamlade informationen påbörjades en utveckling av ett koncept till en belysning med idégenerering och kravspecifikation som sedan skulle utvärderas med matriser. Med ett mål och tanke om att den den skall andas enkelhet och tilltala en person som pendlar på cykel. Av de tre koncept som presenterades för Idesign valdes ett koncept ut för vidare bearbetning som utvecklades till ett slutligt förslag och beskrivning på en cykelbelysning. Det förslag som utvecklades innebär att lampan fram blir batteridriven som meddelar med en batteriindikator när den bör laddas, direkt i ett eluttag. Med ett enkelt handgrepp ansluts den i ett fäste på cykeln som i sin tur är ett spänne som monteras fast steglöst på cykeln med en rem. Det innebär att den kan monteras på vilken cykel som helst. Medan lampan bak är tänkt att alltid sitta på, ha samma typ av montering och ha automatisk på- och avslagning via en ljus- och rörelsedetektor. Den har fortfarande en batteriindikator för att se när batterier bör bytas. Både fram och baklampan är utrustade med LED-belysning.
Evar is a project degree of 22,5 ECTS credits individually carried out by André Runling during the spring of 2012 at Karlstad University, for a bachelor degree in Innovation technique and Design engineering. The assigner for this project is Johan Larsvall, industrial designer and owner of Idesign in Stockholm. Academic supervisor at Karlstad University has been Lennart Wihk, industrial designer and university lecturer. Examiner has been Fredrik Thuvander, professor and university lecturer. Idesign is a design agency with office on Longholmen in central of Stockholm and is assigned by different companies in different sectors such as, Silva Sweden AB and Trafikverket. Idesign got the task from Trafikverket to make suggestions to concepts of bike lights that increase the use and reliability compared to todays use. The project was initiated by Trafikverket while Idesign were responsible of developing a bike light to Silva. Silva has specialised themselves in head lamps for many years and have seen an opportunity to reach a new market with the collaboration, which resulted in this degree project and development primary to Idesign. The projects first part was to study what is inadequate in today's lighting and why it is not used as much as it should. The study was conducted with a poll and discussions on Swedish forums on the internet. A large part of the project was to compare why the usage looks different and is used more often in Denmark, and also Germany. Germany has a detailed approval of bicycle lights in their traffic regulations which was needed to be interpreted. Using the information gathered, a development of concepts started to a bicycle light that exudes simplicity and appeal to a commuting cyclist, with the idea generation method and product specification which was evaluated in a matrix. Of three concepts that were presented to Idesign, one concept was selected for further processing which developed into a final proposal and description of a bicycle light. The final solution means that the head lamp is powered by a battery, and notifies with a battery indicator when it needs charging, directly into a electrical outlet. With a simple single-hand grip it’s connected in the bracket and, in its turn a buckle, which is mounted steplessly on the bicycle by a strap. It means it can be mounted on any bicycle. While the rear light is supposed to always sit on, have the same type of installation and have an automatic on and off switch via a light and motion detector. It still has a battery indicator to se when batteries should be replaced. Both the front and the rear light is equipped with LED for lighting.
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Stevenson, Timothy David. "Investigating the role of design-led innovation in the Australian energy sector." Thesis, Queensland University of Technology, 2016. https://eprints.qut.edu.au/97729/1/Timothy_Stevenson_Thesis.pdf.

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Design-led innovation is recognised as assisting companies to develop new capabilities to understand and navigate changing markets, by exploring innovation through operational and strategic elements of a business. The objective of this research was to investigate the potential for government-owned electricity distribution businesses to use design-led innovation to adapt to their changing technological and legislative environment. Action research through a ten-month embedded project in a government-owned electricity distributor gained deep customer insights to build new value propositions for customers and to extend the new customer relationships to build sustainable business. This research contributes new knowledge and practical implications for industry.
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Townson, Peter B. "The emergent imperatives from a design-led innovation engagement within the mining industry." Thesis, Queensland University of Technology, 2014. https://eprints.qut.edu.au/78490/1/Peter_Townson_Thesis.pdf.

