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Dissertations / Theses on the topic 'Dialogues of the dead'

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1

Peckmann, Tanya Rochelle. "Dialogues with the dead : an osteological analysis of the palaeodemography and life history of the 18th and 19th century northern frontier in South Africa." Doctoral thesis, University of Cape Town, 2002. http://hdl.handle.net/11427/3192.

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Bibliography: leaves 170-187.<br>Osteological, dental, and molecular analyses were conducted on remains from seven historical archaeological sites within South Africa. The emphasis was on the collection of lifestyle data for the purpose of adding to the unwritten history of indigenous South African peoples and to give voice to a once forgotten group of peoples. The demographic distribution reveals three different community dynamics: the Griqua sample are a pastoralist group incorporating some agricultural activities, the Colesberg individuals are an indigenous group resembling a migrant worker
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2

Campos, Rafael de. "AS RELAÇÕES INVERTIDAS NO HADES: HUMOR IRÔNICO E CRÍTICA SOCIAL NA NARRATIVA DO HOMEM RICO E DO POBRE LÁZARO." Universidade Metodista de São Paulo, 2014. http://tede.metodista.br/jspui/handle/tede/297.

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Made available in DSpace on 2016-08-03T12:19:37Z (GMT). No. of bitstreams: 1 Rafael de campos.pdf: 1311203 bytes, checksum: b3232f810f71905e02390aaa8da9e60c (MD5) Previous issue date: 2014-03-18<br>This dissertation focuses on the micronarrative of The Rich Man and Lazarus in Luke 16. 19-31. The relationship between the two characters in the narrative is inverted, suggesting an ironic tone of the Lukan narrator. The inversion puts them in the same place, Hades, but in different positions, creating a conflict in the narrative. We attempted to observe the reason for this inversion, its role an
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Lapusneanu, Lucia. "Expressive dialogues." Master's thesis, Universidade de Lisboa, Faculdade de Arquitetura, 2017. http://hdl.handle.net/10400.5/15411.

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Dissertação de Mestrado Integrado em Arquitetura, com a especialização em Interiores e Reabilitação do Edificado apresentada na Faculdade de Arquitetura da Universidade de Lisboa para obtenção do grau de Mestre.<br>Desde os tempos antigos até ao presente, a evolução da arte e da arquitetura sempre teve caminhos promissores de correlação. Além de mudanças permanentes, elas pretendiam atingir os mesmos objetivos e valores na criação de obras memoráveis e únicas de cultura. A sua compatibilidade foi demonstrada na interrelação de apoio mútuo. A seguinte tese de mestrado de natureza teórica procu
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Ash, Romy Alice. "Dead drunk /." Connect to thesis, 2008. http://repository.unimelb.edu.au/10187/4008.

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5

Villegas, Esperanza. "Dead Reckoning." Digital Commons at Loyola Marymount University and Loyola Law School, 2010. https://digitalcommons.lmu.edu/etd/65.

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6

Olivo, Ana Maria de Souza. "Dead weight." reponame:Repositório Institucional da UFSC, 2017. https://repositorio.ufsc.br/xmlui/handle/123456789/177599.

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Dissertação (mestrado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão, Programa de Pós-Graduação em Inglês: Estudos Linguísticos e Literários, Florianópolis, 2017.<br>Made available in DSpace on 2017-07-18T04:15:55Z (GMT). No. of bitstreams: 1 347091.pdf: 2739967 bytes, checksum: 8d598f3f7fdfd52b6c7ea851110e9a12 (MD5) Previous issue date: 2017<br>Historicamente e culturalmente, corpos mais pesados foram por vezes considerados sinônimos de beleza, fortuna e até saúde. Recentemente, apesar da natureza obesificante das sociedades neoliberais, que nos oferece uma gra
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Plantenberg, Joan. "Playing Dead." Digital Commons at Loyola Marymount University and Loyola Law School, 1995. https://digitalcommons.lmu.edu/etd/860.

