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1
Evans, Fred, and Louis Jacob. "Dialogisme et droits de l’Homme au Chiapas." Cahiers de recherche sociologique, no. 36 (April 28, 2011): 75–104. http://dx.doi.org/10.7202/1002265ar.
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À partir d’une analyse issue de la théorie du discours de Mikhaïl Bakhtine, on reconnaît une problématique à caractère dialogique dans le contexte du soulèvement déclenché par le mouvement zapatiste au Mexique. Bakhtine a en effet développé une conception du dialogisme où sont définies les notions de plurilinguisme, d’hybridation et de compréhension de la multiplicité des « voix » habitant chaque discours. Le discours zapatiste, dans la manière dont il prend la forme et dans sa composition même, ainsi que dans son opposition au discours officiel du pouvoir dans la société mexicaine, représente une telle position dialogique en mettant en scène une diversité de voix qui réclament leur reconnaissance politique dans la perspective des droits de l’Homme et du droit des peuples à l’autodétermination.
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Peeters, Kris. "Traduction, retraduction et dialogisme." Meta 61, no. 3 (March 23, 2017): 629–49. http://dx.doi.org/10.7202/1039222ar.
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Cet article cherche à explorer ce que le dialogisme bakhtinien pourrait signifier pour la poétique de la traduction littéraire. À partir de la théorie du discours de Bakhtine, il est argumenté que la traduction relève d’un processus de création dialogique qui est décrit comme l’incorporation, dans le « créé » de la forme du texte traduit, du « donné » d’un matériau à traduire qui relève de la fondamentale non-équivalence du discours d’autrui. Au binarisme différentiel des formes supposées « équivalentes » d’un « texte source » et d’un « texte cible » se substitue ainsi une poétique inclusive qui considère le texte « original » comme un texte non traduit et le texte traduit comme un original dont la forme nouvellement créée incorpore le matériau à traduire du discours d’autrui. Laretraduction, qui plus est, est une double prise de position dialogique, vis-à-vis d’un « donné » qui comprend le matériau à traduire, mais aussi les formes par lesquelles les premières traductions ont dialogiquement incorporé ce matériau. À partir d’analyses du dialogisme des retraductions anglaises deL’Étrangerde Camus (Kaplansky 2004) et deNanade Zola (Brownlie 2006) et de la retraduction française d’Ulyssesde Joyce (Hoepffner 2011), il est montré comment la retraduction redéfinit et intensifie les intersections dialogiques entre textes, langues et cultures. Bref, les retraductions étudiées ne sont guère, comme le voudrait laretranslation hypothesis, plus « sourcières », mais plus ouvertement dialogiques, c’est-à-dire à-la-fois-sourcières-et-ciblistes, que les premières traductions.
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Frédéric, François, and Dóris De Arruda C. da Cunha [Tradução]. "Dialogismo das “vozes” e heterogeneidade constitutiva do sentido. O “literário”: semelhanças e diferenças de acentuação em Volochinov, Bakhtin e Vigotski." Fórum Linguístico 13, no. 2 (July 3, 2016): 1260. http://dx.doi.org/10.5007/1984-8412.2016v13n2p1260.
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http://dx.doi.org/10.5007/1984-8412.2016v13n2p1260Tradução do artigo Dialogisme des “voix” et hétérogénéité constitutive du “sens”. Le “savoir”, le “quotidien” et le “littéraire”, communauté et différences d’accentuation chez Volochinov, Bakhtine et Vygotzki. Une contribution indirecte à la pédagogie du “texte littéraire”, de Frédéric François.
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Stévance, Sophie. "Une lecture dialogique de l’improvisation libre et collective en musique actuelle et en contact-improvisation." Les Cahiers de la Société québécoise de recherche en musique 13, no. 1-2 (September 21, 2012): 117–25. http://dx.doi.org/10.7202/1012357ar.
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Cet article propose une analyse de l’improvisation en musique actuelle, un courant musical d’avant-garde qui s’est développé au Québec en 1979, à la lumière du contact-improvisation (mouvement chorégraphique apparu aux États-Unis en 1972). L’objectif est de comprendre la nature de ces arts improvisés où le rapport avec autrui en est le fondement. Comment l’individu et l’autre agissent-ils l’un sur l’autre? Comment prennent-ils la place qui leur revient dans le cadre d’un même processus conversationnel en cours? Le dialogisme selon Bakhtine, ici considéré comme métaphore, permet d’illustrer les interactions en jeu dans la musique actuelle et le contact-improvisation. Le dialogisme offre également l’occasion d’interroger la notion d’improvisation libre et collective, dont la musique actuelle et le contact improvisation sont les dignes représentants.
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Li, Miao. "Dialogisme dans les "Lettres chinoises" (1739-1740) du marquis d’Argens." Convergences francophones 6, no. 2 (May 23, 2020): 20–28. http://dx.doi.org/10.29173/cf559.
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Benveniste (91) distingue le dialogue et la citation comme formes spécifiques de la communication humaine, ce qui permet à celle-ci de se constituer en langage. On remarque que le dialogue et la citation sous-tendent l’existence d’une autre personne, ce qui signifie que le langage lui-même implique l’altérité. Quant à Bakhtine, il insiste sur le caractère inéluctablement polyphonique, dialogique, de tout discours: « tout énoncé, depuis la réplique d’un dialogue jusqu’au traité scientifique comporte un commencement absolu et une fin absolue marqués par la prise de parole de l’autre » (Amorim 83). Toute œuvre, à l’étape initiale et à l’étape de l’achèvement, tient compte du « type du destinataire » et de « la spécificité du rapport du locuteur à l’autre » (86).
En effet, dans le roman épistolaire, les échanges entre destinateurs et destinataires sont des instances linguistiques communicatives qui confrontent directement le Moi et l’Autre. Qui plus est, le paratexte s’impose comme une autre forme de dialogue entre l’auteur et le lecteur pour mieux présenter cet Autre. À travers l’étude de diverses formes de dialogisme présentées dans les Lettres chinoises du marquis d’Argens, notre article vise à mettre en évidence les facteurs réunis pour que les personnages chinois et le savoir sur la Chine participent à la réévaluation des valeurs et de la réalité françaises du siècle des Lumières.
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Marcuzzo, Patrícia. "Diálogo inconcluso: os conceitos de dialogismo e polifonia na obra de Mikhail Bakhtin." Cadernos do IL 1, no. 36 (March 6, 2008): 2–10. http://dx.doi.org/10.22456/2236-6385.18908.