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This research seeks a better and more detailed understanding of the processes of implementing design-led innovation in the mining equipment technology services (METS) sector, in a context where the traditional approach to manufacturing is being challenged. This longitudinal research specifically investigated the barriers to design-led innovation and opportunities that developed throughout this research, to understand how the organisation and culture of a METS company evolved, in order to progress towards design-led change. The significance of these findings is shown in the combined implementation of design imperatives leading towards design-led change at all business levels of an organisational structure.
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Wright, Natalie. "The goDesign immersion program: Fostering design-led educational innovation in regional Australian schools." Thesis, Queensland University of Technology, 2018. https://eprints.qut.edu.au/123067/1/Natalie_Wright_Thesis.pdf.

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This thesis proposes a new research area and framework for Design-led Educational Innovation which, based on approaches applied from the business, design and education sectors, outlines how design thinking capabilities might be developed for twenty-first century skill development and life-long learning. The framework is validated and refined through the findings of a mapping study and an informal, context-adaptive, regional secondary school design immersion program called goDesign, conducted in Queensland, Australia.
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Krabye, Anja Karin. "Shifting from production to purpose : facilitating design-led change in a small family-owned enterprise." Thesis, Queensland University of Technology, 2014. https://eprints.qut.edu.au/78408/1/Anja%20Karin_Krabye_Thesis.pdf.

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This research was embedded as a Design-led Innovation catalyst within a family-owned small business, to explore the application of a design program to achieve organizational change. Based on the findings two new models for increasing design integration within an organisation were proposed, establishing a range of pre-requisites needed for a firm to progress. Struggling firms may leverage their use of design and strategy by embedding a catalyst in a new cross-disciplinary role providing the necessary internal assistance. The study demonstrated that even non-design or strategy-inclined family-owned SMEs could benefit from embarking on a design-led journey to boost their competitive preparedness.
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Close-Debais, Sonya J. "Investigating employees’ understanding and application of design thinking for innovation in a large organisation." Thesis, Queensland University of Technology, 2018. https://eprints.qut.edu.au/123006/1/Sonya_Close-Debais_Thesis.pdf.

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This research investigates how employees at multiple levels of a large financial services corporation, become aware of, and recognise the possibilities of design thinking and its potential link to drive innovative practices. The aim is to understand how employees, without a background in design, view design and innovation, how design thinking is being employed and the relationship of design thinking to innovation. Recommendations are provided for large organisations seeking to use design thinking methodology to deliver human centric solutions for their customers and achieve genuine transformative innovation. Implications of this research include key insights for industry, large organisations and practitioners.
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Bletcher, Joanna. "Prototyping the exhibition : a practice-led investigation into the framing and communication of design as a process of innovation." Thesis, University of Dundee, 2016. https://discovery.dundee.ac.uk/en/studentTheses/e45c61a7-201a-4691-81c5-fb4a12ce4fd9.

