Relevant bibliographies by topics / Dhruva

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Dhruva'

Author: Grafiati
Published: 4 June 2021
Last updated: 11 February 2022

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Journal articles on the topic "Dhruva"

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Taylor, Sharmila, and Kamna Sisodia. "HISTORY OF INNOVATION IN MUSIC, WITH REFERENCE TO DHRUPAD SINGING STYLE." International Journal of Research -GRANTHAALAYAH 3, no. 1SE (January 31, 2015): 1–3. http://dx.doi.org/10.29121/granthaalayah.v3.i1se.2015.3406.

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Changing the tradition of history is a natural process of nature. In the context of the Dhrupad singing style in the Indian classical music world, if we take a historical view, the practice of singing Dhruva and Prabandha songs before this style was prevalent. The ritual form of Dhruva songs is found in Sanskrit drama texts from pre- to late India. Dhruva has an important place in terms of song composition.Even in the exorcisms used in the puvarang before the Natyarambha, the Dhruvas have special importance due to the use of musical instruments. Originally, the verses of songs which are used within the play are called Dhruva to make those situations intensified or to intensify the character of the characters in various situations of the play. They are also related to the lyricists due to their use of various parts of the lyricists. इतिहास की परम्परा में परिवर्तन होना प्रकृति की स्वाभाविक प्रक्रिया है। भारतीय शास्त्रीय संगीत जगत में ध्रुपद गायन शैली के सन्दर्भ मं हम ऐतिहासिक दृष्टि डालें तो इस शैली के पूर्व ध्रुवा एवं प्रबन्ध गीतों को गाने का प्रचलन था। ध्रुवा गीतों की परम्परा का क्रियात्मक रूप भरत के पूर्व से लेकर परवर्ती संस्कृत नाटक ग्रंथों में पाया जाता है। गीत रचना की दृष्टि से ध्रुवा का महत्त्वपूर्ण स्थान है।नाट्यारम्भ से पहले पूर्वरंग में प्रयुक्त बहिर्गीतों में भी ध्रुवाएं वाद्यप्रयोग की उपरंजक होने के कारण विशेष महत्व रखती हैं। मूलतः नाट्य की विभिन्न परिस्थितियों में रसानुभूति करा कर उन परिस्थितियों को तीव्र बनाने अथवा पात्रों के चरित्र को उभारने के लिए जिन छन्दोबद्ध गीतों का प्रयोग नाट्य के भीतर किया जाता है वे ध्रुवा कहलताी है। गीतकों के विभिन्न अंगों का इनमें प्रयोग होने के कारण ये गीतकों से भी सम्बन्ध है।
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Dande, Y. D., B. A. Dasannacharya, S. K. Paranjpe, V. C. Rakhecha, K. R. Rao, A. Sequeira, P. R. Vijayaraghavan, and A. G. Wagh. "Neutron instrumentation for Dhruva utilisation." Physica B: Condensed Matter 156-157 (January 1989): 534–36. http://dx.doi.org/10.1016/0921-4526(89)90723-0.

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Shashi Kumar, K. T., and C. V. Seshadri. "B.K. Dhruva Rao (1936–2016)." Journal of the Geological Society of India 89, no. 2 (February 2017): 225. http://dx.doi.org/10.1007/s12594-017-0592-0.

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Chaplot, S. L., and R. Mukhopadhyay. "Neutron Beam Research at Dhruva Reactor." Neutron News 25, no. 1 (January 2, 2014): 15–17. http://dx.doi.org/10.1080/10448632.2014.870440.

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Singh, Surendra, and Saibal Basu. "Polarized neutron reflectometry at Dhruva reactor." Pramana 63, no. 2 (August 2004): 387–91. http://dx.doi.org/10.1007/bf02705003.