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8

Palkay, Arlene. "Dead Heat." Digital Commons at Loyola Marymount University and Loyola Law School, 1985. https://digitalcommons.lmu.edu/etd/811.

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9

Hackett, Ann. "Play Dead." ScholarWorks@UNO, 2017. https://scholarworks.uno.edu/td/2407.

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10

Denaro, Chris. "Dialogues with the prototype." Queensland University of Technology, 2007. http://eprints.qut.edu.au/16553/.

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This exegesis traces a path through the production of an animated work, and discusses the evolution of an individual production workflow that refigures the industrial animation process of prototyping. By incorporating spontaneity within the animation workflow, the creative output of the project focusses on the development of a series of non-narrative, process-driven temporal constructions that fuse form and process. The creative work occupies 75% of this Masters project, and the exegesis 25% (7500 Words)
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Farrar, Joyce Priscilla Jane. "Different dialogues of participation." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape3/PQDD_0020/MQ49565.pdf.

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12

Achkar, Morhaf Al. "Critical Dialogues and Reflections." Thesis, Indiana University, 2018. http://pqdtopen.proquest.com/#viewpdf?dispub=10930832.

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<p> Medicine and medical education have become technicized. Aspects of the subjective and normative worlds are shoved to the side or annulled. Doctors and medical students are reduced to &ldquo;specialists without spirits.&rdquo; Patients are objectified and dehumanized. &ldquo;Critical dialogue and reflections&rdquo; is an attempt to call out the inadequacies of our current framework of thinking about medicine and medical education, written by someone who is a patient, a doctor, an educator, and a researcher. This is a two-paper dissertation. The first paper is a conversation in <i>critical</
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13

Smith, Winslow Mungall. "Visual and literary dialogues." Thesis, Boston University, 2006. https://hdl.handle.net/2144/27776.

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Boston University. University Professors Program Senior theses.<br>PLEASE NOTE: Boston University Libraries did not receive an Authorization To Manage form for this thesis. It is therefore not openly accessible, though it may be available by request. If you are the author or principal advisor of this work and would like to request open access for it, please contact us at open-help@bu.edu. Thank you.<br>2031-01-02
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14

Azevedo, Martin James. "100 Dialogues: 100 Dialects." The Ohio State University, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=osu1343819615.

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15

Fan, Xiuyi. "Assumption-based argumentation dialogues." Thesis, Imperial College London, 2012. http://hdl.handle.net/10044/1/10560.

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Formal argumentation based dialogue models have attracted some research interests recently. Within this line of research, we propose a formal model for argumentation-based dialogues between agents, using assumption-based argumentation (ABA). Thus, the dialogues amount to conducting an argumentation process in ABA. The model is given in terms of ABA-specific utterances, debate trees and forests implicitly built during and drawn from dialogues, legal-move functions (amounting to protocols) and outcome functions. Moreover, we investigate the strategic behaviour of agents in dialogues, using strat
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Nhu, Viet Hung. "Dialogues numériques entre échelles tribologiques." Phd thesis, INSA de Lyon, 2013. http://tel.archives-ouvertes.fr/tel-00876855.

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En tribologie, la modélisation numérique est aujourd'hui un outil indispensable pour étudier un contact afin de pallier les limites expérimentales. Pour comprendre de mieux en mieux les phénomènes mis en jeu, les modèles ne se situent plus à une seule échelle, mais en font intervenir plusieurs, rendant plus que jamais le concept de triplet tribologique incontournable. Travaillant avec cette philosophie et en se basant sur l'approche Non Smooth Contact Dynamics, dont nous rappelons les grandes lignes, nous proposons de franchir deux cas: proposer des modèles offrant des résultats quantitatifs e
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Gera, Deborah Levine. "The dialogues of the Cyropaedia." Thesis, University of Oxford, 1987. http://ora.ox.ac.uk/objects/uuid:fd2e7159-de3a-4186-9d4f-f320eec2a40a.

