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Relevant bibliographies by topics / Dhokra-Metal casting craft- India

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Journal articles
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Academic literature on the topic 'Dhokra-Metal casting craft- India'

Author: Grafiati

Published: 6 September 2023

Last updated: 31 July 2025

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Journal articles on the topic "Dhokra-Metal casting craft- India"

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Dr., Nikhilesh Dhar. "Dokra, the traditional art : A journey from 'margin' to 'centre' [A field study of Bikna Shilpadanga, Bankura, West Bengal]." RESEARCH REVIEW International Journal of Multidisciplinary 03, no. 07 (2018): 266–70. https://doi.org/10.5281/zenodo.1313764.

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The name 'Dokra' was used to indicate a group of crafts persons of nomadic type scattered over eastern and central India and was identified by their beautifully shaped and decorated metal products which are characterized by its primitive simplicity, charming folk motifs, rustic beauty and imaginative designs and patterns. It is one of the earliest known methods of non-ferous metal casting known to human civilization as the &bdquo;lost wax casting (cire oerdue) process. But despite a high demand of the products of Dokra for its medieval simplicity, enhancing folk motifs and vitality of

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., Alfan Hisbullah, Drs I. Nyoman Sila,M Hum ., and I. Nyoman Rediasa, S. Sn ,. M. Si . "KERAJINAN COR KUNINGAN DI DESA CINDOGO, KABUPATEN BONDOWOSO." Jurnal Pendidikan Seni Rupa Undiksha 7, no. 2 (2017): 97. http://dx.doi.org/10.23887/jjpsp.v7i2.11409.

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Penelitian ini bertujuan untuk mendeskripsikan (1) keberadaan kerajinan cor kuningan di Desa Cindogo, Kabupaten Bondowoso, (2) alat dan bahan yang digunakan dalam pembuatan kerajinan cor kuningan di Desa Cindogo, Kabupaten Bondowoso, (3 proses pembuatan kerajinan cor kuningan di Desa Cindogo, Kabupaten Bondowoso. (4) Jenis kerajinan yang dihasilkan dari kerajinan cor kuningan di Desa Cindogo, Kabupaten Bondowoso. Penelitian ini adalah penelitian deskriptif kualitatif. Teknik pengumpulan data yang digunakan adalah observasi, wawancara, dokumentasi dan kepustakaan. Hasil penelitian ini men

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Abbasi, Mubashir Ul-Haq, and Sreeramula Rajeswara Sarma. "An Astrolabe by Muhammad Muqim of Lahore Dated 1047 AH (1637–38 CE)." Islamic Studies 53, no. 1-2 (2014). https://doi.org/10.52541/isiri.v53i1-2.178.

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Astrolabe was the most important astronomical instrument in the medieval period. It became popular in the Indian subcontinent after the eleventh century. The production of astrolabes and celestial globes in the Indian subcontinent was dominated by Ustad Allah Dad and his descendants in the second half of the sixteenth century and in the seventeenth century. Their astrolabes display a fine combination of geometrical precision, high level of metal craft and aesthetic beauty. Allah Dad’s descendants revolutionised the production of the celestial globes by casting them as single hollow spheres by

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Sahu, Avinash, Sangeeta Pandit, and Rajat Kamble. "Identification of work‐related injuries among Dhokra handicraft artisans influencing sustainable growth of bell metal handicraft industry: An unorganized sector of Chhattisgarh, India." Human Factors and Ergonomics in Manufacturing & Service Industries, August 21, 2023. http://dx.doi.org/10.1002/hfm.21011.

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AbstractHandicraft is the backbone of rural economy of countries of South Asia and Southeast Asia. Bell metal handicraft known as “Dhokra craft,” is an important metal handicraft practiced in India. Commercialization of this craft industry has increased working hours but the business model is still cottage‐based. Manual manufacturing for commercial needs has increased incidence of hand injuries among the artisans affecting sustainable growth. The objective of this research is to find the cause of work‐related hand injuries of the artisans of bell metal handicraft industry to provide direction

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Milan Chandra Roy. "Ethnography Of Traditional Bell Metal Craft Technology Practiced In Bankura District." Journal of Survey in Fisheries Sciences, December 10, 2022, 1135–42. http://dx.doi.org/10.53555/sfs.v9i1.2667.

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Tradition of brass and bell metal work is still persisting in different parts of eastern India. Rarh Bengal is one of the most important traditional brass and bell-metal crafts region. These are non-industrial mode of technology and production, which is Practice by a number of hereditary groups. As example Kangsbanik, Karmakar, Kansari and Dhokra Kamar etc. Pukhuria (22.9351°N, 86.9662°E) is one important traditional bell metal technology center of Bankura district as well as Rarh Bengal, West Bengal, India. The artisans of Pukhuria village are specialized in making different sizes bell metal

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Sayantan Das. "THE LOST WAX TECHNIQUE OF DOKRA ART: AN EMPIRICAL STUDY ON BIKNA VILLAGE OF DISTRICT BANKURA, WEST BENGAL." International Education and Research Journal 10, no. 8 (2024). http://dx.doi.org/10.21276/ierj24537157334322.

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Among the famous artistic works of Bankura District of West Bengal, Dokra (also known as Dhokra) is an age old traditional non-ferrous metal art of Indian Subcontinent. The term ‘ ‘Dokra’’ generally describes a group of craftsmen, nomadic in nature who spread over the different states i.e. Andhra Pradesh, Chhattisgarh, Orissa, Madhya Pradesh, Jharkhand and West Bengal. Dokra is characterized by its simple and primitive figurines on folk themes, variety of beautifully decorated deities and animal structures. The evidences of Dokra non-ferrous metal crafts trace back to the Harappan Civilization

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Patel, Aditi. "DECONTEXTUALIZING THE DIVINE: ETHICAL CONCERNS IN THE COMMODIFICATION OF DHOKRA DEITIES." ShodhKosh: Journal of Visual and Performing Arts 5, no. 4 (2024). https://doi.org/10.29121/shodhkosh.v5.i4.2024.4822.

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The appropriation of Indigenous art by elite designers and visual artists in India has raised significant ethical concerns in contemporary discourse. Indigenous art forms, deeply rooted in the cultural and spiritual traditions of India's tribal communities, are increasingly integrated into mainstream design and visual arts without proper acknowledgment, consent, or fair compensation. This practice often results in the erosion of the cultural context and significance of these artworks, reducing sacred and symbolic expressions to aesthetic commodities in high fashion, home decor, and commercial

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Dissertations / Theses on the topic "Dhokra-Metal casting craft- India"

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Mishra, Ravi Shankar. "Does craft really matter? time, movement and feelings in the making of Dhokra." Thesis, 2018. http://localhost:8080/xmlui/handle/12345678/7631.

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