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Journal articles on the topic 'Development of folklorism'

Author: Grafiati

Published: 4 June 2025

Last updated: 1 August 2025

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1

YAGI, Yasuyuki. "The Drum Troupe Boom as Folklorism." Japanese Journal of Human Geography 46, no. 6 (1994): 581–603. http://dx.doi.org/10.4200/jjhg1948.46.581.

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Troshkova, Anna, Tatiana Zolotova, Natalia Efimova, and Ekaterina Plotnikova. "Folklorism of the Contemporary Youth’s Creative Work." Space and Culture, India 6, no. 4 (2018): 75–83. http://dx.doi.org/10.20896/saci.v6i4.386.

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Since the second half of the 20th century, there has been an increased interest in traditional forms of culture, which is probably associated with an increase in the national self-awareness of the peoples of the Russian Federation. Based on this, the authors considered the features of the use of the folklore heritage of Russian creative youth. The authors have studied the creative works of 24 young writers aged from 25 to 35. In particular, they have studied the types of folklorism in their creative works, provided the general estimate of the productivity and significance of the youth’s experi

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3

Gutsalenko, Ol'ga Valer'evna. "Folklore and folklorism in the cultural aspect." Культура и искусство, no. 9 (September 2023): 1–8. http://dx.doi.org/10.7256/2454-0625.2023.9.44004.

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The subject of the study is the concepts of "folklore" and "folklorism". The purpose of the study is to identify the peculiarities of these concepts in culture. Folklore and folklorism are two concepts that are closely related to each other, but at the same time have their essential differences. Folklore is folk art, transmitted from generation to generation by oral or other means. It is a reflection of the cultural and spiritual life of the people, their beliefs, customs and traditions. While folklorism is the use of folklore elements in the creation of new works of art or culture. However, i

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Искендерова, Суусар. "О вопросах фольклоризма в письменной литературе". Vestnik Bishkek Humanities University, № 48 (1 липня 2019): 31–33. http://dx.doi.org/10.35254/10.35254/bhu.2019.48.7.

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Аннотация: Исследование проблемы фольклоризма является наиболее актуальной в современной науке о фольклоре. На разных этапах развития художественной литературы для формирования индивидуального творчества писателя особенно значимым становятся фольклорные жанры, сюжетные мотивы и художественные средства. В статье рассматривается связь письменной литературы и фольклора, особенно точка зрения проблеме фольклоризма в прошлом и их анализ. Термин «фольклоризм» начал использоваться советскими исследователями учеными как научный термин еще в 1930-х гг. Термин «фольклоризм» используется в различных сфер

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Danylets, Viktoriia. "The hutsul music features in the structural and stylistic context of the performing folkloryzm." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 57, no. 57 (2020): 77–88. http://dx.doi.org/10.34064/khnum1-57.05.

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Research objective. The article aims to describe the structural and stylistic components of performing folklorism and consideration regarding the existing definitions of multifaceted concept «performing folklorism», which represents theoretical and methodological tools for deep analysis of stylistics, genre, technical and performing elements and musical features that folklore expresses, their extrapolation to performing interpretative diversity in the context of Ukrainian music art. The methodology of the research is based on the theoretical, historical, comparative and analytical methods. The

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Gurchenko, Alesia Ivanovna. "The Embodiment of Folklore Traditions in Art as the Antithesis of Postmodern Aesthetics." Ethnic Culture 3, no. 4 (2021): 58–61. http://dx.doi.org/10.31483/r-100710.

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The aim of the research is to comprehend the folklore traditions embodied in art as an antithesis to the aesthetics of the postmodern era. The author puts forward a hypothesis according to which, against the background of a change in the socio-cultural paradigm from modernity to postmodernism, folklorism acted as a tool for returning to genuine values based on centuries-old authentic traditions. Folklorism is considered in the article as a phenomenon in which the potential of the collective memory of the people is laid, allowing a person to recognize himself as part of a single nation with d

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Samsalieva, Meerim. "NARRATIVE AND VARIATIONS ISSUES IN KYRGYZ AKYN POETRY." Alatoo Academic Studies 22, no. 2 (2022): 156–63. http://dx.doi.org/10.17015/aas.2022.222.20.

