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Journal articles on the topic 'Deutsches Museum'

Author: Grafiati

Published: 4 June 2021

Last updated: 26 January 2023

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1

Voit, Thomas. "Rezension von: Deutsches Historisches Museum (Hg.): Deutscher Kolonialismus – Fragmente seiner Geschichte und Gegenwart." Württembergisch Franken 102 (October 26, 2021): 225–26. http://dx.doi.org/10.53458/wfr.v102i.895.

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2

Berninger, Ernst H., and Eva Reineke. "Deutsches Museum Library." Science & Technology Libraries 6, no. 1-2 (1985): 19–26. http://dx.doi.org/10.1300/j122v06n01_03.

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3

Anderson, R. G. W., and Otto Mayr. "The Deutsches Museum, Munich." Technology and Culture 33, no. 1 (1992): 210. http://dx.doi.org/10.2307/3105854.

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4

Auer, H. "Le Deutsches Museum, Munich." Museum International (Edition Francaise) 20, no. 3 (2009): 199–201. http://dx.doi.org/10.1111/j.1755-5825.1967.tb01752.x.

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5

Fhelhammer, Wolf Peter, and Walter Rathjen. "The Deutsches Museum: past, present and future." Arbor 164, no. 647-648 (1999): 403–33. http://dx.doi.org/10.3989/arbor.1999.i647-648.1579.

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6

Köpf, Ulrich. "Literatur zum Lutherjahr 2017." Das Historisch-Politische Buch (HPB) 65, no. 4-6 (2017): 340–51. http://dx.doi.org/10.3790/hpb.65.4-6.340.

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Deutsches Historisches Museum (Hg.): Der Luthereffekt. 500 Jahre Protestantismus in der Welt Karl-Heinz Göttert: Luthers Bibel. Geschichte einer feindlichen Übernahme Werner Greiling, Holger Böning, Uwe Schirmer (Hg.): Luther als Vorkämpfer? Reformation, Volksaufklärung und Erinnerungskultur um 1800 Jakob Knab: Luther und die Deutschen (1517-2017) Marcel Nieden (Hg.): Ketzer, Held und Prediger. Martin Luther im Gedächtnis der Deutschen Andrew Pettegree: Die Marke Luther. Wie ein unbekannter Mönch eine deutsche Kleinstadt zum Zentrum der Druckindustrie und sich selbst zum berühmtesten Mann Euro

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7

Gundler, Bettina. "Promoting German Automobile Technology and the Automobile Industry: The Motor Hall at the Deutsches Museum, 1933–1945." Journal of Transport History 34, no. 2 (2013): 117–39. http://dx.doi.org/10.7227/tjth.34.2.3.

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During the period of National Socialism, the Deutsches Museum in Munich built a large Motor Hall, which became a kind of national motor museum within the largest German museum of science and technology. The project was supported by Hitler and the German automotive industry. The history of this project demonstrates the degree to which the Deutsches Museum could serve the purposes of National Socialist politics of motorisation and the German automobile industry during the Nazi era. The project also exemplifies the institutional and social constellations that led to the museum's collaboration wit

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8

Cannon-Brookes, P. "Training II: Museum management courses at the Deutsches Museum, Munich." Museum Management and Curatorship 12, no. 4 (1993): 436. http://dx.doi.org/10.1016/0964-7775(93)90054-m.

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9

Sostero, Marco. "Museum Culture of Remembrance: The Depiction of World War II in Japanese, German and Austrian Museums." Vienna Journal of East Asian Studies 3, no. 1 (2012): 165–92. http://dx.doi.org/10.2478/vjeas-2012-0006.

