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Journal articles on the topic 'Dialogues of the dead'

Author: Grafiati

Published: 4 June 2021

Last updated: 11 February 2022

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1

Curley, Edwin. "Dialogues with the dead." Synthese 67, no. 1 (1986): 33–49. http://dx.doi.org/10.1007/bf00485508.

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Brant, Clare, James Metcalf, and Jane Wildgoose. "Life Writing and Death: Dialogues of the Dead." European Journal of Life Writing 9 (July 6, 2020): LW&D1—LW&D18. http://dx.doi.org/10.21827/ejlw.9.36938.

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One thing in life we can be certain of: death. But how we talk about death—its inevitability, its causes and its course, its effects, or its places—is susceptible to changing cultural conditions. Reviewing a history of death that begins in prehistory, the distinguished historian of death Thomas Laqueur doubts it is possible to comprehend (in both senses) the topic: ‘Our awareness of death and the dead stands at the edge of culture. As such they may not have a history in the usual sense but only more and more iterations, endless and infinitely varied, that we shape into n engagement with the pa

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3

Silva, Rafael Guimarães Tavares da. "The laughter within the Dialogues of the dead." Revele: Revista Virtual dos Estudantes de Letras 8 (January 23, 2015): 232. http://dx.doi.org/10.17851/2317-4242.8.0.232-246.

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The Dialogues of the Dead are among the most popular and controversial works of the corpus lucianeum. This article’s aim is to explicit and analyze the different aspects of laughter in these dialogues (besides their philosophical implications), in order to provide a new comprehension of problems and difficulties often associated with this work. We may also mention and deal with some of the main themes displayed throughout the dialogues: self-knowledge, mortality, greed and vanity, for example. Besides, we try to delineate a different way of understanding Lucian’s attitude towards philosophical

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4

Shams, Fatemeh. "Dialogues with the Dead: Necropoetics of Zahra’s Paradise." Iranian Studies 53, no. 5-6 (2019): 893–909. http://dx.doi.org/10.1080/00210862.2019.1689809.

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5

Mikhailova, Elena A. "Peter I and the Peter's Era in ‘Dialogues of the Dead’ (Based on Materials from the Manuscripts Department of The National Library of Russia)." Two centuries of the Russian classics 3, no. 1 (2021): 224–43. http://dx.doi.org/10.22455/2686-7494-2021-3-1-224-243.

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The personality of Peter I and the realities of the Peter's era were reflected in the original genre, which is on the verge of historical science and literature, — “Dialogues of the Dead.ˮ This genre became widespread in Europe at the end of the 17th – first half of the 18th century. It is generally accepted that “Dialoguesˮ appeared in Russia in the middle of the 18th century in journal publications — translations of satirical works of Lucian and Fontenelle, as well as imitations of them. However, archival materials testify that “Dialoguesˮ existed in the Russian manuscript tradition in the f

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6

Epstein, Charlotte. "Book Review: Of Disciplinary Dialogues and Definitional Dead-ends." Political Theory 49, no. 5 (2021): 883–93. http://dx.doi.org/10.1177/0090591721999842.

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7

Urválková, Zuzana. "Die Dialoge des Lukian von Samosata im literarischen Kontext des tschechischen Klassizismus." Zeitschrift für Slawistik 65, no. 1 (2020): 21–59. http://dx.doi.org/10.1515/slaw-2020-0002.

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SummaryThe study is focused on the reception of the then-popular Dialogues of the Dead / Conversations by Syrian philosopher and rhetorician Lucian of Samosata (120 AD-180 AD) in Czech literature on the turn of the 18th and 19th centuries, with occasional insight into the intermediary French and German reception. Thanks to their linguistic refinement, Lucian’s dialogues quickly became a popular reading for the learning of Greek at the time, and in the 18th century, they contributed significantly to the development of journalism. This tendency was also present in the revivalist journal Hlasatel

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8

Nelson, Nicolas H. "Dramatic Texture and Philosophical Debate in Prior's Dialogues of the Dead." Studies in English Literature, 1500-1900 28, no. 3 (1988): 427. http://dx.doi.org/10.2307/450594.