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The creativity of akyns (Kyrgyz folk poets and singers) is defined as a separate stage, an artistic and aesthetic phenomenon that combines folklorism and professionalism while forming the corresponding features on the path of oral folk art and fiction development. This article analyzes and discusses opinions about the quality of folklorism in the work of Kyrgyz akyns-improvisers, in particular, the ability of each listener to be a potential performer or about the narration of akyns-improvisers. In addition, the issue of variability in the work of akyns is analyzed. Based on the author’s opinio

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Samsalieva, Meerim. "NARRATIVE AND VARIATIONS ISSUES IN KYRGYZ AKYN POETRY." Alatoo Academic Studies 22, no. 3 (2022): 166–73. http://dx.doi.org/10.17015/aas.2022.223.20.

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The creativity of akyns (Kyrgyz folk poets and singers) is defined as a separate stage, an artistic and aesthetic phenomenon that combines folklorism and professionalism, while forming the corresponding features on the path of oral folk art and fiction development. This article analyzes and discusses opinions about the quality of folklorism in the work of Kyrgyz akyns-improvisers, in particular, the ability of each listener to be a potential performer or about the narration of akyns-improvisers. In addition, the issue of variability in the work of akyns is analyzed. Based on the author’s opini

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Derevyanchenko, Olena. "Neo-folkloristic trends in the work of Mykhailo Verikyvskyi and the prospects of their implementation in modern Ukrainian music." Часопис Національної музичної академії України ім.П.І.Чайковського, no. 1(62) (March 28, 2024): 69–91. https://doi.org/10.31318/2414-052x.1(62).2024.304968.

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Mykhailo Verykivskyi's work is considered in the context of the development of neofolklorism in Ukrainian music. The author used a complex approach to the study of the work of this artist, which combines general scientific methods of analysis, synthesis, generalization and special scientific ones — source studies, history, genre, style. The prerequisites of Mykhailo Verikyvskyi's neo-folkloristic searches became factors in the development of his creative personality: the musical traditions of his family and his native city of Kremenets, the creative assimilation of the pedagogical instructions

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Martinka, Pavel. "K didaktickým aspektom hudobno-tanečného folklorizmu." Disputationes Scientificae Universitatis Catholicae in Ružomberok 22, no. 1 (2022): 51–55. http://dx.doi.org/10.54937/dspt.2022.22.1.51-55.

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The paper presents the results of activities of academic staff in the field of research and application of elements of music and dance folklorism in the professional didactics of music art, which are part of the project KEGA 037UMB-4/2018, Creation of a musical-dance work as an artistic means for the development of union didactics on the platform of the university artistic ensemble, which was implemented in 2018-2021 at the Department of Music Culture, Faculty of Education, Matej Bel University, in cooperation with the Department of Elementary and Preschool Pedagogy, the Department of History,

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Brovarets, Tetiana. "Folklorism and Folklorization of Epigraphic Cross-Stitch Papers by the Bucha Artist Liubov Panchenko." Folk art and ethnology, no. 3 (September 30, 2023): 115–22. http://dx.doi.org/10.15407/nte2023.03.115.

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The artist Liubov Mykhailivna Panchenko (1938–2022) from Bucha, whose death was caused by the genocide organized by the russian occupiers in Bucha and shocked the Ukrainian public in the spring of 2022, is known primarily as a Sixties artist. The heyday of her talents occurred during the period of totalitarian pressure, which significantly hampered the artist’s career: the achievements of a bright personality who consistently opposed the Soviet government were naturally suppressed. However, some of her creative works based on Ukrainian folklore were not only published in the Soviet magazines,

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Lukashenko, Larisa. "REVIVAL FOLK PERFORMANCE IN UKRAINE: ORIGIN, PROGRESS, ACHIEVEMENTS (FROM THE LATE 1970S TO THE PRESENT)." Problems of music ethnology 18 (December 22, 2023): 75–92. http://dx.doi.org/10.31318/2522-4212.2023.18.294832.

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The development of the new history of Ukraine contributes to the fact that the using of folklore in various directions of modern culture (a process generally called folklorism) is constantly in an upward direction. In recent decades, there has been a growing public interest to folk music and revival folk performance as well. Although the history of Ukrainian reconstructive performance dates back to more than four decades, it remains almost unexplored, which justifies the relevance and scientific novelty of the proposed study. This is partly due to the fact that the scientific definition

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Tsyrkun, Nina A. "PROTO-MOVIE COMICS IN RUSSIA: A FOLK CINEMA." Articult, no. 2 (2022): 67–75. http://dx.doi.org/10.28995/2227-6165-2022-2-67-75.