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Abstract As one component of cultural memory, museums have the potential to co-form the remembrance of an entire society. They try to minimise the experience deficiency of their visitors and help them further to know and understand history in an interesting and vivid way. The present paper will show how and to what extent important museums in Japan, Germany and Austria try to shape the historical consciousness of their visitors. With the Yūshūkan in Tōkyō, the Heiwa Kinen Shiryōkan in Hiroshima, the Deutsches Historisches Museum in Berlin and the Heeresgeschichtliches Museum in Vienna, four re

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10

Schmidt, Gert. "Deutsches Museum, Neues Verkehrszentrum: „… was uns bewegt?“." Technikgeschichte 74, no. 2 (2007): 161–68. http://dx.doi.org/10.5771/0040-117x-2007-2-161.

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11

Fehlhammer, Wolf Peter, and Wilhelm Fuessl. "The Deutsches Museum: Idea, Realization, and Objectives." Technology and Culture 41, no. 3 (2000): 517–20. http://dx.doi.org/10.1353/tech.2000.0096.

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12

Druba, M. "In Sachen Plakatsammlung Sachs/Deutsches Historisches Museum." KUR - Kunst und Recht 11, no. 2 (2009): 48. http://dx.doi.org/10.15542/kur/2009/2/3.

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13

Long, Richard. "New Voices in Old Bodies: A Study of “Recycled” Musical Instruments with a Focus on the Hahn Collection in the Deutsches Museum, by Panagiotis Poulopoulos." Soundboard Scholar 3, no. 1 (2017): 39. http://dx.doi.org/10.56902/sbs.2017.3.11.

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14

Þórsson, Bergsveinn. "Walking through the Anthropocene. Encountering materialisations of the geological epoch in an exhibition space." Nordisk Museologi 28, no. 1 (2020): 103. http://dx.doi.org/10.5617/nm.7986.

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The Anthropocene has been mobilised as a conceptual framework for museums to engage with the global environmental crisis. This article examines the exhibition Welcome to the Anthropocene: The Earth in our Hands that was on display at the Deutsches Museum from 2014 to 2016. Proclaimed as the first largescale exhibition on the concept, the museum attempted to translate its underlying arguments into three-dimensional space. Viewing exhibitions as an assemblage of display technologies, objects and texts, the intention is to examine how the concept materialises in the exhibition space. The findings

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15

Chang, Chun-Yen, Johannes-Geert Hagmann, Yu-Ta Chien, and Chung-Wen Cho. "LEVERAGING EDUCATIONAL PATHWAY TO BRIDGE IN-SCHOOL AND OUT-OF-SCHOOL SCIENCE LEARNING: A COMPARISON OF DIFFERENT INSTRUCTIONAL DESIGNS." Journal of Baltic Science Education 11, no. 3 (2012): 275–84. http://dx.doi.org/10.33225/jbse/12.11.275.

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A short look on any science center or science museum website reveals that significant amounts of online educational resources have been developed in recent years. However, how can the non-formal online learning resources of science centers/museums support learning activities inside schools? This study leverages the educational pathway of energy resources, designed by the European Open Science Resources project and the Deutsches Museum, to develop in-school learning activities. This research explores the impact of different instructional approaches incorporating the educational pathway, includi

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16

Querner, Pascal, and Stephan Biebl. "Using parasitoid wasps in Integrated Pest Management in museums against biscuit beetle (Stegobium paniceum) and webbing clothes moth (Tineola bisselliella)." Journal of Entomological and Acarological Research 43, no. 2 (2011): 169. http://dx.doi.org/10.4081/jear.2011.169.

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Biscuit beetle (<em>Stegobium paniceum</em>) and webbing clothes moth (<em>Tineola bisselliella</em>) cause much damage to museum objects. Some objects and materials are very attractive to these two pest species and objects are often re-infested after treatment. For some years parasitoid wasps have been used in biological pest control to treat and reduce infestations of stored product pests in food processing facilities. Their application in museums is still new and in a research stage. Results from five different museums in Germany and Austria and their application are

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17

Uekötter, Frank. "Proxy Wars. The Deutsches Museum and the Peaceful Atom." Technikgeschichte 89, no. 1 (2022): 63–86. http://dx.doi.org/10.5771/0040-117x-2022-1-63.