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A challenge ignited the research outlined in this thesis. Design is increasingly being framed (across academia and industry) as an integral method and strategy for social, cultural and economic innovation. How is this value to be communicated within the museum context, which is more commonly rooted in an object-centric tradition? Temporary exhibitions are a primary means of communication and engagement for museums. The presentation of contemporary design has followed traditions of display stemming from fine art practices, as well being influenced by those in commercial environments. Consequently the thesis argues that there is a prevailing tendency to display the outcomes of design activity, to celebrate aesthetics and functionality, and to concentrate on the personality and talent of the designer. A key concern underpinning this research is that many museum design exhibitions arguably struggle to reveal the complexity of design activity: the intellectual and material processes driving innovation. This arguably risks limiting broader interpretation, and stifles the opportunity to extend audience understanding of design. The aim of this thesis is to question and explore key concepts that constitute the communication and exhibition of design in the museum. Design, innovation, curating, exhibition, audience: in the dynamic, transitioning contexts of design and the museum, all concepts must be scrutinized. In order to navigate this territory, a core method of design inquiry is adopted: prototyping. In this research, prototyping actively puts concepts to work through a dialectical investigation. This involves actively engaging in design to examine the concepts of curatorial practice, the exhibition, and innovation, whilst concurrently exploring concepts of design and innovation through the process of curating exhibitions. This dual-focussed research approach that has been developed, can be described as a hermeneutic, practice-led methodology. Hermeneutics supports a belief in contextually situated, practical action as a basis for developing understanding and knowledge (Bolt, 2011; Heidegger, 1962). The method of exhibition-making is framed and employed as a practical prototyping process: curating exhibitions in order to reflect on the construction of design narratives from within. Prototyping becomes a way to reflexively explore, analyse and question the practice of framing, mediating and communicating design as innovation. Three iterative practical projects act as case studies for the thesis, situated in three concrete contexts: the industry sponsor – V&A Museum of Design Dundee; design in Higher Education; and a national innovation festival. Each can be seen as the exploration and delineation of a design space (Heape, 2007), with all three forming part of the wider design space that is the thesis as a whole. Through reflecting on the acts of evaluating, selecting, editing, juxtaposing, connecting, framing and presenting design practice through exhibition, the research has formulated a curatorial strategy that aims at attending to the complex nature, changing priorities and values of particular design contexts. The thesis names this approach ‘the constellation’: adapting this term from the work of critical theorist Theodor Adorno (1973). The constellation takes the form of a series of visualisations that draw on, combine and develop research on design theory, design processes, and prototyping, by a number of key design researchers (e.g. Buchanan, 1998, 1995a; Dorst, 2015a, 2008; Heape, 2007; Lim et al., 2008; Sanders and Stappers, 2014, 2008). Operating at two levels, the constellation is the manifestation of the reflexive research process, illuminating both design and curatorial practice. It makes an original contribution to knowledge in two ways: firstly as the visual delineation of a prototype curatorial strategy for researching, framing and communicating narratives of design; secondly it offers a conceptualisation of concept development in design practice, shown as the continuous exploration of a design space. This articulates how prototyping, as a key design method, can encourage innovation through the exploration and analysis of concepts at varying levels of detail, with the aim of developing new perspectives. This thesis also makes an original contribution on a methodological level by extending the practice and discourse of prototyping to the method of exhibition, framing it as a strategy for innovation in design research. This adds to current discourse surrounding practice-led research within art and design. It also contributes to nascent discourse in relation to curatorial practice for design, and the growing interest in the specificities of design curation, in the context of the museum.
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Pozzey, Erica C. "Unpacking the opportunities for change within a family owned manufacturing sme : a design led innovation case study." Thesis, Queensland University of Technology, 2013. https://eprints.qut.edu.au/63492/1/Erica_Pozzey_Thesis.pdf.

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This thesis explored how an Australian, family owned, manufacturing firm responded to a design led innovation approach as conducted by the action researcher. Specifically, it investigated the barriers and opportunities that arose within the firm when trying to affect change to drive innovation. In doing so, key opportunities were identified that could help the firm to integrate a design led approach and remain competitive within an increasingly accessible global marketplace.
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Books on the topic "Design-led innovation"

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Penna, Caetano C. R., and Vanderléia Radaelli. Upgrading Institutional Capacities in Innovation Policy in Chile: Choices, Design, and Assessments. Inter-American Development Bank, 2021. http://dx.doi.org/10.18235/0003815.

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Innovation is crucial for development. A set of institutional capacities and coordinated actions between the public and private sectors are required to drive large mission-oriented innovation policies (MOIPs) to address priority issues and set a direction for the path of development. This work identifies what restrictions exist in institutional and policy capacities that hinder the design and implementation of MOPs in Chile. This work is based on a case study design. The study analyzes the design and implementation of two strategic programs for innovation and development in the solar energy and mining sectors. The study showed that the capacities of the programs analyzed were evident in the construction of a shared vision and the identification of innovation-led solutions for the development of the two sectors, but the lack of leadership from the government hinders the implementation of the programs, particularly because of the lack of coordination between government agencies and ministries for budget allocation and strategy definition.
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Verbakel, Ward. Urban Andes. Edited by Basil Descheemaeker and Viviana d’Auria. Leuven University Press, 2022. http://dx.doi.org/10.11116/9789461664594.

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Climate change in the Andes is affecting the relation between urban development and the landscape. Design-led explorations are reframing landscape logics and urbanisation patterns within the Cachi River Basin of Ayacucho, Peru. A co-production of students, researchers and designers, the book suggests alternative futures, crossing scales of landscape systems to new settlement typologies. Urban Andes marks the start of the new series LAP on innovative design research in architecture, urbanism, and landscape. It is the result of a two-year collaboration (2018–2020), initiated by the CCA in cooperation with KU Leuven and various partners, including local organisations and the VLIR-UOS.
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Donin, Nicolas. Domesticating gesture. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780199355914.003.0005.