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9

Mundy, Barbara E. "Dialogues." Latin American and Latinx Visual Culture 2, no. 4 (2020): 55–60. http://dx.doi.org/10.1525/lavc.2020.2.4.55.

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This collection of essays reconsiders a seminal 1961 article by George Kubler, the most important art historian of Latin America of the English-speaking world at the time of its writing. Often greeted with indifference or hostility, Kubler’s central claim of extinction is still a highly contested one. The essays in this section deal with Kubler’s reception in Mexico, the political stakes of his claim in relation to indigeneity, as well as the utility of Kubler’s categories and objects of “extinction” beyond their original framing paradigm.

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10

Vasilakis, Dimitrios. "From Writing to Philosophizing: A Lesson from Platonic Hermeneutics for the Methodology of the History of Philosophy." Conatus 5, no. 2 (2020): 133. http://dx.doi.org/10.12681/cjp.23490.

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In this paper, I try to exploit some lessons drawn from reading Plato in order to comment on the methodological ‘meta-level’ regarding the relation between philosophizing and writing. After all, it is due to the medium of written word that we come to know past philosophers. I do this on the occasion of the ostensible conclusion in Plato’s Meno. This example illuminates the ‘double-dialogue’ hermeneutics of Plato and helps to differentiate Plato’s dialogues from dialogical works written by other philosophers, such as Berkeley. As a result, it becomes clear that, like with Plato’s case, a histor

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Lapintie, Kimmo. "Dialogues of the Deaf." disP - The Planning Review 52, no. 3 (2016): 6–7. http://dx.doi.org/10.1080/02513625.2016.1235865.

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12

Wilke, Carsten. "Dialogues of the Dead: Talking Epitaphs by Sephardi and Ashkenazi Rabbis of Hamburg." Zutot 5, no. 1 (2008): 61–74. http://dx.doi.org/10.1163/187502108785807030.

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13

Emlyn-Jones, C. "Dramatic structure and cultural context in Plato's Laches." Classical Quarterly 49, no. 1 (1999): 123–38. http://dx.doi.org/10.1093/cq/49.1.123.

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The characters in Plato's Socratic Dialogues and the sociocultural beliefs and assumptions they present have a historical dramatic setting which ranges over the last quarter of the fifth century b.c.—the period of activity of the historical Socrates. That this context is to an extent fictional is undeniable; yet this leaves open the question what the dramatic interplay of (mostly) dead politicians, sophists, and other Socratic associates—not forgetting Socrates himself—signifies for the overall meaning and purpose of individual Dialogues. Are we to assume, with a recent study, that Plato is en

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14

Obeyesekere, Gananath, and Piers Vitebsky. "Dialogues with the Dead: The Discussion of Mortality Among the Sora of Eastern India." Journal of the Royal Anthropological Institute 1, no. 2 (1995): 458. http://dx.doi.org/10.2307/3034754.

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15

Mudgett-DeCaro, Patricia, and T. Alan Hurwitz. "Classroom Dialogues and Deaf Identities." American Annals of the Deaf 142, no. 2 (1997): 96–99. http://dx.doi.org/10.1353/aad.2012.0640.

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16

Ramtke, Nora. "Kotzebues journalliterarisches Nachleben." Internationales Archiv für Sozialgeschichte der deutschen Literatur 44, no. 1 (2019): 3–38. http://dx.doi.org/10.1515/iasl-2019-0002.

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Abstract Introduced in response to the assassination of August von Kotzebue, the Carlsbad Decrees of 1819 marked a new era in German press and censorship history. Whereas the historical developments surrounding the Decrees have been well researched, this article traces Kotzebue’s literary afterlife by focusing on a series of fictional letters ostensibly written by the dead author. Drawing on the genre tradition of the dialogues of the dead, this fictional correspondence was published (and occasionally censored) in various periodicals of the early 1820 s and thus explored the manifold ramificat

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17

Creemers, Jelle. "Local Dialogue as a Means to Ecumenical Reception? The International and Dutch Pentecostal-Catholic Dialogues in Close-up." Exchange 42, no. 4 (2013): 366–84. http://dx.doi.org/10.1163/1572543x-12341285.