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Dialogismo e polifonia são dois conceitos importantes na obra de Bakhtin acerca dos quais a crítica atual tem debatido com frequência (ver, por exemplo, os trabalhos de BRAIT, 1996, FARACO, 1996, BARROS, 2003 e BEZERRA, 2008). No entanto, muitas vezes, eles são utilizados como sinônimos em alguns trabalhos (BARROS, 2003, p. 5; EMERSON, 2003, p. 164). Portanto, o objetivo do presente artigo é discutir os conceitos de dialogismo e polifonia a partir de uma revisão da literatura, buscando definir e distinguir tais conceitos. PALAVRAS-CHAVE: Dialogismo – Polifonia – BakhtinABSTRACT: Dialogism and polyphony are two important concepts in Bakhtin’s work which have been often discussed by the critics (see, for example, BRAIT, 1996, FARACO, 1996, BARROS, 2003 and BEZERRA, 2008). However, they are frequently adopted as synonyms in some works (BARROS, 2003, p. 5; EMERSON, 2003, p. 164). Thus, the objective of the present paper is to discuss the concepts of dialogism and polyphony based on a review of literature, aiming at defining and distinguishing these concepts.KEY-WORDS: Dialogism – Polyphony – Bakhtin
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DUMONT, FRANÇOIS. "LA POÉSIE À DISTANCE." Dossier 42, no. 2 (May 29, 2017): 35–45. http://dx.doi.org/10.7202/1039914ar.
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Bien qu’André Belleau n’ait vraisemblablement jamais écrit que des poèmes de jeunesse, la poésie a joué un rôle important dans son parcours et sa pensée. Il faut d’abord noter la prégnance de la poésie dans la revue Liberté, qui a été pour Belleau, comme il le souligne lui-même, un milieu d’apprentissage déterminant. Du point de vue théorique, la poésie joue également un rôle central, cette fois comme repoussoir par rapport aux définitions de la littérature basées sur le genre poétique : marqué par la pensée de Mikhaïl Bakhtine, Belleau met en valeur le dialogisme du roman, mais il souligne aussi la part d’essai de la littérature, dimension qui serait masquée par la domination théorique de la poésie. À plusieurs égards, la poésie prend ainsi figure d’adversaire. Cependant, elle reste pour Belleau, tout au long de sa vie, une forme artistique primordiale, comme en témoignent ses traductions de poèmes de Nelly Sachs et comme on le voit dans certains articles et dans ses cahiers de lecture.
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Branco, Nanci Moreira, and José Reinaldo F. Martins Filho. "EUCARISTIA E DIALOGISMO NA SACRAMENTUM CARITATIS." INTERAÇÕES - Cultura e Comunidade 10, no. 18 (December 31, 2015): 93. http://dx.doi.org/10.5752/p.1983-2478.2015v10n18p93.
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<div class="page" title="Page 1"><div class="layoutArea"><div class="column"><p>Ao longo de nossa pesquisa temos realçado as diferentes maneiras de nos aproximarmos do discurso religioso, sobretudo em vista do que entendemos por seu caráter ideológico e repleto de dialogismos. Neste trabalho, partiremos do que é desenvolvido por Bakhtin e seu círculo ao tratarem o discurso como uma construção dinâmica e responsiva. Em suma, trata-se de analisar a relação entre Eucaristia e dialogismo, tomando como objeto a exortação apostólica Sacramentum Caritatis, do atual papa emérito Bento XVI. Entre outros, serão demonstrados elementos tais como, o aspecto alegórico da Eucaristia como rito, cujo significado vai muito além do nível meramente conceitual. Além disso, também serão realçadas algumas questões polêmicas e sua relação com o dialogismo ao longo do documento, entre elas: a Eucaristia e a questão da verdade no cristianismo, a Eucaristia e a indissolubilidade do matrimônio, a Eucaristia e a defesa da vida humana e o sentido do repouso e do trabalho. Em suma, pretendemos contribuir no fortalecimento das discussões e da compreensão em torno do tema proposto, bem como dos demais interesses que lhe são correlatos, num entrelaçamento de vozes as quais esta pesquisa também deseja suscitar.</p><p><span>P</span><span>ALAVRAS</span><span>-C</span><span>HAVE</span><span>: </span><span>Dialogismo. Eucaristia. Bakhtin. </span><span>Sacramentum Caritatis</span><span>. </span></p><p><span>A</span><span>BSTRACT </span></p><p><span>Over the course of our research we have highlighted the different ways to approach the religious discourse, especially in view of what we mean by ideological and full of character dialogismos. In this work we leave than is developed by Bakhtin and his circle to treat the speech as a dynamic and responsive construction. In short, it is to analyze the relationship between the Eucharist and dialogism taking as objectSacramentum Caritatis the Apostolic Exhortation, the current Pope Emeritus Benedict XVI. Among others, elements will be demonstrated such as the allegorical aspect of the Eucharist as a rite whose meaning goes beyond the merely conceptual level. Also, they will also be highlighted some controversial issues and their relationship to dialogism throughout the document, including: the Eucharist and the question of truth in Christianity, the Eucharist and the indissolubility of marriage, the Eucharist and the defense of human life and sense of home and work. In short, we aim to contribute to the strengthening of discussions and understanding around the proposed theme as well as other interests that are related in an interweaving of voices which this research would also like to raise. </span></p><div class="page" title="Page 1"><div class="layoutArea"><div class="column"><p><span>K</span><span>EYWORDS</span><span>: </span><span>Dialogism. Eucharist. Bakhtin</span><span>. Sacramentum Caritatis </span></p></div></div></div><p><span><br /></span></p></div></div></div>
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Brandist, Craig. "Ethics, Politics and the Potential of Dialogism." Historical Materialism 5, no. 1 (1999): 231–54. http://dx.doi.org/10.1163/156920699100414526.
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AbstractWhen, in the early 1980s the ideas of post-structuralism seemed rampant within academic critical theory, the appearance of the flawed English translation of Mikhail Bakhtin's central essays on the novel seemed to offer a very promising alternative perspective.1 Bakhtin's model of discursive relations promised to guard the specificity of discourse from being obscured by a web of determinations, while allowing the development of an account of the operations of power and resistance in discourse that could avoid the nullity of Derrida's hors-texte and the irresponsible semiotic hedonism of the later Barthes. Marxist theorists such as Raymond Williams, Terry Eagleton and Allon White immediately and effectively seized upon the translated work of the Bakhtin circle to bolster their arguments, but, as translations of the earlier and later philosophical material appeared, it became apparent that the relationship between work of the circle and the Marxist tradition was very problematic. With this, the American anti-Marxist Slavists – some of whom had been responsible for certain of these translations – moved onto the offensive, arguing that Bakhtin's work was fundamentally incompatible with, and in principle hostile to, Marxism. Occasionally, they went further, arguing that Bakhtin was quite unconcerned with politics and questions of power, being an ethical, or even a religious philosopher before all else. The Americans did have a point. Bakhtin certainly was not a Marxist and the Marxism of some of his early colleagues and collaborators was of a rather peculiar sort. Furthermore, the key problematic area was indeed Bakhtin's ethics which, it became ever more apparent, underlies his most critically astute and productive work and serves to blunt its political edge. Important points of contact between the work of the Bakhtin circle and Marxist theory do persist, however, as Ken Hirschkop and Michael Gardiner, among others, have continued to register. In this article, examining some of the sources of Bakhtin's philosophy, which have only just been revealed in the new Russian edition of his work, we shall analyse the features of Bakhtin's ethics that stifle the political potential of dialogic criticism, and we will suggest ways in which that potential may be liberated.