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The article discusses presentations of nuclear power in the Deutsches Mu- seum in Munich from the 1950s to the 1980s. The discussion serves a dou- ble purpose in that it discusses the museum’s history in its own right, with particular attention to the glaring leadership vacuum that allowed things to go off rails repeatedly, while at the same time treating museum debates as a microcosm of Germany’s nuclear history. Except for a 1955 guest exhibition in the context of the U.S. “Atoms for Peace” initiative, nuclear power received rather lackluster treatment until the 1970s. Growing attention was

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18

Bauer, Friedrich L. "CRYPTOLOGICAL DEVICES AND MACHINES IN THE DEUTSCHES MUSEUM, MUNICH." Cryptologia 20, no. 1 (1996): 11–13. http://dx.doi.org/10.1080/0161-119691884744.

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19

Morris, Peter J. T. "Wiederaufbau: Das Deutsches Museum, 1945–1970 (review)." Technology and Culture 53, no. 4 (2012): 939–40. http://dx.doi.org/10.1353/tech.2012.0161.

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20

Voigt, Rainer. "Ǧärmän dägg näw ‘Deutsches/Deutschland ist gut!’: Ein amharisches Lied zu Ehren des deutschen Kaisers aus der Sammlung Kaschke." Aethiopica 7 (October 22, 2012): 146–59. http://dx.doi.org/10.15460/aethiopica.7.1.285.

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As a member of the Deutsche Aksum-Expedition (1905/06) Dr. Erich Kaschke – while in Aksum in 1906 – produced a series of cylinder recordings which today are held in the Ethnologisches Museum (formerly: Museum für Völkerkunde) in Berlin. From Kaschke’s collection of “Abyssinian Phonogrammes” Song No. 5, which is here analyzed, represents a song of praise to the German Kaiser (Wilhelm II) due to whose decisive intervention the German Aksum Expedition was to become reality so quickly. In this Amharic song the German Kaiser is seen as the promise of the Fǝkkare Iyyäsus as well as participating in

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21

Yagou, Artemis. "The Collection of Technical Toys in the Deutsches Museum, Munich." Design Issues 32, no. 1 (2016): 87–92. http://dx.doi.org/10.1162/desi_a_00368.

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22

Bässler, Karl. "Deutsches Museum musée de la science et de la technique." Museum International (Edition Francaise) 2, no. 3 (2009): 171–79. http://dx.doi.org/10.1111/j.1755-5825.1949.tb01246.x.

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23

MAYRING, EVA A. "SOURCES FOR THE HISTORY OF SPECTROSCOPY AT THE DEUTSCHES MUSEUM." Nuncius 18, no. 2 (2003): 841–52. http://dx.doi.org/10.1163/182539103x00206.

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24

MAYRING, EVA A. "SOURCES FOR THE HISTORY OF SPECTROSCOPY AT THE DEUTSCHES MUSEUM." Nuncius 18, no. 2 (2003): 841–52. http://dx.doi.org/10.1163/221058703x00200.

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25

Schorpp, Alexandra, Miriam Braun, Andrea Fischer, and Gerhard Eggert. "In Search of Frequency: Glass-induced Metal Corrosion in the Deutsches Bergbau-Museum Bochum." METALLA 25, no. 1 (2020): 33–41. http://dx.doi.org/10.46586/metalla.v25.2019.i1.33-41.

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Together with humidity and oxygen from the air, electrolytes that form during glass decay can induce corrosion in neighbouring metals. The presence of sodium, potassium, and formate ions on glass leads to the formation of special metal corrosion compounds. The late discovery of this phenomenon in museum collections pointed to its rareness, but a survey in the cultural history collection of the Swiss National Museum discovered the proportion of affected objects was more than 20 %. The question arose whether this is a common phenomenon or if it only occurs in exceptional cases. For a new investi

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26

Lindqvist, Svante. "An Olympic stadium of technology: Deutsches museum and Sweden's Tekniska Museet." History and Technology 10, no. 1 (1993): 37–54. http://dx.doi.org/10.1080/07341519308581834.