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The author considers two Russian films of Soviet period – Happiness (1934) by A. Medvedkin and Believe it or Not (1983) by S. Ovcharov. Not out of synk with traditional referring them to a Russian national lubok genre (known abroad as Russian comics) the author attempts to include them into an “umbrella” universal context of movie comics in capacity of a proto-comics as the national variant with distinctive dialectics of folklorism and national spirit. The both specimen’s narration demonstrate a sophisticated artistic form in combination with imaginary naivete, conveying the national ethos, wh

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ZHANG, MINGYI. "TRADITIONAL CHINESE ORIGINS IN THE EUROPEAN MUSICAL-STYLISTIC CONTEXT: THE TYPE OF FOLKLORISM OF TWO INSTRUMENTAL MINIATURES BY CHINESE COMPOSERS." Университетский научный журнал, no. 83 (December 29, 2024): 170–82. https://doi.org/10.25807/22225064_2024_83_170.

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The study of the stylistic synthesis of Chinese oral and European written traditions is undoubtedly relevant. This is due to the active development of modern Chinese composers’ creativity in this direction. The object of the study is the stylistic development at the stage of the completion of the Cultural Revolution and the beginning of the period of reform and openness, traced through the example of two instrumental miniatures by Wang Jianzhong (1974) and Qigang Chen (1980). Based on the comparative typological methodology, the method of musicological analysis is characterised by the quotatio

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15

Joncheere, Ayla. "Kalbeliya Dance from Rajasthan: Invented Gypsy Form or Traditional Snake Charmers’ Folk Dance?" Dance Research Journal 49, no. 1 (2017): 37–54. http://dx.doi.org/10.1017/s0149767717000055.

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Since being listed as intangible cultural heritage by UNESCO in 2010, Kalbeliya dance from Rajasthan is now generally conceptualized as an ancient tradition from India. However, this same dance practice, also known as a form of “Indian Gypsy” or “snake charmers’” folk dance, appears to have originated as recently as the 1980s. This article gives an account of the swift development of Kalbeliya dance from its first appearance on stage in 1981 to the present. Ethnographic research with Kalbeliya dancers’ families has elucidated how this inventive dance practice was formed to fit into national an

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16

Tsapun, Raisa, and Valentyna Sinelnikova. "Concert Performance and Public Presentations as a Means of Creative Development of Folklore Students." Bulletin of KNUKiM. Series in Arts, no. 49 (December 15, 2023): 107–14. https://doi.org/10.31866/2410-1176.49.2023.293293.

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<strong>The aim of the article</strong> is to highlight aspects of preparing for a concert performance as a particular type of music performance activity in the context of the professional development of folklore students, particularly vocalist-interpreters of traditional singing. <strong>Results.</strong> The article examines important components of preparing folklore students for concert performance activities. In particular, it discusses the issues of selection, mastering, and performance interpretation of works of the musical tradition of a certain locus as the foundation for rep

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Demchenko, Aleksandr Ivanovich. "Russia of the 20th century in the prism of musical art: the 1900s – Igor Stravinsky." Manuscript 18, no. 3 (2025): 807. https://doi.org/10.30853/mns20250114.

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This publication is a continuation of a contextual overview of 20th-century Russian musical art. In this essay, the author turns to the legacy of Igor Stravinsky, particularly the Russian period in the composer’s work (the 1910s), which was characterized by the active development of national elements in music. This period coincided with the primary phase of development of one of the most important movements in early 20th-century world music: Neo-folklorism. The study pays particular attention to the ballet “The Rite of Spring” as a musical manifesto of the 20th century. This work embodied the

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18

Soares, Ana Lorym, and Eduardo Henrique Barbosa de Vasconcelos. "Folklore and Cultural Policy in Brazil During the Military Dictatorship in the 1960s and 1970s." Brasiliana: Journal for Brazilian Studies 8, no. 1-2 (2019): 315–33. http://dx.doi.org/10.25160/bjbs.v8i1-2.26276.

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   This article analyzes the relationship between political and intellectual action of a group of folklorists associated with the Brazilian Folkloric Movement, and the development and implementation of cultural policies within the context of the military dictatorship in the 1960s and 1970s in Brazil. The article focuses on a comparative analysis of these policies based on documents from the military government as well as material created by folklorists, particularly material found in the Revista Brasileira de Folclore. The mobilization around folklore and its consequences in

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Zhang, Mingyi. "AN AVANT-GARDE INTERPRETATION OF THE CHINESE TRADITION IN "YI" FOR CLARINET AND STRING QUARTET BY CHEN QIGANG." Sciences of Europe, no. 94 (June 6, 2022): 11–27. https://doi.org/10.5281/zenodo.6616381.