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Abstract The International Roman Catholic-Classical Pentecostal Dialogue, established in 1972, encourages the initiation of local Pentecostal-Catholic dialogues. Such dialogues are deemed important to get feedback from the grassroots and to promote reception of the irccpd’s ecumenical achievements. The Catholic-Pentecostal dialogue in the Netherlands (1999-2009) is arguably to date the prime example of such a local spin-off and its history evidences strong ties with the international dialogue. The desired feedback to the international level was virtually absent, but the usefulness of the irccp

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18

Vian, Ana. "LA VOZ DE LOS MUERTOS DE CARMEN DE BURGOS (1911), ENTRE SIGLOS, LENGUAS Y CULTURAS." Revista de Escritoras Ibéricas 6 (December 25, 2018): 37. http://dx.doi.org/10.5944/rei.vol.6.2018.22099.

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Los trece diálogos que incluye Carmen de Burgos en su obra literaria La voz de los muertos (Valencia, 1911) son piezas maestras del lucianismo dialógico de inicios del siglo XX. Se analizan aquí las relaciones literarias que la autora establece con sus modelos declarados (Sócrates, Platón, Parini, Leopardi) y con otros que, aunque no se mencionen explícitamente (Luciano, Fontenelle, Voltaire), son imprescindibles para comprender los cambios ideológicos y estéticos de esta tradición dialógica milenaria a la altura de la Edad de Plata.Palabras clave: Carmen de Burgos. La voz de los muertos. Luci

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19

Miola, Robert S. "Ben Jonson's Reception of Lucian." Ben Jonson Journal 26, no. 2 (2019): 159–79. http://dx.doi.org/10.3366/bjj.2019.0253.

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Throughout his career Ben Jonson drew variously upon Lucian, whom he encountered in the mythographies as well as in several Greek and Latin editions he owned. Jonson's receptions take the form of glancing reminiscence in the masques, as Lucian supplies mythological decoration and literary conceit. They appear as transformative allusion in Cynthia's Revels, which draws upon several satirical Dialogues of the Gods, and in The Staple of News, which re-appropriates a favorite satirical dialogue, Timon, the Misanthrope, to satirize the greed of the news industry. Jonson practices an extended and cr

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20

Sallah, Tijan M. "Dialogue With My Dead Grandfather." Appalachian Heritage 15, no. 1 (1987): 5. http://dx.doi.org/10.1353/aph.1987.0123.

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21

Ebersole, Gary L. "Dialogues with the Dead: The Discussion of Mortality among the Sora of Eastern India. Piers Vitebsky." Journal of Religion 75, no. 3 (1995): 450–51. http://dx.doi.org/10.1086/489661.

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22

GREGORY, C. A. "Dialogues with the Dead: The Discussion of Mortality among the Sora of Eastern India . PIERS VITEBSKY." American Ethnologist 23, no. 1 (1996): 193–95. http://dx.doi.org/10.1525/ae.1996.23.1.02a00830.

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23

Luntley, Michael. "Social science or dialogues of the deaf?" Inquiry 28, no. 1-4 (1985): 123–48. http://dx.doi.org/10.1080/00201748508602065.

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24

Ellis, Markman. ""An Author in Form": Women Writers, Print Publication, and Elizabeth Montagu's Dialogues of the Dead." ELH 79, no. 2 (2012): 417–45. http://dx.doi.org/10.1353/elh.2012.0012.

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25

Mazella, David. "Diogenes the Cynic in the Dialogues of the Dead of Thomas Brown, Lord Lyttleton, and William Blake." Texas Studies in Literature and Language 48, no. 2 (2006): 102–22. http://dx.doi.org/10.1353/tsl.2006.0008.