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27

Fuessl, Wilhelm, and Eva A. Mayring. "The Archives and Special Collections of the Deutsches Museum in Munich." Science & Technology Libraries 14, no. 4 (1995): 7–16. http://dx.doi.org/10.1300/j122v14n04_02.

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28

Bässler, Karl. "Technique des courants électriques intenses La nouvelle section du Deutsches museum." Museum International (Edition Francaise) 7, no. 3 (2009): 161–66. http://dx.doi.org/10.1111/j.1755-5825.1954.tb00174.x.

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29

Sime, Ruth Lewin. "An Inconvenient History: the Nuclear-Fission Display in the Deutsches Museum." Physics in Perspective 12, no. 2 (2010): 190–218. http://dx.doi.org/10.1007/s00016-009-0013-x.

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30

Möllers, Nina. "Materializing the Medium. Staging the Age of Humans in the Exhibition Space." Zeitschrift für Medien- und Kulturforschung 9, no. 1 (2018): 85–102. http://dx.doi.org/10.28937/1000108096.

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The article takes the world’s first exhibition on the geological and philosophical concept of the Anthropocene, »Welcome to the Anthropocene «, Deutsches Museum (2014-2016), as a starting point for initial theoretical reflections on the potential and limitations of exhibitions as media and designers of the Mediocene. On the basis of a discussion of image deployment, use of space and the materiality of objects, exhibitions are analyzed as ›slow media‹.

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31

Bauer, Agnes. "Book Review: Hartmut Petzold. Eine Berliner Waage im Münchner Deutschen Museum. München: Deutsches Museum Verlag, 2019. 203 pp. ISBN: 978-3-940396-89-1." HoST - Journal of History of Science and Technology 15, no. 1 (2021): 156–58. http://dx.doi.org/10.2478/host-2021-0008.

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32

Fischer, Hannes. "‚Nationaljournale‘ gründen vor 1800: Das Avertissement." Internationales Archiv für Sozialgeschichte der deutschen Literatur 45, no. 1 (2020): 150–87. http://dx.doi.org/10.1515/iasl-2020-0009.

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AbstractOn the basis of newly discovered Avertissements, this paper reconstructs the process of founding the popular journals Teutscher Merkur, Deutsches Museum, and Berlinische Monatsschrift in the late eighteenth century. The Avertissements were meant to attract new readers and writers to the newly founded journal. By comparing and analyzing these short programmatic texts, the paper shows how, by developing new strategies of distribution and reader participation, the three monthlies established the concept of the Nationaljournal.

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33

Lenz, Klaudia Charlotte. "Mehr als nur eine Titelaufnahme – Zum Fortschritt der wissenschaftlichen Erschließung an der Bibliothek der Stiftung Deutsches Historisches Museum." Bibliotheksdienst 56, no. 12 (2022): 716–28. http://dx.doi.org/10.1515/bd-2022-0115.

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Zusammenfassung Mit ihrer Doppelaufgabe als Bibliothek und Sammlung ist das Ziel von Museumsbibliotheken, ihre Bestände zeitgemäß und zukunftsweisend zu katalogisieren. Neben der formalen und inhaltlichen Erschließung wird dabei verstärkt auch auf die Verzeichnung von Exemplarspezifika Wert gelegt. So auch in der Bibliothek der Stiftung Deutsches Historisches Museum, die im Jahr 2022 mit der Einführung von lokalen Kategorien im Titeldatensatz zu Einbandbeschreibungen, Ausstattungsmerkmalen, Buchschmuck und Provenienzen neue Wege bei der Katalogisierung ihrer Bestände eingeschlagen hat.