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The stylistic analysis of the avant-garde phenomena of Chinese professional music at the end of the 20th century does not lose its relevance today. These include “Yi” (“Change”) for clarinet and string quartet by Chen Qigang, a Chinese-born contemporary French composer. The solution of analytical problems is complicated by the ambiguity of figurative symbolism. In “Yi” it is formed around two semantic zones: Chinese traditional philosophical and aesthetic thought (“Book of Changes”, aesthetics and philosophy of Chan, Taoism, Confucianism) and ava

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Nemkina, N. I. "Transdiscursivity of Chinese Folklore." Uchenye Zapiski Kazanskogo Universiteta Seriya Gumanitarnye Nauki 166, no. 5 (2025): 112–28. https://doi.org/10.26907/2541-7738.2024.5.112-128.

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This article examines the concept of transdiscursivity as a result of the interaction between the discourses of traditional folklore and mass culture. Folklore, viewed through transdiscursive lens, can be described using the terms of folklorization, folklorism, and mythologism. The transdiscursivity of Chinese folklore deserves special attention as, being studied through contextual analysis, it unveils the reasons behind this phenomenon in general, exposes the interplay between different discourses, and can be indicative of the evolutionary trajectories of Chinese folklore in particular. One o

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Camp, Charles. "Public Folklife Programming: Notes Toward A History." Practicing Anthropology 7, no. 1-2 (1985): 6–8. http://dx.doi.org/10.17730/praa.7.1-2.xrk28446m7534026.

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A recent conference on public folklife programming, organized by Pennsylvania folklorist, Shalom Staub, served as the occasion for professional folklorists, along with colleagues and sponsors from government and non-profit organizations, to reflect upon more than ten years of folk cultural research and presentation at the state level. The conference focused chiefly upon contemporary activities and their attendant problems: documentary methods, folklore and public education, craft marketing, and ethics in field research. Yet the frequency with which participants summoned past experience to defi

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Kudryavtseva, R. A., and M. N. Kuznetsova. "The Mordovian epos «Mastorava» by A. Sharonov (to the issue about typological features of book form of epos of the Finno-Ugric peoples)." Bulletin of Ugric studies 10, no. 3 (2020): 479–88. http://dx.doi.org/10.30624/2220-4156-2020-10-3-479-488.

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Introduction: the article is devoted to the Erzya-Moksha epos «Mastorava» in terms of the originality of its plot, composition, set of the characters, ideological content and folklorism in the context of problem of typological factors of book form of epos of the Finno-Ugric peoples. Objective: to study the epos «Mastorava» through the prism of its content and structure, with the identification of poetic and ideological originality. Research materials: the text of the epos «Mastorava» (2020), namely, its five parts («The Age of the Gods», «The Ancient Age», «The Age of Tyushtyan», «The Age of E

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Петрусева, Н. А., and В. И. Косырева. "The Suite “Wailing” by Igor Vorobyov: Analysis and Interpretation." Научный вестник Московской консерватории, no. 1(36) (March 27, 2019): 164–83. http://dx.doi.org/10.26176/mosconsv.2019.36.1.008.

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В первой научной публикации, посвященной сюите «Плачи» (2014) Игоря Станиславовича Воробьева, раскрываются основные содержательные и композиционно-технические аспекты произведения. Использован комплексный подход в многоаспектном рассмотрении разного рода интерпретирующих оппозиций: опус-музыка / народная музыка, политика фестивалей современной музыки (как сочетание регионального и надрегионального аспектов) и пути претворения фольклора, неофольклоризм и минимализм, трактовка формы как целого и локальные структуры (тембровые, ладовые, мелодико-ритмические, гармонические, фактурные) и т. д. Сдел

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Maňáková, Magdalena. "Education through Folklore and for Folklore. The Teacher in the Transmission of Folk Culture at School and in Folk Ensembles, Using the Example of the Horňácko Region." Národopisný věstník 82, no. 1 (2023): 5–28. http://dx.doi.org/10.59618/nv.2023.1.01.

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The fundamental social contact of a child includes his or her family and immediate environment, which influences the development of his or her personality and affects his or her cultural and social integration. These influences are gradually extended by the school and teachers who guide the child to adopt not only new knowledge but also life standards and values, including those based on folk traditions. The presented study aims at answering questions dealing with the role of the school as an educating and often the only cultural institution in the village, in the period of the changing positi

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Li, Yang. "European trends in Chinese music of the “New Wave” of the 20th - early 21st centuries." PHILHARMONICA. International Music Journal, no. 3 (March 2024): 1–10. http://dx.doi.org/10.7256/2453-613x.2024.3.70775.