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26

Stein, Robert. "Brett Dean round-up, BBCSO, Barbican Centre, London." Tempo 69, no. 273 (2015): 35–36. http://dx.doi.org/10.1017/s0040298215000121.

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Brett Dean's interests in writing his new cantata The Last Days of Socrates were both political and sonic. Coming across an old edition of philosophical dialogues by Plato with this title, the composer was taken particularly by The Apology in which Socrates's trial on a charge of ‘being a menace to society’ is dramatically recounted. Following his condemnation to death by the 501-person jury, the last dialogue in the collection Phaedo revisits Socrates in prison awaiting execution. Dean certainly has form both as a politically motivated composer – his Pastoral Symphony (2000) was a protest aga

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27

Josephs, Ingrid E. "Talking With the Dead: Self-Construction as Dialogue." Oral Versions of Personal Experience 7, no. 1-4 (1997): 359–67. http://dx.doi.org/10.1075/jnlh.7.45tal.

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28

Fuller, Hoyt. "In Reply: Of Integrity, Hope and Dead Dialogue." African American Review 50, no. 4 (2017): 495–96. http://dx.doi.org/10.1353/afa.2017.0084.

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29

Halliday, Arthur. "Bill: A Portrait of Discontinuties." European Journal of Life Writing 6 (April 8, 2017): C1—C10. http://dx.doi.org/10.5463/ejlw.6.200.

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A dialogue and a reflection are offered as a way of structuring the author’s thoughts about the life and personality of a dead friend (the dialogue), and his reflection on why he wrote the first dialogue as he did. In particular, the dialogue seeks to present the dead man as confusing to ‘read’. The reflection considers how much attention is given in the first to different aspects of the friend’s life, and offers possible reasons for these choices. Reasons include the personal characteristics of the author highlighted by his friendship with the dead man, and the author’s wish to reflect obliqu

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30

Eeten, M. J. G. van. "'Dialogues of the deaf' on science in policy controversies." Science and Public Policy 26, no. 3 (1999): 185–92. http://dx.doi.org/10.3152/147154399781782491.

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31

Smissaert, Chris, and Kari Jalonen. "Responsibility in Academic Writing: A Dialogue of the Dead." Qualitative Inquiry 24, no. 9 (2017): 704–11. http://dx.doi.org/10.1177/1077800417734008.

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Drawing on the notion of answerability introduced by Mikhail Bakhtin, this article inquires into our moral responsibility as academic writers to others for what and how we write. According to Bakhtin, it is a difficult task to be answerable from one’s unique place in being and it is tempting to seek some sort of alibi, be it a theoretical principle, an aesthetic ideal, or a larger whole, and to play the roles therein. To break away from these domains, in search of some sort of ethical authorship, we engage in a Menippean dialogue. Exploring responsibility in such a satirical dialogue creates a

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32

Schopf, Juliane, and Beate Weidner. "Pluricentriciteit in het DaF-onderwijs." Internationale Neerlandistiek 59, no. 1 (2021): 25–49. http://dx.doi.org/10.5117/in2021.1.002.scho.

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Abstract Foreign language didactics is committed to teach the variety of language that is actually used in everyday life. In this article, we study possibilities of working with authentic German dialogues in teaching contexts of German as a Foreign Language. By focusing on regional and national varieties of German in Germany, Austria and Switzerland, we examine current textbooks that claim to follow a pluricentric approach and show how they deal with the fact that spoken German is not a homogenous variety. The analysis of the teaching material reveals the problems, that working with artificial

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33

Skvortcova, Ekaterina. "Illustrations to “Dialogues of the Dead”: a Problem of the Validation of the Title of the Russian Emperor in the 18th Century." Actual Problems of Theory and History of Art 5 (2015): 503–12. http://dx.doi.org/10.18688/aa155-6-55.

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34

Ford-Smith, Honor. "Local and Transnational Dialogues on Memory and Violence in Jamaica and Toronto: Staging Letters from the Dead among the Living." Canadian Theatre Review 148, no. 1 (2011): 10–17. http://dx.doi.org/10.1353/ctr.2011.0080.