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Amaral, Aquiles Pereira do, Elisabete Dos Santos Silva, Núbia Lafaete Santos Viana, and Gláucia Moreira dos Santos. "A História da Interpretação Bíblica Patrística e o Dialogismo de Bakhtin / The History of Biblical Patristic Interpretation and Bakhtin's Dialogism." ID on line REVISTA DE PSICOLOGIA 14, no. 50 (May 30, 2020): 1071–86. http://dx.doi.org/10.14295/idonline.v14i50.2497.
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O presente ensaio objetiva apresentar uma breve história da interpretação bíblica no período chamado Patrística até o seu término por volta dos anos 604 da era cristã, bem como compreender os discursos da história da igreja na perspectiva do dialogismo de Bakhtin. Trata-se de uma reflexão teórica dividida nas seguintes secções: A exegese judaica; A exegese dos pais da igreja primitiva e Bakhtin e sua visão de dialogismo. Foi realizado leitura exaustiva e flutuante de artigos e livros encontrados com abordagens especificas sobre a temática. Conclui-se que, a história da interpretação bíblica mostra um período de grande perseguição e conflitos ideológicos, influenciada pelos pensamentos filosóficos gregos, a cultura judaica e suas mais implacáveis seitas (gnósticas)que no decorrer dos anos dos pais da igreja tentaram implementar outros conceitos contrários a fé crista e comportamentos difusos e dissonantes com a proposta cristã da época. E na percepção de Bakhtin, o discurso de cada escola de interpretação bíblica é enviesado de sua práxis e não existe uma relação pura e única, tudo estava atrelada ao sistema social que envolvia cada autor. Os signos determinavam as suas percepções da realidade.
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Dias Silveira, Paloma, and Margarete Axt. "Pesquisa, Dialogismo e Produção de Sentidos / Research, dialogism and meaning production." Revista Polis e Psique 5, no. 2 (March 3, 2015): 69. http://dx.doi.org/10.22456/2238-152x.53954.
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O presente artigo discute a prática de pesquisa em ciências humanas a partir do conceito de dialogismo, desenvolvido pelo filósofo Mikhail Bakhtin. A teoria dialógica bakhtiniana possibilita pensar a relação pesquisador-pesquisado no escopo da investigação que trabalha com a intervenção no campo. Além disso, a interlocução desta teoria com a filosofia de Henri Bergson adensa nossa reflexão na perspectiva da produção de sentidos na análise realizada pelo pesquisador, desviando de lógicas deterministas que conduzem à fixação de um único sentido durante o exercício da interpretação.
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Marcolino Leal, José Luciano, Wilder Kleber Fernandes De Santana, and Pedro Farias Francelino. "OLHARES EPISTÊMICOS E(M) RELAÇÕES DIALÓGICAS: O GÊNERO DISCURSIVO CAPA DE REVISTA." Revista DisSoL - Discurso, Sociedade e Linguagem, no. 9 (July 9, 2019): 36. http://dx.doi.org/10.35501/dissol.v0i9.548.
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Resumo: Este trabalho delimitou como categorias para o estudo o dialogismo e o discurso, constitutivas do pensamento de Bakhtin, Volóchinov e Medviédev. Para tanto, selecionou-se como corpus a uma dascapas da revista IstoÉ, Nº 2548, publicada em 24 de outubro de 2018, no intuito de averiguar a incidência das relações dialógico-discursivas para concretização dos enunciados verbo-visuais. Embasada na teoria dosgêneros discursivos proposta e desenvolvida por Bakhtin (2006 [1979], esta pesquisa procurou discursivizar os elementos presentes na capa da revista IstoÉ, a qual trouxe, como tema central, a candidatura do presidenciável petista Fernando Haddad.Palavras-chave: Dialogismo; Discurso; Gênero discursivo; Capa de revista; IstoÉ EPISTEMIC GLANCES IN DIALOGICAL RELATIONS: THE DISCURSIVE GENRE MAGAZINE COVERAbstract: This paper delimited delimited as categories for the study the dialogism and the discourse, constitutive of the thought of Bakhtin, Volóchinov and Medviédev. For this purpose, it was selected as a corpus for one of the covers of IstoÉ magazine, Nº 2548, published on October 24, 2018, in order to investigate the incidence of dialogical-discursive relations for the concretization of verb-visual statements. Based on the theory of discursive genres proposed and developed by Bakhtin (2006 [1979]), this research sought to discoursing the elements present in the cover of IstoÉ magazine, which brought, as central theme, the candidacy of the presidential candidate Fernando Haddad.Keywords: Dialogism; Speech; Discursive genre; Magazine cover; IstoÉ
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Ecco, Clóvis, and José Reinaldo Martins Filho. "Hibridisms and Dialogy in the Folia dos Santos Reis: an Introdution." Fragmentos de Cultura 27, no. 4 (February 27, 2018): 606. http://dx.doi.org/10.18224/frag.v27i4.6051.
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In this work we chose to approach the concept of dialogism developed by Bakhtin and his circle in treating discourse as a dynamic and responsive construction, and the notion of hybridization, also present in Bakhtin, but, in our view, best presented by Canclini in his analysis of contemporary culture. Starting from these two theoretical approaches, we will try to establish a dialogue between the concepts of dialogism and hybridization, elucidating them through examples extracted from the specific context of Folia de Reis. Among other contributions, this will help us to understand the creative reciprocity existing between the dictates of the sacred and the profane, without one necessarily having to cancel out for the other to take effect.
Hibridismos e Dialogia na Folia dos Santos Reis:
uma Introdução
Neste trabalho optamos por abordar o conceito de dialogismo desenvolvido por Bakhtin e seu círculo ao tratarem o discurso como uma construção dinâmica e responsiva, e a noção de hibridação, também presente em Bakhtin, mas, a nosso ver, melhor apresentada por Canclini em suas análises sobre a cultura contemporânea. Partindo destas duas abordagens teóricas, tentaremos estabelecer diálogo entre os conceitos de dialogismo e hibridação, elucidando-os por meio de exemplos extraídos do contexto específico da Folia de Reis. Entre outras contribuições, isso nos ajudará a entender a reciprocidade criativa existente entre os ditames do sagrado e do profano, sem que um tenha que, necessariamente, se anular para que o outro se efetive.
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Kovács, Gábor. "What has Happened to the Object?" Dostoevsky Journal 16, no. 1 (April 25, 2015): 67–78. http://dx.doi.org/10.1163/23752122-01601009.