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The article describes the generation of Chinese composers of the period of «Opening up and Reform», who are usually called the «Class of 1978». This historical moment, which determined the turn of Chinese new music into the possibility of interaction with the European avant-garde, is described from the perspective of the most prominent composers of the generation: Chen Yi, Tang Dun, Guo Wenjing. The article defines the trajectories of new music, which Chinese composers then follow, their musical reference points, initial reliance on the classical-romantic European tradition, following new traj

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Sinelnikov, Ivan, and Valentyna Sinelnikova. "Youth Folklore and Ethnographic Ensemble as a Secondary Form of Traditional Culture." Bulletin of KNUKiM. Series in Arts, no. 43 (December 22, 2020): 114–21. https://doi.org/10.31866/2410-1176.43.2020.220113.

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The purpose of the article is to identify the features of mastering the performing traditional musical culture by participants of youth (mainly urban) folklore and ethnographic groups. Goal pursuit deals with the following challenges: to analyse the creative process of the secondary folklore forms, the role of the secondary groups in the preservation, development, and communication of traditional culture, and also the way youth folklore ensembles interact with other components of the intersection of scientific and artistic art, folklore and amateurism. The research methodology is based on the

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Golub', Natal'ya. "Intercultural Communications of Pridnestrovie in Border Region Conditions." Scientific Research and Development. Modern Communication Studies 14, no. 2 (2025): 36–46. https://doi.org/10.12737/2587-9103-2025-14-2-36-46.

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The article examines the established culture of the Pridnestrovian border region, identifies the causes and consequences of influence from neighboring countries, the degree and mechanisms of their influence on the traditional culture of the state. Since Pridnestrovie is territorially and mentally located at the intersection of civilizational differences between East and West, it is constantly influenced by its culture from neighboring states - Moldova and Ukraine (at the micro level), Russia and the countries of Eastern Europe (at the macro level), and the historical narrative determines the d

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Jo‘rayeva, Munis Yunusovna. "Folklorist Mamatqul Jo'rayev And Uzbek Mythology." European International Journal of Philological Sciences 5, no. 5 (2025): 91–94. https://doi.org/10.55640/eijps-05-05-21.

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Studying the historical foundations of oral folk art, which represents a valuable legacy of our ancestors’ intellectual heritage, remains a relevant and significant task. In particular, the study of myths and the discipline that examines them—mythology—allows for a deeper understanding of ancient perceptions and the roots of the people's worldview. This article highlights the research of folklorist Mamatkul Jo‘rayev on the formation and evolutionary development of Uzbek mythology.

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Kapuly, D., and G. Saginadyn. "CREATIVITY OF AKYT ULIMZHIULY AND LITERARY AND FOLKLORE INTEGRATION." Bulletin of the Eurasian Humanities Institute, Philology Series, no. 1 (March 30, 2023): 214–25. http://dx.doi.org/10.55808/1999-4214.2023-1.17.

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One of the urgent problems of modern Kazakh literature is the analysis of the world of fiction, outside of its historical homeland, the analysis of development trends, the study of prospects, the assessment of the present, the identification of its main representatives. If we talk about the fact that national literature has deep historical roots, then it can be argued that Kazakh literature, which in each country and in different places is distinguished by its local and regional characteristics, is its fruitful, multifaceted Golden Branch. Therefore, the timely study of the rich cultural and l

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Fabryka-Protska, Olha. "Puls Poddukelsk Song and Dance Ensemble (Prešov): the Spiritual Culture Preservation of Ruthenians and Ukrainians of Eastern Slovakia." Bulletin of KNUKiM. Series in Arts, no. 42 (July 14, 2020): 205–13. https://doi.org/10.31866/2410-1176.42.2020.207656.

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The purpose of the study is to reveal the history of the formation and artistic achievements of the professional song and dance ensemble “PULS” (Poddukelský umelecký ľudový súbor) (Pre&scaron;ov, Slovakia) in the context of the cultural identity of its participants. The research methodology is a combination of methods of cognition, due to the requirements of objective analysis of historical, art and cultural sources, reflecting the main trends in the development and functioning of the cultural and artistic life of the ethnic population of Pre&scaron;ov r

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Şeker, Mustafa. "A Study on the Folkloric Structure of Social Studies Textbooks in View of the Appropriateness for the Developmental Levels of Students." EDE Education Language and Literature Journal, no. 5 (December 6, 2024): 1–17. https://doi.org/10.5281/zenodo.14287035.