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As personal and solitary as it may be, the process of composition always implies more than one individual and has many collective dimensions. This chapter presents an ethnographic account of the collective process involved in creating a work for ‘augmented string quartet’ at IRCAM from 2006 to 2008. It addresses three primary concerns: the composer–performer interaction and the role of musical notation; the relationship between artistic creativity and reflexivity; and the sharing of skills and expertise across disciplines. The project led not only to a new musical work, but also to a technological device for ‘gesture-following’ (including customised motion sensors and innovative software), scientific papers, and new expertise in computer music design for future projects involving motion capture. These patterns of distributed creativity are essential to ‘musical research’ as a collective endeavour, and are present in many other circumstances of contemporary or traditional composition and performance.
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Van Schaack, Beth. Imagining Justice for Syria. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190055967.001.0001.

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This book situates the war in Syria within the actual and imagined system of international criminal justice. It explores the legal impediments and diplomatic challenges that have led to the fatal trinity that is Syria: the massive commission of international crimes that are subject to detailed investigations and documentation but whose perpetrators have enjoyed virtually complete impunity. The book tracks a number of accountability solutions to this tragic state of affairs that are being explored within multilateral gatherings, by states, and by civil society actors, including innovations of institutional design; the reactivation of a range of domestic jurisdictional principles (including universal jurisdiction in Europe); the emergence of creative investigative and documentation techniques, technologies, and organizations; and the rejection of state consent as a precondition for the exercise of jurisdiction. Engaging both law and policy around international justice, the text offers a set of justice blueprints, within and without the International Criminal Court. It also considers the utility, propriety, and practicality of establishing an ad hoc tribunal and pursuing a transitional justice program without a genuine political transition. All told, the book attempts to capture the creative energy radiating from members of the international community intent on advancing the accountability norm in Syria even in the face of geopolitical blockages within the U.N. Security Council. In so doing, it presents the range of juridical measures—both criminal and civil—that are available to the international community to respond to the crisis, if only the political will existed.
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Smith, Andrew, Guy Osborn, and Bernadette Quinn, eds. Festivals and the City: The Contested Geographies of Urban Events. University of Westminster Press, 2022. http://dx.doi.org/10.16997/book64.

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This book explores how festivals and events affect urban places and public spaces, with a particular focus on their role in fostering inclusion. The ‘festivalisation’ of culture, politics and space in cities is often regarded as problematic, but this book examines the positive and negative ways that festivals affect cities by examining festive spaces as contested spaces. The book focuses on Western European cities, a particularly interesting context given the social and cultural pressures associated with high levels of in-migration and concerns over the commercialisation and privatisation of public spaces. The key themes of this book are the quest for more inclusive urban spaces and the contested geographies of festival spaces and places. Festivals are often used by municipal authorities to break down symbolic barriers that restrict who uses public spaces and what those spaces are used for. However, the rise of commercial festivals and ticketed events means that they are also responsible for imposing physical and financial obstacles that reduce the accessibility of city parks, streets and squares. Alongside addressing the contested effects of urban festivals on the character and inclusivity of public spaces, the book addresses more general themes including the role of festivals in culture-led regeneration. Several chapters analyse festivals and events as economic development tools, and the book also covers contested representations of festival cities and the ways related images and stories are used in place marketing. A range of cases from Western Europe are used to explore these issues, including chapters on some of the world’s most significant and contested festival cities: Venice, Edinburgh, London and Barcelona. The book covers a wide range of festivals, including those dedicated to music and the arts, but also events celebrating particular histories, identities and pastimes. A series of fascinating cases are discussed - from the Venice Biennale and Dublin Festival of History, to Rotterdam’s music festivals and craft beer festivals in Manchester. The diverse and innovative qualities of the book are also evident in the range of urban spaces covered: obvious examples of public spaces – such as parks, streets, squares and piazzas – are addressed, but the book includes chapters on enclosed public spaces (e.g., libraries) and urban blue spaces (waterways) too. This reflects the interpretation of public spaces as socio-material entities: they are produced informally through their use (including for festivals and events), as well as through their formal design and management.
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Book chapters on the topic "Design-led innovation"

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Guzman, Bernardo Meza, and Catarina Lelis. "Everyday Social Practices as a Source of Design-Led Branding." In Springer Series in Design and Innovation, 489–97. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-61671-7_45.

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Chatterjee, Abhishek, Jorge Brandão Pereira, and Heitor Alvelos. "Anti-Amnesia: Articulating Design-Led Active Pedagogy Towards Craft Heritage Preservation in Portugal." In Springer Series in Design and Innovation, 51–67. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-55700-3_4.