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34

Ganzelewski, Michael, Thomas Kirnbauer, Siegfried Müller, and Rainer Slotta. "Karbon-Kreide-Diskordanz im Geologischen Garten Bochum und Deutsches Bergbau-Museum (Exkursion A am 25. März 2008)." Jahresberichte und Mitteilungen des Oberrheinischen Geologischen Vereins 90 (March 25, 2008): 93–136. http://dx.doi.org/10.1127/jmogv/90/2008/93.

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35

Jügelt, Karl-Heinz. "Skampæl og bogafbrænding i Rostock i maj 1933." Bibliotekshistorie 9, no. 1 (2009): 88–108. http://dx.doi.org/10.7146/bh.v9i1.35931.

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Siden mit foredrag på Det kongelige Bibliotek i København d. 13. januar 2004 om den fascistiske bogafbrænding i Tyskland i maj 1933, især illustreret med hændelserne på det mecklenborgskelandsuniversitet i Rostock, gav 7 5 års dagen for bogafbrændingerne d. 10. maj 2008 på ny anledning til talrige mindearrangementer. Blandt disse fortjener præsentationen af "Bibliothek Verbrannter Blicher - Eine Auswahl der von den Nationalsozialisten verfemten und verbotenen Literatur" d. 9. maj 2008 på Deutsches Historisches Museum i Berlin en særlig omtale som et markant mindesmærke af helt særlig karakter.

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36

Rieß, Falk. "Wilhelm Füßl; Andrea Lucas; Matthias Röschner. Wirklichkeit und Illusion: Die Dioramen im Deutschen Museum. 320 pp., figs., bibl., index. Munich: Deutsches Museum, 2017. €24 (cloth). ISBN 9783940396587." Isis 109, no. 4 (2018): 868–69. http://dx.doi.org/10.1086/701334.

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37

Auer, Hermann. "Problèmes des musées de sciences et de techniques: l'expérience du Deutsches Museum de Munich." Museum International (Edition Francaise) 21, no. 2 (2009): 128–39. http://dx.doi.org/10.1111/j.1755-5825.1968.tb01778.x.

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38

RYDELL, ROBERT W. "THE PROXIMITY OF THE PAST: EUGENICS IN AMERICAN CULTURE." Modern Intellectual History 7, no. 3 (2010): 667–78. http://dx.doi.org/10.1017/s1479244310000296.

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In 1935, as the Nazis’ state-of-the art eugenics exhibition from the Deutsches Hygiene Museum was concluding its American tour, a decision had to be made about whether to return the displays to Germany or to house them in an American museum. After the American Academy of Medicine decided against the display because of its political implications, the director of the Buffalo Museum of Science, Carlos Cummings, himself a physician, offered his institution as the exhibition's permanent home. “What is the astounding eugenics program upon which Chancellor Hitler has launched the German people?” Cumm

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39

Pace, Roberto. "Nuovi dati faunistici e tassonomici su Aleocharinae des Sudamerica delle tribu Deinopsini, Athetini e Thamiaraeini (Coleoptera, Staphylinidae)." Beiträge zur Entomologie = Contributions to Entomology 58, no. 2 (2008): 399–439. http://dx.doi.org/10.21248/contrib.entomol.58.2.399-439.

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Für 185 Exemplare der Deinopsini, Athetini und Thamiaraeini aus dem Zoologischen Museum der Humboldt Universität zu Berlin, aus dem Naturhistorischen Museum in Wien, aus dem Deutschen Entomologischen Institut in Müncheberg, aus dem Städtischen Museum der Naturgeschichte in Genua und aus der Sammlung Herbert Franz werden taxonomische und faunistische Angaben präsentiert. Das Material wird 7 Gattungen (Adinopsis, Amischa, Atheta, Leptonia, Dinusella, Heterostiba und Leptoglossula), einer neuen Untergattung und 56 Arten zugeordnet. Weiterhin werden 29 neue Arten und die neue Untergattung Dysanomo

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40

Hugues, Pascale. "Vom Leben mit Grenzen. Ein Gespräch." Zeitschrift für Ideengeschichte 15, no. 2 (2021): 119–24. http://dx.doi.org/10.17104/1863-8937-2021-2-119.