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This thesis is an examination of the dialogues of Xenophon's Cyropaedia. Chapter I opens with a brief introduction to the Cyr. - its genre, date, epilogue and place in modern scholarship. The second half of the chapter is devoted to an overall survey of the work's dialogues. The dialogues are listed and divided into seven main categories; various formal features of the dialogues - their length, number of speakers, presence of an audience, dramatic background etc. - are noted. The second chapter deals with the "Socratic" or didactic dialogues of the Cyr. These conversations are first compared t
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Nyce, Dorothy Yoder. "Dialogues to foster interreligious understanding." Theological Research Exchange Network (TREN), 1997. http://www.tren.com.

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19

Brandwood, Leonard. "The chronology of Plato's dialogues /." Cambridge : Cambridge university press, 1990. http://catalogue.bnf.fr/ark:/12148/cb36656709r.

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20

Shen, Yuan Kui. "Identifying power relationships in dialogues." Thesis, Massachusetts Institute of Technology, 2011. http://hdl.handle.net/1721.1/68178.

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Thesis (Ph. D.)--Massachusetts Institute of Technology, Dept. of Electrical Engineering and Computer Science, 2011.<br>This electronic version was submitted by the student author. The certified thesis is available in the Institute Archives and Special Collections.<br>Cataloged from student submitted PDF version of thesis.<br>Includes bibliographical references (p. 175-179).<br>Understanding power relationships is an important step towards building computers that can understand human social relationships. Power relationships can arise due to dierences in the roles of the speakers, as between b
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21

Ozkan, Nadine. "Analyses communicationnelles de dialogues finalisés." Grenoble INPG, 1994. http://www.theses.fr/1994INPG0112.

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Le travail porte sur l'analyse de dialogues finalises dans une perspective communicationnelle. La demarche est empirique: constitution, segmentation et analyses de dialogues humains autour d'une tache. Les analyses sont communicationnelles: elles se focalisent sur l'effet, sur le dialogue, des relations entre interlocuteurs et de leurs connaissances communes
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22

Hadjinikolis, Christos. "Persuasion dialogues & opponent modelling." Thesis, King's College London (University of London), 2015. http://kclpure.kcl.ac.uk/portal/en/theses/persuasion-dialogues--opponent-modelling(5bc92fbb-0a78-4484-832f-50f63d827766).html.

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This thesis orients around argumentative characterisations of logical non-monotonic reasoning, focusing on the arbitration between conflicting claims. These characterisations are studied in terms of ar- gumentation systems. In this context, groups of inference patterns, composed of arguments for and against a claim, are produced and evaluated for the purpose of testing the acceptability of that claim. The objective of this thesis is to investigate the generalisation of argumentation systems to communicative (dialogical) interactions, in which the reasoning process is distributed among opposing
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Nhu, Viet-Hung. "Dialogues numériques entre échelles tribologiques." Thesis, Lyon, INSA, 2013. http://www.theses.fr/2013ISAL0043/document.

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En tribologie, la modélisation numérique est aujourd'hui un outil indispensable pour étudier un contact afin de pallier les limites expérimentales. Pour comprendre de mieux en mieux les phénomènes mis en jeu, les modèles ne se situent plus à une seule échelle, mais en font intervenir plusieurs, rendant plus que jamais le concept de triplet tribologique incontournable. Travaillant avec cette philosophie et en se basant sur l'approche Non Smooth Contact Dynamics, dont nous rappelons les grandes lignes, nous proposons de franchir deux cas: proposer des modèles offrant des résultats quantitatifs e
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24

Bimber, Jayson. "Good is dead /." Online version of thesis, 2007. http://hdl.handle.net/1850/5278.

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25

Eckerd, John. "Collect Your Dead." Digital Commons @ Butler University, 2017. https://digitalcommons.butler.edu/grtheses/488.