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Mukhopadhyay, R., S. Mitra, S. K. Paranjpe, and B. A. Dasannacharya. "Quasielastic neutron scattering facility at Dhruva reactor." Nuclear Instruments and Methods in Physics Research Section A: Accelerators, Spectrometers, Detectors and Associated Equipment 474, no. 1 (November 2001): 55–66. http://dx.doi.org/10.1016/s0168-9002(01)00867-1.

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Moorthy, R. I. K., A. Rama Rao, and Anil Kakodkar. "Diagnosis and cure of Dhruva fuel vibration." Nuclear Engineering and Design 125, no. 2 (February 1991): 259–66. http://dx.doi.org/10.1016/0029-5493(91)90082-s.

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Lestari, Ni Kadek Dwi. "KISAH DHRUVA SEBAGAI MEDIA PENDIDIKAN KARAKTER PADA ANAK." Adi Widya: Jurnal Pendidikan Dasar 4, no. 1 (July 23, 2019): 47. http://dx.doi.org/10.25078/aw.v4i1.929.

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This paper aims to describe the personality prominent of characteristics from Visnu Puraana of Dhruva story. the author describes many phenomena that indicate the decline of the morality of generations such as: elementary school children who have been smoking, teenagers who are exposed to free sex, lack of tolerance in social life, and there is a shift in values regarding norms of decency and ethics. Weak understanding of religious values can be regarded as an indicator of moral degradation. A civilization would want more improvement in regards to morality. In relation to the moral degradation of the nation's generation the government and society want children to have 18 national characteristics being; believe in religion, honesty, tolerance, fair for all, discipline, hardworking, creative, independent, democratic, curios to learn, national pride, communicative, peace-loving, avid readers, caring about the environment, social care, and responsibility. Building character using education for children is one way to make civilization better. The cultivation of character using education for children starts from an early age, ie through story or stories in Puraana that can be used as a medium of character building for children.
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Bairi, B. R., and D. Das. "Automatic Power Control System of Dhruva Nuclear Reactor." IFAC Proceedings Volumes 19, no. 16 (December 1986): 107–12. http://dx.doi.org/10.1016/s1474-6670(17)59367-2.

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Mazumder, S., D. Sen, T. Saravanan, and P. R. Vijayraghavan. "A double crystal-based SANS facility at Dhruva." Neutron News 13, no. 3 (January 2002): 25–28. http://dx.doi.org/10.1080/10448630208218698.

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Dissertations / Theses on the topic "Dhruva"

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Deshpande, Dhruva [Verfasser]. "Application of super-resolution optical microscopy methods in disease studies / Dhruva Deshpande." Ulm : Universität Ulm, 2021. http://d-nb.info/1232323896/34.

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田村, 峻一. "インド古典演劇における音楽の使用 : 11世紀周辺の文献にみられるDhruvaの概念." Kyoto University, 2013. http://hdl.handle.net/2433/173129.

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Gupta, Dhruv [Verfasser], and Klaus [Akademischer Betreuer] Berberich. "Search and Analytics Using Semantic Annotations / Dhruv Gupta ; Betreuer: Klaus Berberich." Saarbrücken : Saarländische Universitäts- und Landesbibliothek, 2019. http://d-nb.info/1202040039/34.

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Bromander, Vilhelm. "Solokontrabas : hur akustik, intonation och perception inspirerat till ny musik." Thesis, Kungl. Musikhögskolan, Institutionen för jazz, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-2380.

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Acoustics, intonation and perception are fields that musicians deal with every day. Even so, they are rarely taught extensively in musical education. In my artistic project I investigated how new knowledge in these fields could work as a musical resource and inspire to new solo music for double bass.  My method has been to compose studies, to make use of this new knowledge in a musical setting. In the etudes I have isolated small areas such as; beating, multiphonics, overpressure, just intonation intervals, the pitch-rhythm continuum, difference tones and microtonal modulation. This work has changed my view of the concept tone, interval and consonance/dissonance. Working this way has triggered a lot of inspiration and productivity for new unexpected music. This text could be useful for double bass or string players, composers for double bass, musicians that want inspiration in solo playing or incorporate Just Intonation in their musical language.