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It is well known that one of the most important questions of Bakhtin’s theory of discourse (теория прозаического слова) is the “image in artistic prose” (образ прозаического слова). In his widely read essay Discourse in the Novel, Bakhtin gives a detailed analysis of the word (слово), which “on all its various routes toward the object, in all its directions, [the word] encounters an alian word and cannot help encountering it in a living, tension-filled interaction”. Bakhtin named this phenonemon “the internal dialogism of the word”. According to his theory, the specificity of prose language (the “image in artistic prose”) consists of this kind of dialogism. There is a common process in each and every short story and novel: the prose language always prevents “the intention of the word, that is, its directionality toward the object”. Prose language sets the word against all the alien words and evaluations that are directed toward the same object. That is how the “dialogized image” emerges. While the subject of discourse seems to disappear behind the mass of words, the image of the object manifests itself in its greatest richness. It is easy to apply Bakhtin’s prose theory to the analysis of those words that are directed toward non-ostensive objects in a short story or a novel. In the cases of words like crime, punishment, war, peace, pride, prejudice, sense, sensibility and so on, the directed objects are non-ostensive, they have a discursive mode of being, so they are open to dispute. But prose language has another special aspect that is said to be―by other theroists―as typical as dialogism: the detailed description or depiction. Descriptive discourse in prose language always uses words that are directed to ostensive objects―to familiar objects that are hard to argue for or against. It is quite rare to hear quarrels over the meaning of words like chair, table, window, room, tree, knife and so on; and obviously it would be going too far to say that all these words “form concepts of their objects in a dialogic way”. But all these do not mean that the descriptive utterances of prose language are lacking in dialogism. My main aim is to revise and re-define the analysis of the processes of descriptive discourse in prose language with the help of Bakhtin’s theory of dialogism. How does prose language over-dialogize all those words that are directed toward ostensive objects? What happens to the ostensive object when it becomes a verbal “image in artistic prose”? A short story by Jack London―The Law of Life―will help me to develop these problems.
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Killoran, John B. "ePluribus UNUM? Dialogism and Monologism in Organizational Web Discourse." Journal of Technical Writing and Communication 35, no. 2 (April 2005): 129–53. http://dx.doi.org/10.2190/ja8h-jfd6-58ld-rgtd.
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This article draws on the principles of linguistic theorist Mikhail Bakhtin to analyze and explain discursive diversity in organizational Web pages. Organizational Web sites must typically appeal to multiple audiences, a condition that often results in different discourses being juxtaposed within the same interface. To analyze and explain the effects of such juxtapositions, this article adapts to the Web the principles that Bakhtin developed to conceptualize discursive diversity in the novel, in particular his concept of dialogism. To illustrate their efficacy, the article applies these principles to analyze a pair of government Web sites about forests, the forest industry, and the environment. Whereas the homepages of the two sites project divergent approaches to the discourses of their diverse audiences, a dialogic analysis of the new site's deeper levels reveals how the government's discursive strategy appears to favor one audience at the expense of others. Drawing on this case study, this article discusses how an approach informed by Bakhtin's principles can illuminate our analysis of organizational Web discourse.
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Nesbet, Anne, and Michael Holquist. "Dialogism. Bakhtin and His World." Slavic and East European Journal 37, no. 1 (1993): 122. http://dx.doi.org/10.2307/308638.
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Souza, Solange Jobim e., and Cíntia De Souza Carvalho. "Ética e pesquisa: o compromisso com o discurso do outro / Ethics and Research: the commitment with the other’s discourse." Revista Polis e Psique 6, no. 1 (January 6, 2016): 98. http://dx.doi.org/10.22456/2238-152x.61385.
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ResumoO objetivo deste artigo é discutir o ato de pesquisar em ciências humanas, tendo como foco a produção escrita. Assim sendo, buscamos definir o que entendemos por escrever com o outro, a partir do pesquisar com. O que está em pauta é uma postura metodológica, que tem como referência a filosofia da linguagem de Mikhail Bakhtin, cujo fundamento é assumir o interlocutor da pesquisa como parceiro e coautor. O compromisso ético com o discurso do outro tem como premissa os conceitos de dialogismo e alteridade para iluminar o encontro com o outro no campo e, posteriormente, na escrita do texto. Esse modo de atuar instaura alguns questionamentos éticos, tal como a exigência do anonimato, e problematiza a forma como o consentimento livre e esclarecido é tratado na pesquisa. Em síntese, narrar uma pesquisa não é só registrar os acontecimentos, mas consiste em um trabalho político de afirmação de algumas verdades em detrimento de outras.Palavras-chave: ética; dialogismo; alteridade; escrever com; pesquisar com. AbstractThis article discusses the act of research in Human Sciences which focuses on the production of writing. Thus, starting from the conceptual foundation of researching with, we seek to define what we mean by writing with the other. What is at stake is a methodological approach which accepts the interlocutor of research as partner and co-author, an approach based on Mikhail Bakhtin’s philosophy of language. The ethical commitment to the other’s discourse is premised on the concepts of dialogism and alterity to illuminate the encounter with the other in the field and, subsequently, in the written text. This way of working poses ethical questions—such as conditions of anonymity—and problematizes the way in which consent is accorded and treated in the research. In short, relating research findings is not just about recording events. It consists in the affirmation of certain truths at the expense of others as political activity.Keywords: ethics; dialogism; alterity; writing with, researching with.
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Petrilli, Susan. "Dialogue, responsibility and literary writing: Mikhail Bakhtin and his Circle." Semiotica 2016, no. 213 (November 1, 2016): 307–43. http://dx.doi.org/10.1515/sem-2015-0094.
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AbstractMikhail Bakhtin cannot be discussed without discussing his friends and collaborators forming the Bakhtin Circle. The name Bakhtin itself announces a polyphony of different voices and viewpoints, internally to Bakhtin’s own voice and externally, all evidencing the word’s capacity for dialogism and otherness, the possibility of cohabitation and interference among different voices in the same word, the propensity for participative listening, ultimately the inevitability of responsiveness/responsibility toward the other, that is, the other’s singularity. The name “Bakhtin” or, better, the expression “Bakhtin Circle,” offers a concrete perspective for a world constructed in terms of multiplicity, diversity, and hospitality toward the other. This essay presents some characteristic aspects of Bakhtinian philosophy, keeping account of the writings collected in the 2014 bilingual volume Opere 1919–1930, presented by the renowned Italian Bakhtin scholar Augusto Ponzio.
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Manshur, Fadlil Munawwar. "TEORI DIALOGISME BAKHTIN DAN KONSEP-KONSEP METODOLOGISNYA." SASDAYA: Gadjah Mada Journal of Humanities 1, no. 2 (August 28, 2017): 235. http://dx.doi.org/10.22146/sasdayajournal.27785.
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This paper discusses the theory advanced by Bakhtin about dialogism and methodological concepts. This theory to formulate the concept of human existence on the other, which is based on the idea that humans judge him from the viewpoint of others. Humans understand the moments of consciousness and take it into account through the eyes of others. According to this theory, the essence of human life is a dialogue. The Method of heteroglossia talks about signs in the universe of individuals because of the word "heteros" means "other" or different, while "glossia" means the tongue or language. In this method mentioned that people are saying needs to be heard, and the author also has the same rights that words need to be heard. A word is born from dialogue to address the problems of life. On the other hand, Bakhtin sees carnival method has spawned a new literary genre, the polyphonic novel. The polyphonic novel is a novel that is characterized by a plurality of voice or consciousness, and the voices or the overall awareness dialogical. Polyphonic essentially a "new theory of authorial viewpoint". Polyphonic appear in fiction when the position of the author freely allowed to interact with the characters. The characters in the novel are freely polyphonic appear to argue with each other and even with the author.