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Pascale Hugues: Deutsches Glück, München: DVA 1999, 237 S. – Marthe und Mathilde. Eine Familie zwischen Frankreich und Deutschland, Reinbek bei Hamburg: Rowohlt 2008, 286 S. – Ruhige Straße in guter Wohnlage. Die Geschichte meiner Nachbarn, Reinbek bei Hamburg: Rowohlt 2013, 320 S. – Deutschland à la française, Reinbek bei Hamburg: Rowohlt 2017, 208 S. Sie sind in Straßburg geboren und haben dort ihre Kindheit und Jugend verbracht. In welchem Viertel der Stadt sind Sie aufgewachsen? Aufgewachsen bin ich in der Rue de la Douane, das ist fünf Minuten vom Münster entfernt, gegenüber dem Historisc

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PIRKL, JIŘÍ, ANTONIO SANTOS-SILVA, and SÔNIA A. CASARI. "On the type depository of some species of Cerambycidae (Coleoptera), especially of the holotype of Quercivir dohrni Lameere, 1912." Zootaxa 4603, no. 3 (2019): 520. http://dx.doi.org/10.11646/zootaxa.4603.3.5.

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Correction on the type depositories of some species of Cerambycidae, often reported as being in Museum of Stettin, Stettin, Poland (CMSP), are reported. The holotype of Quercivir dohrni Lameere, 1912 was located, and comments on it are provided. A forgotten correction on the type locality of Sypilus venturae Dohrn, 1882 is presented. Prionapterus staphilinus schaeferi Bosq, 1947 is transferred from synonymy with P. woltersi Bruch, 1925 to synonymy with P. staphilinus Guérin-Méneville, 1831. Sphecogaster biplagiatus Lacordaire, 1868 is formally synonymized with Sphecomorpha chalybea Newman, 183

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42

Stavrova, Olga, and Detlef Urhahne. "Modification of a School Programme in the Deutsches Museum to Enhance Students’ Attitudes and Understanding." International Journal of Science Education 32, no. 17 (2010): 2291–310. http://dx.doi.org/10.1080/09500690903471583.

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43

Wingert, Bernd. "Tagung: Leitbilder der Informatik- und Computerentwicklung am 4.-6. Oktober 1993 in München, Deutsches Museum." TATuP - Zeitschrift für Technikfolgenabschätzung in Theorie und Praxis 2, no. 4 (1993): 25–26. http://dx.doi.org/10.14512/tatup.2.4.25.

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Gutsch, William A., and James G. Manning. "The Current Role of Planetariums in Astronomy Education." International Astronomical Union Colloquium 162 (1998): 153–56. http://dx.doi.org/10.1017/s025292110011499x.

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For decades, planetariums have been created to serve the cause of astronomical enlightenment - to offer people knowledge and understanding and a sense of place in a universe far bigger than themselves. It is an important role and one that we in planetariums continue to play - changing, we hope, as times, technology, educational philosophies, and our view of the universe change.The first projection planetarium was demonstrated by the Zeiss Optical Company at the Deutsches Museum in Munich, Germany in 1923. By 1970, the height of the Apollo moon program, there were an estimated 700 to 800 planet

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45

Basso Fossali, Pierluigi, and Julien Thiburce. "Sequences and scenes of transposition of an unshareable experience. A semiotically released prison." Punctum. International Journal of Semiotics 06, no. 01 (2020): 39–67. http://dx.doi.org/10.18680/hss.2020.0003.