Ten Variations of D

Oaktree

Intoning

Examenskonserten

Vilhelm Bromander kontrabas & komposition

Two Seconds 

Vilhelm Bromander - kontrabas & komposition, Benedikt Bindewald - viola

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Paschalidou, Panagiota-Styliani. "Effort in gestural interactions with imaginary objects in Hindustani Dhrupad vocal music." Thesis, Durham University, 2017. http://etheses.dur.ac.uk/12308/.

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Physical effort has often been regarded as a key factor of expressivity in music performance. Nevertheless, systematic experimental approaches to the subject have been rare. In North Indian classical (Hindustani) vocal music, singers often engage with melodic ideas during improvisation by manipulating intangible, imaginary objects with their hands, such as through stretching, pulling, pushing, throwing etc. The above observation suggests that some patterns of change in acoustic features allude to interactions that real objects through their physical properties can afford. The present study reports on the exploration of the relationships between movement and sound by accounting for the physical effort that such interactions require in the Dhrupad genre of Hindustani vocal improvisation. The work follows a mixed methodological approach, combining qualitative and quantitative methods to analyse interviews, audio-visual material and movement data. Findings indicate that despite the flexibility in the way a Dhrupad vocalist might use his/her hands while singing, there is a certain degree of consistency by which performers associate effort levels with melody and types of gestural interactions with imaginary objects. However, different schemes of cross-modal associations are revealed for the vocalists analysed, that depend on the pitch space organisation of each particular melodic mode (rāga), the mechanical requirements of voice production, the macro-structure of the ālāp improvisation and morphological cross-domain analogies. Results further suggest that a good part of the variance in both physical effort and gesture type can be explained through a small set of sound and movement features. Based on the findings, I argue that gesturing in Dhrupad singing is guided by: the know-how of humans in interacting with and exerting effort on real objects of the environment, the movement–sound relationships transmitted from teacher to student in the oral music training context and the mechanical demands of vocalisation.
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Tewari, Ayush Kumar [Verfasser], Michael [Akademischer Betreuer] Joswig, Michael [Gutachter] Joswig, Hannah [Gutachter] Markwig, and Dhruv [Gutachter] Ranganathan. "Realizability of tropical plane curves and tropical incidence geometry / Ayush Kumar Tewari ; Gutachter: Michael Joswig, Hannah Markwig, Dhruv Ranganathan ; Betreuer: Michael Joswig." Berlin : Technische Universität Berlin, 2021. http://d-nb.info/1226217400/34.

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Delvoye, Nalini Françoise. "Tânsen et la tradition des chants dhrupad en langue braj, du XVIe siècle à nos jours." Paris 3, 1990. http://www.theses.fr/1991PA030054.