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Since the bizarre disappearance of his wife, mountaineer Abbot Boone's life has spiraled into a pit of alcoholism and alienation. But then a wealthy and desperate widow hires Boone for an impossible task: to recover her husband's dead body from the peaks of Mount Everest. With nothing to lose and debts mounting, Boone enlists a team of exiles and misfits to attempt the climb. But if Boone is to conquer the mountain, he will first have to survive the pressure cooker of Everest Base Camp, brutal subzero temperatures, and ultimately confront the mystery of his own grief
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26

Reeder, Connie. "Jack is Dead." ScholarWorks@UNO, 2008. http://scholarworks.uno.edu/td/669.

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Kareska, Lane Talbot. "Dead Wolf City." OpenSIUC, 2011. https://opensiuc.lib.siu.edu/theses/577.

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Professional thief Arthur Hellry embarks on a global manhunt to find those who betrayed and left him for dead. His only clue is a garbled radio transmission of the words "Dead Wolf City." It's a phrase that has not been heard in years, not since a cult of Nazi mystics disappeared into the Middle East.
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28

Mallernee, Alexa Rae. "Poor Dead Jar." PDXScholar, 2015. https://pdxscholar.library.pdx.edu/open_access_etds/2301.

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The poems contained in this collection attempt to enact the dizzying experience of being a thing of consciousness in the world, the strangeness of navigating life as a body among bodies. In doing so, they stumble over, into and through themes of relation, grief, solitude, ritual, identity, perception, failure, idolatry and survival, among other things.
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29

Eiben, Robert Joseph. "Understanding Dead Languages." Thesis, Virginia Tech, 2005. http://hdl.handle.net/10919/32798.

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Dead languages present a case where the original language community no longer exists. This results in a language for which the evidence is limited by the paucity of surviving texts and in which no new linguistic uses can be generated. Ludwig Wittgenstein argued that the meaning of language is simply its use by a language community. On this view a dead language is coextensive with the existing corpus, with the linguistic dynamic provided by the community of readers. Donald Davidson argued that the meaning of language is not conventional, but rather is discovered in a dynamic process of â p
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30

McNally, Paul. "The milkman's dead." Master's thesis, University of Cape Town, 2011. http://hdl.handle.net/11427/12300.

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31

Feltner, Jamie. "Dead to You." University of Dayton / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=dayton1303991023.

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Carter, Justin Ryan. "Assume Deer Dead." Bowling Green State University / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1395065120.

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Empson, C. J. "The enemies of the dead in the Book of the Dead." Thesis, Swansea University, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.636901.

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The Book of the Dead contains references to many sentient enemies who may harm the deceased. This study aims to elucidate the nature of these beings in the Book of the Dead of the New Kingdom. They fall into two basic types, apotropaic and chaotic. Chaotic beings are those who try to destroy the created world while apotropaic beings protect against this threat. The deceased has to pass tests, usually based on mythical knowledge, before the apotropaic entities will allow him to pass. Once he passes them by they protect him also. I consider the Egyptian conception of the personality as it is thi
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Nugent, Ruth. "Handling the dead : a haptic archaeology of the English Cathedral dead." Thesis, University of Chester, 2015. http://hdl.handle.net/10034/620390.

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This thesis takes a longue dureé approach to the manifold ways in which those engaging with English cathedrals have been able to physically interact with the bodies, burials, and monuments of the dead. Three themes are explored to that effect: Haptic Experiences, Haptic Interactions, and Haptic Connections. Haptic Experiences takes a fresh, nuanced look at the evolution of English shrine architecture in relation to tensions between the sight and touch of pilgrims. Haptic Interactions employs new and different data surveyed from monuments within five cathedral interiors: historic graffiti, icon
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Touizrar, Mohamed. "String Quartet No. 1: dialogues funerailles." Thesis, McGill University, 2012. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=107665.

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String Quartet No. 1: Dialogues Funérailles is a composition that models the predominantly narrative dialectic of the string quartet genre. Dialectic is modeled from the structural level of the piece through to the surface interaction of the four instruments. The pitch plan involves a four-stage pitch structure whose final stage produces two contrasting pitch fields (A and B). Each of the five movements of the quartet takes a different view of the pitch system, creating a formal dialogue between five entities, whose topic is explored through textural changes and contrasting uses of the overa
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Taylor, Glen. "Depicting difference : domestic dialogues in Ethiopia." Thesis, Glasgow School of Art, 2009. http://radar.gsa.ac.uk/4931/.