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Osovsky, O. E. "Bakhtin in Shanghai. ‘Chinese lessons’ for Bakhtin studies." Voprosy literatury, no. 2 (May 27, 2019): 207–33. http://dx.doi.org/10.31425/0042-8795-2019-2-207-233.
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The philosopher M. Bakhtin occupies a unique place in the process of shaping of a new humanistic paradigm. Amid the 1960s crisis in the West, Bakhtin’s key concepts, from ‘carnival’ and ‘polyphony’ to ‘dialogism’, provided a foundation for a common communication code for the humanities, which helped participants of the dialogue to find their mutual points of interest. The 16th International Bakhtin Conference ‘Bakhtin in the Post-Revolutionary Era’, which took place in Shanghai in September 2017, prompted the author to ponder the modern state of international Bakhtin studies and identify certain trends, especially noticeable in the Chinese context of the studies. The multistage reception of his ideas in Russia and abroad reveals a changing treatment of his legacy, much in demand these days, which are typified by a crisis of the humanities. Bakhtin’s stance during and after the revolution, as well as his internal approval of evolutionary, rather than revolutionary, changes in social and cultural history, which are particularly relevant today, suggest that his ideas can be used in the context of polyphonic thinking and new, e. g. digital, technologies.
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Sousa, Claudemir. "Produção textual e autoria em ambiente virtual de aprendizagem: uma escrita dialógica / Textual production and authorship in virtual learning environment: a dialogical writing." Texto Livre: Linguagem e Tecnologia 10, no. 2 (December 28, 2017): 308–23. http://dx.doi.org/10.17851/1983-3652.10.2.308-323.
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RESUMO: As possibilidades oferecidas pelas ferramentas tecnológicas para a produção de texto afetam sobremaneira a concepção que temos de escrita e de autoria. Neste artigo, objetivamos discutir uma concepção dialógica de escrita e de autoria, tendo como objeto de análise uma interação virtual escrita realizada por estudantes de uma universidade pública do estado de São Paulo. Essa discussão está ancorada nos pressupostos teóricos de Mikhail Bakhtin e seus interlocutores contemporâneos acerca das categorias teóricas autor e dialogismo, bem como em estudos sobre os impactos do uso de ferramentas tecnológicas na produção textual para a relação com a escrita e a autoria, sobretudo em Ambientes Virtuais de Aprendizagem. Concluímos que a escrita no Ambiente Virtual de Aprendizagem ocorre em um processo dialógico entre alunos, professor(es) e textos outros, havendo convergências ou divergências quando os alunos assumem o lugar de autor que organiza vozes.PALAVRAS-CHAVE: escrita; autoria; dialogismo; ambiente virtual de aprendizagem.ABSTRACT: The possibilities offered by the technological tools for the production of text greatly affect the conception we have of writing and authorship. In this article, we aim at discussing a dialogical conception of writing and authorship, by analyzing a virtual written interaction made by students of a public university in the state of São Paulo. This discussion is anchored in the theoretical assumptions of Mikhail Bakhtin and his contemporary interlocutors about the theoretical categories of author and dialogism, as well as on studies about the impact of the use of technological tools in textual production on the relationship with writing and the authorship, especially in virtual learning environments. We conclude that writing in the Virtual Learning Environment occurs in a dialogical process between students, teacher(s) and other texts, occurring convergences or divergences when students take the place of author who organizes voices.KEYWORDS: writing; authorship; dialogism; virtual learning environment.
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Belleau, André. "Du dialogisme bakhtinien à la narratologie." Études françaises 23, no. 3 (1987): 9. http://dx.doi.org/10.7202/035722ar.
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Castro, Marilda De Souza. "Paisagens e vozes da hostória/histórias." Revista do Centro de Estudos Portugueses 21, no. 29 (December 31, 2001): 19. http://dx.doi.org/10.17851/2359-0076.21.29.19-48.
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<p>O presente ensaio visa a estabelecer um diálogo entre Literatura e História a partir da abordagem de aspectos da obra <strong>Romanceiro da Inconfidência </strong>de Cecília Meireles. Pretendo analisar a paisagem de fragmentos, cacos e ruínas fixada em alguns poemas lapidares da obra ceciliana, aproximando-a a conceitos caros para Walter Benjamin. Focalizarei também a polifonia de vozes que se faz presente à luz da teoria do dialogismo de Mikhaíl Bakhtin.</p> <p> </p><p>Cet étude a le but d'établir un dialogue entre Ia Littérature et 1'Histoire, dans 1'oeuvre <strong>Romanceiro da Inconfidência </strong>de Cecília Meireles. On se rapportera à un paysage de fragments et mines, sous un point de vue de Ia conception de PHistoire de Walter Benjamin, bien aussi d'autres concepts importants pour ce philosophe allemand. On fera aussi des réflexions sur le dialogisme présent dans 1'oeuvre en se rapportant à des théories de Mikhaíl Bakhtin.</p>
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Zou, Hang. "On Linguistic Philosophy of Mikhail Bakhtin and Hallidayan Systemic Functional Linguistics." Journal of Language Teaching and Research 9, no. 2 (March 1, 2018): 367. http://dx.doi.org/10.17507/jltr.0902.19.
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It is noteworthy that florid descriptions of interaction between linguistics and the philosophy of language are regularly inspired. In this paper, parallels have been drawn between Bakhtin’s philosophical perspectives and Hallidayan theoretical claims of Systemic Functional Linguistics (SFL). Through the analysis of Bakhtin’s theory of dialogism, heteroglossia, chronotope and metalinguistics, I argue that Hallidayan Systemic Functional Linguistic theory is compatible with Bakhtin’s philosophical perspectives to a great extent in terms of the close relations between speech genre and register, heteroglossia and appraisal theory as well as metalinguistics and metafunctions. It is safe to say that as a precursor, Bakhtin has a profound influence on socio-semioticians like Halliday who has expounded in linguistics.
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Warfield, Bradley. "Dialogical Dasien." Janus Head 15, no. 1 (2016): 63–85. http://dx.doi.org/10.5840/jh201615113.
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In this paper I argue that the Heidegger of Being and Time is a dialogist, and ought to be situated in the tradition of other twentieth-century dialogists like Bakhtin and Gadamer. Specifically, I claim that Heidegger’s conceptions of the “Being-with,” “discourse,” and “solicitude” of Dasein in BT illustrate his endorsement of a conception of dialogicality. There are three advantages to proposing that Heidegger is a dialogist in BT. First, this paradigm offers a more perspicuous vocabulary for describing the discursive nature of Dasein’s Being-in-the-world as a Being-with others. Second, it provides a better way of understanding the normative dimensions of “solicitude.” Lastly, it helps to underscore how Dasein’s identity remains social even in the seemingly individualizing moment of becoming authentic.
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Schaefer, Sérgio. "Dialogismo, polifonia e carnavalização em Dostoiévski." Bakhtiniana: Revista de Estudos do Discurso 6, no. 1 (December 2011): 194–209. http://dx.doi.org/10.1590/s2176-45732011000200013.