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La poesie lyrique de cour en langue braj temoigne parfaitement du genie poetique de l'inde medievale. La remarquable musicalite de cette langue en fit l'idiome privilegie de la musique savante vocale dans l'inde du nord a partir du 16e siecle. La premiere partie de ce travail presente le dhrupad - genre vocal la plus tradi- tionnel encore chante aujourd'hui - dans ses aspects historiques et litteraires d'apres les documents en sanscrit, en persan et les ecrits contemporains. L'edition des anthologies devotionnelles et des repertoires de musiciens de cour et l'identi- fication des poetes-compositeurs soulevent d'interessants problemes. L'efflorescen- ce du dhrupad comme musique de cour temoigne de l'importance du mecenat dans l'en- couragement d'un genre lyrique compose an langue vernaculaire. Son etude est illus- tree d'un survol biographique et poetique de nayak bakhsu, celebre musicien du 16e s. Elle est suivie d'un expose sur le dhrupad souvent confondu avec le visnupad purement devotionnel. La seconde partie est consacree a tansen, premier chanteur et poete-compositeur a la cour de l'empereur moghol akbar (1556-1605), figure historique et personnage legendaire, puis a l'oeuvre musicologiquie et lyrique qui lui est attribuee. Des manuscrits en sanscrits, persan et vernaculaires document sa biographie et sa personnalite. Le texte et la traduction francaise de 36 dhrupads "signes" du nom de tansen, juges representatifs de l'oeuvre attribuee au musicien, sont donnes a partir de nombreux versions ecrites et de la tradition orale
The courtly lyrical poetry composed in braj testifies perfectly to the poetic genius of medieval india. The striking musicality of this language made it the privileged idiom of vocal art-music in north india since the 16th century. The first part of the dissertation introduces dhrupad - the most traditional vocal genre still performed today - in its historical and literary aspects, from sanskrit, persian and vernacular documents. The editing of devotional anthologies and court-musicians repertoires and the identification of the poet-composers raise interesting problems. The florescence of dhrupad as court music suggests the inport- ance of patronage for the development of a lyrical genre composed in a vernacular language. Its study is illustrated by a biographical and poetical survey of mayak bakhsu, a famous musician of the 16th century. It is followed by an exposition of dhrupad, often mistaken for the pure devotional visnupad. The second part deals with tansen, first singer and poet-composer at the court of the mughal emperor abkar (1556-1605), both as an historical figure and a legendary character, and with the musicological and lyrical work attributed to him. The ori- ginal text and the french translation of thirty-six dhrupads bearing the "signature" of tansen, representative of the work ascribet to him, are presented, based on numerous written versions and the oral tradition
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Ullinger, Jaime. "Skeletal Health Changes and Increasing Sedentism at Early Bronze Age Bab edh-Dhra’, Jordan." The Ohio State University, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=osu1275258919.

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Luc, Duy T. "Improvement of DHRA-DMDC Physical Access Software DBIDS Using Cloud Computing Technology: a Case Study." Thesis, Monterey, California. Naval Postgraduate School, 2012. http://hdl.handle.net/10945/7379.

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The U.S government has created and been executing an Identity and Management (IdM) vision to support a global, robust, trusted and interoperable identity management capability that provides the ability to correctly identify individuals and non-person entities in support of DoD mission operations. Many Directives and Instructions have been issued to standardize the process to design, re-designed new and old systems with latest available technologies to meet the visions requirements. In this thesis we introduce a cloud-based architecture for the Defense Biometric Identification System (DBIDS), along with a set of DBIDS Cloud Services that supports the proposed architecture. This cloud-based architecture will move DBIDS in the right direction to meet Dod IdM visions and goals by decoupling current DBIDS functions into DBIDS core services to create interoperability and flexibility to expand future DBIDS with new requirements. The thesis will show its readers how DBIDS Cloud Services will help Defense Manpower Data Center (DMDC) easily expanding DBIDS functionalities such as connecting to other DMDC services or federated services for vetting purposes. This thesis will also serve as a recommendation of a blue-print for DBIDS architecture to support new generation of DBIDS application. This is a step closer in moving DMDC Identity Enterprise Solution toward DoD IdM realizing vision and goals. The thesis also includes a discussion of how to utilize virtualized DBIDS workstations to address software-deployment and maintenance issues to resolve configuration and deployment issues which have been costly problems for DMDC over the years.
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Berelov, Ilya. "Occupation and abandonment of Middle Bronze Age Zahrat adh-Dhra' 1, Jordan the behavioural implications of quantitative ceramic analyses /." Oxford (England) : Archaeopress, 2006. http://catalogue.bnf.fr/ark:/12148/cb40157593k.

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Books on the topic "Dhruva"

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Mistry, Dhruva. Dhruva Mistry. Bath: Artiste Gallery, 1987.

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Dhruva go? 2nd ed. [Kathmandu]: Saritā Śreshṭha, 1998.

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Khāṇḍekara, Vi Sa. Dona dhruva. Amadāvāda: Gūrjara Grantharatna Kāryālaya, 2007.