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<strong>ÖZ</strong> Ders kitaplarının müfredata uygun, nitelikli ve öğrencilerin ihtiyaçlarına hitap edecek şekilde hazırlanması, eğitimde hayati bir rol oynamaktadır. Sosyal bilgiler ders kitapları, sadece bilgi aktarmakla kalmamalı, aynı zamanda öğrencilerin ahlaki, dilsel ve bilişsel gelişimlerini destekleyici özellikler taşımalıdır. Bu noktada, farklı kültürlerle etkileşimde bulunarak eğitimlerine devam eden öğrenciler için bu kitapların içeriği daha da önemli hale gelmektedir. Eğitim amacıyla yurt dışına giden Türk &ou

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Yusupboyevna, Karimova. "RESEARCH OF FOLKLORIST S.RUZIMBAEV IN PARTICULAR OF KHORAZM'S EPIC AND ITS PERFORMERS." ANGLISTICUM. Journal of the Association-Institute for English Language and American Studies 12, no. 11 (2023): 11–19. http://dx.doi.org/10.58885/ijllis.v12i11.11ky.

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In the article, the role of folklore in expressing the aesthetic ideals of a particular nation in world literature is of particular importance, folk epics are an oral creative-artistic complex that reflects the historical and cultural development of mankind, and the arrival of this information over centuries. Necessary information about the contribution of folklorists to the study of its laws is presented. Therefore, it is emphasized that it is appropriate to consider folklore samples as an impartial source that brought the early artistic thinking of humanity to today's development. The gradua

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Tugumisirize, Frances, Joseph Muyiira, and Alex Barakagira. "The Role of Folklore in Conservation of Mountain Gorillas (Gorilla beringei beringei) in Bwindi Impenetrable National Park, Uganda." Journal of Global Ecology and Environment 18, no. 4 (2023): 1–13. http://dx.doi.org/10.56557/jogee/2023/v18i48360.

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This study set out to examine the role of folklore in conservation of mountain gorillas (Gorilla beringei beringei) in Bwindi Impenetrable National Park in Uganda. Attention was put on exploring the types of folklore that are available for conservation of mountain gorillas among the communities; and the application of folklore in conservation of mountain gorillas in the Southern Sector of Bwindi Impenetrable National Park. The study involved in seeking an understanding of the people’s interpretations, perceptions, opinions, and ideas concerning the conservation of mountain gorillas. A purely q

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Çobanoğlu, Sacide. "Metaethical theory of folklore with Dede Korkut culture metaverse designs." Metaverse 6, no. 2 (2025): 3457. https://doi.org/10.54517/m3457.

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<p>We can define the period we are living in as the last step of Society 5.0 (Super Intelligent Society) dominated by unmanned technologies and the first step of Society 6.0 Ecological Revolution Super Information Society. In the last step of 5.0, the new online lifestyle with the Internet of Things, interfaces, big data, robotics stages, the Digital Big Bang: Metaverse! takes place in our lives day by day. Today, humanity is faced with many problems that disrupt the ecological balance such as climate change, environmental pollution, radioactive pollution, industrial wastes, unplanned ur

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Овчинникова, Юлия Сергеевна. "The Life of Telengit Musical Folklore in Yazula Village in Conditions of Transitivity." ТРАДИЦИОННАЯ КУЛЬТУРА, no. 1 (April 24, 2021): 39–52. http://dx.doi.org/10.26158/tk.2021.22.1.003.

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В статье рассматривается специфика бытования музыкального фольклора теленгитов селения Язула Улаганского района Республики Алтай в условиях транзитивности (по материалам полевых исследований 2003 и 2019 гг.). Музыкальный фольклор теленгитов обособленного селения характеризуется полистадиальностью, «вероятностной» (поливекторной, нелинейно меняющейся) природой развития, увеличением культурного разнообразия и трансформацией моноязычной культурной среды в многоязычную в лингвистическом, музыкальном и бытовом планах. Каналами инокультурного влияния на интонационное поле теленгитской музыкальной тр

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Feltault, Kelly. "Development Folklife: Human Security and Cultural Conservation." Journal of American Folklore 119, no. 471 (2006): 90–110. http://dx.doi.org/10.2307/4137785.

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Abstract Addressing the potential for development folklife as a subfield within the discipline offolklore, this article argues that folklorists need to expand not only their development work outside arts agencies, but also their definition of development. Analyzing cultural tourism as the dominant development model used byfolklorists, this article locates it within export-oriented economic growth strategies that do not challenge the dominant, neoliberal discourse of development as economic growth. The transformation of culture into a value-added commodity for preservation happens when folklore

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Vakhnina, Larysa. "HELENA KAPEŁUŚ UKRAINIAN STUDIES." Polish Studies of Kyiv, no. 37 (2021): 107–14. http://dx.doi.org/10.17721/psk.2021.37.107-114.