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Dostoiévski é o criador, na literatura, de três novas formas artísticas: o dialogismo, a polifonia e a carnavalização. Dostoiévski é o artista. Bakhtin vê com clareza como esse escritor conseguiu conservar em sua criação as tendências históricas da antiga sátira menipeia e, ao mesmo tempo, renová-las. Bakhtin é o crítico. O presente artigo procura mostrar a criação de Dostoiévski através da crítica de Bakhtin.
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Ferreira de Oliveira, Antonio Flavio. "Formas de persuasão e dialogismo." Revista Odisseia 5, no. 1 (April 20, 2020): 84–102. http://dx.doi.org/10.21680/1983-2435.2020v5n1id19573.
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Este artigo representa uma parte de nossa monografia do Curso de Direito. A temática foi tratada pelo prisma dos elementos da prova na Retórica de Aristóteles (2013) e pelos estudos desenvolvidos pelo Círculo de Bakhtin, tais como, Bakhtin (2011; 2015; 2018); Volochínov (2013). O estudo tem o objetivo de investigar a construção discursiva da imagem do réu no discurso de defesa no Tribunal do Júri. Metodologicamente, foi feita uma pesquisa qualitativa interpretativista, em harmonia com o Método Sociológico preconizado pelo Círculo de Bakhtin. O corpus é composto por uma defesa criminal que aconteceu no Tribunal do Júri da Comarca de Alagoinha – PB, no ano de 2017. Como resultado, foi constatado que a imagem do réu foi criada por um discurso fundamentado nas garantias constitucionais fundamentais que o conferem a chamada dignidade da pessoa humana.
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Bubnova, Tatiana. "Bajtín y la hermenéutica." Interpretatio. Revista de Hermenéutica 5, no. 1 (March 10, 2020): 49–68. http://dx.doi.org/10.19130/iifl.it.2020.5.1.0005.
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Bakhtinian hermeneutics did not develop as part of a specific “hermeneutic” discipline, but as an integral aspect of his philosophical anthropology based on communication. Texts,seen as the products of intentional or ethical acts, are conceived as statements that accompany parallel acts, or even constitute acts in themselves. This article aims at understanding the process through which Bakhtin developed a phenomenology of comprehension based on the interpretation of communicative acts embodied in the text, unlike traditional hermeneutics. Bakhtin’s dialogism is self-referred and oriented towards the other person speech, in a specific chronotope. The concept of carnival, a variant of the communicative process which encompasses the sacred and the profane, is also an intrinsic aspect of Bakhtin’s anthropological philosophy.
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Lee, Chin Ching. "Metafictional Dialogism in O. Henry’s Short Stories." English Language and Literature Studies 6, no. 1 (February 26, 2016): 28. http://dx.doi.org/10.5539/ells.v6n1p28.
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<p>According to Mikhail Bakhtin, language is ideologically saturated. The verbal constructs—novelistic discourses as “hybrid constructions” here—are loci where centripetal and centrifugal forces collide. Authorial speech, narrator’s speech, and also characters’ speech are interwoven in the text to exhibit diverse ideas, and to disclose polyphonic textualities. In light of Bakhtin’s aforementioned idea, this paper will discuss O. Henry’s attempts to orchestrate “the voices of the city” in four short stories: “The Gift of the Magi,” “An Unfinished Story,”, “Mammon and the Archer,” and “An Unfinished Christmas Story.” New York is portrayed as an ambivalent setting of prosperity and poverty, of dreams built up and broken. Literary devices such as twist endings, parodic adaptations and incorporated genre not only lay bare the textual fictitiousness, but question the permanency of social systems such as capitalism. In addition, the narrators’ descriptions evoke concerns for the exploited within the text, while the self-reflexive authorial intrusions make comments on the hegemonic capitalism with-out. O. Henry, who “speaks through language,” does succeed in creating texts of heteroglossia. Humanistic compassion for the exploited proletarian and social censure against capitalist violence are both displayed.</p>
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Emerson, Caryl. "The Tolstoy Connection in Bakhtin." PMLA/Publications of the Modern Language Association of America 100, no. 1 (January 1985): 68–80. http://dx.doi.org/10.2307/462201.
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Mikhail Bakhtin's work on Dostoevsky is well known. Less familiar, perhaps, is Bakhtin's attitude toward the other great Russian nineteenth-century novelist, Leo Tolstoy. This essay explores that “Tolstoy connection,” both as a means for interrogating Bakhtin's analytic categories and as a focus for evaluating the larger tradition of “Tolstoy versus Dostoevsky.” Bakhtin is not a particularly good reader of Tolstoy. But he does make provocative use of the familiar binary model to pursue his most insistent concerns: monologism versus dialogism, the relationship of authors to their characters, the role of death in literature and life, and the concept of the self. Bakhtin's comments on these two novelists serve as a good starting point for assessing the strengths and weaknesses of the Bakhtinian model in general and suggest ways one might recast the dialogue between Tolstoy and Dostoevsky on somewhat different, more productive ground.
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Stakhnevich, J. "Book Review: Dialogism: Bakhtin and his World." Discourse Studies 6, no. 4 (November 1, 2004): 537–38. http://dx.doi.org/10.1177/1461445604046593.
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Vice, Sue. "Holquist, M., Dialogism: Bakhtin and his World." Notes and Queries 39, no. 2 (June 1, 1992): 255–56. http://dx.doi.org/10.1093/nq/39.2.255.
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Da Silva, Cristiano Dias. "LITERATURA E FILOSOFIA: Bakhtin e Umberto Eco, intertextualidade e dialogismo na obra “O Nome da Rosa”." Cadernos Cajuína 5, no. 1 (March 31, 2020): 178. http://dx.doi.org/10.52641/cadcaj.v5i1.375.
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<p>O presente artigo tem como objetivo estudar e compreender o conceito de intertextualidade (dialogismo) em Mikhail Bakhtin e Umberto Eco enfatizando possíveis pontos de convergência/divergência entre os dois autores. Nesse sentido, o estudo em questão examina a origem do conceito de dialogismo em Bakhtin que com os estudos de Kristeva passa a ser visto como intertextualidade. Por sua vez, Eco quando estuda a intertextualidade e a desenvolve na prática em seus romances, como por exemplo, “O Nome da Rosa” retoma a ideia de dialogismo de Bakhtin e o conceito de intertextualidade de Kristeva. Mas, em Eco intertextualidade deve ser compreendida dentro da teoria literária pós-moderna como também em relação a sua ampla teoria da interpretação semiológica. Assim, em Eco a intertextualidade se enriquece com novas conotações, principalmente em relação aos conceitos de “enciclopédia cultura” e “mundos possíveis” que se dialogam com as noções de interdiscursividade e dialogismo de Bakhtin.</p>
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Oliveira, Raquel Trentin, and Gérson Werlang. "Dialogismo no romance português contemporâneo." Bakhtiniana: Revista de Estudos do Discurso 8, no. 1 (June 2013): 176–89. http://dx.doi.org/10.1590/s2176-45732013000100011.