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Paṭela, Bhūpata. Dhruva Bhaṭṭanī navalakathāomāṃ Bhāratīyatā: Dhruv Bhattni navalkathaoma Bharatiyata. Amadāvāda: Jñānamandira Prakāśana, 2012.

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Mistry, Dhruva. Dhruva Mistry: Bronzes, 1985-90. London: Nigel Greenwood Gallery, 1990.

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Mistry, Dhruva. Dhruva Mistry: Work 1990-1995. London: Anthony Wilkinson Fine Art, 1995.

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Mistry, Dhruva. Dhruva Mistry: Sculptures and drawings. Cambridge (England): Kettle's Yard Gallery, 1985.

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Scioscia, Mary. Dhruva finds the greatest jewel. [S.l.]: Vaikuntha Press, 1994.

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Modī, Mūkeśa. Yātrā bhītaranī: Dhruva Bhaṭṭanī kathāonuṃ rasadarśana. Amadavada: WBG Publications, 2014.

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Dhruva and Ashtavakra: They reached for the skies. Mumbai: Amar Chitra Katha, ACK Media, 2009.

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Book chapters on the topic "Dhruva"

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Patel, N. V., Parag A. Punekar, M. N. Korgaonkar, Sparsh Sharma, N. Ramkumar, and P. Sumanth. "Surveillance on Nuclear Instrumentation of Dhruva Research Reactor." In Reliability, Safety and Hazard Assessment for Risk-Based Technologies, 687–95. Singapore: Springer Singapore, 2019. http://dx.doi.org/10.1007/978-981-13-9008-1_58.

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Pai, Venketeswara, K. Ramasubramanian, M. S. Sriram, and M. D. Srinivas. "Computation of the khaṇḍa, dhruva, etc. of the Moon." In Sources and Studies in the History of Mathematics and Physical Sciences, 75–100. Singapore: Springer Singapore, 2018. http://dx.doi.org/10.1007/978-981-10-6814-0_3.

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Modi, Vinayak A., Manish Bhadauria, Arihant Jain, N. S. Joshi, and P. V. Varde. "Development of Methodology for Seismic Qualification of Dhruva Reactor Components." In Reliability, Safety and Hazard Assessment for Risk-Based Technologies, 501–10. Singapore: Springer Singapore, 2019. http://dx.doi.org/10.1007/978-981-13-9008-1_41.

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Lew, Roger, Ronald L. Boring, and Thomas A. Ulrich. "Applications of Dynamic Human Reliability Analysis (dHRA) for Context Aware Operations." In Advances in Human Error, Reliability, Resilience, and Performance, 138–50. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-94391-6_14.

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Varde, Prabhakar V., C. G. Karhadkar, and Tej Singh. "Dhruva—A 100 MWth Indian Research Reactor." In Reference Module in Earth Systems and Environmental Sciences. Elsevier, 2020. http://dx.doi.org/10.1016/b978-0-12-819725-7.00046-5.

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Bairi, B. R., and D. Das. "AUTOMATIC POWER CONTROL SYSTEM OF DHRUVA NUCLEAR REACTOR." In Automation and Instrumentation for Power Plants, 107–12. Elsevier, 1989. http://dx.doi.org/10.1016/b978-0-08-034197-2.50020-3.

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Das, D., S. K. Parulkar, Y. K. Taly, M. Singh, and B. R. Bairi. "MICRO-PROCESSOR BASED TESTING OF SHUT-OFF ROD DRIVE MECHANISM FOR DHRUVA REACTOR." In Automation and Instrumentation for Power Plants, 253–60. Elsevier, 1989. http://dx.doi.org/10.1016/b978-0-08-034197-2.50041-0.

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"Chronicle of a Deal Foretold: Washington’s Perspective on Negotiating the Indo-US Nuclear Agreement: Dhruva Jaishankar." In Indo-US Nuclear Deal, 109–32. Routledge, 2013. http://dx.doi.org/10.4324/9780203378533-13.