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37

Pasqualoni, Anthony Michael. "Collection and division in Plato's Dialogues." Thesis, University of Edinburgh, 2016. http://hdl.handle.net/1842/22927.

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Plato describes a way of reasoning that comprises two complementary operations, collection and division. Collection unifies many into one while division divides one into many. In other words, while collection brings together many parts into a whole, division divides a whole into many parts. While Plato goes into some detail in his observations on collection and division, several questions remain unanswered. More specifically, the means by which collection and division operate, their product, and their relation to deductive and non-deductive reasoning are uncertain. The purpose of this study is
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38

Queudot, Marie-Florence. "La théâtralité des dialogues chez Diderot." Paris 4, 1991. http://www.theses.fr/1990PA040132.

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Les dialogues de Diderot (Le neveu de Rameau, Jacques le fataliste, Mystification, Ceci n'est pas un conte, Madame de la Carlière, Le supplément au voyage de Bougainville, l'entretien entre d'Alembert et Diderot, le rêve de d'Alembert, la suite de l'entretien, l'entretien d'un père avec ses enfants, l'entretien d'un philosophe avec la maréchale***) n'ont pas été écrits pour la scène. Le succès qu'ils rencontrent aujourd'hui au théâtre pose la question de leur théâtralité. L'analyse des éléments de structure du dialogue (action, temps et lieu), met en évidence une multiplication du spectacle :
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Saïd, Gabrielle. "Dialogues de textes et écritures caribéennes." Cergy-Pontoise, 2003. http://www.theses.fr/2003CERG0208.

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La notion de " dialogues textuels " semble particulierement operante en ce qui concerne la litterature caribeenne de langue franÇaise dont les frontieres poreuses et mouvantes invitent au questionnement. Chaque Œuvre de notre corpus demande a etre etudiee sur le double plan de la diachronie et de la synchronie. La premiere partie presente les environnements litteraires " sources ", substrats de la reecriture : la tempete de shakespeare, l'histoire des proces de salem et ses mises en recit, les contes de ti jean ; et elle se termine sur une etude de l'intertextualite comme mode d'ecriture. Dans
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Balansard, Anne. "Technè dans les dialogues de platon." Paris 10, 1997. http://www.theses.fr/1997PA100197.

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La question de la techne dans les dialogues de platon n'est pas ignoree de la critique, que la perspective adoptee soit historique (place du concept dans une histoire des techniques et des mentalites), ou philosophique (fonction du concept dans la philosophie platonicienne, et plus particulierement, fonction du paradigme technique dans la fondation de l'ethique socratique). Ces deux perspectives presentent toutefois le meme defaut : la comprehension de la techne dans les dialogues est embarrassee de presupposes modernes sur la technique definie comme processus, procedes methodiques employes a
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Johansson, Sara, and Bachelder Kim Malmsjö. "Gender Bias in EFL Textbook Dialogues." Thesis, Malmö högskola, Lärarutbildningen (LUT), 2009. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-30832.

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This degree project is a quantitative study of dialogues and speaking exercises in twelve EFL textbooks used in secondary schools in Sweden. The chosen textbooks are from the four textbook series Happy, Time, Whats’s Up? and Wings Base Book. The aim is to investigate if there is any over-representation of female or male characters in the textbook dialogues. We will be looking at four different typologies, namely the number of initiated dialogues, turns taken, number of characters and words used. Previous research concerning classroom interaction, scholastic performance, textbooks and textbook
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Danielewicz, Joseph Robert. "Parody as Pedagogy in Plato's Dialogues." The Ohio State University, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=osu1429860470.