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Objetivamos, neste artigo, refletir sobre a constituição dialógica do romance contemporâneo português, retomando, para isso, as contribuições de M. Bakhtin sobre esse gênero literário. Bakhtin enfatiza, nos seus estudos, o discurso bivocal de orientação vária, as interações complexas entre diferentes pontos de vista num mesmo enunciado, que elevariam a um mais alto grau o dialogismo do romance. O romance atual diversifica as formas de transmissão do discurso de outrem, embaralhando as vozes das personagens e exigindo atenção redobrada do leitor para a instituição do sentido. Exemplificamos essa tendência por meio da análise do romance Levantado do chão (1980), do consagrado autor português José Saramago.
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Meyer, Bente Tobiesen. "Et portræt af den dialogiske kunstner." K&K - Kultur og Klasse 26, no. 86 (June 1, 1998): 117–38. http://dx.doi.org/10.7146/kok.v26i86.20972.
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이수원. "Bakhtin’s dialogism in early childhood education." Korean Journal of Early Childhood Education 32, no. 5 (October 2012): 257–75. http://dx.doi.org/10.18023/kjece.2012.32.5.012.
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Petrilli, Susan. "Visualizing Theatrical and Novelistic Discourse with Bakhtin." International Journal of Semiotics and Visual Rhetoric 3, no. 1 (January 2019): 12–31. http://dx.doi.org/10.4018/ijsvr.2019010102.
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A constant vision in Mikhail Bakhtin's works: polyphonic dialogue, this above all in the novel, but his love for theatre should not be neglected. Consequently, a central focus in Bakhtin's reflections is the polyphonic novel which he first identifies in Dostoevsky's novels. Bakhtin establishes a close relation between the novel, popular culture and carnival, evidencing the carnival component of novelistic discourse, therefore of life. Moreover, as he recounts in his 1973 conversations with Victor Duvakin, his interest in the novel overlapped with theatre, in particular the Moscow Art Theatre. In Bakhtin and Theatre, Dick McCaw relates Bakhtin's vision of art and life to theatre as visualized by Stanislavksy, Meyerhold and Grotowski, each of whom operated a “revolution” in their own original terms comparable to the so-called “Bakhtinian revolution” in philosophy of language and literary criticism. With the difficult socio-political events of the time on the background, this essay explores important aspects of the real dialogue between these three masters of the theatre and of the ideal dialogue established between the latter and Bakhtin, thereby creating a special perspective on theatre with special reference to the Bakhtinian concepts of “polyphony” and “dramatization”. Overall are evidenced, for the quality of life, the importance of such values as dialogism, otherness, participative unindifference, creativity which also emerge as characteristics that specify the artwork, whether novelistic or theatrical, thereby showing how art and life are vitally interrelated and capable of enhancing each other.
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Kulcsár-Szabó, Zoltán. "Bakhtin and Lyric Poetry." Dostoevsky Journal 17, no. 1 (November 14, 2016): 44–64. http://dx.doi.org/10.1163/23752122-01701004.
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This essay reopens the issue of lyric monologism. Widely considered as a weak point in Bakhtin’s genre theory, the conception of the monologic structure of lyric poetry has attracted many attempts at corrections of that concept, drawing attention to the unquestionable dialogical tendencies in poetry. Instead of providing further arguments in this vein, the essay provisionally accepts poetry’s monologism as a starting point and discusses some of the key elements of the conception in its early version (that is, Bakhtin’s account of the chorus as lyrical authority in Author and Hero in Aesthetic Activity). In a further step, it addresses Bakhtin’s contradictory approach to the category of trope in poetry, an issue brought to the fore by Paul de Man’s somewhat enigmatic commentary on The Discourse in the Novel. Finally, it raises the question whether there is a real contradiction between the structure of the trope and the internal dialogism attributed to prosaic discourse in Bakhtin’s view. In order to discuss this issue, one has to reconsider Bakthin’s (and Voloshinov’s) notion of “intonational metaphor” and their implicit distinction between dialogism and citationality.
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De Assis, Angelo, and Marcelo Bulhões. "O Dialogismo de Bakhtin no Jornalismo Econômico Brasileiro." Estudos em Jornalismo e Mídia 12, no. 1 (April 17, 2015): 134. http://dx.doi.org/10.5007/1984-6924.2015v12n1p134.
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De Assis, Angelo, and Marcelo Bulhões. "O Dialogismo de Bakhtin no Jornalismo Econômico Brasileiro." Estudos em Jornalismo e Mídia 12, no. 1 (April 17, 2015): 138. http://dx.doi.org/10.5007/1984-6924.2015v12n1p138.
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Guimarães, Eduardo. "Dialogismo, polifonia e intertextualidade. Em tomo de Bakhtin." Língua e Literatura 21 (December 27, 1995): 193. http://dx.doi.org/10.11606/issn.2594-5963.lilit.1995.114555.
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Puzzo, Miriam Bauab. "Dialogismo bakhtiniano e a estilística vossleriana." Bakhtiniana: Revista de Estudos do Discurso 12, no. 1 (April 2017): 131–49. http://dx.doi.org/10.1590/2176-457326367.
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RESUMO O objetivo deste artigo é discutir as relações possíveis entre duas vertentes teóricas do início do século XX: o dialogismo bakhtiniano e a estilística de Vossler. Embora na demonstração de sua prática pedagógica em sala de aula Bakhtin não mencione essa teoria de base, ela ali está presente com algumas variantes que resultam do diálogo tenso com ela estabelecido. Este trabalho objetiva analisar a teoria de Vossler, com o intuito de observar como Bakhtin dialoga com os conceitos vosslerianos no que diz respeito à concepção de língua, gramática e estilo e em que medida se apropria de alguns conceitos em suas anotações de aula.
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Laas, Oliver. "Dialogue in Peirce, Lotman, and Bakhtin: A comparative study." Sign Systems Studies 44, no. 4 (December 31, 2016): 469–93. http://dx.doi.org/10.12697/sss.2016.44.4.01.
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Th e notion of dialogue is foundational for both Juri Lotman and Mikhail Bakhtin. It is also central in Charles S. Peirce’s semeiotics and logic. While there are several scholarly comparisons of Bakhtin’s and Lotman’s dialogisms, these have yet to be compared with Peirce’s semeiotic dialogues. Th is article takes tentative steps toward a comparative study of dialogue in Peirce, Lotman, and Bakhtin. Peirce’s understanding of dialogue is explicated, and compared with both Lotman’s as well as Bakhtin’s conceptions. Lotman saw dialogue as the basic meaning-making mechanism in the semio sphere. Th e benefi ts and shortcomings of reconceptualizing the semiosphere on the basis of Peircean and Bakhtinian dialogues are weighed. Th e aim is to explore methodological alternatives in semiotics, not to challenge Lotman’s initial model. It is claimed that the semiosphere qua model operating with Bakhtinian dialogues is narrower in scope than Lotman’s original conception, while the semiosphere qua model operating with Peircean dialogues appears to be broader in scope. It is concluded that the choice between alternative dialogical foundations must be informed by attentiveness to their diff erences, and should be motivated by the researcher’s goals and theoretical commitments.