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Emery, K. O., and David Neev. "Environmental Data for Specific Sites within the Dead Sea Region." In The Destruction of Sodom, Gomorrah, and Jericho. Oxford University Press, 1995. http://dx.doi.org/10.1093/oso/9780195090949.003.0007.

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Discussion of Early Bronze cultural history at Bab edh-Dhr’a and Numeira sites east of the Lisan Peninsula and on the northeast flank of the Dead Sea south basin is guided mostly by Rast (1987) and Rast and Schaub (1974, 1978, 1980, and 1981). This epoch was divided by Rast and Schaub into two sections according to traditional archaeological chronology. The first section is the urban period of Bab edh-Dhr'a (4890 to 4340 B.P.) including Early Bronze I, II, and III. The second is the posturban period (4340 to 4190 B.P.), Early Bronze IV or the Intermediate Bronze age according to Kochavi (1967), Kenyon (1979), Gophna (1992), and R. Amiran and Kochavi (1985) as well as Middle Bronze I according to Albright (1962). Although no prominent cultural hiatus separates these two sections, the transition between them contains abundant indications of extensive destruction and fire events brought about by natural disasters such as earthquakes. Donahue (1980, 1981) considered that not just one but two severe earthquakes occurred, one about 4400 B.P. and the other 4350 B.P. Numeira was totally and finally abandoned after the second earthquake, whereas Bab edh-Dhr’a was reinhabited apparently as a result of conquest by seminomadic people of the same cultural background. This second earthquake probably was the one by which Sodom and Gomorrah were totally destroyed. Abrupt cultural changes also were recorded in the southeast Negev at Uvda Valley during transition from Early Bronze III to Middle Bronze I about 4300 B.P. These changes were from a gradually increasing population within a walled city having a life-style based on a combination of agriculture and animal husbandry into a more nomadic community with unfortified houses and primarily a grazing economy. According to Avner (1990, p. 133) “Subsequent to a brief climatic crisis at the end of the third millennium BC the climate improved, allowing the new culture to blossom in the desert.” This climatic crisis could have been extreme dryness. By the middle of the Intermediate Bronze age at about 4200 B.P., Bab edh-Dhr’a, the last Early Bronze site to survive was totally abandoned and the Dead Sea south basin remained basically unsettled for more than 1,500 years until Hellenistic time.
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Clarke, David, and Tara Kini. "North Indian classical music and its links with consciousness:the case of dhrupad." In Music and ConsciousnessPhilosophical, Psychological, and Cultural Perspectives, 137–54. Oxford University Press, 2011. http://dx.doi.org/10.1093/acprof:oso/9780199553792.003.0048.

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Conference papers on the topic "Dhruva"

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Desai, Shraddha S., and Mala N. Rao. "Neutron beam imaging at neutron spectrometers at Dhruva." In SOLID STATE PHYSICS: Proceedings of the 56th DAE Solid State Physics Symposium 2011. AIP, 2012. http://dx.doi.org/10.1063/1.4710093.

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Shukla, D. K. "Development of Surveillance and In-Service Inspection Programme for Indian Research Reactors Cirus and Dhruva." In 14th International Conference on Nuclear Engineering. ASMEDC, 2006. http://dx.doi.org/10.1115/icone14-89802.