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The article is devoted to the comparative studies by Professor Helena Kapełuś, a famous Polish literary scholar and folklorist of the second half of the 20th century. The Institute of Literary Criticism of the Polish Academy of Sciences (she headed Folk Literature Department there) was constantly supporting scientific cooperation with folklorists and Slavists from M. Rylsky Institute for Art Studies, Folkloristics and Ethnology of the National Academy of Sciences of Ukraine. Helena Kapełuś’ scientific interests always included Ukrainian studies. Exploring Polish and Ukrainian ethnocultural b

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Raxmatova, Dinora Isomovna. "ANALYSIS OF HISTORICAL DEVELOPMENT STAGES OF UZBEK FOLKLORE." INNOVATIVE RESEARCH IN SCIENCE 1, no. 13 (2022): 15–20. https://doi.org/10.5281/zenodo.7104207.

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The science of folklore is folklore studies, which examines the characteristics of folk art as an art of words, the stages of the emergence, formation and development of folklore, the laws of its creative process and way of life, its vital content, social nature, etc. discusses issues such as its artistic essence, artistic uniqueness, genre specification, as well as its interaction with written literature, connections and typology, poetics, method. A specialist dealing with the science of folklore is called a folklorist.

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Lee, Jin-Gyo. "The Folkloric Significance of Rural Development Sites and Participatory Fieldwork." Study of Practice Folkloristics 45 (February 28, 2025): 307–39. https://doi.org/10.35303/spf.2025.02.45.307.

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Askarov, Mirzokhid. "O'ZBEK FOLKLORI TARIXIY MANBA SIFATIDA." "XXI asr: fan va taʼlim masalalari" ilmiy elektron jurnali, no. 1 (March 26, 2025): 42–53. https://doi.org/10.5281/zenodo.15092645.

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This article provides a comprehensive analysis of Uzbek folklore as a historical source. The ancient traditions, customs, lifestyle, and historical processes of the Uzbek people are reflected in examples of oral folk art. Epics, fairy tales, proverbs, sayings, and folk songs embody essential historical information about the Uzbek people's social, political, and cultural life. This article analyzes past events based on epics and tales depicting historical events in Uzbek folklore. The historical foundations of folklore, the collective memory of the people, and their influence on the development

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Hnatiuk, Larysa. "Mykola Grinchenko as a Musicologist-Folklorist (Based on Published Works)." Problems of music ethnology 17 (November 17, 2022): 27–32. http://dx.doi.org/10.31318/2522-4212.2022.17.270898.

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The goal of the article is to characterize Mykola Hrinchenko as a historian of Ukrainian music, a researcher of the folk music; to analyze his “History of Ukrainian Music” (1922) and to identify the place of folklore related problems in it. The activity of M. Hrinchenko as a teacher, scientist, musical and public figure is characterized, its importance in the development of musical folkloristics is highlighted. An overview of the works of the early period of the scientist's creative life has been carried out, the formation of M. Hrinchenko's views on Ukrainian folk art has been traced. Charact

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Khabutdinova, Mileusha M. "The History of the Creation and Promotion of the First Consolidated Text of the Bashkir Folk Epic “Idukai and Muradim”." Golden Horde Review 12, no. 4 (2024): 943–69. https://doi.org/10.22378/2313-6197.2024-12-4.943-969.

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Research objectives: The purpose of the study is to restore the chronicle in the work of the Tatar scholar-encyclopedist, Naki Isanbet (1899–1992), pertaining to the creation and promotion of the consolidated text of the Bashkir folk epic, “Idukai and Muradim”. The research material was based on personal sources: memoirs, correspondence of a folklorist, a summary text of the 1933 edition with author's notes for translators. In the second half of 1920s to the first half of 1930s, Naki Isanbet participated in the first academic project in Russian history to collect, study, and create critical te

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Харлов, А. В. "Household traditional extra-ritual shouts: view of a Nizhny Novgorod folklorist." АКТУАЛЬНЫЕ ПРОБЛЕМЫ ВЫСШЕГО МУЗЫКАЛЬНОГО ОБРАЗОВАНИЯ, no. 1(72) (April 1, 2024): 96–105. http://dx.doi.org/10.26086/nk.2024.72.1.013.