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Salgado, João, and Joshua W. Clegg. "Dialogism and the psyche: Bakhtin and contemporary psychology." Culture & Psychology 17, no. 4 (December 2011): 421–40. http://dx.doi.org/10.1177/1354067x11418545.
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The authors argue that dialogical philosophy, and particularly the work of the Bakhtin circle, offers psychology a way to conceptualize and study human experience such that the notion of psyche is preserved and enriched. The authors first introduce the work of the Bakhtin circle and then briefly outline some of the most influential theories of self and psyche. The implications of dialogism for theories of the self are then discussed, focusing on six basic principles of dialogical thought – namely, the principles of relationality, dynamism, semiotic mediation, alterity, dialogicality, and contextuality. Together, these principles imply a notion of psyche that is neither an isolated homunculus nor a disembodied discourse, but is, rather, a temporally unique, agentive enactment that is sustained within, rather than against, the tensions between individual and social, material and psychological, multiple and unified, stable and dynamic. The authors also discuss what this dialogical conception of psyche implies for research, arguing first that dynamic relations, rather than static entities, are the proper unit of psychological study and, second, that a dialogical research epistemology must conceive of truth as a multi-voiced event, rather than as a singular representation of fact. Finally, the authors introduce this special issue and outline the other contributions.
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Faïta, Daniel, and Elisandra Maria Magalhães. "Autoconfrontation et formation des enseignants." Revista Linguagem em Foco 13, no. 1 (June 4, 2021): 409–36. http://dx.doi.org/10.46230/2674-8266-13-5473.
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Cet entretien, qui nous a été accordé par le linguiste et analyste du travail Daniel Faïta, visait à susciter un dialogue sur l’utilisation du cadre théorique et méthodologique de l’autoconfrontation dans les recherches récentes sur la formation des enseignants. La discussion part d’études et d’interventions menées en France, dans le cadre de l’analyse du travail, qui ont donné lieu à l’autoconfrontation à la fin des années 1980 (FAÏTA, 1989). Le processus autoconfrontatif, fortement basé sur le dialogisme bakhtinien et visant, selon Clot et Faïta (2000), à créer les conditions favorables à l’analyse et à la transformation de l’activité professionnelle – comme nous l’avons constaté dans l’entretien – contribue à provoquer un mouvement dialogique et interactif qui amène les sujets impliqués dans le processus à comprendre le travail d’enseignement et, par conséquent, à collaborer à l’amélioration de la formation des enseignants.
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Guimarães, Joice Eloi. "DIALOGISMO E VALORAÇÃO." Cadernos de Linguagem e Sociedade 19, no. 2 (October 10, 2018): 178–96. http://dx.doi.org/10.26512/les.v19i2.16911.
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Em 2017 houve, na conjuntura política da Coreia do Sul, o impeachment da presidente Park Geun-hye. Esse contexto serviu de tema para as produções elegidas aqui como objeto de análise: enunciados escritos por alunos sul-coreanos aprendentes de língua portuguesa. A metodologia utilizada fundamenta-se na perspectiva sócio-histórica. Tomando como referência a teoria do dialogismo de Mikhail Bakhtin, o foco desta investigação é o enunciado concreto, em sua dimensão extraverbal, no intuito de compreender as valorações positivas acerca desse tema presentes nos textos. A análise das produções demonstra que os sujeitos integrantes desta pesquisa apresentam uma opinião favorável ao impeachment e que seus enunciados são construídos no estabelecimento de relações dialógicas com as vozes presentes nas esferas da sociedade coreana.
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Mendes, Conrado Moreira. "Dialogismo e tensividade." Estudos Semióticos 10, no. 2 (December 13, 2014): 45. http://dx.doi.org/10.11606/issn.1980-4016.esse.2014.90145.
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Neste artigo, articula-se a noção de dialogismo, advinda das teorias do Círculo de Bakhtin, com o conceito de tensividade, desenvolvido no âmbito da semiótica de vertente tensiva. Propõe-se que, em se tratando do fait divers, relações dialógicas, que constituem qualquer dizer, sobredeterminam a expectativa, o querer-saber, do enunciatário desse gênero do discurso, tornando-a mais intensa, tônica. Para verificar tal<br />proposta, apresenta-se um diálogo do relato sobre o Caso Isabella Nardoni, televisionado pelo Jornal Nacional, da TV Globo, com dois contos dos Irmãos Grimm (2012) e com a tipologia do romance policial, prevista por Todorov (2006). Pelo que se pode demonstrar por meio das análises realizadas, relações dialógicas – do âmbito do interdiscurso – repercutem no intradiscurso em termos de tensividade, isto é, de gradientes de intensidade e extensidade.
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Gatti, José. "Dialogismo e sincretismo: (re)definições." Bakhtiniana: Revista de Estudos do Discurso 11, no. 3 (December 2016): 59–79. http://dx.doi.org/10.1590/2176-457324843.
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RESUMO Este trabalho busca uma definição adequada para sincretismo dentro do contexto teórico sugerido pelo dialogismo. Um dos focos está no exame do sincretismo como possível operação dialética, à qual tem sido frequentemente associado. Esta discussão também aponta para o sincretismo na análise de práticas culturais. Para tanto, recorre ao pensamento de Mikhail Bakhtin assim como a trabalhos de estudiosos de sua obra.
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Lauriti, Nádia Conceição. "Bakhtin: do palimpsesto1 ao hipertexto." Dialogia 1 (March 27, 2008): 83–106. http://dx.doi.org/10.5585/dialogia.v1i0.824.
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Este texto faz uma incursão por alguns dos conceitos mais produtivos de Mikhail Bakhtin como dialogismo, polifonia, intertextualidade e cronotopo, freqüentes em diferentes campos do cenário epistemológico. Discute-se como o espaço hipertextual revitaliza o conceito-metáfora do palimpsesto, inaugurando uma nova forma de extra-intraintertextualidade, e possibilitando um diálogo entre diferentes tipos de textos e de textualidades (verbais e não-verbais).
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Viljoen, H. "Membraan, dialoog, Ians - Bakhtin/Venter." Literator 19, no. 3 (April 30, 1998): 139–50. http://dx.doi.org/10.4102/lit.v19i3.563.
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Membrane, dialogue, lance – Bakhtin/Venter In this article the short story “Die enigste” ("The only one") from the collection Oop toe (Open closed) (1990) by De Waal Venter is read in dialogue with Mikhail Bakhtin’s essay "From the prehistory of novelistic discourse" (1981). The citation of another’s discourse is very obvious in the story, especially in the way Leichtfinger’s theory of membranes is cited. Citing this (fictive) theory has a strong seductive appeal, and forms but part of the way the male discourse of penetration is dialogized here - i.a. in the courtly discourse the story adopts. The story in the end shows up the essence of dialogism - that is, exposing lofty discourse to the corrective of the fullness of life. The confrontation of the story with Bakhtin’s ideas, taking theory not very seriously but seriously enough, is also a plea for more space for literary-theoretical work in South Africa.