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Many safety requirements for research reactors are quite similar to those of power reactors. For research reactors with a higher hazard potential, the use of safety codes and guides for power reactors is more appropriate. However, there are many important differences between power reactors and research reactors that must be taken into account to ensure that adequate safety margins are available in design and operation of the research reactor. Most research reactors may have small potential for hazard to the public compared to power reactors but may pose a greater potential hazard to the plant operators. The need for greater flexibility in use of research reactors for individual experiments requires a different safety approach. Safety rules for power reactors are required to be substantially modified for application to specific research reactor. Following the intent of the available safety guides for surveillance and In-Service Inspection of Nuclear Power Plants, guidelines were formulated to develop surveillance and In-Service Inspection programme for research reactors Cirus and Dhruva. Based on the specific design of these research reactors, regulatory requirements, the degree of sophistication and experience of the technical organization involved in operating the research reactor, guidelines were evolved for developing and implementing the surveillance and In-Service Inspection programme for research reactors Cirus (40 MWt) and Dhruva (100 MWt) located at Bhabha Atomic Research Centre, Trombay, Mumbai, India. Paper describes the approach adopted for formulation of surveillance and In-service Inspection programme for Dhruva reactor in detail.
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Abbas, Sohrab, S. Désert, and V. K. Aswal. "High intensity multi beam design of SANS instrument for Dhruva reactor." In DAE SOLID STATE PHYSICS SYMPOSIUM 2015. Author(s), 2016. http://dx.doi.org/10.1063/1.4947824.

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Desai, Shraddha S., Shylaja Devan, Amrita Das, S. M. Patkar, and Mala N. Rao. "Neutron beam flux monitors in coaxial and planar geometry for neutron scattering instruments at Dhruva reactor." In DAE SOLID STATE PHYSICS SYMPOSIUM 2017. Author(s), 2018. http://dx.doi.org/10.1063/1.5028782.

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Desai, Shraddha S., Sohrab Abbas, V. K. Aswal, Vaibhav B. Kulkarni, Rohit Chandak, and Mala N. Rao. "High efficiency 1D position sensitive neutron detectors in fan like 2D structure for SANS instrument at Dhruva." In DAE SOLID STATE PHYSICS SYMPOSIUM 2019. AIP Publishing, 2020. http://dx.doi.org/10.1063/5.0017125.

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Kumar, Manish, Sohrab Abbas, L. S. Choughule, J. V. Joshi, D. Ray, S. S. Desai, T. P. Sabharwal, et al. "Design and development of multi 1-dimensional position sensitive detectors housing-shielding setup for small angle neutron scattering instrument at Dhruva." In DAE SOLID STATE PHYSICS SYMPOSIUM 2018. AIP Publishing, 2019. http://dx.doi.org/10.1063/1.5113053.

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F. Lindsay, Robert, and Nassir S. Alnaji and Geraint W. Hughes. "Depositional cyclicity and palaeoenvironments of the Middle Dhruma Formation, Saudi Arabia." In GEO 2008. European Association of Geoscientists & Engineers, 2008. http://dx.doi.org/10.3997/2214-4609-pdb.246.222.

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W. Hughes, Geraint, Robert Lindsay, Nassir Naji, Peter D.Jenden, Nigel Hooker, Franz O. Meyer, and Christopher Toland. "The Dhruma Formation of Saudi Arabia: Bajocian to Bathonian Micropalaeontology and Sedimentology." In GEO 2010. European Association of Geoscientists & Engineers, 2010. http://dx.doi.org/10.3997/2214-4609-pdb.248.186.

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Kadar, A. P., S. Crespo de Cabrera, K. A. Karam, and G. Al-Sahlan. "Biostratigraphy and Palaeoenvironments of the Middle Jurassic Dhruma and Sargelu Formations, Onshore Kuwait." In Fifth EAGE Arabian Plate Geology Workshop 2015. Netherlands: EAGE Publications BV, 2015. http://dx.doi.org/10.3997/2214-4609.201411954.

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Babalola, Lamidi O., Aviandy W. Ismanto, Septriandi A. Chan, Osman M. Abdullatif, and Michael A. Kaminski. "MICROFACIES AND DEPOSITIONAL ENVIRONMENTS OF THE BATHONIAN-BAJOCIAN MIDDLE DHRUMA CARBONATES, CENTRAL SAUDI ARABIA." In GSA Annual Meeting in Indianapolis, Indiana, USA - 2018. Geological Society of America, 2018. http://dx.doi.org/10.1130/abs/2018am-325147.

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