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As part of the international and traveling exhibition Prison, coproduced by the International Red Cross Museum (Geneva, Switzerland), the Musée des Confluences (Lyon, France), and the Deutsches Hygiene-Museum (Dresden, Germany), a discourse on prison environment in Western societies questions public opinion about an existential space that is mostly discussed in fictional form. With a view both to inform and affect the audience, a narrative framework is woven by a diversity of mediations that nonetheless tries to escape the double reductionist fate to which prison space is subjected: ‘spectral’

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46

Keller, H. U. "Planetarium Activities in the Federal Republic of Germany." International Astronomical Union Colloquium 105 (1990): 374–76. http://dx.doi.org/10.1017/s0252921100087273.

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The planetarium was invented by the German engineer Walther Bauersfeld of the Carl Zeiss Company in 1919, and the first projection-planetarium in the world was installed in the Deutsches Museum in München (Munich) 1923. Most of the German planetariums were destroyed during World War II. Today, nine major planetariums with dome diameters greater than 15m are in operation in the following cities in F.R. Germany; the numbers in brackets are the year of opening, the dome size and the seating capacity: West Berlin (1965; 20 m; 320), Bochum (1964; 20 m; 300), Hamburg (1933; 20.6 m; 270), Mannheim (1

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47

CAVICCHI, ELIZABETH. "A witness account of solar microscope projections: collective acts integrating across personal and historical memory." British Journal for the History of Science 41, no. 3 (2008): 369–83. http://dx.doi.org/10.1017/s0007087408000885.

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AbstractThe paper describes the author's witnessing of images projected from an eighteenth-century solar microscope made by John Dollond, now at the Deutsches Museum in Munich. Peter Heering facilitated this session as part of his research on the solar microscope. A rectangular mirror, the length of a hand, mounted outside a museum window caught the sunlight and directed it indoors into the microscope's optical tube with its specimen. Astonishing detail was displayed in the resulting image projected onto a screen at human height. Crisply delineated scales patterned the image cast by a historic

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48

Klotz, Helmut. "Verliebt in Chemie und Kultur der Gewürze: Gewürze. Acht kulturhistorische Porträts. Von Elisabeth Vaupel. Deutsches Museum, München 2002. 144 Seiten, brosch., 14,95 Euro (erhältlich über das Deutschen Museum). ISBN 3-924183-85-6." Nachrichten aus der Chemie 50, no. 9 (2002): 1011–12. http://dx.doi.org/10.1002/nadc.20020500924.

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Bellmann, Anja, and Bernd Wagner. "Performative Sachlernprozesse in Kontaktzonen im Museum." Frühe Bildung 4, no. 4 (2015): 189–95. http://dx.doi.org/10.1026/2191-9186/a000204.

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Zusammenfassung. Der Beitrag stellt eine videoethnographische Studie zu Sachlernprozessen in der Frühen Kindheit vor. Die Studie thematisiert körperbezogene Erprobungen von Vorschulkindern im Umgang mit Sammlungsobjekten und didaktischem Material im Museum. Erste Ergebnisse der komparativen Analyse des Filmmaterials werden gezeigt, die zum Diskurs einer Pädagogik der materiellen Kultur beitragen. Das Kooperationsprojekt des Fachbereichs Bildung und Vermittlung des Deutschen Historischen Museums (DHM) in Berlin mit der Sachunterrichtsdidaktik an der Universität Siegen stellt erziehungswissensch

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Moon, Francis C. "Franz Reuleaux: Contributions to 19th century kinematics and theory of machines." Applied Mechanics Reviews 56, no. 2 (2003): 261–85. http://dx.doi.org/10.1115/1.1523427.

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This review surveys late 19th century kinematics and the theory of machines as seen through the contributions of the German engineering scientist, Franz Reuleaux (1829–1905), often called the “Father of Kinematics.” Extremely famous in his time and one of the first honorary members of ASME, Reuleaux was largely forgotten in much of modern mechanics literature in English until the recent rediscovery of some of his work. In addition to his contributions to kinematics, we review Reuleaux’s ideas about design synthesis, optimization and aesthetics in design, and in engineering education, as well a

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