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35

Kelman, Edna. "Song, Snow, and Feasting: Dialogue and Carnival in The Dead." Orbis Litterarum 54, no. 1 (1999): 60–78. http://dx.doi.org/10.1111/j.1600-0730.1999.tb01940.x.

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36

Lander, Dorothy A., and John R. Graham-Pole. "Love Letters to the Dead: Resurrecting an Epistolary Art." OMEGA - Journal of Death and Dying 58, no. 4 (2009): 313–33. http://dx.doi.org/10.2190/om.58.4.d.

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This article explores the art of letter-writing, specifically to our beloved dead, as a form of autoethnographic research, pedagogy, and care work. As university teachers and qualitative researchers in palliative and end-of-life care, we review the literature and history of epistolary communications with the deceased, as a prelude to writing our own letters. John writes to his long-dead mother and Dorothy to her recently deceased spouse Patrick, each letter followed by a reflective dialogue between us. Through this dialogue, we highlight the potential application of this art, or handcraft, to

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37

Brummans, Boris H. J. M. "Dialoguing with the Unborn, the Unconscious, and the Dead." Departures in Critical Qualitative Research 5, no. 2 (2016): 125–33. http://dx.doi.org/10.1525/dcqr.2016.5.2.125.

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Based on a brief autoethnographic account of my interactions with persons whose responsiveness is questionable, this essay offers a critical reflection on the challenges of trying to dialogue with those who are not interlocutors in the strict sense of the term and thus provides further insight into the mysterious nature of dialogic communication.

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38

Chorney, Harold. "Critical Political Studies: Debates and Dialogues from the Left." Canadian Journal of Political Science 37, no. 4 (2004): 1051–53. http://dx.doi.org/10.1017/s0008423904400213.

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Critical Political Studies: Debates and Dialogues from the Left, Abigail B. Bakan and Eleanor MacDonald, eds., Montreal: McGill-Queen's University Press, 2002, pp. xiv, 432For political observers, scholars, analysts and practitioners on the left the last two decades have been very difficult. With the rise of globalization, the decline of the Keynesian welfare state, the triumph of Thatcherism, Reaganism and Mulroneyism and the decade long dominance of neo-liberalism in Canada, a great deal of creative rethinking has become necessary—not only for the socialist left, but also for social democrat

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39

Baldovin, John F. "III. Ecumenism, Liturgy, and Sacraments in the Twenty-Five Years since Ut Unum Sint Was Written." Horizons 47, no. 2 (2020): 325–32. http://dx.doi.org/10.1017/hor.2020.101.

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40

Brumwell, Anselm. "Review of Book: Resurrection of the Dead. Biblical Traditions in Dialogue." Downside Review 131, no. 464 (2013): 163–68. http://dx.doi.org/10.1177/001258061313146408.

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41

Mahalel, Anat Tzur. "“Are we dead?”: time in H. D.’s dialogue with Freud." International Journal of Psychoanalysis 102, no. 2 (2021): 297–314. http://dx.doi.org/10.1080/00207578.2020.1841566.

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42

Apollonov, I. A., and I. A. Chistilina. "APOPHATIC INTEGRITY OF MAN AND CULTURE IN THE DIALOGUES OF NIKOLAI BAKHTIN." Intelligence. Innovations. Investment, no. 6 (2020): 79–86. http://dx.doi.org/10.25198/2077-7175-2020-6-79.

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The article discusses the dialogical foundations of a person’s personal self-identity in the space of culture on the example of N. M. Bakhtin. The relevance of the work is associated with the increased relevance of the experience of live dialogue, which in modern information reality, on the one hand, appears as an opportunity for unprecedented self-expression and a space for communication and exchange of meanings, on the other hand, as a real danger of drowning in the cacaphony of discord and loss of oneself. The purpose of the work is through a hermeneutic reading of the works of N.M. Bakhtin

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43

Mortimer, Armine Kotin. "Dialogues of the Deaf: The Failure of Consolation in Les Liaisons dangereuses." MLN 111, no. 4 (1996): 671–87. http://dx.doi.org/10.1353/mln.1996.0053.