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Rijo, Cátia, Helena Grácio, Javier Antón, and Victor Larripa. "Visual Thinking Through Practice Led Research: Case Study Decryption as a Triggering Creative Mechanism for Design Ideas." In Springer Series in Design and Innovation, 39–49. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-09659-4_4.

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Guzman, Bernardo Meza, and Catarina Lelis. "Would Plato Really Find Coca Cola Inside the Cave? Design-Led Branding Explained by Everyday Social Practices." In Springer Series in Design and Innovation, 333–50. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-75867-7_22.

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Nair, Siddharth, Roshan Rao, Tarun Kumar, G. Guru Prasad, Manish Kumar, P. Khadeeja Henna, Aysha Saifudeen, and Monto Mani. "Design of a Do-It-Yourself (DIY) Based Solar-Powered LED Lighting System for Training and Empowering Rural Youth." In Smart Innovation, Systems and Technologies, 451–60. Singapore: Springer Singapore, 2019. http://dx.doi.org/10.1007/978-981-13-5974-3_39.

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Jacobs, Brent, Jochen Schweitzer, Lee Wallace, Suzanne Dunford, and Sarah Barns. "Climate Adapted People Shelters: A Transdisciplinary Reimagining of Public Infrastructure Through Open, Design-Led Innovation." In Transdisciplinary Theory, Practice and Education, 257–74. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-93743-4_17.

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Eti Proto, Meltem, and Ceren Koç Sağlam. "Furniture Design Education with 3D Printing Technology." In Makers at School, Educational Robotics and Innovative Learning Environments, 97–105. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-77040-2_13.

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AbstractThree-dimensional printing technology has an important place in furniture and interior design, a strong global sector that responds rapidly to the changing needs and expectations of the individual and society. The main objective of design education should be to equip us to imagine new models of life. Among the most attractive benefits of 3D printing technology that make it a boon to designers working in the building and furniture sector are that it enables them to seek original forms that cannot be produced in molds, it generates less waste, and is accessible to all. Today, innovation in the profession, innovative materials, and knowledge of innovative production technologies that feed creative thinking have become ever important features of design education. This knowledge will allow us to imagine, discuss and pioneer design production ideas for new life models. This paper discusses 3D printing technology, the furniture design studio method and its contribution to design education in the Production Techniques courses of the Interior Architecture Department of Marmara University’s Faculty of Fine Arts led by Professor Meltem Eti Proto, Instructor Can Onart, Lecturer T. Emre Eke, and Research Assistant Ceren Koç Sağlam.
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Bevilacqua, Carmelina, Pasquale Pizzimenti, and Virginia Borrello. "How Knowledge, Innovation and Place Work Together to Design Entrepreneurial Discovery Process: Insights from Maps-Led Project." In New Metropolitan Perspectives, 336–45. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-92099-3_39.

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Warnke, Philine, Tanja Bratan, and Ulrike Wunderle. "Public Engagement in the Tradition of Participatory Approaches – An Approximation." In Putting Responsible Research and Innovation into Practice, 123–46. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-14710-4_7.

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AbstractPublic engagement is viewed as a prominent aspect of responsible research and innovation (RRI) both in academia and policy circles. In our paper, we would like to contribute to refining the notion of public participation as an RRI element by assessing the potential of four domains of participatory R & I theory and practices that have to date received little recognition in the RRI context: 1. Participatory design, 2. user-led innovation, 3. participatory research and 4. systemic R & I policy instruments. We test the usefulness of our concepts with a set of case studies from a recent RRI research project.
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Khot, Ambarish, and Nitin Tripathi. "Role of Analysis Led Design Approach in Diesel Engine-Based After-Treatment System." In Innovations in Sustainable Energy and Cleaner Environment, 293–313. Singapore: Springer Singapore, 2019. http://dx.doi.org/10.1007/978-981-13-9012-8_13.

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Conference papers on the topic "Design-led innovation"

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Bailey, Mark, Nicholas Spencer, Neil Smith, Mersha Aftab, Christopher Knott, and Phil Sams. "FRAMING STRATEGIC VALUE THROUGH DESIGN-LED INNOVATION PRACTICE." In 15th International Design Conference. Faculty of Mechanical Engineering and Naval Architecture, University of Zagreb, Croatia; The Design Society, Glasgow, UK, 2018. http://dx.doi.org/10.21278/idc.2018.0277.