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Medellin, Gasque Angel Rolando. "Argumentation-based dialogues over cooperative plans." Thesis, University of Liverpool, 2013. http://livrepository.liverpool.ac.uk/12673/.

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If autonomous agents operating with other agents in open systems are to fulfil their goals and design objectives, the need to discuss and agree upon plans of action is imperative. In this thesis I present work covering both theoretical research and practical development related to the use of argumentation-based dialogues as a way to coordinate actions in multi-agent planning scenarios. The necessity of coordination in multi-agent systems requires the development of mechanisms to propose, modify, share, monitor, and argue about plans. In this thesis I present an argumentation scheme to propose
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Lewis, Micah S. "Dynamic Dead Variable Analysis." Diss., CLICK HERE for online access, 2005. http://contentdm.lib.byu.edu/ETD/image/etd1000.pdf.

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Jansson, Joel. "Dead Reckoning i bilspel." Thesis, University of Skövde, School of Humanities and Informatics, 2008. http://urn.kb.se/resolve?urn=urn:nbn:se:his:diva-1113.

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<p>Denna rapport handlar om dead reckoning i bilspel. En rad nätverkstekniker tas upp grundligt, och fem olika versioner av dead reckoning implementeras, provkörs och utvärderas. En nätverkssimulator har skapats för att provköra algoritmerna i och datan från dessa provkörningar ligger till grunden för en analys av de olika implementationerna. De testas bland annat mot konsistens och bandbreddsåtgång. SimBins GTR Evolution har använts för att spela in loppen, och rapporten inriktar sig på hur dead reckoning fungerar i detta spel.</p>
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Hansard-Weiner, Sonja. "In the dead season." ScholarWorks@UNO, 2003. http://louisdl.louislibraries.org/u?/NOD,32.

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Thesis (M.F.A.)--University of New Orleans, 2003.<br>Title from electronic submission form. "A thesis ... in partial fulfillment of the requirements for the degree of Master of Fine Arts"--Thesis t.p. Vita. Includes bibliographical references.
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Becerra, Martin. "Not Dead At All." Digital Commons @ East Tennessee State University, 2014. https://dc.etsu.edu/etd/2370.

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Not Dead At All is a nontraditional thesis, a creative product, the result of a combination of media production and social research. This paper is an attempt to explain the creative and production process behind the creation of an original media content, using the social research as a tool to increase the likeability of our characters and therefore increase the show’s chances of success.
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Tieger, Leah. ""Animals Alive and Dead"." Thesis, University of North Texas, 2005. https://digital.library.unt.edu/ark:/67531/metadc1505217/.

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49

Bonde, Filippa, Matilda Nyström, and Beatrice Webb. "Denim is not dead." Thesis, Högskolan i Borås, Institutionen Textilhögskolan, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-16832.

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För att ett företag ska kunna hålla sig flytande på marknaden idag krävs de att de har hundra procent koll på vad som sker i deras fabriker och att de strävar efter en mer hållbar tillverkningsprocess. Att försäkra konsumenterna om att fabrikerna inte använder sig av barnarbete eller dåliga arbetsförhållanden räcker inte längre utan det krävs en bredare kunskap inom miljö och hållbar utveckling för att den trogna kunden ska stanna. Syftet med denna rapport är att kontrollera det nyuppstartade företaget DENIM IS DEAD’s produktion och utvärdera om hur man kan förädla de olika processtegen samt s
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50

Wang, Chenxue. "Living with the dead." Thesis, Massachusetts Institute of Technology, 2017. http://hdl.handle.net/1721.1/109013.

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Thesis: M. Arch., Massachusetts Institute of Technology, Department of Architecture, 2017.<br>Cataloged from PDF version of thesis.<br>Includes bibliographical references (page [77]).<br>This thesis seeks to reimagine the space for the anonymous dead in New York City by proposing a new scenario for burial on Manhattan, which reconnects the alienated community and program to the heart of the city and other civic activities. The construction of the architecture proceeds as the substances transformed from human bodies accumulate. The processes of the transformation are embraced to perform new rit
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