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В статье рассматриваются ситуативно-бытовые неприуроченные к определенным обрядам выкрики как образец интонационно-тембрового спонтанного эмоционального «всплеска». Актуальной является попытка рассмотрения традиционных криков-возгласов, не связанных с ритуальной практикой и возникающих внезапно как реакция на потенциально негативную бытовую ситуацию с позиции раннефольклорных принципов интонационного развития. Цель работы – изучение простейших звуковых систем и способности эволюционного развития архаичных интонационно-ладовых праобразований – нисходящий спадающий ход в узком диапазоне, выявлен

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Koike, Jun ichi. "Onmyōdō and Folkloric Culture: Three Perspectives for the Development of Research." Cahiers d'Extrême-Asie 21, no. 1 (2012): 241–53. http://dx.doi.org/10.3406/asie.2012.1400.

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Baatarnaran, Tsetsentsolmon. "The Features of Musical Folklore in Mongolian Shamanic Chanting." Inner Asia 9, no. 1 (2007): 109–17. http://dx.doi.org/10.1163/146481707793646601.

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AbstractThis paper explores the specific features of musical folklore in Mongolian Shamanic tradition through the four essential features of folk art works, selectivity, existence, continuity and complexity. Adopting the systematic theory of Mongolian folklore including folk music which was developed by Jamtsyn Badraa, Mongolian folklorist, on the basis of Indian philosopher Nagarjuna’s Eightfold Negation, the author examines the chanting ways (formation or improvisation), functions (non- or multifunctional), learning process (transmission), and authorship (collectivity and individuality) of M

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Kovalevskaya, Anna I. "V. M. ZHIRMUNSKY AS A FOLKLORIST. ORIGIN AND DEVELOPMENT OF THE COMPARATIVE HISTORICAL TYPOLOGY METHODS." Folklore: structure, typology, semiotics 3, no. 4 (2020): 108–28. http://dx.doi.org/10.28995/2658-5294-2020-3-4-108-128.

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The article considers the main stages in formation of the method for the comparative historical typology the first steps of which were made by A.N. Veselovsky in the second half of the 19 th century. For example, the point elaborated upon in “Historical Poetics” concerning consequential evolution of genres and poetic forms that reflect social reality became the starting point for the further development of that method. Work in this direction was continued later on by V.M. Zhirmunsky. At the beginning of his career in academia he dwelled upon the issues of literary theory and – while keeping “H

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Crăciun, Sergiu. "Petru Rezuș și folclorul literar bucovinean." Analele Bucovinei 60, no. 2 (2023): 505–12. http://dx.doi.org/10.56308/ab.2023.2.10.

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Literary folklore in Bukovina represents an important segment for the development and evolution of ethnographic culture in Romania, especially through several important folklore collectors in this area, one of them being Petru Rezuș. Along with his predecessors and contemporaries, the theologian from Suceava, with in-depth studies at Chernivtsi, realized in a modern manner a corpus of folk texts of epic and folk lyric (including legends, stories, songs and ballads) from the Rădăuți region and its surrounding area. Having his teacher Leca Morariu, another famous Bukovinian folklorist, as a ment

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Nesa, Zinatun. "Folkloric Bangladesh: A Study on Recent Changes." International Journal of Latest Technology in Engineering, Management & Applied Science XII, no. VIII (2023): 51–62. http://dx.doi.org/10.51583/ijltemas.2023.12806.

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Folklore, culture, heritage, folk literature, arts and crafts of a country as known` pulse of the people’. Today, Folklore is practices in the remote areas only and centralized mainly to the rural people. In this age of globalization, we now identify several swings of changes in material folklore. Even, subject like trade and commerce are also influencing traditional cultures in multiple ways. In fact, many people of a country express their positive view towards the folk-culture, although a few of them cast their negative attitude to it. It is proved that; folk-material and culture is in threa

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Groce, Nora Ellen. "Folklore and Disability: An Important—and Too Often Overlooked—Factor in Global Health and International Development Efforts." Journal of American Folklore 137, no. 545 (2024): 331–39. http://dx.doi.org/10.5406/15351882.137.545.05.

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Abstract In this paper, I argue that the field of folklore and folklorists can—and should—make more of a contribution to global health and international development efforts and should be more involved in conversations about social justice and human rights. Drawing on my invited comments at the webinar sponsored by the Fellows of the American Folklore Society entitled “Interrogating the Normal: Folkloristic Engagements with Disability,” held on March 25, 2022, I provide some examples of research that my colleagues and I have undertaken where we have brought folklore and oral history approaches

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Sinelnikova, Valentina, and Ivan Sinelnikov. "Some questions of development of authentic tradition of the copy in the city youth folklorist collective." IMAGE OF THE MODERN PEDAGOGUE 1, no. 4 (2019): 94–99. http://dx.doi.org/10.33272/2522-2019-4(187)-94-99.

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