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Bailey, Mark, Arman Arakelyan, Nick Spencer, and Justine Carrion-Weiss. "MULTIDISCIPLINARY INNOVATION ARMENIA: EXPLORATIONS IN DESIGN-LED MULTIDISCIPLINARY ENTERPRISE EDUCATION." In 24th International Conference on Engineering and Product Design Education. The Design Society, 2022. http://dx.doi.org/10.35199/epde.2022.16.

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Toomey, Anne, and J. Tan. "INTERROGATING D-STEM: A DESIGN LED APPROACH TO STEM INNOVATION." In 11th annual International Conference of Education, Research and Innovation. IATED, 2018. http://dx.doi.org/10.21125/iceri.2018.1665.

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Lai, Jui-Lin, Shin-Yi Huang, Rong-Sheng Lin, and Shin-Chia Tsai. "Design a non-invasive near-infrared LED blood glucose sensor." In 2016 International Conference on Applied System Innovation (ICASI). IEEE, 2016. http://dx.doi.org/10.1109/icasi.2016.7539877.

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Cheng, Jui-Hung, and Shuo-Fang Liu. "A study of manufacturing strategies for LED lighting product design." In 2017 International Conference on Applied System Innovation (ICASI). IEEE, 2017. http://dx.doi.org/10.1109/icasi.2017.7988193.

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Chen, Yi-Tai, Tai-Ping Sun, Po-Yan Huang, and Hsiu-Li Shieh. "Design a novel small pattern UV LED array curing system." In 2017 International Conference on Applied System Innovation (ICASI). IEEE, 2017. http://dx.doi.org/10.1109/icasi.2017.7988298.

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Mangkalajan, Satit, Kamon Jirasereeamongkul, and Kohji Higuchi. "Design of Approximate 2DOF Digital Control for Widely Dimming LCL-T Resonant LED Driver." In 2021 Research, Invention, and Innovation Congress: Innovation Electricals and Electronics (RI2C). IEEE, 2021. http://dx.doi.org/10.1109/ri2c51727.2021.9559788.

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Cheng, Jui-Hung, and Hsin-Hung Lin. "Design and development of interactive LED display for fan applications." In 2018 IEEE International Conference on Applied System Innovation (ICASI). IEEE, 2018. http://dx.doi.org/10.1109/icasi.2018.8394265.

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Cheng, Jui-Hung, Hsin-Hung Lin, and Chin-Chen Yen. "Effects of Expandable Optical Design for LED Lighting Products." In 2019 IEEE 2nd International Conference on Knowledge Innovation and Invention (ICKII). IEEE, 2019. http://dx.doi.org/10.1109/ickii46306.2019.9042640.

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Lehtinen, Jane. "Applying design-led approaches to public sector innovation: A case study of New Zealand’s service innovation lab." In DRS2022: Bilbao. Design Research Society, 2022. http://dx.doi.org/10.21606/drs.2022.181.

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Reports on the topic "Design-led innovation"

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Woods, Mel, Michael Marra, and Saskia Coulson. Design in Action Knowledge Exchange Process Model: Design-led Knowledge Exchange for Business Innovation. University of Dundee, 2015. http://dx.doi.org/10.20933/10000100.

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Payment Systems Report - June of 2021. Banco de la República, February 2022. http://dx.doi.org/10.32468/rept-sist-pag.eng.2021.