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44

Generett, Gretchen Givens, and Olga M. Welch. "Transformative Leadership: Lessons Learned Through Intergenerational Dialogue." Urban Education 53, no. 9 (2017): 1102–25. http://dx.doi.org/10.1177/0042085917706598.

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The purpose of this article is twofold. First, it sheds light on an intergenerational leadership process experienced by two African American women. This piece is a leadership story situated within a School of Education in higher education that describes the challenges faced by a Dean with many over 10 years in the role and a newly minted Associate Dean. The influence and impact of intergenerational dialogues is described as a meaningful and necessary process to better understand leadership in institutions of higher education.

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Huang, Xinting, Jianzhong Qi, Yu Sun, and Rui Zhang. "MALA: Cross-Domain Dialogue Generation with Action Learning." Proceedings of the AAAI Conference on Artificial Intelligence 34, no. 05 (2020): 7977–84. http://dx.doi.org/10.1609/aaai.v34i05.6306.

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Response generation for task-oriented dialogues involves two basic components: dialogue planning and surface realization. These two components, however, have a discrepancy in their objectives, i.e., task completion and language quality. To deal with such discrepancy, conditioned response generation has been introduced where the generation process is factorized into action decision and language generation via explicit action representations. To obtain action representations, recent studies learn latent actions in an unsupervised manner based on the utterance lexical similarity. Such an action l

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46

Karlsson, Håkan. "Anthropocentrism revisited." Archaeological Dialogues 4, no. 1 (1997): 114–19. http://dx.doi.org/10.1017/s1380203800000945.

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Before developing my comments on the Heidegger theme I would like to express my admiration for the project Julian Thomas presents in Time, culture and identity. With his point of departure in Heidegger's early reasonings, Thomas is underway on the important path of a deconstruction of the Cartesian/modern dichotomies between past-present, mind-body, nature-culture and subject-object that dominates contemporary archaeology. In short, Thomas points towards an approach, where the connection between experience-time-existence and the crucial relationship and interdependence between human being and

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47

Udagawa, Takuma, and Akiko Aizawa. "An Annotated Corpus of Reference Resolution for Interpreting Common Grounding." Proceedings of the AAAI Conference on Artificial Intelligence 34, no. 05 (2020): 9081–89. http://dx.doi.org/10.1609/aaai.v34i05.6442.

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Common grounding is the process of creating, repairing and updating mutual understandings, which is a fundamental aspect of natural language conversation. However, interpreting the process of common grounding is a challenging task, especially under continuous and partially-observable context where complex ambiguity, uncertainty, partial understandings and misunderstandings are introduced. Interpretation becomes even more challenging when we deal with dialogue systems which still have limited capability of natural language understanding and generation. To address this problem, we consider refer

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48

Cortesão, Luíza, and João Cardoso Cuale. "‘School does not teach burying the dead’: the complexity of cultural dialogue." Pedagogy, Culture & Society 19, no. 1 (2011): 119–31. http://dx.doi.org/10.1080/14681366.2011.548994.

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49

Grumley, John. "Dialogue with the Dead: Sebald, Creatureliness, and the Philosophy of Mere Life." European Legacy 16, no. 4 (2011): 505–18. http://dx.doi.org/10.1080/10848770.2011.583784.

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50

Mesch, Johanna, Eli Raanes, and Lindsay Ferrara. "Co-forming real space blends in tactile signed language dialogues." Cognitive Linguistics 26, no. 2 (2015): 261–87. http://dx.doi.org/10.1515/cog-2014-0066.

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AbstractThis article reports on a linguistic study examining the use of real space blending in the tactile signed languages of Norwegian and Swedish signers who are both deaf and blind. Tactile signed languages are typically produced by interactants in contact with each other’s hands while signing. Of particular interest to this study are utterances which not only consist of the signer producing signs with his or her own hands (or other body parts), but which also recruit the other interactant’s hands (or another body part). These utterances, although perhaps less frequent, are co-constructed,

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