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Banco de la República provides a comprehensive overview of Colombia’s finan¬cial infrastructure in its Payment Systems Report, which is an important product of the work it does to oversee that infrastructure. The figures published in this edition of the report are for the year 2020, a pandemic period in which the con¬tainment measures designed and adopted to alleviate the strain on the health system led to a sharp reduction in economic activity and consumption in Colom¬bia, as was the case in most countries. At the start of the pandemic, the Board of Directors of Banco de la República adopted decisions that were necessary to supply the market with ample liquid¬ity in pesos and US dollars to guarantee market stability, protect the payment system and preserve the supply of credit. The pronounced growth in mone¬tary aggregates reflected an increased preference for liquidity, which Banco de la República addressed at the right time. These decisions were implemented through operations that were cleared and settled via the financial infrastructure. The second section of this report, following the introduction, offers an analysis of how the various financial infrastructures in Colombia have evolved and per¬formed. One of the highlights is the large-value payment system (CUD), which registered more momentum in 2020 than during the previous year, mainly be¬cause of an increase in average daily remunerated deposits made with Banco de la República by the General Directorate of Public Credit and the National Treasury (DGCPTN), as well as more activity in the sell/buy-back market with sovereign debt. Consequently, with more activity in the CUD, the Central Securi¬ties Depository (DCV) experienced an added impetus sparked by an increase in the money market for bonds and securities placed on the primary market by the national government. The value of operations cleared and settled through the Colombian Central Counterparty (CRCC) continues to grow, propelled largely by peso/dollar non-deliverable forward (NDF) contracts. With respect to the CRCC, it is important to note this clearing house has been in charge of managing risks and clearing and settling operations in the peso/dollar spot market since the end of last year, following its merger with the Foreign Exchange Clearing House of Colombia (CCDC). Since the final quarter of 2020, the CRCC has also been re¬sponsible for clearing and settlement in the equities market, which was former¬ly done by the Colombian Stock Exchange (BVC). The third section of this report provides an all-inclusive view of payments in the market for goods and services; namely, transactions carried out by members of the public and non-financial institutions. During the pandemic, inter- and intra-bank electronic funds transfers, which originate mostly with companies, increased in both the number and value of transactions with respect to 2019. However, debit and credit card payments, which are made largely by private citizens, declined compared to 2019. The incidence of payment by check contin¬ue to drop, exhibiting quite a pronounced downward trend during the past last year. To supplement to the information on electronic funds transfers, section three includes a segment (Box 4) characterizing the population with savings and checking accounts, based on data from a survey by Banco de la República con-cerning the perception of the use of payment instruments in 2019. There also is segment (Box 2) on the growth in transactions with a mobile wallet provided by a company specialized in electronic deposits and payments (Sedpe). It shows the number of users and the value of their transactions have increased since the wallet was introduced in late 2017, particularly during the pandemic. In addition, there is a diagnosis of the effects of the pandemic on the payment patterns of the population, based on data related to the use of cash in circu¬lation, payments with electronic instruments, and consumption and consumer confidence. The conclusion is that the collapse in the consumer confidence in¬dex and the drop in private consumption led to changes in the public’s pay¬ment patterns. Credit and debit card purchases were down, while payments for goods and services through electronic funds transfers increased. These findings, coupled with the considerable increase in cash in circulation, might indicate a possible precautionary cash hoarding by individuals and more use of cash as a payment instrument. There is also a segment (in Focus 3) on the major changes introduced in regulations on the retail-value payment system in Colombia, as provided for in Decree 1692 of December 2020. The fourth section of this report refers to the important innovations and tech¬nological changes that have occurred in the retail-value payment system. Four themes are highlighted in this respect. The first is a key point in building the financial infrastructure for instant payments. It involves of the design and im¬plementation of overlay schemes, a technological development that allows the various participants in the payment chain to communicate openly. The result is a high degree of interoperability among the different payment service providers. The second topic explores developments in the international debate on central bank digital currency (CBDC). The purpose is to understand how it could impact the retail-value payment system and the use of cash if it were to be issued. The third topic is related to new forms of payment initiation, such as QR codes, bio¬metrics or near field communication (NFC) technology. These seemingly small changes can have a major impact on the user’s experience with the retail-value payment system. The fourth theme is the growth in payments via mobile tele¬phone and the internet. The report ends in section five with a review of two papers on applied research done at Banco de la República in 2020. The first analyzes the extent of the CRCC’s capital, acknowledging the relevant role this infrastructure has acquired in pro¬viding clearing and settlement services for various financial markets in Colom¬bia. The capital requirements defined for central counterparties in some jurisdic¬tions are explored, and the risks to be hedged are identified from the standpoint of the service these type of institutions offer to the market and those associated with their corporate activity. The CRCC’s capital levels are analyzed in light of what has been observed in the European Union’s regulations, and the conclusion is that the CRCC has a scheme of security rings very similar to those applied internationally and the extent of its capital exceeds what is stipulated in Colombian regulations, being sufficient to hedge other risks. The second study presents an algorithm used to identify and quantify the liquidity sources that CUD’s participants use under normal conditions to meet their daily obligations in the local financial market. This algorithm can be used as a tool to monitor intraday liquidity. Leonardo Villar Gómez Governor
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